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Tag Archives: The Twilight Zone

The 2015 Innie Award Nominations!

07 Friday Aug 2015

Posted by dmainhart in Innie Awards

≈ 5 Comments

Tags

2000 AD, Action Lab, Afterlife With Archie, Archie Comics, B.P.R.D.: Hell on Earth, BOOM!, Brass Sun, Brian Wood, Dan Abnett, Dan Slott, Daredevil, Dark Horse, Dave Stewart, Dry Spell, Dynamite, Eric Shanower, Francesco Francavilla, Gabriel Rodriguez, Greg Rucka, Guiu Vilanova, Hellboy and the B.P.R.D., I.N.J. Culbard, Ian Edginton, IDW, Image, Innie Awards, J. Michael Straczynski, Jordie Bellaire, Ken Krekeler, Laura Allred, Lazarus, Little Nemo: Return to Slumberland, Matt Kindt, Matt Wilson, Michael Lark, Mike Allred, Mind MGMT, Moon Knight, Nelson Daniel, Roberto Aguirre Sacasa, Silver Surfer, The Massive, The Twilight Zone, The Wicked & The Divine, Wild Blue Yonder, Wild's End, zero

The Harvey Award nominations have been announced! The Eisners are in the books! And now we offer our annual corrective: THE INNIE AWARDS!

What does ‘Innies’ stand for? Well, other than an attempt at shameless self-branding, it stands for ‘independence’! Being ‘in’ the know! Part of the ‘in’ crowd! And possessing the non-freaky type of belly button.

Since we don’t have the big-time budget of the fancy-pants Eisners or Harveys, we’ve limited ourselves to five categories.  (Sorry Best Translation of Foreign Material for Tweens!)

Keep in mind that these are for comics that were published in 2014.

If the Eisners are the Oscars, and the Harveys are the Golden Globes, then the Innies are the Independent Spirits–or at least the People’s Choice Awards!

The Nominations:

Best Limited Series:

  • Brass Sun by Ian Edginton and I.N.J Culbard (2000AD)
  • Dry Spell by Ken Krekeler (Action Lab/Danger Zone)
  • Little Nemo: Return to Slumberland by Eric Shanower and Gabriel Rodriguez (IDW)
  • The Twilight Zone by J. Michael Straczynski and Guiu Vilanova (Dynamite Entertainment)
  • Wild’s End by Dan Abnett and I.N.J Culbard (BOOM! Studios)

Best Ongoing Series:

  • Afterlife with Archie by Roberto Aguirre-Sacasa and Francesco Francavilla (Archie Horror)
  • Lazarus by Greg Rucka and Michael Lark (Image)
  • The Massive by Brian Wood and various (Dark Horse)
  • Mind MGMT by Matt Kindt (Dark Horse)
  • Silver Surfer by Dan Slott and Mike Allred (Marvel)

Best Writer:

  • Matt Kindt, Mind MGMT (Dark Horse)
  • Ken Krekeler, Dry Spell (Action Lab/Danger Zone)
  • Greg Rucka, Lazarus (Image)
  • Dan Slott, Silver Surfer (Marvel)
  • Brian Wood, The Massive (Dark Horse), Moon Knight (Marvel)

Best Artist:

  • Mike Allred, Silver Surfer (Marvel)
  • I.N.J. Culbard, Wild’s End (BOOM! Studios), Brass Sun (2000AD)
  • Francesco Francavilla, Afterlife with Archie (Archie Horror)
  • Matt Kindt, Mind MGMT (Dark Horse)
  • Gabriel Rodriguez, Little Nemo: Return to Slumberland (IDW)

Best Colorist:

  • Laura Allred, Silver Surfer (Marvel)
  • Jordie Bellaire, The Massive (Dark Horse), Moon Knight (Marvel), Zero (Image)
  • Nelson Daniel, Little Nemo: Return to Slumberland (IDW), Wild Blue Yonder (IDW)
  • Dave Stewart B.P.R.D.: Hell on Earth (Dark Horse), Hellboy & the B.P.R.D.: 1952 (Dark Horse)
  • Matthew Wilson The Wicked + The Divine (Image), Daredevil (Marvel)

Now it’s your turn. Did we miss anyone or anything?

Let the internet shouting begin!

Turning pages,

Derek & Scott

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What’s I&N Store (2/25)

24 Tuesday Feb 2015

Posted by ScottNerd in What's I&N Store?

≈ 1 Comment

Tags

Abigail and the Snowman, All-New X-Men, Archie Comics, Bodies, BOOM!, Brian Michael Bendis, Chris Samnee, Colder: The Bad Seed, comics, Daredevil, Dark Horse, Darth Vader, DC Comics, Dean Motter, Duane Swierczynski, Dynamite, Edu Menna, Eric Stephenson, Evil Empire, Greg Tocchini, IDW, Image, Jamie McKelvie, Jason Aaron, Jay Shaw, Juan Ferreyra, Kevin Eastman, Kieron Gillen, Lee Bermejo, Low, Mark Rahner, Mark Waid, Marvel, Matt Fraction, Max Bemis, Men of Wrath, Michael Gaydos, Mister X: Razed, NCBD, ODY-C, Paul Tobin, Quantum and Woody Must Die, Rasputin, Rick Remender, Riley Rossmo, Roger Langridge, Salvatore Larocca, Simon Gane, Spider-Gwen, Suiciders, Teenage Mutant Ninja Turtles, The Black Hood, The Odyssey, The Twilight Zone, The Twilight Zone: Shadow & Substance, The Wicked & The Divine, They're Not Like Us, Thor, Tom Waltz, Valiant, Vertigo, Victor Santos

This week offers up some big books–none bigger than Dean Motter’s Mister X: Razed.

Wait.  What?

You did a double-take, didn’t you?  You were expecting to read Spider-Gwen at the end of that superlative statement, weren’t you?

Ugh.

  • Colder: Bad Seed #5 (Dark Horse): Nimble Jack is back, baby!  Maybe that’ll add a little oomph to an otherwise lethargic exercise.  Tobin and Ferreyra cultivated a creepy tone early on but kind of got stuck in one place.  Man, I’d give the finger to this series, but I’d be worried about getting it back.
  • Mister X: Razed #1 (Dark Horse) Just I&N and I&N Demand It’s the first time a book has earned both enviable distinctions!  Oh, yeah, baby!  Mister X is back, and we couldn’t be any more excited!  One reason–and it’s a good one: back in 2013, Dean Motter delivered the brilliant Mr. X: Eviction, which earned the coveted #1 spot on our highly respected Top Ten list, beating out the likes of Mind MGMT, Six-Gun Gorilla, and Saga.  Now that’s gotta tell you something.  Can’t wait to see what Mr. Motter has to tell us this time around.
Mister X: Raze #1

Mister X: Razed #1

  • Bodies #8 (DC/Vertigo): Gosh.  #1 hit the shelves with such promise.  Unfortunately, the damn thing collapsed under its own weight and, as a result, has been a four-pronged slog ever since.  Glad it’s over.
  • Suiciders #1 (DC/Vertigo): Lee Bermejo’s doing his own thing.  Would be silly not to try it.
  • Teenage Mutant Ninja Turtles #43 (IDW): Reptilicious fun!  All sorts of backstabbing going on.  Good thing our favorite turtles have shells–and madd ninja skills.
  • Low #6 (Image): I’m still pretty high on Low.  Remender’s not ringing my bell anywhere else; but this diving bell of a book is tintinnabulous!
  • ODY-C #3 (Image): This gender-bending blitz on Homer’s epic is a damn siren’s song; it’s a party with the local lotophagi.  Didn’t dig it so much after the first issue.  Good thing I stuck around.
  • Rasputin #5 (Image): I’m riding it out ’til the end of the arc.  There isn’t much here that’s keeping my interest.
  • They’re Not Like Us #3 (Image) I&N Demand Deadly Class only wishes it was this good.  How would you act if you had superpowers?  Eric Stephenson’s got the answer.  Heck, it’s like a team full of feisty and rather petty Ozymandiases.  What’s going to happen when the stakes get raised?  Can’t wait to find out.
They're Not Like Us #3

They’re Not Like Us #3

  • The Wicked & The Divine #8 (Image) I&N Demand The book’s got attitude.  Yeah, this book’s a real bitch–a beautiful, effing bitch–one you’ve just desperate to have.  But even when you have it, you don’t really have it; it has you.
The Wicked & The Divine #8

The Wicked & The Divine #8

  • All-New X-Men #38 (Marvel): Chapter 4 of “The Black Vortex” crossover.  Yeah, I’m out of that loop.  Probably going to leave it on the shelf.  Hindsight is 22/22: should’ve done the same with the Ultimate waste of an arc.
  • Daredevil #13 (Marvel): Despite some strong work from Chris Samnee, the Stunt-Master arc wasn’t particularly exciting.  Reminds that Waid’s missed the mark some since making the move to the Left Coast.  This issue kicks off the final chapter of Waid and Samnee’s run.  I say perfect timing.  Speaking of perfect: how about Samnee’s cover:
Daredevil #13

Daredevil #13

  • Darth Vader #2 (Marvel): #1 was fine.  Was the Force with it?  Not so sure about that.  Got to give Gillen another go-round to see just how dark his helmet gets.
  • Men Of Wrath #5 (Marvel/Icon): I’ve enjoyed it enough.  Father-son stories always hit me where it hurts.  It’s like “Cat’s in the Cradle” but the cat’s been blown to furry bits by a blast of buckshot.  “When you comin’ home son, I don’t know when, but I’ll fill you full of lead, dad, you know I’ll shoot you in the head…”
  • Spider-Gwen #1: Ha!  Made you look!
  • Thor Annual #1 (Marvel): I’m leaning toward passing.  Annuals rarely offer anything of worth–and are rarely worth the inflated price.
  • The Black Hood #1 (Archie): Duane Swierczynski and Michael Gaydos (who took a great turn on Zero) go all X-rated for Archie Comics?  That’s right: the images, the synopsis–I’m thinking X, Swierczynski’s violent vigilante haunt over at Dark Horse.  I mean, right?
  • Evil Empire #11 (BOOM!) I&N Demand I love Evil Empire!  This month’s not-so-sheepish cover from Jay Shaw:
Evil Empire #11

Evil Empire #11

  • Quantum & Woody Must Die #2 (Valiant): As much as I wanted to not want to want to play this game of life and death with the Valiant brain trust, #1 wasn’t bad.
  • The Twilight Zone: Shadow & Substance #2 (Dynamite): Mark Rahner and Edu Menna have huge shoes to fill, mostly because the recently–and brilliantly–wrapped-up The Twilight Zone‘s Straczynski and Vilanova have big-ass feet.

 Avery’s Pick of the Week

  • Abigail and the Snowman #3 (BOOM!): My daughter’s kind of scared of the Snowman.  She has to convince herself that it’s just a cartoon–the same way she talks herself down when Marshmallow shows up in Frozen.  Still she’s made it her pick of the week.
Abigail and the Snowman #3

Abigail and the Snowman #3

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (2/18)

18 Wednesday Feb 2015

Posted by ScottNerd in What's I&N Store?

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All-New Captain America, Autumnlands: Tooth & Claw, Batman and Robin, Ben Wolstenholme, Bitch Planet, BOOM!, BPRD, Brian Michael Bendis, Brian Wood, Burning Fields, Cap Stone, Chris Bachalo, Christina McCormack, Colin Lorimer, comics, Cullen Bunn, Dan Slott, Dark Horse, Dark Horse Presents, DC Comics, Dynamite Entertainment, Gabriel Hernandez Walta, Grant Morrison, Greg Rucka, Greg Smallwood, Guiu Vilanova, Image, Iron Fist: The Living Weapon, J. Michael Straczynski, Jay Faerber, Jeff Lemire, Joe Rivera, John Arcudi, Kaare Andrews, Kelly Sue DeConnick, Kurt Busiek, Lazarus, Liam Sharp, Magneto, Marvel, Mastermen, Matt Kindt, Michael Lark, Michael Moreci, Mike Allred, Mike Mignola, Mono, Moon Knight, Paolo Rivera, Patrick Gleason, Peter J. Tomasi, Quentin Tarantino, Raze, Rick Remender, Secret Identities, Silver Surfer, Stuart Immonen, The Multiversity, The Twilight Zone, The Valiant, Tim Daniel, Titan, Uncanny X-Men, Valiant, Zoë Bell

Wednesday’s forecast for the weather outside of my local comic shop is pretty much the same as its been: as cold as can be.  (I guess someone’s gone and ticked off Elsa again.)  The forecast for inside, however, is hot hot hot!  (That’s right: the way to thaw a frozen heart is with an act of true love–in this case, a perfectly pulled bag of comics!)  Speaking of hot books: our Top Ten Books of 2014 is well represented this week.  Take a peek:

  • BPRD: Hell on Earth #128 (Dark Horse): Has been good–not great.  Definitely glad I jumped on board, though.
  • Dark Horse Presents #7 (Dark Horse): DHP has been great–especially at the new price point.  This month’s edition offers up a little Matt Kindt–and Mignola, Van Lente, Aragonés, and more!  Talk about bang for your buck!
  • Batman and Robin #39 (DC): The Action-packed cover’s very clever:
Batman and Robin #39

Batman and Robin #39

I know better, though: B&R‘s been a huge disappointment for months now.  In fact, I finally got around to dropping it from my pull list last month.  No longer under any obligation, I should leave it on the shelf and fill the void with something new.  God knows there will be plenty of players for the spot.  Image alone has a thousand new titles coming out in the next few months, so…

  • The Multiversity: Mastermen #1 (DC) Just I&N Morrison’s Multiversity has been a metafiction metahuman masterwork!  And now, Mastermen–with every-panel’s-a-pinup Jim Lee on art duties.
Multiversity: Mastermen #1

Multiversity: Mastermen #1

  • Autumnlands: Tooth & Claw #4 (Image): I can’t be the only one who’s noticed: the current arc of Astro City‘s been a bit blah; but this has been really, really good.  Coincidence?
  • Bitch Planet #3 (Image): I enjoyed #1 for all sorts of reasons (exploiting exploitation, lots of Tarantino, hints of Fraction, etc.).  Hey: borrowing works well when it works well.  Oh, but when it doesn’t…  #2 lost me from the get-go–especially as I was taken immediately to a low budget modern-day exploitation flick that I caught one night on one of the Showtime or HBO channels: Raze, starring Tarantino darling Zoë Bell.  Coincidence?
Raze (2013)

Raze (2013)

I’ll try this one and see where it takes me.

  • Lazarus #15 (Image) I&N Demand Our #2 book of 2014!  It’s what we’ve been waiting for for like, well, forever: Forever in a Trial by Combat against another Lazarus!
Lazarus #15

Lazarus #15

  • Secret Identities #1 (Image): Jay Faerber’s earned Must Try status with Copperhead.
  • All-New Captain America #4 (Marvel): I know, I know.  But it hasn’t been terrible.  And this time out, Remender’s dusting off the Armadillo!  Gotta wonder, though, what effect Secret Wars is going to have on this little experiment–and if it’s worth following a dead title shelf-sitting.
  • Iron Fist: The Living Weapon #9 (Marvel): I love what Kaare Andrews is doing with Danny Rand.  In fact, Iron Fist was my #16 book of 2014–and my third-favorite superhero monthly after Silver Surfer and Moon Knight.  High praise, indeed!
  • Magneto #15 (Marvel): Bunn’s done a nice job of telling stories from issue to issue.  He’s delivered some nice twists along the way, too.  #14 ended with Magneto’s giving himself up to S.H.I.E.L.D.  Wonder what his endgame is…
  • Moon Knight #12 (Marvel) I&N Demand Our #8 book of 2014!  #11 ended on a bit of a down note–you know, with Marc Spector falling out of a flying detention facility and all.  (Wood and Smallwood must’ve watched–and liked–Stallone’s waterlogged–yet undeniably watchable–prison break bingo, Escape Plan, as they delivered quite an homage with Spector in Stallone’s role and Khonshu in Schwarzenegger’s.)  Not looking forward to saying goodbye to Wood and Smallwood, but I am looking forward to seeing how they end their arc–and how they leave things for Cullen Bunn and Ron Ackins.  Maybe they’ll reach back to Bullet to the Head.  Or Avenging Angelo…
Moon Knight #12

Moon Knight #12

  • Silver Surfer #9 (Marvel) I&N Demand Our #4 book of 2014!  Well orchestrated fun from Dan Slott and Michael Allred!  The biggest–and best–superhero monthly around–and this issue promises to be HUGE!
Silver Surfer #9

Silver Surfer #9

  • Uncanny X-Men #31 (Marvel): Bendis is on his way out.  That promises some real havoc in the X-Universe.  No, really–look:
Uncanny X-Men #31

Uncanny X-Men #31

  • Burning Fields #2 (BOOM!): Kinda like a cross between The Killing and Homeland.  Not a bad thing.
  • Cap Stone #3 (Titan): Some real high points: the conversation between Charlie and her mom; the wild shifts in Sharp’s artwork.  Some low points, too: the conversation between Charlie and her mom; the wild shifts in Sharp’s artwork.  I loved #1.  #2, however, exposed a serious flaw: inconsistency.  Still intriguing enough, though.
  • Mono #3 (Titan): Another book from Liam Sharp that took a step back after a very promising premier.  What spoiled the sophomore offering: the conversation–coincidence?–between Heinrich and Isabella, which acts as a dragline on the storyline.  Also seems waaaaaay too serious for a book about an ape-man secret agent and assassin for the Queen, doesn’t it?  It’s so goddamned dour!  I do like the layered approach that Sharp’s taking to create the Mono myth, however.
  • The Valiant #3 (Valiant) I&N Demand I liked #1 enough–but I absolutely loved #2!  I was particularly struck by the artistic collaboration between Lemire and Kindt on the storybook section.  Sure, many of the notes that are struck remind of Lemire’s run on Animal Man; but what the hell–they work well here, so all the better!
The Valiant #3

The Valiant #3

  • The Twilight Zone #12 (Dynamite) I&N Demand Our #10 book of 2014!  This issue ends an extremely powerful arc and Straczynski and Vilanova’s superior run.  So sad to see this go.  Hmm.  Maybe–just maybe–I could travel back in time and kill another series–Dream Police, for instance–in its place…
The Twilight Zone #12

The Twilight Zone #12

What are you looking forward to this week?

Turning pages,

Scott

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I&N’s Top Ten Books of 2014

15 Sunday Feb 2015

Posted by dmainhart in I&N's Top Ten

≈ 9 Comments

Tags

1984, Action Labs, Afterlife With Archie, Alan Moore, Ales Kot, Archie, BOOM!, Brian Wood, Dan Abnett, Dan Slott, Danger Zone, Dark Horse, Declan Shalvey, Dry Spell, Dynamite, Francesco Francavilla, Garry Brown, Greg Rucka, Greg Smallwood, Guiu Vilanova, I.N.J. Culbard, Image, J. Michael Straczynski, Jamie S. Rich, Jordie Bellaire, Ken Krekeler, Lazarus, Madame Frankenstein, Marvel, Marvelman, Matt Kindt, Megan Levens, Michael Lark, Mike Allred, Mind MGMT, Miracleman, Moon Knight, Ms. Marvel, Roberto Aguirre Sacasa, Silver Surfer, The League of Extraordinary Gentlemen, The Massive, The New Deadwardians, The Twilight Zone, The War of the Worlds, The Wind in the Willows, Warren Ellis, Warrior, Watchmen, Wild's End, zero

Welcome to the 34th edition of I&N’s Top Ten Comics of the Year! Why, it seems like just yesterday we were bestowing our top honor to a little known comic from across the pond titled Warrior #1 (1982), solely for its inclusion of the work of a budding, young upstart named Alan Moore (who subsequently sent us a scroll with a nigh-illegible incantation, which was either a note of thanks or a curse from the Necronomicon; we could never tell which). While we dug his nascent V for Vendetta, it was his writing on Marvelman that enthralled. Happily, after a long absence, the original stories are finally being reprinted by Marvel Comics of all places (now re-titled Miracleman, due to the book’s long and tortured publishing history in which Marvel itself played an ignominious part). Viewed through the lens of history, this groundbreaking work has often been seen as Moore’s warm-up to his seminal, ubiquitous Watchmen. Visiting these stories afresh, however, it quickly becomes apparent that Moore’s initial go at “realistic” superheroes is as poetic, disquieting and masterful as his better-known oeuvre. Indeed, it’s a good thing we already recognized Marvelman’s greatness. Otherwise, despite Marvel’s awkward presentation (half of each issue is filler? and polybagged for no discernible reason?) these brilliant, essential tales would likely top our list again.

Speaking of which!

10. The Twilight Zone (Dynamite):

This is the dimension of J. Michael Straczynski’s imagination.  It is an area which we call the #10 book of 2014.  Returning to a creative comfort zone, J.M.S. has penned a series of meticulously plotted arcs that could easily stand as episodes of the iconic television show, each issue filled with tight twists, palpable fear, and ethical dilemmas that try and crush the souls of men and women alike.  Complementing Straczynski’s script is the gorgeous work of artist Guiu Vilanova, who draws out the fateful schemes in a realistic manner, making the unreal scenarios that much more believable–that much more frightening.  So while Straczynski might be going through the motions with some of his other titles, here he’s most assuredly in the zone.  We, unlike his protagonists, are the luckier for it; and Rod Serling’s somewhere out there in the timeless fifth dimension smiling, smoking–and waiting for the next issue of The Twilight Zone to hit the shelves.  Sadly, Straczynski and Vilanova’s terrific turn on this moralistic monster of a comic has but one issue left!  Ah, yet another cruel twist…(SC)

The Twilight Zone #4

The Twilight Zone #4

9. Wild’s End (BOOM!):

At this point, the mash-up is a long accepted (if not well-worn) artistic trope throughout all types of media. Indeed the initial collaboration between creators Dan Abnett and I.N.J. Culbard yielded The New Deadwardians, a ripping Victorian detective story simply teeming with zombies and vampires wot, wot! Wild’s End’s mix of The Wind in the Willows and The War of the Worlds may seem an unlikely entry into the burgeoning genre at first (and ill-advised besides, given Alan Moore’s own memorable War of the Worlds mash-up in The League of Extraordinary Gentlemen). But in the end, what matters, as it always has, is the telling. Abnett fully realizes the quaint comforts of his cozy anthropomorphized village, before threatening to tear it to shreds. Culbard’s rendering is uncluttered and timeless, effortlessly evoking both 19th century fairy tales and 1950’s sci-fi cinema. Most mash-ups hold their disparate elements in stark relief. The magic of this one is that it seems utterly seamless, as though these genres had been married from the start. The result is deceptively simple and completely enchanting. (DM)

Wild's End #3

Wild’s End #3

8. Moon Knight (Marvel):

It’s an I&N first!  That’s right: we’re celebrating a book that has had two different creative teams–over the course of the title’s first ten issues, no less!  Yeah, that’s usually a bad sign.  Not here, though: the launch team of Warren Ellis and Declan Shalvey rocketed this latest incarnation of the second-string, schizophrenic servant of Khonshu into lunar orbit.  In a series of connected one-offs, Ellis finds his–and Marc Spector’s–voice while favoring frugality: displaying his mastery of the craft–and enough confidence to cast a long shadow over some of his long-winded contemporaries–he wisely withdraws his words from the massive moments, not because they are unnecessary, but to allow Shalvey to shine like the fullest of moons–and shine he does, showcasing loudly his silent storytelling through striking sequences issue after issue.  Now, the news that this team was only on board for a sixer didn’t come as a surprise, but it was disappointing, especially considering what the pair had accomplished in so short a time.  The disappointment wouldn’t last long, however: the new team–Brian Wood and Greg Smallwood–came in with a clear plan and executed it with a vengeance.  They were clearly not intimidated by the work before them, and their fearlessness helped them to hit the Marc–changing the titular character to suit this new phase–one that so far reads not unlike an episode–or an arc–of The Twilight Zone.  Man, I only wish they’d gibbous more than one more issue!  (See: sticking to the motif: it’s on to a newer phase–and on to creative team number three–with #13.)  What they–both teams–have given us, however, has been superior–and vital–superhero fare; what they’ve given us is a white knight to lead us out of the dark. (SC)

Moon Knight #1

Moon Knight #1

7. Zero (Image):

Certainly the most frustrating title on our list, Ales Kot’s nihilistic super-spy thriller could range from the poetically sublime one issue to incoherent violence the next. At different points this year we named it both Book of the Month and Biggest Dis(appointment) – one thing you could never call this book was ‘predictable’. But at its best, this title (drawn by an impressive roster of rotating artists) was at once lyrically beautiful and viscerally harrowing, loosely tethered, as it was, to real life arenas of violence. This was never more true than in issue #9, a tale (an origin story it turns out) set in the Bosnian War that encompassed deceit and innocence, hope and despair, and a tragic ultimatum that yielded new life in the face of brutal murder. Told in a spare 22 pages, it was possibly the best single comic we read all year. Holding up a mirror to the darkness of recent history, and shining a light upon it, however frail, not only to remember, but also to try to render something beautiful out of it, may well be a fruitless exercise. It may also be art. (DM)

Zero #10

Zero #10

6. Afterlife with Archie (Archie):

A no-brainer, really–well, only because said brains have been exuberantly consumed by the Jughead-led undead of Riverdale.  Maestro Roberto Aguirre Sacasa and the perfectly frightening Franceso Francavilla have continued their brazen exploration into the heart of nostalgia by wearing the mask of familiarity while delivering something wholly unexpected–something undeniably challenging and zombeautiful.  And, of course, there’s issue #4–our #2 book of March and one of the best single issues of the year–which, doggone it, made me cry.  Real tears.  See: as it turns, what happens to Vegas stays with you for a long, long time–like that heartbreaking song that’s so perfectly composed that you get lost in the shadow of every sorrowful note–and hope to never be found again.  Sure, this isn’t the afterlife that they pitched in Sunday school, but if I’m being honest–and maybe a little bit blasphemous–I like this one a hell of a lot more.  (SC)

Afterlife With Archie #4

Afterlife With Archie #4

5. The Massive (Dark Horse):

Environmental degradation and societal collapse have always been the subtext in Brian Wood’s magisterial, globe-trotting mystery. Well, in its unsparing final act, (with appropriately stark visuals by Garry Brown and Jordie Bellaire) subtext became text as the Ahab-like search for a missing vessel, which previously drove the narrative, was transformed into Judgement Day, with all the biblical proportion that implies. One always suspected that Wood would get around to driving his point home; that he did so with such force contrasted sharply with earlier issues, which were told with a subtlety that sometimes veered toward the opaque. The apocalyptic ending, with its uneasy mix of hope and misanthropy, served as a case study for a failed species: humanity. The series, in the end, is an impassioned, ecological cri de guerre, but one that is packed in a masterpiece of storytelling. (DM)

The Massive #24

The Massive #24

4. Silver Surfer (Marvel):

Of the so-called “Big Two” in 2014, Marvel seemed to have the more cohesive game plan. Certainly, they thrived on the expected, event-driven, media-tie-in franchise titles. But they balanced the relentless grinding of the hype machine with some surprisingly refreshing takes on some of their lesser known characters; those B and C – listers who exist at a remove from the shenanigans of the their bread-and-butter superstars. That remove and relative obscurity allowed for a certain amount of freedom. Marvel, to their credit, brought in some top-tier talent and gave them a free hand with these characters (see Moon Knight, above). Call them the Outliers, for their success seems to be in inverse proportion to their proximity to the main goings on of the Marvel U. (Even everyone’s darling, Ms. Marvel, began to flag once she was saddled with Wolverine guest-appearances and increasing ties to Marvel’s ongoing Inhumanity storyline). What better place then for Silver Surfer to be, than on the fringes of the known universe? Dan Slott’s inspired choice of setting not only wisely removed him from the chess board, so to speak, it gives wunderkind artist Mike Allred the largest possible canvas in which to unleash imagination. Aliens, other dimensions, planet casinos; Allred brings the F-U-N to any project he’s involved in. As I’ve said before, he seems to inspire his collaborators to elevate their game, and Slott has proven up to the challenge. Together they’ve concocted the kind of absurdly sublime cosmic romp one would be hard-pressed to find anywhere this side of Terry Pratchett. And in Dawn Greenwood, small-town girl from Anchor Bay, Mass., they created the most winning new Marvel character of the year (the aforementioned Ms. Marvel notwithstanding). Finally, in pairing the Man from Beyond the Stars with the Girl Next Door, they also have the makings of the most adorable budding romance in comics. Truly they’ve producing the best monthly super-hero book on the stands. Let’s hope it survives Marvel’s Next Big Thing. (DM)

Silver Surfer #7

Silver Surfer #7

3. Dry Spell (Action Labs/Danger Zone):

Ken Krekeler’s Dry Spell is a book that kicks off with a bold promise–one in the form an artfully chosen quotation from the incomparable Alan Moore.  In fact, I bought the book because I figured anyone ballsy enough to borrow so brazenly from the best must have something to say.  Turns out that Krekeler didn’t have something to say after all–he had something to shout!  Hey, Ken: I hear you.  Loud and clear.  OK, so, it took re-releasing your book (originally published through Krekeler’s own Kinetic Press in 2011) through a more established outfit like Action Labs to finally reach me; but thank goodness for that–for the person who knew this book needed to reach me and that it could only reach me this way; otherwise, I would’ve been deprived of this superb take on the superhero genre–a canvas filled with small voices and big moments, crazy twists and smart page-turns–in total, a “Howl” for the villain in us all.  Krekeler–a previously unknown quantity–delivers on his book’s bold promise by taking advantage of the medium, particularly with his inventive dialogue and his sympathetic color palette; and he serves up a finale–the definitive finale–a perfect final issue that hits massive notes–the biggest struck by the tsunami of splash pages, the last–reminiscent of Rocky and Apollo (coincidence?) throwing punches that never quite connect at the end of Rocky III–declaring the Black Baron’s personal dry spell officially over.  Good to know that this superior series–and best mini of 2014–isn’t over: the inside back cover of #4 makes another bold promise–one that Krekeler better keep, if he knows what’s good for him–and for us: Dry Spell 2 is coming soon.  Yeah, not soon enough. (SC)

Dry Spell #4

Dry Spell #4

2. Lazarus (Image):

What would you get if 1984 was directed by Francis Ford Coppola from a screenplay written by Noam Chomsky? The answer might look a lot like Lazarus. Alternating between a macro view of a near-future worldwide economic catastrophe and a microcosm of the inner-workings of one of the powerful Families who rose to power because of it, Lazarus, like most great socially-minded science fiction, feels at once expansive and suffocating. Creators Greg Rucka and Michael Lark have hit that sweet spot of dystopian dread, where the reader is exhilarated by the sheer breadth of this brave new world, even as its does its best to debase, dehumanize and stamp out any sign of resistance from its inhabitants. No mere escapism this; its true power comes from the realization that the seeds of the future nightmare it describes are currently being planted all around us, if only we would notice. Lazarus is a visionary sci-fi masterpiece for the early 21st century. (DM)

Lazarus #9

Lazarus #9

1. Mind MGMT (Dark Horse):

There was no denying Matt Kindt’s kinetic masterpiece this time around.  Its ascension to the top spot of our annual Top Ten was as inevitable as truth and death: #3 (2012), #2 (2013), and now #1, the spot it so richly deserves for its clever cover homages (re: Rousseau [#18] and Magritte [#22]) and its ebullient barrages of images and words, which create a reading-cum-sensory experience even more unique than unique to the comic book genre.  The year flew by in a fury of frantic page turns: from Meru’s failed recruitment of Ella the Animal Kid, an inventive and intense story inspired by Kindt’s own daughter and one of our favorite single issues of the year; to the illusory introduction of the Magician; to the frustratingly thoughtful silent issue, which actually earned the ignominious title of Biggest Dis(appointment) for the month of April; to Kindt’s pushing the petal-to-the-metal to reach the speed of heartbreak, the result of the death of a major character; to the father of clichéd revelations that manages to be fresh and affecting; and ultimately, to a showdown that’s all show up, leaving us to wait a little while longer for the final throw down between Meru and the Eraser.  Kindt drives the narrative as only he can with his unexpected layouts and whitewater watercolors.  His Field Guide/Voice of God–voice of Meru!–marginalia continue to draw more into the story, allowing us to draw more out–more out of the relative reality of the universe he’s created; more out of the fiction that empowers Meru in climactic moments; more out of the memories that are either reality or fiction–or both.  There’s unquestionably more here in Mind MGMT than in any book on the shelf, which makes this our easy pick for the #1 book of 2014. (SC)

Mind MGMT #24

Mind MGMT #24

Derek’s Honorable Mentions: 20. Multiversity (DC) 19. Archer and Armstrong (Valiant) 18. Cap’n Dinosaur (Image) 17. Satellite Sam (Image) 16. The Fade Out (Image) 15. Punks: The Comic (Image) 14. Copperhead (Image) 13. Ordinary (Titan) 12. Little Nemo: Return to Slumberland (IDW) 11. Adventure Time (kaboom! – so long Ryan North & co.!)

Scott’s Honorable Mentions: 20. BPRD (Dark Horse) 19. Saga (Image) 18. Evil Empire (BOOM!) 17. Satellite Sam (Image) 16. Iron Fist: The Living Weapon (Marvel) 15. Stray Bullets: Killers (Image) 14. Southern Bastards (Image) 13. Brass Sun (2000 AD) 12. East of West (Image) 11. The Wicked & The Divine (Image)

Publisher of the Year:
This was the year that Image Comics doubled-down on its core strategy: attracting top-tier talent from throughout the industry and parlaying their success to create a space where lesser-known creators can play as well. The result was an avalanche of diversity that exemplified the boundless range of the medium (just check out how many Image titles made our Honorable Mentions, not to mention the two on our Top Ten). Were they all winners? Of course not. But each title was allowed to be its own idiosyncratic, little thing. To wit: Madame Frankenstein. Perhaps not one of the year’s best, Jamie S. Rich’s odd melange of Shelly’s classic horror story, F. Scott Fitzgerald’s milieu, Pygmalion‘s mores (stretched to their logical conclusion) and even Kafka-esque fatalism at the end, was unlike anything else on the stands, possibly ever. Furthermore, Megan Levens tackled such complex, macabre subject matter with an art style that was a cartoony blend of Jeff Smith and Ted Naifeh; in other words something one is more accustomed to seeing in a YA book. As a visual approach, it stretched the overall reading experience almost to the point of incongruity. Was Madame Frankenstein a complete success? I’m still not sure. But it sure was fascinating watching the creators try. And for giving such singular titles like this one a place to exist, I’m grateful to Image Comics. (DM)

Turning pages,

Derek & Scott

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What’s I&N Store (1/14)

14 Wednesday Jan 2015

Posted by ScottNerd in What's I&N Store?

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A Voice in the Dark, Copperhead, Daredevil, Fraggle Rock, Lazarus, Silver Surfer, Star Wars, The Twilight Zone, Wild's End

No hyperbole here: never has the I&N Demand designation been used in such a meiotic manner.

Oh, and, umm, by the way: Star Wars.

  • Astro City #19 (DC/Vertigo)
  • A Voice in the Dark: Get Your Gun #2 (Image):
  • Copperhead #5 (Image)
  • Lazarus #14 (Image) I&N Demand
Lazarus #11

Lazarus #14

  • All-New Captain America #3 (Marvel)
  • Daredevil #12 (Marvel)
  • Silver Surfer #8 (Marvel) I&N Demand
Silver Surfer #8

Silver Surfer #8

  • Star Wars #1 (Marvel) Just I&N
Star Wars #1

Star Wars #1

  • 13 Coins #1 (Titan)
  • Q2: The Return of Quantum and Woody #4 (Valiant)
  • Stumptown Vol. 3 #5 (Oni)
  • Thomas Alsop #8 (BOOM!)
  • The Twilight Zone #11 (Dynamite) I&N Demand
Twilight Zone #11

Twilight Zone #11

  • Wild’s End #5 (BOOM!) I&N Demand
Wild's End #5

Wild’s End #5

Avery’s Pick of the Week

  • Fraggle Rock: Journey to the Everspring #4 (BOOM!/Archaia)
Fraggle Rock: Journey to the Everspring #4

Fraggle Rock: Journey to the Everspring #4

What are you looking forward to this week–you know, besides Star Wars?

Turning pages,

Scott

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What’s I&N Store (7/23)

22 Tuesday Jul 2014

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Afterlife With Archie, Archer & Armstrong, Archie, Austin Harrison, Batman and Robin, Brian Azzarello, Brian K. Vaughan, Chris Samnee, Cliff Chiang, Daredevil, DC Comics, Dead Boy Detectives, Dynamite Entertainment, Fiona Staples, Francesco Francavilla, Fred Van Lente, Geoff Johns, Guiu Vilanova, IDW, Image, J. Michael Straczynski, John Romita Jr., Life With Archie, Mark Buckingham, Mark Waid, Marvel, Mike Raicht, Nelson Daniel, Ordinary, Patrick Gleason, Paul Kupperberg, Pere Perez, Peter J. Tomasi, Rob Williams, Roberto Aguirre Sacasa, Ryan North, Saga, Superman, Supreme: Blue Rose, The Midas Flesh, The Twilight Zone, Through the Looking Glass, Titan, Toby Litt, Trees, Valiant, Vertigo, Warren Ellis, Wild Blue Yonder, Wonder Woman, Zach Howard

Another big week of big books, highlighted by four titles from our Top Ten of 2013 (Wild Blue Yonder, Saga, Zero, and Archer & Armstrong) and an Archie two-fer!

  • Batman and Robin #33 (DC): Robin Rises: Omega #1–a nonsensical, never-ending fight scene–was a huge disappointment.  You know what?  I’m going to pretend it never happened.  Will be tough, though: I’m not too excited about the inevitable change of scenery; Lord Darkseid knows I’ve never been a fan of Apokolips.
  • Dead Boy Detectives #7 (DC/Vertigo): DBD has been very good–especially the previous Through the Looking Glass-inspired two-parter.  New story starts here.
  • Superman #33 (DC): Re: #32: The new Men of Today: Geoff Johns and John Romita, Jr. have started their reign well with Men of Tomorrow.  Liked how the former twisted Supes’ origin and came up with the well-named Ulysses.  The latter proved that his style suits Superman just fine.
  • Wonder Woman #33 (DC): Azzarello and Chiang are on their way out.  It’s been a helluva run–and gods know I will loyally follow them to the finish line.

 

Wonder Woman #33

Wonder Woman #33

  • Wild Blue Yonder #5 (IDW): Prepare to be jealous: I’ve already read it.  Liked it a lot.  (Shouldn’t come as much of a surprise: we’ve celebrated this series from the guys at Noble Transmission since take off.)  It lives up to the standard set by issues before: it’s summer-blockbuster big with some massive art moments from Zach Howard and Nelson Daniel.  (Nobody does double-page spreads like these guys.)  I particularly like how in a relativist sense the Judge is pretty much a good guy, as he is trying to do right by his people.  Just so happens other folks–those who call The Dawn home–would have to suffer in order for his people to survive.  If I’m finding myself rooting for the Judge, it’s because Mike Raicht is selling him well–kind of like how Patricia Highsmith convinces you root for the immoral Thomas Ripley; that’s high praise, indeed!  Also sold well is the big “final” moment, which is drawn out just long enough to sell one character’s sacrifice and another’s loss.  Can’t wait to see how everything plays out.  If you can’t wait to find out more about this issue, check out Derek’s review here.
Wild Blue Yonder #5

Wild Blue Yonder #5

 

  • Saga #21 (Image): This arc hasn’t really lived up to the Saga standard.  That being said, it’s still better than most.  #20 ended on a robot strong note–even if it were a bit too robotic, too thick with politic.
  • Trees #3 (Image): Hasn’t grown on me.  In fact, Derek and I agree: there’s been too much junk in the trunk; and, as a result, Trees #2 is our Biggest Dis(appointment) of June.  May have to chop this one down.  Might have trouble seeing the forest for the cover, though.
Tress #3

Tress #3

  • Velvet #6 (Image): New arc time.  The first one rubbed me the right way.  Something very modest about it.
  • Zero #9 (Image): The series started with so much promise.  That promise, however, has been broken.  Into pieces.  Tiny, tiny pieces.  We denounced #8 as our Biggest Dis(appointment) of May.  It’ll take an act of God or my typical lack of willpower to get this one into my bag,
  • Supreme: Blue Rose #1 (Image): Ellis is lighting it up on Moon Knight yet is growing Trees at an pine’s pace.  Wonder what we’ll get here.
Supreme: Blue Rose #1

Supreme: Blue Rose #1

  • Daredevil #6 (Marvel): #5 offered up my favorite line of the year: “Kudos to cancer.”  Man, I laughed; and then I was like “Ugh”; and then I laughed some more.  It’s quite clear: Mark ain’t afraid to Waid into some daring dialogue–especially if it’s meant to develop Matt further as the very best of friends and as the perfect Daredevil.
  • Afterlife With Archie #6 (Archie): Roberto Aguirre Sacasa and Francesco Francavilla’s first arc was as close to perfect as can be.  Expectations are very high for the next.
  • Archer & Armstrong #22 (Valiant): “American Wasteland” has been a blast!  Re: #21: I mean, ho-Lee crap: Fred Van Lente is fearless–he’s the Lone Funman!  It was so much fun, in fact, that we’ll be celebrating it as one of our Top 5 Books of June.  You know, when we get around to it.
Archer & Armstrong #22

Archer & Armstrong #22

  • Life With Archie #37 (Archie): Honesty: #36 was my first issue of LWA.  (I know I’m not alone in that one.)  It won’t be my last.  It was really, really good.  Love the choices Paul Kupperberg–who wrote one of my far- from-Archie faves: Vigilante–made while walking his way through Archie’s life.  Just took one issue to make me care a whole lot about the aftermath.
  • The Midas Flesh #8 (BOOM!): Mercifully comes the end.  After a strong #2, the series quickly went south and has unfortunately stayed that course–not plot-wise, per se; it’s been an execution issue, including too much in the way of leaden redundancies.  Maybe–just maybe–the end’ll be the true North we’ve been searching for.
  • Ordinary #3 (Titan): Mercilessly comes to an end.  An end?  Already?  Noooooooooooooooo!  Damn, man, the first two issues have been so very good.  We celebrated #1 as one of our Top 5 Books of May, and #2 will be recognized as one of our Top Books of June, you know, eventually.  Have every expectation that this’ll be just as good–if not better!  A strong finale will bump Rob Williams from a laudable Must Try to a rare Must Buy.
Ordinary #3

Ordinary #3

  • The Twilight Zone #7 (Dynamite): This second arc hasn’t been as nearly as compelling as the first.  That being said, #6 was definitely a step up from #5.  I’ll probably ride this one out, return to my home dimension and leave the key to imagination under the mat for the next guy.

Paige’s Pick of the Week

  • Popeye #24 (IDW): Big Sister’s still working on her pile from last week, so Baby Sister gets her second book in three weeks–of life!  I’ve keyed in on Popeye for her because she looks like the spinach-chompin’ sailor man when she eats.  And the cover’s an appropriate hoot, too, ’cause toot toot, my baby girl is goshdarn gassy!
Popeye #24

Popeye #24

What are you looking forward to this week?

Turning pages,

Scott

 

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What’s I&N Store (7/2)

30 Monday Jun 2014

Posted by ScottNerd in What's I&N Store?

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Alan Moore, Avatar, Caliban, Clone, Cullen Bunn, David Schulner, Declan Shalvey, East of West, Ed Brisson, Extinction Parade War, Garth Ennis, Goran Parlov, Greg Rucka, Howard Chaykin, Image, Iron Fist: The Living Weapon, J. Michael Straczynski, James Asmus, Jason Aaron, Jonathan Hickman, Juan Jose Ryp, Kaare Andrews, Kieron Gillen, Lazarus, Magneto, Marvel, Matt Fraction, Max Brooks, Michael Lark, Miracleman, Moon Knight, Nick Dragotta, Quantum and Woody, Rocket Raccoon, Satellite Sam, Scottie Young, Sheltered, Sidekick, Southern Bastards, The Twilight Zone, Tom Mandrake, Uber, Valiant, Wade McIntyre, Warren Ellis, Wilfredo Torres

As you know, our sign off is “Turning pages.” As of today, for the foreseeable future, I’ll also be “turning Paige’s” whatever it is she wants me to turn or needs me to turn. That’s right: my second daughter was born this afternoon–and still I’m making sure to get this list out on time! So here it is: What’s I&N Store: The Hospital Edition:

  • Clone #18 (Image): Clone is humming along, as solid as ever, with ethical dilemmas driving the plot–toward a collision between the clones and the coalition.  Will Luke kill the father and son?  Will Laura kidnap Luke’s son?  Gosh, I hope so.
  • East of West #13 (Image): Re: #12: the entire issue is a meeting amongst the nations.  Just a meeting, you ask?  Oh, no, not just a meeting: it’s the best damned meeting, like, ever!  Xiaolian Mao makes the case for war; and Hickman and Dragotta use some superior panel work to take us around a very tense table, giving all in attendance the opportunity to explode with rage–or with something else, you know, like, in the case of Mr. Graves, a bomb.  East of West has been very good of late, with this issue standing as one of the strongest of the series thus far.
  • Lazarus #9 (Image): #8 was one of our top books of April.  Check out why here.
Lazarus #9

Lazarus #9

  • Satellite Sam #9 (Image): Did you get your Tijuana Bible straight away?  Or did you have to ask for the insert?  Did you kinda cringe after opening it and then shove it inside Sam and place it all together on your finished pile?  Dirty distraction aside, #8 was very good.  Almost earned Top Five honors for May.  Sure, Fraction’s earning raves for the wildly overrated Sex Criminals, which I’ve dumped as of #6 after having realized that I could have this conversation with my friends for free; but his best work is right here.
  • Sheltered #10 (Image): A fist-pumping “Yes!” moment was enough to sell me on another issue.  Yeah, I’m talking about Curt’s gettin’ his comeuppance and about taking Sheltered one issue at a time.
  • Sidekick #7 (Image): I ended up liking the first arc a lot. Definitely my favorite of the Joe’s Comics offerings. Clearly my favorite, considering the fact that it’s the only one I’ve stuck with. Oh, and I haven’t been turned off by Straczynski’s borrowing from himself (see the first arc of The Twilight Zone); after the initial surprise, it was just something worth remarking.
  • Southern Bastards #3 (Image): We loved #1 and celebrated it as a Top 5 book of April. #2, while a decent single issue, suffered in comparison to such a strong opening statement. Here’s another strong statement: I’m hoping that Aaron and Latour rebound here; otherwise, I may consider pulling the Bastards from my pull list.
  • Iron Fist: The Living Weapon #4 (Marvel): #3 was a particularly strong issue. Hasn’t taken long for writer/artist Kaare Andrews to assume complete control over Danny Rand/Iron Fist. He’s balanced the past and present like yin and yang, and, artistically, has injected just the right amount of fantasy into this kick-ass Kung-fu tragedy.
Iron Fist: The Living Weapon #4

Iron Fist: The Living Weapon #4

  • Magneto #6 (Marvel): Bunn’s Magneto–and his approach to piecing the vengeful mutant’s story together–has been attractive on a very singular level. Who needs layers, right? Not Bunn; not here. And his decision to keep it simple–employing steely page turns to great effect along the way–has been the key to his making Magneto a must read. #5, however, crashed into a cliche. Hope things return to normal here.
  • Miracleman #8 (Marvel): Still sitting on 5-7. Derek’s been raving about them. I’ll get around to ’em eventually.
  • Moon Knight #5 (Marvel): Thanks to Warren Ellis’s vision, Moon Knight‘s been weird and fun, smart and exciting. It’s also been a showcase for Declan Shalvey, as Ellis has allowed him to do some top-notch visual storytelling. #4 was particularly weird, and in its weirdness offered up some terrific transitions in the mindscape and ended emphatically on an abrupt note, one that reminds of Terry Moore’s sudden endings on Rachel Rising. Moon Knight is so much better than anything Dark Knight right now. I hope that the coming change in creative team doesn’t change that.
  • Rocket Raccoon #1 (Marvel): I’m gonna give it a shot because Derek said he’s giving it a shot on the strength of Skottie Young.
Rocket Raccoon #1

Rocket Raccoon #1

  • Caliban #4 (Avatar): I’ve enjoyed it enough for what it is: a Sci-Fi horror story with some grisly moments–see the end of #3–a la Avatar. Ennis’s writing keeps the story moving, even if it doesn’t necessarily help one differentiate among the characters; in that, his ensemble cast, so far, anyway, lacks star power. Not typical of Ennis.
  • Extinction Parade: War #1 (Avatar): It’s been a while since the first arc ended. Might have to freshen up before going to war.
  • Quantum and Woody #12 (Valiant): #10 earned a spot in our Top 5 for May because it came together on so many levels to create a terrific character study of the wild and wonderful Woody. #11 was a strong follow up with some real hot dogging by James Asmus, who has established himself as one of the best funny businessmen in comics. Hard to believe this book–at least this iteration–is coming to a close. Reason to be excited: the team-up with Archer and Armstrong. Van Lente and Asmus together on the same book? Readers may literally die from laughing so hard.
Quantum and Woody #12

Quantum and Woody #12

  • The Twilight Zone #6 (Dynamite): #5 drew us into another part of the world Straczynski created during the first arc. A much less interesting part of the world. Look out for the heavy hand!
  • Uber #15 (Avatar): I always look forward to reading Gillen’s Uber because it’s never a difficult read and because something remarkable always happens to force the story forward. What more can one ask for? Also of note: it’s very different stylistically from The Wicked & The Divine. That one read like a Hickman book. I know his latest offering is only one issue in, but as of now, I prefer what he’s doing with Uber.

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (5/28)

27 Tuesday May 2014

Posted by ScottNerd in What's I&N Store?

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2000 AD, Adrian Alphona, Ales Kot, BOOM!, Brass Sun, Brian Wood, C. Willow Wilson, C.O.W.L., Chris Roberson, Danijel Zezelj, Dark Horse, DC Comics, Dead Boy Detect, Doc Savage, Doctor Spektor, Dynamite, Ed Brisson, Garry Brown, Garth Ennis, Gary Erskine, Guiu Vilanova, Harbinger, I.N.J. Culbard, Ian Edginton, Image, Iron Patriot, J. Michael Straczynski, Jason Aaron, Jason Howard, Jason Latour, John Christmas, Joshua Dysart, Kyle Higgins, Mark Buckingham, Mark Waid, Marvel, Matt Kindt, Michael DiPascale, Mind MGMT, Ms. Marvel, Neil Edwards, Peter Milligan, Prince Valiant, Rod Reis, Rover Red Charlie, Ryan North, Shadowman: End Times, Sheltered, Southern Bastards, Star Wars: Rebel Heist, The Massive, The Midas Fesh, The Twilight Zone, Toby Litt, Trees, Vertigo, Warren Ellis

Back to business–big business:

  • The Massive #23 (Dark Horse): Man, Brian Wood is at the top of his game.  Proof: The Massive has earned Top 5 honors three months running, with #22 claiming the top spot for April.
  • Mind MGMT #22 (Dark Horse): My love affair with Mind MGMT continues–despite the fact that #21 earned the most ignominious monthly distinction we have to offer: The Biggest Dis(appointment) of April.  Say it ain’t so, Scott!  Oh, I’ve said it and written it–right here.
Mind MGMT #22

Mind MGMT #22

  • Star Wars: Rebel Heist #2 (Dark Horse): I’m not a big Star Wars guy.  I was when I was a kid, though: had all the toys, put on plays based on Empire.  I was always Luke; my cousin, Han.  So, Star Wars-wise, this wasn’t a gimme; but it was–because of Kindt.  He certainly brought his writing style to the cause, relying heavily on first person narration to sell Solo.  I wasn’t particularly sold–again, ain’t my bag–until something struck me like a speeding yellow Rolls Royce!  Once I saw Nick Carraway in Jan and Gatsby in Han, the story took a different shape for me.  Turns out, this is the Star Wars series I’ve been looking for.
Star Wars: Rebel Heist #2

Star Wars: Rebel Heist #2

  • Dead Boy Detectives #6 (DC/Vertigo): #5 took us through a looking glass, now didn’t it?  I just keep falling for this series!
Dead Boy Detectives #6

Dead Boy Detectives #6

  • C.O.W.L. #1 (Image): Gates of Gotham was my first experience with Kyle Higgins.  I’m willing to try another–even if the Previews description does sound a bit like Watchmen.
  • Sheltered #9 (Image): Hasn’t been hitting the same notes that really drew me to the book initially.  And still I buy–because, I guess, I haven’t read Lord of the Flies in a while.
  • Southern Bastards #2 (Image): #1 was easily one of our Top Books of April.  Gosh!  There was so much I liked about it, and I wrote it all down just for you right here.
Southern Bastards #2

Southern Bastards #2

  • Trees #1 (Image): Warren Ellis is branching out all of a sudden, isn’t he?  Moon Knight‘s been very good through three issues, which has served to grow expectations for this very different story, with its roots in…  OK.  I’ll stop; don’t want to get too sappy.
Trees #1

Trees #1

  • Iron Patriot #3 (Image): Ales Kot hasn’t caught me yet, but Garry Brown’s been a sure bet.  Says a lot if I’m buying a book for the art.
  • Ms. Marvel #4 (Marvel): #3 was really, really good.  C. Willow Wilson shines when she highlights Kamala Khan and her family, much in the same way Bendis made–and may still be making–magic with Miles Morales.  If I had to guess, I’d say she’s following the Bendis formula, which is a pretty smart move.  Biggest fear: the Inhuman connection will suck the life out of this book; it’s been a concern ever since the mist came a-rollin’ in.
  • Brass Sun #1 (2000 AD): I lost interest in Hinterkind pretty quickly, so Ian Edginton isn’t a must buy or a must try; but the Previews description left me trying to picture “a clockwork solar system where planets whirl on vast metal arms and the sun of cogs is worshipped as a god”–and now I want to see what it looks like!  We’ll see if I.N.J. Culbard can live up to the images in my nerdy mind.
Brass Sun #1

Brass Sun #1

  • Doc Savage Anuual 2014 (Dynamite): Annuals rarely work out well–especially when a different creative team is in charge.  Speaking of charge: $5.99?  Really?  I can’t imagine that that much value will be added to the book to warrant a two buck bump.
  • Doctor Spektor #1 (Dynamite): I don’t know from Doctor Spektor; but, with faith as my friend, I’ll optimistically Waid into this one.
  • Harbinger #23 (Valiant): Getting closer to the end.  Sad, ain’t it?
  • The Midas Flesh #6 (BOOM!): Has gotten heavy fingered–and seriously so.  The damn heavy finger has flicked away all the fun!  Don’t get me wrong: I’ve enjoyed the ethical dilemma at the heart of the book; the situation surrounding it is pure gold, after all.  But the dialogue’s become a real drag, its being weighed down by wheel spinning and redundancies and all.  I mean, what is this?  The Republic?  No: The Republic actually goes somewhere.  Sad to say, Ryan North’s gone a bit south.  But there are only two issues left, so…
  • Rover Red Charlie #6 (Avatar): What a weird series, right?  So many affective moments offset by the inevitable Avatar moments.  You know the moments of which I speak.  Which will win the day here in the finale?  Hoping it’s the former.  Please let it be the former.
Rover Red Charlie #6

Rover Red Charlie #6

  • Shadowman: End Times #2 (Valiant): OK, so I’ve erased five blurbs.  Thing is, I still don’t know why I’ve followed Shadowman this far.  Yeah, that might explain why we’re in the End Times.
  • The Twilight Zone #5 (Dynamite): The first arc was pretty sharp.  Definitely Straczynski at his best.  Hoping to get more of the same going forward.

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (4/9)

09 Wednesday Apr 2014

Posted by ScottNerd in What's I&N Store?

≈ Leave a comment

Tags

All Things Considered, All-New Ghost Rider, Astro City, Batman Eternal, Brent Eric Anderson, Brian Michael Bendis, Chris Claremont, Daredevil, DC Comics, Dynamite Entertainment, East of West, Evan Shaner, Flash Gordon, Fred Van Lente, Guiu Vilanova, Image, Iron Fist: The Living Weapon, J. Michael Straczynski, Jason Fabok, Jeff Parker, Jonathan Hickman, Kaare Andrews, Kurt Busiek, Magnus: Robot Fighter, Manifest Destiny, Mark Waid, Marvel, Matt Kindt, Nick Dragotta, Nightcrawler, Rob Williams, Royals: Masters of War, Scott Snyder, Shutter, Simon Coleby, Stuart Immonen, The Twilight Zone, Tradd Moore, Unity, Valiant, Vertigo

The lightest week in a long while swings around at the right time.

  • Astro City #11 (DC/Vertigo): On to something new after the Winged Victory arc.  Doesn’t matter what it is, really; it’s going to be a solid read.  Kurt Busiek’s good like that.
  • Royals: Masters of War #3 (DC/Vertigo): My problem with #2: the pacing. If Rob Williams were shooting for the fog of war, then he hit the target and caused plenty of collateral damage in the process. The art from Simin Colby, however, was just as strong.
Royals: Masters of War #3

Royals: Masters of War #3

  • Batman Eternal #1 (DC): I have no faith in the value of this series–for a couple of reasons, really: the words “weekly” (more so “weakly’?) and “various” wail like a siren warning me away; and I’ve found no use for Snyder’s Batman since the penultimate issue of the Court of Owls storyline. Hard to imagine things’ll be different this time around. I’ll thumb through it and make the call from there.
  • East of West #11 (Image): Still a slow death–even after an uncharacteristically busy #10–but still very good. Funny: Hickman’s plodding style plays well here but not so well on his hero books.
East of West #11

East of West #11

  • Manifest Destiny #6 (Image): I swore to Derek that #5 was my last issue.  Let’s see if I can stick to my muskets.
  • Shutter #1 (Image): A “female Indiana Jones”?  That promise doesn’t do much for me–mostly because I couldn’t care less about Indiana Jones. (Deep breath, Derek. It’ll be OK.) How about, maybe, a “classy Lara Croft”? Nah. Still nothin’. OK, how about an “Image #1”? Now we’re talkin’!
  • All-New X-Men #25 (Marvel): Anniversary issues–and why not celebrate an anniversary at #25!–generally suck.  My expectations?  Already in the vacuum bag, boys and girls.
  • All-New Ghost Rider #2 (Marvel): Will most assuredly pass.  #1 was a disaster–save for Tradd Moore’s art, of course. Terrible transitions, head-scratching moments, and stomach-curling schmaltz add up to a missed opportunity.
  • Daredevil #1.5 (Marvel): Leaning toward leaving it on the shelf.  Again: anniversary issues never satisfy.
  • Iron Fist: The Living Weapon #1 (Marvel): I’ve always liked Iron Fist/Danny Rand.  And I also like the idea of a singular creator–in this case, Kaare Andrews–taking him on. I’ll give it a try.
Iron Fist: The Living Weapon #1

Iron Fist: The Living Weapon #1

  • Nightcrawler #1 (Marvel): The name Chirs Claremont carries a lot of weight.  Unfortunately, Nightcrawler is my least favorite X-Man–ever.  May have to BAMF! its way into my bag.
  • Flash Gordon #1 (Dynamite): Not kidding: the main reason I’m leaning toward “yes” is because I’ve taken to Millar’s Starlight, a clear spin on the Flash Gordon story.  Doesn’t hurt that Jeff Parker and Evan Shaner are attached to it.
Flash Gordon #1

Flash Gordon #1

  • Magnus: Robot Fighter #2 (Dynamite): I enjoyed #1 enough.  You down with FVL?  Yeah, you know mehl.
  • The Twilight Zone #4 (Dynamite): #2 was one of our top books of February.  #3 didn’t quite reach that level, but it was still pretty good.  #4 brings J. Michael Straczynski’s first arc to its face-melting final act.  Will the real Trevor Richmond please stand up.  Please stand up.  Please stand up.
The Twilight Zone #4

The Twilight Zone #4

  • Unity #6 (Valiant):  I’m awfully close to passing on it.  It’s no secret: I’m a Matt Kindt junkie.  Thing is, #5 was pretty terrible.  Arrgh!  I don’t know what to do!

Which books are you looking forward to this week?

Turning pages,

Scott

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Top 5 Books of February

06 Sunday Apr 2014

Posted by ScottNerd in Top 5 Books of the Month

≈ 5 Comments

Tags

Brian Wood, Dark Horse, Dynamite Entertainment, Ed Brubaker, Fatale, Garry Brown, Greg Rucka, Guiu Vilanova, Image, Lazarus, Matt Kindt, Michael Lark, Mind MGMT, Sean Phillips, The Massive, The Twilight Zone

Sorry our list is late.  I blame Derek for having passed on his half of the Top 5 because his wife gave birth to his second child–another beautiful daughter–or something silly like that.

#5. Lazarus #6 (Image): Greg Rucka’s not a shy guy.  We know which way he leans politically–and there’s plenty of leaning here in Lazarus.  Sure, he could easily have turned this series into a didactic dystopian diatribe; however, he handles the political landscape with class, never becoming too heavy handed.  This chapter is beautifully bookended: it kicks off with a flashback to a young Forever–and the simmering mystery regarding her family ties–and ends with the hope of a brighter future for old Dennis’s granddaughter–a future with a family not her own.  The issue is a slow burn, satisfyingly so, which at its peak features the fleeting threat of violence.  Michael Lark’s art is as effective as ever, but it’s the pacing, the patience, that propels this part of the story. (SC)

Lazarus_06-1

#4. The Twilight Zone #2 (Dynamite): J. Michael Straczynski’s a frustrating fella.  His Joe’s Comics line, in general, has been a major disappointment; but we’re still willing to give him a shot, aren’t we?  Of course, we are: he’s JMS, after all.  And good thing, too: The Twilight Zone is something special–even if it isn’t so unique.  See: the storyline–what makes this initial arc a believable Twilight Zone episode–is the very same storyline at the center of JMS’s Sidekick.  No kidding!  But I’m not going to speculate as to the reason for his identical identity-swapping plots; instead, I’m going to put that inconvenient truth aside and celebrate what he’s done well.  Let’s be honest: it’s no surprise that Straczynski shines here: after all, he wrote episodes of The Twilight Zone television series some twenty-five years ago; and those TV writing chops are seen specifically in the furious pace that is set, the result of narration and dialogue designed to launch the story into the stratosphere, where, in true Twilight Zone fashion, the impossible becomes even more impossible: Trevor Richmond, who is technically the re-faced former Trevor Richmond, finds a new and improved Trevor Richmond, who unsettlingly looks the part and is looking to right the former’s wrongs–in the boardroom and in the bedroom–and the former is none to happy about it!  Straczynski and artist Guiu Vilanova set Trevor Prime in motion–a la Dan Aykroyd’s Louis Winthorpe III from Trading Places: he gets scoffed at, shot at, frying-panned at; and, unable to take it anymore, he swears revenge “one way…or the other” on an ominous final page that makes us believe him.  Something tells me that this new Trevor Richmond isn’t exactly what he looks like. (SC)

Twilight Zone #2

Twilight Zone #2

#3. The Massive #20 (Dark Horse): Once again, Brian Wood wields tension like a gun loaded with climaxes but not fired. He offers us a rope; we willingly pull it taut; and he challenges us along the way, never allowing any slack, but also never threatening to snap the rope in two. The telling tug-of-war extends to the characters, as well: Mag vs. agents of Arkady–and then Arkady himself; Cal vs. Yusup, himself a seemingly reluctant agent of Arkady; and, ultimately, roiling beneath the surface, waiting to boil over, Cal vs. Mag. The juxtaposition of the conversations is choreographed elegantly, and executed expertly by the game Garry Brown, through to the final page of this deliberate dance–a final page that hints at Wood’s willingness to finally pull the trigger: as his page-bound proxy promises, come next issue, “[A]ll will be made clear.”  Oh, and there’s something about Mary–something very mysterious and melodious about Mary. (SC)

The Massive #20

The Massive #20

#2. Fatale #20 (Image): Ed Brubaker and Sean Phillips’ Fatale has been a well-Lovecrafted hypnotic thrill-ride from the smoking hot and super suggestive first issue.  But none has possessed as much raw demonic power as this month’s offering, in which Josephine lights up and lets go, revealing several sides of herself, including, most notably, her desperate suiside–well, her numerous attempts, anyway.  She’s driven to find Nick, and she ain’t kiddin’ around: in fact, in a particularly creepy scene, she kicks a kid–a boy who hits puberty hard in Jo’s “pretty, pretty” presence–out of a car she jacks and leaves him in the middle of the road, another casualty of the ruinous raven-haired femme fatale, who, in the end, lobotomizes Lance with a cigarette-flavored kiss and saves Nick, but not before leaving him with a memory that blows his mind–and an issue that blows ours to smithereens.  Sexy mothereffing smithereens. (SC)

Fatale #20

Fatale #20

#1. Mind MGMT #19 (Dark Horse): And now for Matt Kindt’s next trick: using a torn paper technique and tri-color coding to affect four–count ’em: four!–concurrent narratives, the incomparable creator sends Meru to Berlin for the next stop on her magical mystery recruitment tour, leaving us with that childish sense of wonder only a true wizard of the medium can inspire.  The Magician’s Tale–the issue’s spine, fractured from the moment the fem illusionist first steps on stage–takes us on a vertical adventure, page after page, from fleeing the increasingly unfriendly audience–and the agents she’s identified in it–all the way to the welcoming arms of the new Mind Management.  Attempting to keep pace with the disgraced mage, Meru’s crew splits into two teams, each–in its own series of panels–heading horizontally toward some precarious parallelism–all while the Eraser and her gang, in their own longitudinal fashion, actively pursue, and ultimately score the former agent.  Doesn’t matter for whom you’re rooting: it’s an issue that deserves a standing ovation and the top spot in our Top 5. (SC)

Mind MGMT #19

Mind MGMT #19

The Biggest Dis(appointment): Rover Red Charlie #3 (Avatar)

Our heroic hounds chasing chickens?  A tasty treat!  Umm, but having a former feeder toss a bulldog’s kibbles leaves a bad taste in the mouth, doesn’t it? Ugh. (SC)

Rover Red Charlie #3

Rover Red Charlie #3

Turning pages,

Scott

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