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Top 5(ish) Books of June

02 Saturday Aug 2014

Posted by ScottNerd in 5 Comics You Should Be Reading, Top 5 Books of the Month

≈ 4 Comments

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Andre Sirangelo, Archaia, Archer & Armstrong, Brian Wood, D'Israeli, Dan Slott, Danijel Zezelj, Dark Horse, Fred Van Lente, Gabriel Iumazark, Jordie Bellaire, Laura Allred, Marvel, Matt Kindt, Mike Allred, Mind MGMT, Ordinary, Pere Perez, Rob Williams, Silver Surfer, The Last Broadcast, The Massive, Titan, Valiant

Here’s a little secret: we, the mighty gate-keepers here at I&N, don’t always agree on who makes the cut on our monthly purview of comics excellence. But, through a complex process of behind-the-scenes negotiation, diplomacy, arm-twisting and, if need be, feats of manliness, we have always been able to whittle down the monthly title wave to our hallowed Top 5. That is, until now. And so, recklessly abandoning all sense of tradition and decorum, we present for the first time: our Top 6 Books of the Month.

#5 (tie). Mind MGMT #23 (Dark Horse): Matt Kindt–winner of the 2014 Innie for Best Artist–delivers a real punch to the gut with this well composed hit-single issue, which sees the Dusty-deadicated side notes harmonizing heroically with the cacophony of the nihilistic narrative–with the darkness Dusty so deeply despised and hoped to one day change with his music.  With the in memoriam to Dusty as the lead vocal of the book, Kindt further develops the memory motif by making the Eraser play “memory games” with an incredulous Meru, using blacked out panels to indicate the missing moments; and by putting petal to the metal in a series of flowering flashbacks featuring Bill and Meru that fan out to form a stunning centerpiece for this death-marred installment and ultimately fall from the stem, foreshadowing poor Bill’s demise and Meru’s heartbreak.  In the end, Kindt cleverly ties the margin matter to the story proper by having Meru’s falling tears look just like the music rising from the headphones that are taken from Dusty’s dead body.  That alone would’ve been enough to tattoo this issue on our Top 5!   But as a final note–or a last grain of hourglass sand–Kindt calls upon the aforementioned memory motif one last time and offers up an intimate Mad Magazine fold-in that’ll rattle around in your skull well after reading. (SC)

Mind MGMT #23

#5 (tie). The Massive #24 (Dark Horse): As Brian Wood’s near-future socioeconomic/environmental dystopia comes to a head, the enigmatic Mary stands revealed as the lynchpin. Some kind of goddess-figure, Mary’s been witness to centuries of manmade degradation of every kind: against nature, against each other, against our own history (part of the brilliance of Wood’s argument is that, throughout the series, he’s presented these as one and the same). Well now she sits in judgement, speaking in biblical terms that portend even greater disaster (or, perhaps, wrath). Even more damning, she stares out directly at the reader as she does so (indelibly rendered, as is the entire arc, by Danijel Zezelj and Jordie Bellaire). If this seems a bit heavy-handed, this particular sequence, all of two pages, stands in stark relief to twenty-three previous issues of breathtaking, world-spanning incident remarkable for the sheer depth of knowledge displayed, as well as their understated, plot-driven delivery. It also thrusts us headlong into the mysteries to be revealed in the final arc, and adds one more: could Mary have played a role in The Crash, the event that laid the world low to begin with? And, having found mankind wanting, is the worst yet to come? (DM)

The Massive #24

The Massive #24

#4. The Last Broadcast #2 (Archaia): Great magicians never reveal their secrets; and those secrets, for the compulsively curious, inevitably become the seeds of great mysteries.  Writer André Sirangelo and artist Gabriel Iumazark plant plenty of seductive seeds here in the second installment of The Last Broadcast, which puts our main man Ivan–himself a magician–on a crooked path of discovery.  His frantic search for his pal Dmitri is an off-kilter crusade–one amplified by Iumazark’s irregular panel pattern that keeps us likewise off balance as we move from page to page–that finds him courting odd characters, including an enigmatic bookshop owner and an eye-biting barfly who pleasingly smack of Polanski stock, and that leads him to a couple of urban explorers–the Backbone of the story–who themselves are missing a mate.  (I, too, am compulsively curious, and I wonder: Could Dmitri and Damon be one in the same?)  Making the story–and the story to come–even more exciting is the prospect of a very-much-alive Sir Arthur Conan Doyle’s having a hand in scripting the outcome.  Believe your eyes, folks: this magic–The Last Broadcast–is for real. (SC)

The Last Broadcast #2

The Last Broadcast #2

#3. Ordinary #2 (Titan): A determined father intrepidly braves a gauntlet of nefarious characters and death-defying situations with only one thought on his mind: to find his son! This may sound like the latest Liam Neeson revenge flick, until you realize that a) the determined father is Michael, a balding, bespectacled schlub with a dead-end job; b) the nefarious characters are everyone else on the planet, who have suddenly and inexplicably been granted ridiculous super powers; and c) the death-defying situations include show-stopping Broadway musical numbers (especially frightening that). Rob Williams and D’Israeli serve up thrill-ride absurdity that at once takes the gas out of the sort of adolescent power fantasies that so many comics fans (many of whom bear more than a passing resemblance to Michael) still faithfully devour, while also slyly celebrating them. After all, if the biggest loser in the world can overcome odds like this, there’s hope for everyone. (DM)

Ordinary #2

Ordinary #2

#2. Archer & Armstrong #21 (Valiant): Our fascination with celebrities in many ways defines us as a culture.  Funny enough, our fascination with dead celebrities even more so.  Fred Van Lente knows that, and he’s clearly having a blast bringing back some long–and some freshly–dead famous folks for his satirical tour de farce “American Wasteland.”  Artist Pere Pérez brings the late lot to life around Archer and Armstrong, kicking off a game of “How many dead celebs can you name?”; and it’s a game where we’re all winners for playing along.  I was slayed by the inclusion of Jeff Hanneman and then was all “Already?” upon seeing Philip Seymour Hoffman.  The next three page turns may very well be as unforgettable as the featured figures themselves: first, it’s a father and child reunion as Bruce and Brandon Lee attack our heroes in a sole-touching moment!  (Do they win?  Of course they Jeet Kune Don’t–thanks to Archer’s, umm, stun ram.)  And, after meeting a distraught Jackie Kennedy, who isn’t long for even this world (I was like, “No he di’int!”), A & A come across more Oswalds than you can shake a Zapruder film at!  Throw in some East and West disorderly action with phat boys Biggie and Tupac, and you’ve got yourself a book where a clever contrivance becomes more the thing than the story itself–well, initially, anyway.  Because after the excitement of recognition and the well-earned laughter fall to necessary contemplation, there’s Van Lente himself laughing, “Gotcha.” (SC)

Archer & Armstrong #21

Archer & Armstrong #21

#1. Silver Surfer #3 (Marvel): There was a recent internet controversy which involved, among other things, the notion that certain aspects of super heroes were just too “goofy” and needed to be jettisoned in order for today’s audiences to take the characters seriously. The thinking behind this seems to be that the colorful, larger-than-life paragons of heroism that have populated comics since their inception need to be brought back down to earth, their vibrancy toned down to reflect our own muddled reality. One could make the case  that this view, in its cynicism, utterly misses the point of what super heroes are supposed to be. But why do that when you could just read Silver Surfer by Dan Slott and Michael and Laura Allred instead? It makes the case better than any argument ever could.

The current issue is particularly apt, as it deals with a cosmic struggle not so much of good versus evil, but of reality versus possibility. In it, a double-talking alien named the Incredulous Zed seeks to strike down an entity known as the Never Queen to ensure that the future will only ever have one possible outcome. Standing against him are the Silver Surfer and his new partner Dawn Greenwood, an especially winning creation, who runs a nice bed-and-breakfast in Anchor Bay, Mass. Slott’s wild, expansive approach to story is matched by Allred’s art, which, as always, is teeming with fantastic weirdness. There are monkey toys and stolen hearts. Space freaks and childhood memories. True love and The Three Stooges. And in Slott’s and Allred’s vision these live comfortably side-by-side. They suggest, in the sheer vitality of their storytelling, that one need not discard absurdity in the pursuit of profundity. Rather, whatever it is that is profound in these types of stories, whatever is truly wonderful, is inextricably tied to the fact that they’re so damn much FUN. (DM)

Silver Surfer #3

Silver Surfer #3

The Biggest Dis(appointment): Trees #2 (Image) – It has been a storytelling trope the last twenty years or so to juggle multiple, seemingly disparate narratives within an overall framework, and then slowly draw the separate strands together so that they all collide by the end, revealing a larger picture. It is perhaps perfectly legitimate in today’s hyper-connected world to seek meaning in the seemingly infinite byways that cyberspace allows, especially as it has simultaneously caused the world to get ever smaller. This narrative approach, depending on how it’s handled, can be insightful and profound or obtuse and annoying (Terence Malick’s The Tree of Life [no relation] for example, falls into either one or the other categories depending on your point of view). But it works best when the individual stories are compelling (as in say, Pulp Fiction). Unfortunately Trees manages to be both obtuse and uninteresting. Warren Ellis’ story, involving a bunch of giant alien trees that suddenly appear on earth (nicely rendered by Jason Howard), apparently indifferent to human activity, unwittingly provides an apt metaphor for the experience of reading it. When the various narratives are as soporific as those presented, one can’t blame the title characters for ignoring them. The back inside cover, presumably reinforcing the trees ambivalence, ends the issue with the sentence  “It doesn’t care.

Neither do I. (DM)

Trees #2

Trees #2

 

Turning pages,

Derek & Scott

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What’s I&N Store (7/23)

22 Tuesday Jul 2014

Posted by ScottNerd in What's I&N Store?

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Afterlife With Archie, Archer & Armstrong, Archie, Austin Harrison, Batman and Robin, Brian Azzarello, Brian K. Vaughan, Chris Samnee, Cliff Chiang, Daredevil, DC Comics, Dead Boy Detectives, Dynamite Entertainment, Fiona Staples, Francesco Francavilla, Fred Van Lente, Geoff Johns, Guiu Vilanova, IDW, Image, J. Michael Straczynski, John Romita Jr., Life With Archie, Mark Buckingham, Mark Waid, Marvel, Mike Raicht, Nelson Daniel, Ordinary, Patrick Gleason, Paul Kupperberg, Pere Perez, Peter J. Tomasi, Rob Williams, Roberto Aguirre Sacasa, Ryan North, Saga, Superman, Supreme: Blue Rose, The Midas Flesh, The Twilight Zone, Through the Looking Glass, Titan, Toby Litt, Trees, Valiant, Vertigo, Warren Ellis, Wild Blue Yonder, Wonder Woman, Zach Howard

Another big week of big books, highlighted by four titles from our Top Ten of 2013 (Wild Blue Yonder, Saga, Zero, and Archer & Armstrong) and an Archie two-fer!

  • Batman and Robin #33 (DC): Robin Rises: Omega #1–a nonsensical, never-ending fight scene–was a huge disappointment.  You know what?  I’m going to pretend it never happened.  Will be tough, though: I’m not too excited about the inevitable change of scenery; Lord Darkseid knows I’ve never been a fan of Apokolips.
  • Dead Boy Detectives #7 (DC/Vertigo): DBD has been very good–especially the previous Through the Looking Glass-inspired two-parter.  New story starts here.
  • Superman #33 (DC): Re: #32: The new Men of Today: Geoff Johns and John Romita, Jr. have started their reign well with Men of Tomorrow.  Liked how the former twisted Supes’ origin and came up with the well-named Ulysses.  The latter proved that his style suits Superman just fine.
  • Wonder Woman #33 (DC): Azzarello and Chiang are on their way out.  It’s been a helluva run–and gods know I will loyally follow them to the finish line.

 

Wonder Woman #33

Wonder Woman #33

  • Wild Blue Yonder #5 (IDW): Prepare to be jealous: I’ve already read it.  Liked it a lot.  (Shouldn’t come as much of a surprise: we’ve celebrated this series from the guys at Noble Transmission since take off.)  It lives up to the standard set by issues before: it’s summer-blockbuster big with some massive art moments from Zach Howard and Nelson Daniel.  (Nobody does double-page spreads like these guys.)  I particularly like how in a relativist sense the Judge is pretty much a good guy, as he is trying to do right by his people.  Just so happens other folks–those who call The Dawn home–would have to suffer in order for his people to survive.  If I’m finding myself rooting for the Judge, it’s because Mike Raicht is selling him well–kind of like how Patricia Highsmith convinces you root for the immoral Thomas Ripley; that’s high praise, indeed!  Also sold well is the big “final” moment, which is drawn out just long enough to sell one character’s sacrifice and another’s loss.  Can’t wait to see how everything plays out.  If you can’t wait to find out more about this issue, check out Derek’s review here.
Wild Blue Yonder #5

Wild Blue Yonder #5

 

  • Saga #21 (Image): This arc hasn’t really lived up to the Saga standard.  That being said, it’s still better than most.  #20 ended on a robot strong note–even if it were a bit too robotic, too thick with politic.
  • Trees #3 (Image): Hasn’t grown on me.  In fact, Derek and I agree: there’s been too much junk in the trunk; and, as a result, Trees #2 is our Biggest Dis(appointment) of June.  May have to chop this one down.  Might have trouble seeing the forest for the cover, though.
Tress #3

Tress #3

  • Velvet #6 (Image): New arc time.  The first one rubbed me the right way.  Something very modest about it.
  • Zero #9 (Image): The series started with so much promise.  That promise, however, has been broken.  Into pieces.  Tiny, tiny pieces.  We denounced #8 as our Biggest Dis(appointment) of May.  It’ll take an act of God or my typical lack of willpower to get this one into my bag,
  • Supreme: Blue Rose #1 (Image): Ellis is lighting it up on Moon Knight yet is growing Trees at an pine’s pace.  Wonder what we’ll get here.
Supreme: Blue Rose #1

Supreme: Blue Rose #1

  • Daredevil #6 (Marvel): #5 offered up my favorite line of the year: “Kudos to cancer.”  Man, I laughed; and then I was like “Ugh”; and then I laughed some more.  It’s quite clear: Mark ain’t afraid to Waid into some daring dialogue–especially if it’s meant to develop Matt further as the very best of friends and as the perfect Daredevil.
  • Afterlife With Archie #6 (Archie): Roberto Aguirre Sacasa and Francesco Francavilla’s first arc was as close to perfect as can be.  Expectations are very high for the next.
  • Archer & Armstrong #22 (Valiant): “American Wasteland” has been a blast!  Re: #21: I mean, ho-Lee crap: Fred Van Lente is fearless–he’s the Lone Funman!  It was so much fun, in fact, that we’ll be celebrating it as one of our Top 5 Books of June.  You know, when we get around to it.
Archer & Armstrong #22

Archer & Armstrong #22

  • Life With Archie #37 (Archie): Honesty: #36 was my first issue of LWA.  (I know I’m not alone in that one.)  It won’t be my last.  It was really, really good.  Love the choices Paul Kupperberg–who wrote one of my far- from-Archie faves: Vigilante–made while walking his way through Archie’s life.  Just took one issue to make me care a whole lot about the aftermath.
  • The Midas Flesh #8 (BOOM!): Mercifully comes the end.  After a strong #2, the series quickly went south and has unfortunately stayed that course–not plot-wise, per se; it’s been an execution issue, including too much in the way of leaden redundancies.  Maybe–just maybe–the end’ll be the true North we’ve been searching for.
  • Ordinary #3 (Titan): Mercilessly comes to an end.  An end?  Already?  Noooooooooooooooo!  Damn, man, the first two issues have been so very good.  We celebrated #1 as one of our Top 5 Books of May, and #2 will be recognized as one of our Top Books of June, you know, eventually.  Have every expectation that this’ll be just as good–if not better!  A strong finale will bump Rob Williams from a laudable Must Try to a rare Must Buy.
Ordinary #3

Ordinary #3

  • The Twilight Zone #7 (Dynamite): This second arc hasn’t been as nearly as compelling as the first.  That being said, #6 was definitely a step up from #5.  I’ll probably ride this one out, return to my home dimension and leave the key to imagination under the mat for the next guy.

Paige’s Pick of the Week

  • Popeye #24 (IDW): Big Sister’s still working on her pile from last week, so Baby Sister gets her second book in three weeks–of life!  I’ve keyed in on Popeye for her because she looks like the spinach-chompin’ sailor man when she eats.  And the cover’s an appropriate hoot, too, ’cause toot toot, my baby girl is goshdarn gassy!
Popeye #24

Popeye #24

What are you looking forward to this week?

Turning pages,

Scott

 

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Top 5 Books of May: Revenge of the Superheroes!

30 Monday Jun 2014

Posted by dmaxwell in Top 5 Books of the Month

≈ 9 Comments

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Action Lab, Brian Wood, D'Israeli, Danijel Zezelj, Dark Horse, Double Indemnity, Dry Spell, James Asmus, Jordie Bellaire, Kano, Ken Krekeler, Marcel Duchamp, Matt Kindt, Mind MGMT, Ordinary, Quantum and Woody, Rene Magritte, Rob Williams, The Massive, Titan, Valiant, Woody Allen

Oh, crow! That most foul-tasting, um, fowl. ‘Twas only a month ago I was bemoaning the continuing prevalence of superhero books on ye olde comics stand. And yet here we are, scarcely four weeks later, and no less than three such titles are being featured our hallowed list (and two taking the top slots no less!) In my defense, I did say that in the right hands, gold could still be wrought from the well-worn cape and tights set. The creators below have managed just that. To wit:

#5. Quantum and Woody #10 (Valiant): Look!  Up in the intro!  It’s a word!  It’s a phrase!  It’s Super Segue!  You bet it is!  And, so, well, this might hurt a bit: Speaking of wit: Quantum and Woody–a super duper hero book if there ever was one–has been full of it from the get-goat.  Here, though, the comic runneth over–and spiritedly so!  The Abbott and Costello of comedic crime fighting–straight man Quantum and wise-cracking Woody, respectively–find themselves in deep voodoo as Woody seemingly switches sides instead of simply splitting them, leaving Quantum in quite the buggy bind.  As the story takes shape, Woody’s questionable character is analyzed expertly by the heroes behind the heroes: creators James Asmus and Kano deliver a gay romp of painfully obvious punchlines and playful layouts–one that reaches around to the past for some insight into Woody’s relationship with the larcenous Jacklean; one that sees the images and words coming together to bust guts and gutters.  (Love, love, love how Woody–in a memorable meta moment–pushes aside the bars of his four-panel prison.)  Toss in a roundly panned appearance by the Swedish Chef and a surprising dash of sympathy for Woody, and we can’t help but confess: Quantum and Woody ain’t no joke; it’s a top book–as this super issue so heroically insists. (SC)

Picture

Quantum and Woody #10

#4. Mind MGMT #22 (Dark Horse): After its ignominious appearance as The Biggest Dis(appointment) of last month’s list, Matt Kindt’s surreal spy masterpiece returns to rarefied form. As the plot explores the backstory of a splinter group within the overall worldwide conspiracy, the issue actually reveals itself to be a piece of art about art; the meticulous planning that goes into its creation, the frustration of failure, and its subtle, pervasive, and often unintentional influence. Kindt’s distinctly postmodern approach then, acts simultaneously as an apt metaphor for the book’s very existence, as well as catnip for art nerds (like me). The front-and-back matter that bookend the tale both take place in art museums, Marcel Duchamp is casually referenced, as is a supposed sequel to Double Indemnity (which had me immediately conducting Google searches to see if there actually was such a thing. I found nothing.) And talk about surreal – Kindt’s Magritte-inspired painting – whimsical, beautiful and oh-so-clever – is, as far as I’m concerned, already the cover of the year. (DM)

Mind MGMT #22

#3. The Massive #23 (Dark Horse): Brian Wood’s stripped down plot befits his story of survival at its most primal: at the end of the world a convoy of life-sustaining water crosses the unforgiving desert. The precious cargo, beset by thieves on all sides, is guarded by a small cadre of women led by the mysterious Mary, revealed at last to be akin to a goddess. The simplicity of the plot (matched by the bold, near woodcut-like art of Danijel Zezelj with colors by the peerless Jordie Bellaire) also belies the rich complexity of Wood’s themes: environmental degradation, the consequences of dwindling natural resources, geopolitical power and gender politics; and finally, and perhaps surprisingly, the remarkable resiliency of life in the face of devastation. (DM)

The Massive #23

#2. Ordinary #1 (Titan): But enough of this hoity-toity art stuff! Postmodernism? Gender politics? We’re here to talk superheroes! Capes! Muscles! Lasers shooting out of things! The stuff of every boy’s fantasy! And in Ordinary, by Rob Wiiliams and D’Israeli, everyone gets to be one. Everyone, that is, except Michael. A middle-aged schlemiel, eking out a pathetic living, Michael seemingly exists only to be life’s punching bag.  When a mysterious event grants superpowers to everyone on the planet, Michael is inexplicably left out. Hilarity arises as Michael suddenly has to navigate the increasing insanity around him. And this book is funny folks. Talking bears, super-beggars and cabbie-gods, all are part of the surreal, new landscape (D’Israeli, working in an exuberant Neo-Pop Art style, absolutely goes to town). But there is also pathos, including an astonishing scene involving a lonely old lady. And Michael himself is basically a decent guy: when the world goes nuts, his first thought is his son’s safety (his second thought is to get a drink). And then there’s the satiric edge: by making Michael a balding, bespectacled schlub surrounded by fantastic superpowers, Williams and D’Israeli have created a wry stand-in for the sort of middle-aged man who reads this type of story to begin with (ahem). A sad sack protagonist, absurdist humor, underlying heart: this is the comic Woody Allen would write if he wrote superheroes. (DM)

ORDINARY #1

Ordinary #1

#1. Dry Spell #1 (Action Lab): Ken Krekeler has made quite a statement with Dry Spell #1.  Good thing, too, considering his choice to start his story with someone else’s.  And that someone else just so happens to be comic book god Alan Moore, so, you know, no pressure, right?  Wrong!  Duh.  Because the quotation Krekeler has chosen as his first issue’s first words aren’t merely an epigraph that simply sets a tone for the tale to come; they are the opening salvo of a layered conversation about what it means to be an artist–about that will-o-the-wisp known as inspiration and the war that rages between activity and passivity; and, as the conversation develops, about the nature of superheroes and the duality of man, which makes sense, you know, with the whole Watchman thing that comes along with Mr. Moore.  Sure, Krekeler’s placed the burden on himself, but he’s clearly up to the challenge, just as, on page three, Apollo, the first hero to whom we’re introduced, is up to his: he’s seen carrying a passenger plane to safety–seen not just by us, but by the protagonist, Tom, as well.  He’s a cubicle jockey, who is, as we later learn, more than just some guy with an empty job, an empty relationship, and an empty canvas that’s more like a mirror that mocks him by showing him what he’s become since leaving the a super-powered life behind: nothing. His secret uncovered by a clever co-worker–who just so happens to also be a former costumed figure–Tom eventually finds himself at a club among powered peers, who seem to have designs on his ability to design things.  In a stunning psychedelic splash that stands as an exemplar of both Krekeler’s eye for color and his ear for poetry, a tripping Tom appears to fracture as two voices dance across the page: one his own, lucid voice and the other–neither still nor small–that leads him directly into temptation and into a sequence that delivers some serious tension, that is until Nightingale–a super-powered woman from the club with whom Tom has some history left a mystery–saves an unsuspecting woman from Tom and Tom from himself.  But to what end?  We’ll find out in a month’s time.  The immediate end, however, is a compelling story captained by a sympathetic character and an inspired take on the superhero set that courageously–and believably–promises Moore. (SC)

Dry Spell #1

Dry Spell #1

The Biggest Dis(appointment): Zero #8 (Image): Ales Kot’s Zero hit the scene late in 2013 and made quite the impression; in fact, it went from zero to eight–our #8 book of the year–after only four innovative issues, each a singular experience served up by an artiste du mois.  Man, we were high on this book.  Were.  Now, we’re pretty darned low.  As low as one can go, really.  Four issues into 2014 and Zero has gone from eight back to zero, coincidentally on the weakness of #8, this month’s mock minimalist offering.  See: to catch us up with Roman Zizek’s plan for Sara Cooke, Kot makes up for a rather remarkable dearth of dialogue and overall want for words by having artist Jorge Coelho pile on the panels–so many unnecessary, momentum murdering panels–and leave plenty unsaid, well, undrawn, giving us the responsibility of crawling through the gutters in order to bring some clarity to the narrative.  Comprehension be damned!  Yeah, what we’ve got here is not so much storytelling as it is story suggesting–often imploring that we suspend disbelief in order to overlook some absolutely absurd moments.  My disbelief?  Suspended from the gallows until dead, dead, dead–and buried along with my anticipation and any hopes that Kot will return to the form that forced us to take notice in the first place.  In fact, I’ll let Zero’s final words be my final words on Zero, as well: “I am here to tell you that I quit.” (SC)

Zero #8

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What’s I&N Store (6/25)

24 Tuesday Jun 2014

Posted by ScottNerd in What's I&N Store?

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Abstract Studio, Adrian Alphona, Armor Hunters, BOOM!, Brian K. Vaughan, Brian Wood, C.O.W.L., D'Israeli, Danijel Zezelj, Dark Horse, David Lapham, F. Scott Fitzgerald, Fiona Staples, G. Willow Wilson, Geoff Johns, Image, Innie Awards, John Romita Jr., Kyle Higgins, La Femme Nikita, Marvel, Matt Kindt, Mind MGMT, Ms. Marvel, Ordinary, Outcast, Peanuts, Peter Milligan, Rachel Rising, Rob Williams, Robert Kirkman, Robert Venditti, Ryan North, Saga, Shadowman: End Times, Star Wars: Rebel Heist, Stray Bullets: Killers, Superman, Terry Moore, The Massive, The Midas Flesh, Titan, Trees, Valiant, Warren Ellis, X-O Manowar

On paper–where else, really–this is easily the best week of books of the year.  (Not hyperbolic.)  Maybe ever.  (Still not.)

We’re looking at three–count ’em: three–Top 5 books from last month.  Seven titles that have been recognized as Top 5 books at some point.  Three titles that earned Top Ten honors for 2013.  Two 2014 Innie Award nominees for Best Ongoing Series, two for Best Writer, and three for Best Artist.  (Totally not!)

Maybe I’ll buy this bunch and then call it quits–you know, quit comics on the highest of notes and start saving some money.  (Duh.)

  • The Massive #24 (Dark Horse): The Massive is on quite a roll!  It’s an epic of biblical proportions, and since February we’ve celebrated it religiously as a Top 5 book!  Here’s why we loved #23.
  • Mind MGMT #23 (Dark Horse): Another book worth celebrating!  Sure, it earned our Biggest Dis(appointment) of April; but Matt Kindt rebounded with a terrific #22, which, you guessed it, bounced back into our Top 5 for May.
Mind MGMT #23

Mind MGMT #23

  • Star Wars: Rebel Heist #3 (Dark Horse): Leia’s turn wasn’t as strong as Han’s, but who expected it to be?  Han’s the man, and Kindt got Carraway-ed as he covered F. Scott Fitzgerald to tell his story.  Leia’s chapter was a bit more La Femme Nikita.  Next up: Chewbacca.  I’m sure Kindt will put him in some sort of hairy position.
  • Superman #32 (DC): Could this be the Superman we’ve been waiting for?  With heavies like Geoff Johns and John Romita, Jr. on board, I’m thinking yes–hoping yes.  I mean, come on: they’ve only got the weight of the DC Universe on their shoulders.
Superman #32

Superman #32

  • C.O.W.L. #2 (Image): #1 was O.K.  If this one isn’t significantly better, I’m O.F.F.
  • Outcast #1 (Image): An ironic title–only because it’ll probably be included in just about every buyer’s bag.  Wondering: will we the buyers be buying this because we’re zombies–keyed on Kirkman and slaves to shiny number ones?
  • Saga #20 (Image): #19 didn’t excite in the way we’ve come to expect from Saga.  Taint a big deal.  Or should that be: A big taint deal.  Or: A big deal taint.  Ah, it’s one of those.  Previews’ preview promises: “Something terrible happens.”  Not to the taint, I hope.
  • Stray Bullets: Killers #4 (Image): #1 set the world on notice: David Lapham and his Bullets are back!  Since, his bullets have strayed a bit, reminding me why I loved #1 so much.  I’d love to love this one:
Stray Bullets: Killers #4

Stray Bullets: Killers #4

  • Trees #2 (Image): Warren Ellis is growing something with Trees.  I want to be there when it blooms–whatever the hell it is.
  • Ms. Marvel #5 (Marvel): #4 ended on a terrific note.  I mean, who wears an “Ima Bad Guy” tank top?  The bad guy, of course!  Can’t wait to see how things play out.  And, yes, I’m willing to admit it: I love Kamala Khan! (Don’t tell my wife.)
  • The Midas Flesh #7 (BOOM!): The series started off with such promise, didn’t it. Ryan North seemed to lose his way with the ethical dilemmas at the heart of the book. The narrative ground to a near halt with redundant, drawn out dialogue that read less like gold and more like lead.
  • Ordinary #2 (Titan): Wouldn’t you know: Ordinary #1 proved to be extraordinary–and earned a spot in our Top 5 for May.  Hoping with all my heart that #2 doesn’t choke on the promise that Rob Williams made with his initial offering. If you enjoyed Montynero’s Death Sentence, also from Titan, you’ll definitely dig this.
Ordinary #2

Ordinary #2

  • Rachel Rising #26 (Abstract Studio): Terry Moore cast a spell on us last year–one that influenced us to include his American horror story in our Top Ten of 2013. Since then, however, the spell has worn off, specifically after the last two issues, which have been, well, not good.
  • Shadowman: End Times #3 (Valiant): The end. The end.
  • X-O Manowar #26 (Valiant): Armor Hunters is in full effect!

Avery’s Pick of the Week:

  • Peanuts #19 (BOOM!): Avery loves her some Snoopy!  Don’t we all?
Peanuts #19

Peanuts #19

What are you looking forward to tomorrow?

Turning pages,

Scott

 

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What’s I&N Store (5/21)

21 Wednesday May 2014

Posted by ScottNerd in What's I&N Store?

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Tags

A Voice in the Dark, Adam Metcalfe, Alan Davis, Ales Kot, American Vampire: The Second Cycle, Batman and Frankenstein, BOOM!, Brian Azzarello, Brian K. Vaughan, Brian Michael Bendis, CAFU, Chondra Echert, Chris Bachalo, Chris Samnee, Claudio Sanchez, Cullen Bunn, Damien Worm, Daniel Bayless, Daredevil, DC Comics, Diego Bernard, Dynamite, East of West, Ed Brubaker, Elektra, Fiona Staples, Frank Barbiere, Fred Van Lente, IDW, Image, Jason Aaron, Jeff Stokely, Jim McCann, Joe Infunari, Jonathan Hickman, Joshua Hale Fialkov, Larime Taylor, Magneto, Magnus: Robot Fighter, Mark Millar, Mark Waid, Marvel, Matt Kindt, Mike Deodato, Mind the Gap, Miracleman, Monster & Madman, MPH, Nick Dragotta, Numbercruncher, Oni Press, Ordinary, Original Sin, Patrick Gleason, Peter J. Tomasi, Rob Williams, Robert Venditti, Rodin Esquejo, Saga, Scott Snyder, Si Spurrier, Six-Gun Gorilla, Solar: Man of the Atom, Steve Epting, Steve Niles, The Bunker, Titan, Translucid, Uncanny X-Men, Unity, Valiant, Velvet, Vertigo, W. Haden Blackman, Wonder Woman, X-O Manowar, zero

Yup: I’ll be walking out of Android’s Amazing Comics with two full bags of books.  This is the longest list yet and is a testament to my insatiable appetite, my unchecked addiction for comics.

 

  • American Vampire: The Second Cycle #3 (DC/Vertigo): The standout Snyder moment of #2: the creature with an imploring Peter inside of it.  Creepy as hell.  Speaking of: I wasn’t so tempted by the devil of an ending.  But even after two issues, it’s clear that this is where Snyder does his best work.
American Vampire: The Second Cycle #3

American Vampire: The Second Cycle #3

  • Batman and Frankenstein #31 (DC): My interest is on life support. It’s the promise of Frankenstein that’s keeping it alive. For now. See: Tomasi’s not as sharp as he’s been; and Gleason, in the last issue, disappointed with his wonky Wonder Woman.  I know they’re building toward the return of Robin and that that’s going to be epic, blah, blah, blah.  But shouldn’t each issue leading up to it be just as epic–and if not, at least be as tight as an Amazon?  I’m talking temper.  What’d you think I was talking about?
  • Wonder Woman #31 (DC): Speaking of tight Amazons: #30 was excellent.  Nearly made our Top 5 Books of April.  I mean, come on: how about that last page.  Make a wish, indeed! That’s high praise for a book that’s been solid, sure, but that has rarely hit a homerun. And even when it has, they’ve been softball homeruns. This last issue, however, would’ve been out of any Big League park–well, except for maybe Citi Field.
  • Monster and Madman #3 (IDW): Has been a fun ride thus far.  Niles doesn’t just hit the right notes–he slays them; and Worm’s art provides a perfectly horrific backdrop for this grotesque get-together.
  • A Voice in the Dark #7 (Image): I’m hoping that this arc ender screams bloody murder!  Just sayin’.
  • East of West #12 (Image): Hickman’s a world builder who works at his own pace: he takes his time laying a foundation and has certainly taken his time here, that’s for sure.  Of late, however, stories are thrusting skyward with such force so as to pierce our patient expectations.  Protect your eyes, friends, because East of West is finally fulfilling promises.
East of West #12

East of West #12

  • Mind the Gap #17 (Image): Jim McCann’s masterful mystery tour returns with Act II!  Finally.  Was one of my top 20 books of 2013.  It’s one Elle of a story–and it’s definitely worth jumping on.
Mind the Gap #17

Mind the Gap #17

  • MPH #1 (Image): Another Mark Millar product arrives fast on the heels of his terrific Starlight.  Of course I’m going to buy it.  And if subsequent issues come out on time, all the better!
  • Saga #19 (Image): “A very new direction”?  Hmm.  Normally, I’d be nervous; but not here: Vaughan and Staples are the best writer/artist pair in the business.  We celebrated Saga as our #4 book of 2013, and Vaughan and Staples have been nominated for the 2014 Innies for Best Writer and Best Artist, respectively.
Saga #19

Saga #19

  • Velvet #5 (Image): Brubaker and Epting are doin’ their thing, and it’s rubbing me the right way.  Reads a lot like–but isn’t quite as good as–Rucka and Lark’s Lazarus.  The first arc ends here.  Expecting a bang or two.
  • Zero #8 (Image): #7 was a well-crafted return to form after a very disappointing, near-nonsensical #6.
  • Daredevil #3 (Marvel): #2 was Daredevil in every sense–including sight: it’s dark, it’s funny–it’s fearless.  New York, San Fran: doesn’t matter; this hero’s the heart of any city he’s in.
Daredevil #3

Daredevil #3

  • Elektra #2 (Marvel): I may have to pass.  Sai.  W. Haden Blackman’s writing was enigmatic at times (as it could be in Batwoman)–and, I mean, come on: Bloody Lips?!  A villainous vagina dentata!  Ouch!  Doesn’t help that we’re headed to Monster Island.  Because when I think of Elektra, I think of Monster Island.
  • Magneto #4 (Marvel): Fatal attraction, indeed: Cullen Bunn’s Magneto’s proving to be a real bad ass.  On a less serious note, I’ve switched to binder clips.
  • Miracleman #6 (Marvel): Haven’t gotten around to #5 yet.  Doesn’t matter: I’d pile these up to heaven.
  • Original Sin #2 (Marvel): Jason Aaron’s earned my attention with a killer kickoff to Southern Bastards, which means I’m going to give in to Sin even though I wasn’t exactly thrilled by it.
  • Uncanny X-Men #21 (Marvel): This is weird for me; yeah, I’m not used to saying this: #20 was pretty good.  I dig me some Chris Bachalo, and Bendis kept him mighty busy.
  • The Bunker #4 (Oni Press): Continues to be a revelation: Fialkov’s showing complete mastery over time with his simultaneous storylines, and Infurnari’s sketchy style complements the shifts so very well.  There’s danger lurking around the corner, however: I can see a heavy hand hovering over future pages–one ready to abuse the abuse angle.  Oh, if that happens, I’m going to say, “No!”; then I’m going to go and tell someone I trust.
The Bunker #4

The Bunker #4

  • Magnus : Robot Fighter #3 (Dynamite): Van Lente’s made Magnus work for me.
  • Ordinary #1 (Titan): Sounds fun enough.  I’ve liked Royals: Masters of War enough to give Rob Williams another shot.  Plus, Titan’s offered up some pretty solid books–including Death Sentence and Numbercruncher, which has been nominated for the 2014 Innie for Best Limited Series and has, in part, earned Si Spurrier (also considered for his work on BOOM!’s Six-Gun Gorilla) a nomination for Best Writer.
  • Solar: Man of the Atom #2 (Dynamite): Still haven’t read #1.  Not sure if I care enough, if I’m being fair.
  • Translucid #2 (BOOM!): Lots of good things going on in #1.  Lovely, lovely layers delivered by Claudio Sanchez, Chondra Echert (writers/creators), Daniel Bayliss (artist, who reminds of Jeff Stokely, who just so happens to be the cover artist!), and Adam Metcalfe (colorist).  Has got me thinking Six-Gun Gorilla, which is a good thing.
Translucid #2

Translucid #2

  • Unity #7 (Valiant): I was going to pull the plug after #5, but #6 ended up in my bag because I had forgotten to purge it from my pull list.  And then Kindt had to go all Mind MGMT with Dr. Silk’s virus.  So, yeah, seven.
  • X-O Manowar #25 (Valiant): It’s no secret: big events usually turn me off.  Preludes to big events usually piss me off.  In the case of #24, however, I was actually pleasantly surprised.  Who knew I’d be looking forward to Armor Hunters?

What are you looking forward to this week?

Turning pages,

Scott

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