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The 2015 Innie Award Nominations!

07 Friday Aug 2015

Posted by dmainhart in Innie Awards

≈ 5 Comments

Tags

2000 AD, Action Lab, Afterlife With Archie, Archie Comics, B.P.R.D.: Hell on Earth, BOOM!, Brass Sun, Brian Wood, Dan Abnett, Dan Slott, Daredevil, Dark Horse, Dave Stewart, Dry Spell, Dynamite, Eric Shanower, Francesco Francavilla, Gabriel Rodriguez, Greg Rucka, Guiu Vilanova, Hellboy and the B.P.R.D., I.N.J. Culbard, Ian Edginton, IDW, Image, Innie Awards, J. Michael Straczynski, Jordie Bellaire, Ken Krekeler, Laura Allred, Lazarus, Little Nemo: Return to Slumberland, Matt Kindt, Matt Wilson, Michael Lark, Mike Allred, Mind MGMT, Moon Knight, Nelson Daniel, Roberto Aguirre Sacasa, Silver Surfer, The Massive, The Twilight Zone, The Wicked & The Divine, Wild Blue Yonder, Wild's End, zero

The Harvey Award nominations have been announced! The Eisners are in the books! And now we offer our annual corrective: THE INNIE AWARDS!

What does ‘Innies’ stand for? Well, other than an attempt at shameless self-branding, it stands for ‘independence’! Being ‘in’ the know! Part of the ‘in’ crowd! And possessing the non-freaky type of belly button.

Since we don’t have the big-time budget of the fancy-pants Eisners or Harveys, we’ve limited ourselves to five categories.  (Sorry Best Translation of Foreign Material for Tweens!)

Keep in mind that these are for comics that were published in 2014.

If the Eisners are the Oscars, and the Harveys are the Golden Globes, then the Innies are the Independent Spirits–or at least the People’s Choice Awards!

The Nominations:

Best Limited Series:

  • Brass Sun by Ian Edginton and I.N.J Culbard (2000AD)
  • Dry Spell by Ken Krekeler (Action Lab/Danger Zone)
  • Little Nemo: Return to Slumberland by Eric Shanower and Gabriel Rodriguez (IDW)
  • The Twilight Zone by J. Michael Straczynski and Guiu Vilanova (Dynamite Entertainment)
  • Wild’s End by Dan Abnett and I.N.J Culbard (BOOM! Studios)

Best Ongoing Series:

  • Afterlife with Archie by Roberto Aguirre-Sacasa and Francesco Francavilla (Archie Horror)
  • Lazarus by Greg Rucka and Michael Lark (Image)
  • The Massive by Brian Wood and various (Dark Horse)
  • Mind MGMT by Matt Kindt (Dark Horse)
  • Silver Surfer by Dan Slott and Mike Allred (Marvel)

Best Writer:

  • Matt Kindt, Mind MGMT (Dark Horse)
  • Ken Krekeler, Dry Spell (Action Lab/Danger Zone)
  • Greg Rucka, Lazarus (Image)
  • Dan Slott, Silver Surfer (Marvel)
  • Brian Wood, The Massive (Dark Horse), Moon Knight (Marvel)

Best Artist:

  • Mike Allred, Silver Surfer (Marvel)
  • I.N.J. Culbard, Wild’s End (BOOM! Studios), Brass Sun (2000AD)
  • Francesco Francavilla, Afterlife with Archie (Archie Horror)
  • Matt Kindt, Mind MGMT (Dark Horse)
  • Gabriel Rodriguez, Little Nemo: Return to Slumberland (IDW)

Best Colorist:

  • Laura Allred, Silver Surfer (Marvel)
  • Jordie Bellaire, The Massive (Dark Horse), Moon Knight (Marvel), Zero (Image)
  • Nelson Daniel, Little Nemo: Return to Slumberland (IDW), Wild Blue Yonder (IDW)
  • Dave Stewart B.P.R.D.: Hell on Earth (Dark Horse), Hellboy & the B.P.R.D.: 1952 (Dark Horse)
  • Matthew Wilson The Wicked + The Divine (Image), Daredevil (Marvel)

Now it’s your turn. Did we miss anyone or anything?

Let the internet shouting begin!

Turning pages,

Derek & Scott

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What’s I&N Store (2/18)

18 Wednesday Feb 2015

Posted by ScottNerd in What's I&N Store?

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All-New Captain America, Autumnlands: Tooth & Claw, Batman and Robin, Ben Wolstenholme, Bitch Planet, BOOM!, BPRD, Brian Michael Bendis, Brian Wood, Burning Fields, Cap Stone, Chris Bachalo, Christina McCormack, Colin Lorimer, comics, Cullen Bunn, Dan Slott, Dark Horse, Dark Horse Presents, DC Comics, Dynamite Entertainment, Gabriel Hernandez Walta, Grant Morrison, Greg Rucka, Greg Smallwood, Guiu Vilanova, Image, Iron Fist: The Living Weapon, J. Michael Straczynski, Jay Faerber, Jeff Lemire, Joe Rivera, John Arcudi, Kaare Andrews, Kelly Sue DeConnick, Kurt Busiek, Lazarus, Liam Sharp, Magneto, Marvel, Mastermen, Matt Kindt, Michael Lark, Michael Moreci, Mike Allred, Mike Mignola, Mono, Moon Knight, Paolo Rivera, Patrick Gleason, Peter J. Tomasi, Quentin Tarantino, Raze, Rick Remender, Secret Identities, Silver Surfer, Stuart Immonen, The Multiversity, The Twilight Zone, The Valiant, Tim Daniel, Titan, Uncanny X-Men, Valiant, Zoë Bell

Wednesday’s forecast for the weather outside of my local comic shop is pretty much the same as its been: as cold as can be.  (I guess someone’s gone and ticked off Elsa again.)  The forecast for inside, however, is hot hot hot!  (That’s right: the way to thaw a frozen heart is with an act of true love–in this case, a perfectly pulled bag of comics!)  Speaking of hot books: our Top Ten Books of 2014 is well represented this week.  Take a peek:

  • BPRD: Hell on Earth #128 (Dark Horse): Has been good–not great.  Definitely glad I jumped on board, though.
  • Dark Horse Presents #7 (Dark Horse): DHP has been great–especially at the new price point.  This month’s edition offers up a little Matt Kindt–and Mignola, Van Lente, Aragonés, and more!  Talk about bang for your buck!
  • Batman and Robin #39 (DC): The Action-packed cover’s very clever:
Batman and Robin #39

Batman and Robin #39

I know better, though: B&R‘s been a huge disappointment for months now.  In fact, I finally got around to dropping it from my pull list last month.  No longer under any obligation, I should leave it on the shelf and fill the void with something new.  God knows there will be plenty of players for the spot.  Image alone has a thousand new titles coming out in the next few months, so…

  • The Multiversity: Mastermen #1 (DC) Just I&N Morrison’s Multiversity has been a metafiction metahuman masterwork!  And now, Mastermen–with every-panel’s-a-pinup Jim Lee on art duties.
Multiversity: Mastermen #1

Multiversity: Mastermen #1

  • Autumnlands: Tooth & Claw #4 (Image): I can’t be the only one who’s noticed: the current arc of Astro City‘s been a bit blah; but this has been really, really good.  Coincidence?
  • Bitch Planet #3 (Image): I enjoyed #1 for all sorts of reasons (exploiting exploitation, lots of Tarantino, hints of Fraction, etc.).  Hey: borrowing works well when it works well.  Oh, but when it doesn’t…  #2 lost me from the get-go–especially as I was taken immediately to a low budget modern-day exploitation flick that I caught one night on one of the Showtime or HBO channels: Raze, starring Tarantino darling Zoë Bell.  Coincidence?
Raze (2013)

Raze (2013)

I’ll try this one and see where it takes me.

  • Lazarus #15 (Image) I&N Demand Our #2 book of 2014!  It’s what we’ve been waiting for for like, well, forever: Forever in a Trial by Combat against another Lazarus!
Lazarus #15

Lazarus #15

  • Secret Identities #1 (Image): Jay Faerber’s earned Must Try status with Copperhead.
  • All-New Captain America #4 (Marvel): I know, I know.  But it hasn’t been terrible.  And this time out, Remender’s dusting off the Armadillo!  Gotta wonder, though, what effect Secret Wars is going to have on this little experiment–and if it’s worth following a dead title shelf-sitting.
  • Iron Fist: The Living Weapon #9 (Marvel): I love what Kaare Andrews is doing with Danny Rand.  In fact, Iron Fist was my #16 book of 2014–and my third-favorite superhero monthly after Silver Surfer and Moon Knight.  High praise, indeed!
  • Magneto #15 (Marvel): Bunn’s done a nice job of telling stories from issue to issue.  He’s delivered some nice twists along the way, too.  #14 ended with Magneto’s giving himself up to S.H.I.E.L.D.  Wonder what his endgame is…
  • Moon Knight #12 (Marvel) I&N Demand Our #8 book of 2014!  #11 ended on a bit of a down note–you know, with Marc Spector falling out of a flying detention facility and all.  (Wood and Smallwood must’ve watched–and liked–Stallone’s waterlogged–yet undeniably watchable–prison break bingo, Escape Plan, as they delivered quite an homage with Spector in Stallone’s role and Khonshu in Schwarzenegger’s.)  Not looking forward to saying goodbye to Wood and Smallwood, but I am looking forward to seeing how they end their arc–and how they leave things for Cullen Bunn and Ron Ackins.  Maybe they’ll reach back to Bullet to the Head.  Or Avenging Angelo…
Moon Knight #12

Moon Knight #12

  • Silver Surfer #9 (Marvel) I&N Demand Our #4 book of 2014!  Well orchestrated fun from Dan Slott and Michael Allred!  The biggest–and best–superhero monthly around–and this issue promises to be HUGE!
Silver Surfer #9

Silver Surfer #9

  • Uncanny X-Men #31 (Marvel): Bendis is on his way out.  That promises some real havoc in the X-Universe.  No, really–look:
Uncanny X-Men #31

Uncanny X-Men #31

  • Burning Fields #2 (BOOM!): Kinda like a cross between The Killing and Homeland.  Not a bad thing.
  • Cap Stone #3 (Titan): Some real high points: the conversation between Charlie and her mom; the wild shifts in Sharp’s artwork.  Some low points, too: the conversation between Charlie and her mom; the wild shifts in Sharp’s artwork.  I loved #1.  #2, however, exposed a serious flaw: inconsistency.  Still intriguing enough, though.
  • Mono #3 (Titan): Another book from Liam Sharp that took a step back after a very promising premier.  What spoiled the sophomore offering: the conversation–coincidence?–between Heinrich and Isabella, which acts as a dragline on the storyline.  Also seems waaaaaay too serious for a book about an ape-man secret agent and assassin for the Queen, doesn’t it?  It’s so goddamned dour!  I do like the layered approach that Sharp’s taking to create the Mono myth, however.
  • The Valiant #3 (Valiant) I&N Demand I liked #1 enough–but I absolutely loved #2!  I was particularly struck by the artistic collaboration between Lemire and Kindt on the storybook section.  Sure, many of the notes that are struck remind of Lemire’s run on Animal Man; but what the hell–they work well here, so all the better!
The Valiant #3

The Valiant #3

  • The Twilight Zone #12 (Dynamite) I&N Demand Our #10 book of 2014!  This issue ends an extremely powerful arc and Straczynski and Vilanova’s superior run.  So sad to see this go.  Hmm.  Maybe–just maybe–I could travel back in time and kill another series–Dream Police, for instance–in its place…
The Twilight Zone #12

The Twilight Zone #12

What are you looking forward to this week?

Turning pages,

Scott

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I&N’s Top Ten Books of 2014

15 Sunday Feb 2015

Posted by dmainhart in I&N's Top Ten

≈ 9 Comments

Tags

1984, Action Labs, Afterlife With Archie, Alan Moore, Ales Kot, Archie, BOOM!, Brian Wood, Dan Abnett, Dan Slott, Danger Zone, Dark Horse, Declan Shalvey, Dry Spell, Dynamite, Francesco Francavilla, Garry Brown, Greg Rucka, Greg Smallwood, Guiu Vilanova, I.N.J. Culbard, Image, J. Michael Straczynski, Jamie S. Rich, Jordie Bellaire, Ken Krekeler, Lazarus, Madame Frankenstein, Marvel, Marvelman, Matt Kindt, Megan Levens, Michael Lark, Mike Allred, Mind MGMT, Miracleman, Moon Knight, Ms. Marvel, Roberto Aguirre Sacasa, Silver Surfer, The League of Extraordinary Gentlemen, The Massive, The New Deadwardians, The Twilight Zone, The War of the Worlds, The Wind in the Willows, Warren Ellis, Warrior, Watchmen, Wild's End, zero

Welcome to the 34th edition of I&N’s Top Ten Comics of the Year! Why, it seems like just yesterday we were bestowing our top honor to a little known comic from across the pond titled Warrior #1 (1982), solely for its inclusion of the work of a budding, young upstart named Alan Moore (who subsequently sent us a scroll with a nigh-illegible incantation, which was either a note of thanks or a curse from the Necronomicon; we could never tell which). While we dug his nascent V for Vendetta, it was his writing on Marvelman that enthralled. Happily, after a long absence, the original stories are finally being reprinted by Marvel Comics of all places (now re-titled Miracleman, due to the book’s long and tortured publishing history in which Marvel itself played an ignominious part). Viewed through the lens of history, this groundbreaking work has often been seen as Moore’s warm-up to his seminal, ubiquitous Watchmen. Visiting these stories afresh, however, it quickly becomes apparent that Moore’s initial go at “realistic” superheroes is as poetic, disquieting and masterful as his better-known oeuvre. Indeed, it’s a good thing we already recognized Marvelman’s greatness. Otherwise, despite Marvel’s awkward presentation (half of each issue is filler? and polybagged for no discernible reason?) these brilliant, essential tales would likely top our list again.

Speaking of which!

10. The Twilight Zone (Dynamite):

This is the dimension of J. Michael Straczynski’s imagination.  It is an area which we call the #10 book of 2014.  Returning to a creative comfort zone, J.M.S. has penned a series of meticulously plotted arcs that could easily stand as episodes of the iconic television show, each issue filled with tight twists, palpable fear, and ethical dilemmas that try and crush the souls of men and women alike.  Complementing Straczynski’s script is the gorgeous work of artist Guiu Vilanova, who draws out the fateful schemes in a realistic manner, making the unreal scenarios that much more believable–that much more frightening.  So while Straczynski might be going through the motions with some of his other titles, here he’s most assuredly in the zone.  We, unlike his protagonists, are the luckier for it; and Rod Serling’s somewhere out there in the timeless fifth dimension smiling, smoking–and waiting for the next issue of The Twilight Zone to hit the shelves.  Sadly, Straczynski and Vilanova’s terrific turn on this moralistic monster of a comic has but one issue left!  Ah, yet another cruel twist…(SC)

The Twilight Zone #4

The Twilight Zone #4

9. Wild’s End (BOOM!):

At this point, the mash-up is a long accepted (if not well-worn) artistic trope throughout all types of media. Indeed the initial collaboration between creators Dan Abnett and I.N.J. Culbard yielded The New Deadwardians, a ripping Victorian detective story simply teeming with zombies and vampires wot, wot! Wild’s End’s mix of The Wind in the Willows and The War of the Worlds may seem an unlikely entry into the burgeoning genre at first (and ill-advised besides, given Alan Moore’s own memorable War of the Worlds mash-up in The League of Extraordinary Gentlemen). But in the end, what matters, as it always has, is the telling. Abnett fully realizes the quaint comforts of his cozy anthropomorphized village, before threatening to tear it to shreds. Culbard’s rendering is uncluttered and timeless, effortlessly evoking both 19th century fairy tales and 1950’s sci-fi cinema. Most mash-ups hold their disparate elements in stark relief. The magic of this one is that it seems utterly seamless, as though these genres had been married from the start. The result is deceptively simple and completely enchanting. (DM)

Wild's End #3

Wild’s End #3

8. Moon Knight (Marvel):

It’s an I&N first!  That’s right: we’re celebrating a book that has had two different creative teams–over the course of the title’s first ten issues, no less!  Yeah, that’s usually a bad sign.  Not here, though: the launch team of Warren Ellis and Declan Shalvey rocketed this latest incarnation of the second-string, schizophrenic servant of Khonshu into lunar orbit.  In a series of connected one-offs, Ellis finds his–and Marc Spector’s–voice while favoring frugality: displaying his mastery of the craft–and enough confidence to cast a long shadow over some of his long-winded contemporaries–he wisely withdraws his words from the massive moments, not because they are unnecessary, but to allow Shalvey to shine like the fullest of moons–and shine he does, showcasing loudly his silent storytelling through striking sequences issue after issue.  Now, the news that this team was only on board for a sixer didn’t come as a surprise, but it was disappointing, especially considering what the pair had accomplished in so short a time.  The disappointment wouldn’t last long, however: the new team–Brian Wood and Greg Smallwood–came in with a clear plan and executed it with a vengeance.  They were clearly not intimidated by the work before them, and their fearlessness helped them to hit the Marc–changing the titular character to suit this new phase–one that so far reads not unlike an episode–or an arc–of The Twilight Zone.  Man, I only wish they’d gibbous more than one more issue!  (See: sticking to the motif: it’s on to a newer phase–and on to creative team number three–with #13.)  What they–both teams–have given us, however, has been superior–and vital–superhero fare; what they’ve given us is a white knight to lead us out of the dark. (SC)

Moon Knight #1

Moon Knight #1

7. Zero (Image):

Certainly the most frustrating title on our list, Ales Kot’s nihilistic super-spy thriller could range from the poetically sublime one issue to incoherent violence the next. At different points this year we named it both Book of the Month and Biggest Dis(appointment) – one thing you could never call this book was ‘predictable’. But at its best, this title (drawn by an impressive roster of rotating artists) was at once lyrically beautiful and viscerally harrowing, loosely tethered, as it was, to real life arenas of violence. This was never more true than in issue #9, a tale (an origin story it turns out) set in the Bosnian War that encompassed deceit and innocence, hope and despair, and a tragic ultimatum that yielded new life in the face of brutal murder. Told in a spare 22 pages, it was possibly the best single comic we read all year. Holding up a mirror to the darkness of recent history, and shining a light upon it, however frail, not only to remember, but also to try to render something beautiful out of it, may well be a fruitless exercise. It may also be art. (DM)

Zero #10

Zero #10

6. Afterlife with Archie (Archie):

A no-brainer, really–well, only because said brains have been exuberantly consumed by the Jughead-led undead of Riverdale.  Maestro Roberto Aguirre Sacasa and the perfectly frightening Franceso Francavilla have continued their brazen exploration into the heart of nostalgia by wearing the mask of familiarity while delivering something wholly unexpected–something undeniably challenging and zombeautiful.  And, of course, there’s issue #4–our #2 book of March and one of the best single issues of the year–which, doggone it, made me cry.  Real tears.  See: as it turns, what happens to Vegas stays with you for a long, long time–like that heartbreaking song that’s so perfectly composed that you get lost in the shadow of every sorrowful note–and hope to never be found again.  Sure, this isn’t the afterlife that they pitched in Sunday school, but if I’m being honest–and maybe a little bit blasphemous–I like this one a hell of a lot more.  (SC)

Afterlife With Archie #4

Afterlife With Archie #4

5. The Massive (Dark Horse):

Environmental degradation and societal collapse have always been the subtext in Brian Wood’s magisterial, globe-trotting mystery. Well, in its unsparing final act, (with appropriately stark visuals by Garry Brown and Jordie Bellaire) subtext became text as the Ahab-like search for a missing vessel, which previously drove the narrative, was transformed into Judgement Day, with all the biblical proportion that implies. One always suspected that Wood would get around to driving his point home; that he did so with such force contrasted sharply with earlier issues, which were told with a subtlety that sometimes veered toward the opaque. The apocalyptic ending, with its uneasy mix of hope and misanthropy, served as a case study for a failed species: humanity. The series, in the end, is an impassioned, ecological cri de guerre, but one that is packed in a masterpiece of storytelling. (DM)

The Massive #24

The Massive #24

4. Silver Surfer (Marvel):

Of the so-called “Big Two” in 2014, Marvel seemed to have the more cohesive game plan. Certainly, they thrived on the expected, event-driven, media-tie-in franchise titles. But they balanced the relentless grinding of the hype machine with some surprisingly refreshing takes on some of their lesser known characters; those B and C – listers who exist at a remove from the shenanigans of the their bread-and-butter superstars. That remove and relative obscurity allowed for a certain amount of freedom. Marvel, to their credit, brought in some top-tier talent and gave them a free hand with these characters (see Moon Knight, above). Call them the Outliers, for their success seems to be in inverse proportion to their proximity to the main goings on of the Marvel U. (Even everyone’s darling, Ms. Marvel, began to flag once she was saddled with Wolverine guest-appearances and increasing ties to Marvel’s ongoing Inhumanity storyline). What better place then for Silver Surfer to be, than on the fringes of the known universe? Dan Slott’s inspired choice of setting not only wisely removed him from the chess board, so to speak, it gives wunderkind artist Mike Allred the largest possible canvas in which to unleash imagination. Aliens, other dimensions, planet casinos; Allred brings the F-U-N to any project he’s involved in. As I’ve said before, he seems to inspire his collaborators to elevate their game, and Slott has proven up to the challenge. Together they’ve concocted the kind of absurdly sublime cosmic romp one would be hard-pressed to find anywhere this side of Terry Pratchett. And in Dawn Greenwood, small-town girl from Anchor Bay, Mass., they created the most winning new Marvel character of the year (the aforementioned Ms. Marvel notwithstanding). Finally, in pairing the Man from Beyond the Stars with the Girl Next Door, they also have the makings of the most adorable budding romance in comics. Truly they’ve producing the best monthly super-hero book on the stands. Let’s hope it survives Marvel’s Next Big Thing. (DM)

Silver Surfer #7

Silver Surfer #7

3. Dry Spell (Action Labs/Danger Zone):

Ken Krekeler’s Dry Spell is a book that kicks off with a bold promise–one in the form an artfully chosen quotation from the incomparable Alan Moore.  In fact, I bought the book because I figured anyone ballsy enough to borrow so brazenly from the best must have something to say.  Turns out that Krekeler didn’t have something to say after all–he had something to shout!  Hey, Ken: I hear you.  Loud and clear.  OK, so, it took re-releasing your book (originally published through Krekeler’s own Kinetic Press in 2011) through a more established outfit like Action Labs to finally reach me; but thank goodness for that–for the person who knew this book needed to reach me and that it could only reach me this way; otherwise, I would’ve been deprived of this superb take on the superhero genre–a canvas filled with small voices and big moments, crazy twists and smart page-turns–in total, a “Howl” for the villain in us all.  Krekeler–a previously unknown quantity–delivers on his book’s bold promise by taking advantage of the medium, particularly with his inventive dialogue and his sympathetic color palette; and he serves up a finale–the definitive finale–a perfect final issue that hits massive notes–the biggest struck by the tsunami of splash pages, the last–reminiscent of Rocky and Apollo (coincidence?) throwing punches that never quite connect at the end of Rocky III–declaring the Black Baron’s personal dry spell officially over.  Good to know that this superior series–and best mini of 2014–isn’t over: the inside back cover of #4 makes another bold promise–one that Krekeler better keep, if he knows what’s good for him–and for us: Dry Spell 2 is coming soon.  Yeah, not soon enough. (SC)

Dry Spell #4

Dry Spell #4

2. Lazarus (Image):

What would you get if 1984 was directed by Francis Ford Coppola from a screenplay written by Noam Chomsky? The answer might look a lot like Lazarus. Alternating between a macro view of a near-future worldwide economic catastrophe and a microcosm of the inner-workings of one of the powerful Families who rose to power because of it, Lazarus, like most great socially-minded science fiction, feels at once expansive and suffocating. Creators Greg Rucka and Michael Lark have hit that sweet spot of dystopian dread, where the reader is exhilarated by the sheer breadth of this brave new world, even as its does its best to debase, dehumanize and stamp out any sign of resistance from its inhabitants. No mere escapism this; its true power comes from the realization that the seeds of the future nightmare it describes are currently being planted all around us, if only we would notice. Lazarus is a visionary sci-fi masterpiece for the early 21st century. (DM)

Lazarus #9

Lazarus #9

1. Mind MGMT (Dark Horse):

There was no denying Matt Kindt’s kinetic masterpiece this time around.  Its ascension to the top spot of our annual Top Ten was as inevitable as truth and death: #3 (2012), #2 (2013), and now #1, the spot it so richly deserves for its clever cover homages (re: Rousseau [#18] and Magritte [#22]) and its ebullient barrages of images and words, which create a reading-cum-sensory experience even more unique than unique to the comic book genre.  The year flew by in a fury of frantic page turns: from Meru’s failed recruitment of Ella the Animal Kid, an inventive and intense story inspired by Kindt’s own daughter and one of our favorite single issues of the year; to the illusory introduction of the Magician; to the frustratingly thoughtful silent issue, which actually earned the ignominious title of Biggest Dis(appointment) for the month of April; to Kindt’s pushing the petal-to-the-metal to reach the speed of heartbreak, the result of the death of a major character; to the father of clichéd revelations that manages to be fresh and affecting; and ultimately, to a showdown that’s all show up, leaving us to wait a little while longer for the final throw down between Meru and the Eraser.  Kindt drives the narrative as only he can with his unexpected layouts and whitewater watercolors.  His Field Guide/Voice of God–voice of Meru!–marginalia continue to draw more into the story, allowing us to draw more out–more out of the relative reality of the universe he’s created; more out of the fiction that empowers Meru in climactic moments; more out of the memories that are either reality or fiction–or both.  There’s unquestionably more here in Mind MGMT than in any book on the shelf, which makes this our easy pick for the #1 book of 2014. (SC)

Mind MGMT #24

Mind MGMT #24

Derek’s Honorable Mentions: 20. Multiversity (DC) 19. Archer and Armstrong (Valiant) 18. Cap’n Dinosaur (Image) 17. Satellite Sam (Image) 16. The Fade Out (Image) 15. Punks: The Comic (Image) 14. Copperhead (Image) 13. Ordinary (Titan) 12. Little Nemo: Return to Slumberland (IDW) 11. Adventure Time (kaboom! – so long Ryan North & co.!)

Scott’s Honorable Mentions: 20. BPRD (Dark Horse) 19. Saga (Image) 18. Evil Empire (BOOM!) 17. Satellite Sam (Image) 16. Iron Fist: The Living Weapon (Marvel) 15. Stray Bullets: Killers (Image) 14. Southern Bastards (Image) 13. Brass Sun (2000 AD) 12. East of West (Image) 11. The Wicked & The Divine (Image)

Publisher of the Year:
This was the year that Image Comics doubled-down on its core strategy: attracting top-tier talent from throughout the industry and parlaying their success to create a space where lesser-known creators can play as well. The result was an avalanche of diversity that exemplified the boundless range of the medium (just check out how many Image titles made our Honorable Mentions, not to mention the two on our Top Ten). Were they all winners? Of course not. But each title was allowed to be its own idiosyncratic, little thing. To wit: Madame Frankenstein. Perhaps not one of the year’s best, Jamie S. Rich’s odd melange of Shelly’s classic horror story, F. Scott Fitzgerald’s milieu, Pygmalion‘s mores (stretched to their logical conclusion) and even Kafka-esque fatalism at the end, was unlike anything else on the stands, possibly ever. Furthermore, Megan Levens tackled such complex, macabre subject matter with an art style that was a cartoony blend of Jeff Smith and Ted Naifeh; in other words something one is more accustomed to seeing in a YA book. As a visual approach, it stretched the overall reading experience almost to the point of incongruity. Was Madame Frankenstein a complete success? I’m still not sure. But it sure was fascinating watching the creators try. And for giving such singular titles like this one a place to exist, I’m grateful to Image Comics. (DM)

Turning pages,

Derek & Scott

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What’s I&N Store (7/23)

22 Tuesday Jul 2014

Posted by ScottNerd in What's I&N Store?

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Afterlife With Archie, Archer & Armstrong, Archie, Austin Harrison, Batman and Robin, Brian Azzarello, Brian K. Vaughan, Chris Samnee, Cliff Chiang, Daredevil, DC Comics, Dead Boy Detectives, Dynamite Entertainment, Fiona Staples, Francesco Francavilla, Fred Van Lente, Geoff Johns, Guiu Vilanova, IDW, Image, J. Michael Straczynski, John Romita Jr., Life With Archie, Mark Buckingham, Mark Waid, Marvel, Mike Raicht, Nelson Daniel, Ordinary, Patrick Gleason, Paul Kupperberg, Pere Perez, Peter J. Tomasi, Rob Williams, Roberto Aguirre Sacasa, Ryan North, Saga, Superman, Supreme: Blue Rose, The Midas Flesh, The Twilight Zone, Through the Looking Glass, Titan, Toby Litt, Trees, Valiant, Vertigo, Warren Ellis, Wild Blue Yonder, Wonder Woman, Zach Howard

Another big week of big books, highlighted by four titles from our Top Ten of 2013 (Wild Blue Yonder, Saga, Zero, and Archer & Armstrong) and an Archie two-fer!

  • Batman and Robin #33 (DC): Robin Rises: Omega #1–a nonsensical, never-ending fight scene–was a huge disappointment.  You know what?  I’m going to pretend it never happened.  Will be tough, though: I’m not too excited about the inevitable change of scenery; Lord Darkseid knows I’ve never been a fan of Apokolips.
  • Dead Boy Detectives #7 (DC/Vertigo): DBD has been very good–especially the previous Through the Looking Glass-inspired two-parter.  New story starts here.
  • Superman #33 (DC): Re: #32: The new Men of Today: Geoff Johns and John Romita, Jr. have started their reign well with Men of Tomorrow.  Liked how the former twisted Supes’ origin and came up with the well-named Ulysses.  The latter proved that his style suits Superman just fine.
  • Wonder Woman #33 (DC): Azzarello and Chiang are on their way out.  It’s been a helluva run–and gods know I will loyally follow them to the finish line.

 

Wonder Woman #33

Wonder Woman #33

  • Wild Blue Yonder #5 (IDW): Prepare to be jealous: I’ve already read it.  Liked it a lot.  (Shouldn’t come as much of a surprise: we’ve celebrated this series from the guys at Noble Transmission since take off.)  It lives up to the standard set by issues before: it’s summer-blockbuster big with some massive art moments from Zach Howard and Nelson Daniel.  (Nobody does double-page spreads like these guys.)  I particularly like how in a relativist sense the Judge is pretty much a good guy, as he is trying to do right by his people.  Just so happens other folks–those who call The Dawn home–would have to suffer in order for his people to survive.  If I’m finding myself rooting for the Judge, it’s because Mike Raicht is selling him well–kind of like how Patricia Highsmith convinces you root for the immoral Thomas Ripley; that’s high praise, indeed!  Also sold well is the big “final” moment, which is drawn out just long enough to sell one character’s sacrifice and another’s loss.  Can’t wait to see how everything plays out.  If you can’t wait to find out more about this issue, check out Derek’s review here.
Wild Blue Yonder #5

Wild Blue Yonder #5

 

  • Saga #21 (Image): This arc hasn’t really lived up to the Saga standard.  That being said, it’s still better than most.  #20 ended on a robot strong note–even if it were a bit too robotic, too thick with politic.
  • Trees #3 (Image): Hasn’t grown on me.  In fact, Derek and I agree: there’s been too much junk in the trunk; and, as a result, Trees #2 is our Biggest Dis(appointment) of June.  May have to chop this one down.  Might have trouble seeing the forest for the cover, though.
Tress #3

Tress #3

  • Velvet #6 (Image): New arc time.  The first one rubbed me the right way.  Something very modest about it.
  • Zero #9 (Image): The series started with so much promise.  That promise, however, has been broken.  Into pieces.  Tiny, tiny pieces.  We denounced #8 as our Biggest Dis(appointment) of May.  It’ll take an act of God or my typical lack of willpower to get this one into my bag,
  • Supreme: Blue Rose #1 (Image): Ellis is lighting it up on Moon Knight yet is growing Trees at an pine’s pace.  Wonder what we’ll get here.
Supreme: Blue Rose #1

Supreme: Blue Rose #1

  • Daredevil #6 (Marvel): #5 offered up my favorite line of the year: “Kudos to cancer.”  Man, I laughed; and then I was like “Ugh”; and then I laughed some more.  It’s quite clear: Mark ain’t afraid to Waid into some daring dialogue–especially if it’s meant to develop Matt further as the very best of friends and as the perfect Daredevil.
  • Afterlife With Archie #6 (Archie): Roberto Aguirre Sacasa and Francesco Francavilla’s first arc was as close to perfect as can be.  Expectations are very high for the next.
  • Archer & Armstrong #22 (Valiant): “American Wasteland” has been a blast!  Re: #21: I mean, ho-Lee crap: Fred Van Lente is fearless–he’s the Lone Funman!  It was so much fun, in fact, that we’ll be celebrating it as one of our Top 5 Books of June.  You know, when we get around to it.
Archer & Armstrong #22

Archer & Armstrong #22

  • Life With Archie #37 (Archie): Honesty: #36 was my first issue of LWA.  (I know I’m not alone in that one.)  It won’t be my last.  It was really, really good.  Love the choices Paul Kupperberg–who wrote one of my far- from-Archie faves: Vigilante–made while walking his way through Archie’s life.  Just took one issue to make me care a whole lot about the aftermath.
  • The Midas Flesh #8 (BOOM!): Mercifully comes the end.  After a strong #2, the series quickly went south and has unfortunately stayed that course–not plot-wise, per se; it’s been an execution issue, including too much in the way of leaden redundancies.  Maybe–just maybe–the end’ll be the true North we’ve been searching for.
  • Ordinary #3 (Titan): Mercilessly comes to an end.  An end?  Already?  Noooooooooooooooo!  Damn, man, the first two issues have been so very good.  We celebrated #1 as one of our Top 5 Books of May, and #2 will be recognized as one of our Top Books of June, you know, eventually.  Have every expectation that this’ll be just as good–if not better!  A strong finale will bump Rob Williams from a laudable Must Try to a rare Must Buy.
Ordinary #3

Ordinary #3

  • The Twilight Zone #7 (Dynamite): This second arc hasn’t been as nearly as compelling as the first.  That being said, #6 was definitely a step up from #5.  I’ll probably ride this one out, return to my home dimension and leave the key to imagination under the mat for the next guy.

Paige’s Pick of the Week

  • Popeye #24 (IDW): Big Sister’s still working on her pile from last week, so Baby Sister gets her second book in three weeks–of life!  I’ve keyed in on Popeye for her because she looks like the spinach-chompin’ sailor man when she eats.  And the cover’s an appropriate hoot, too, ’cause toot toot, my baby girl is goshdarn gassy!
Popeye #24

Popeye #24

What are you looking forward to this week?

Turning pages,

Scott

 

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What’s I&N Store (5/28)

27 Tuesday May 2014

Posted by ScottNerd in What's I&N Store?

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2000 AD, Adrian Alphona, Ales Kot, BOOM!, Brass Sun, Brian Wood, C. Willow Wilson, C.O.W.L., Chris Roberson, Danijel Zezelj, Dark Horse, DC Comics, Dead Boy Detect, Doc Savage, Doctor Spektor, Dynamite, Ed Brisson, Garry Brown, Garth Ennis, Gary Erskine, Guiu Vilanova, Harbinger, I.N.J. Culbard, Ian Edginton, Image, Iron Patriot, J. Michael Straczynski, Jason Aaron, Jason Howard, Jason Latour, John Christmas, Joshua Dysart, Kyle Higgins, Mark Buckingham, Mark Waid, Marvel, Matt Kindt, Michael DiPascale, Mind MGMT, Ms. Marvel, Neil Edwards, Peter Milligan, Prince Valiant, Rod Reis, Rover Red Charlie, Ryan North, Shadowman: End Times, Sheltered, Southern Bastards, Star Wars: Rebel Heist, The Massive, The Midas Fesh, The Twilight Zone, Toby Litt, Trees, Vertigo, Warren Ellis

Back to business–big business:

  • The Massive #23 (Dark Horse): Man, Brian Wood is at the top of his game.  Proof: The Massive has earned Top 5 honors three months running, with #22 claiming the top spot for April.
  • Mind MGMT #22 (Dark Horse): My love affair with Mind MGMT continues–despite the fact that #21 earned the most ignominious monthly distinction we have to offer: The Biggest Dis(appointment) of April.  Say it ain’t so, Scott!  Oh, I’ve said it and written it–right here.
Mind MGMT #22

Mind MGMT #22

  • Star Wars: Rebel Heist #2 (Dark Horse): I’m not a big Star Wars guy.  I was when I was a kid, though: had all the toys, put on plays based on Empire.  I was always Luke; my cousin, Han.  So, Star Wars-wise, this wasn’t a gimme; but it was–because of Kindt.  He certainly brought his writing style to the cause, relying heavily on first person narration to sell Solo.  I wasn’t particularly sold–again, ain’t my bag–until something struck me like a speeding yellow Rolls Royce!  Once I saw Nick Carraway in Jan and Gatsby in Han, the story took a different shape for me.  Turns out, this is the Star Wars series I’ve been looking for.
Star Wars: Rebel Heist #2

Star Wars: Rebel Heist #2

  • Dead Boy Detectives #6 (DC/Vertigo): #5 took us through a looking glass, now didn’t it?  I just keep falling for this series!
Dead Boy Detectives #6

Dead Boy Detectives #6

  • C.O.W.L. #1 (Image): Gates of Gotham was my first experience with Kyle Higgins.  I’m willing to try another–even if the Previews description does sound a bit like Watchmen.
  • Sheltered #9 (Image): Hasn’t been hitting the same notes that really drew me to the book initially.  And still I buy–because, I guess, I haven’t read Lord of the Flies in a while.
  • Southern Bastards #2 (Image): #1 was easily one of our Top Books of April.  Gosh!  There was so much I liked about it, and I wrote it all down just for you right here.
Southern Bastards #2

Southern Bastards #2

  • Trees #1 (Image): Warren Ellis is branching out all of a sudden, isn’t he?  Moon Knight‘s been very good through three issues, which has served to grow expectations for this very different story, with its roots in…  OK.  I’ll stop; don’t want to get too sappy.
Trees #1

Trees #1

  • Iron Patriot #3 (Image): Ales Kot hasn’t caught me yet, but Garry Brown’s been a sure bet.  Says a lot if I’m buying a book for the art.
  • Ms. Marvel #4 (Marvel): #3 was really, really good.  C. Willow Wilson shines when she highlights Kamala Khan and her family, much in the same way Bendis made–and may still be making–magic with Miles Morales.  If I had to guess, I’d say she’s following the Bendis formula, which is a pretty smart move.  Biggest fear: the Inhuman connection will suck the life out of this book; it’s been a concern ever since the mist came a-rollin’ in.
  • Brass Sun #1 (2000 AD): I lost interest in Hinterkind pretty quickly, so Ian Edginton isn’t a must buy or a must try; but the Previews description left me trying to picture “a clockwork solar system where planets whirl on vast metal arms and the sun of cogs is worshipped as a god”–and now I want to see what it looks like!  We’ll see if I.N.J. Culbard can live up to the images in my nerdy mind.
Brass Sun #1

Brass Sun #1

  • Doc Savage Anuual 2014 (Dynamite): Annuals rarely work out well–especially when a different creative team is in charge.  Speaking of charge: $5.99?  Really?  I can’t imagine that that much value will be added to the book to warrant a two buck bump.
  • Doctor Spektor #1 (Dynamite): I don’t know from Doctor Spektor; but, with faith as my friend, I’ll optimistically Waid into this one.
  • Harbinger #23 (Valiant): Getting closer to the end.  Sad, ain’t it?
  • The Midas Flesh #6 (BOOM!): Has gotten heavy fingered–and seriously so.  The damn heavy finger has flicked away all the fun!  Don’t get me wrong: I’ve enjoyed the ethical dilemma at the heart of the book; the situation surrounding it is pure gold, after all.  But the dialogue’s become a real drag, its being weighed down by wheel spinning and redundancies and all.  I mean, what is this?  The Republic?  No: The Republic actually goes somewhere.  Sad to say, Ryan North’s gone a bit south.  But there are only two issues left, so…
  • Rover Red Charlie #6 (Avatar): What a weird series, right?  So many affective moments offset by the inevitable Avatar moments.  You know the moments of which I speak.  Which will win the day here in the finale?  Hoping it’s the former.  Please let it be the former.
Rover Red Charlie #6

Rover Red Charlie #6

  • Shadowman: End Times #2 (Valiant): OK, so I’ve erased five blurbs.  Thing is, I still don’t know why I’ve followed Shadowman this far.  Yeah, that might explain why we’re in the End Times.
  • The Twilight Zone #5 (Dynamite): The first arc was pretty sharp.  Definitely Straczynski at his best.  Hoping to get more of the same going forward.

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (4/9)

09 Wednesday Apr 2014

Posted by ScottNerd in What's I&N Store?

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All Things Considered, All-New Ghost Rider, Astro City, Batman Eternal, Brent Eric Anderson, Brian Michael Bendis, Chris Claremont, Daredevil, DC Comics, Dynamite Entertainment, East of West, Evan Shaner, Flash Gordon, Fred Van Lente, Guiu Vilanova, Image, Iron Fist: The Living Weapon, J. Michael Straczynski, Jason Fabok, Jeff Parker, Jonathan Hickman, Kaare Andrews, Kurt Busiek, Magnus: Robot Fighter, Manifest Destiny, Mark Waid, Marvel, Matt Kindt, Nick Dragotta, Nightcrawler, Rob Williams, Royals: Masters of War, Scott Snyder, Shutter, Simon Coleby, Stuart Immonen, The Twilight Zone, Tradd Moore, Unity, Valiant, Vertigo

The lightest week in a long while swings around at the right time.

  • Astro City #11 (DC/Vertigo): On to something new after the Winged Victory arc.  Doesn’t matter what it is, really; it’s going to be a solid read.  Kurt Busiek’s good like that.
  • Royals: Masters of War #3 (DC/Vertigo): My problem with #2: the pacing. If Rob Williams were shooting for the fog of war, then he hit the target and caused plenty of collateral damage in the process. The art from Simin Colby, however, was just as strong.
Royals: Masters of War #3

Royals: Masters of War #3

  • Batman Eternal #1 (DC): I have no faith in the value of this series–for a couple of reasons, really: the words “weekly” (more so “weakly’?) and “various” wail like a siren warning me away; and I’ve found no use for Snyder’s Batman since the penultimate issue of the Court of Owls storyline. Hard to imagine things’ll be different this time around. I’ll thumb through it and make the call from there.
  • East of West #11 (Image): Still a slow death–even after an uncharacteristically busy #10–but still very good. Funny: Hickman’s plodding style plays well here but not so well on his hero books.
East of West #11

East of West #11

  • Manifest Destiny #6 (Image): I swore to Derek that #5 was my last issue.  Let’s see if I can stick to my muskets.
  • Shutter #1 (Image): A “female Indiana Jones”?  That promise doesn’t do much for me–mostly because I couldn’t care less about Indiana Jones. (Deep breath, Derek. It’ll be OK.) How about, maybe, a “classy Lara Croft”? Nah. Still nothin’. OK, how about an “Image #1”? Now we’re talkin’!
  • All-New X-Men #25 (Marvel): Anniversary issues–and why not celebrate an anniversary at #25!–generally suck.  My expectations?  Already in the vacuum bag, boys and girls.
  • All-New Ghost Rider #2 (Marvel): Will most assuredly pass.  #1 was a disaster–save for Tradd Moore’s art, of course. Terrible transitions, head-scratching moments, and stomach-curling schmaltz add up to a missed opportunity.
  • Daredevil #1.5 (Marvel): Leaning toward leaving it on the shelf.  Again: anniversary issues never satisfy.
  • Iron Fist: The Living Weapon #1 (Marvel): I’ve always liked Iron Fist/Danny Rand.  And I also like the idea of a singular creator–in this case, Kaare Andrews–taking him on. I’ll give it a try.
Iron Fist: The Living Weapon #1

Iron Fist: The Living Weapon #1

  • Nightcrawler #1 (Marvel): The name Chirs Claremont carries a lot of weight.  Unfortunately, Nightcrawler is my least favorite X-Man–ever.  May have to BAMF! its way into my bag.
  • Flash Gordon #1 (Dynamite): Not kidding: the main reason I’m leaning toward “yes” is because I’ve taken to Millar’s Starlight, a clear spin on the Flash Gordon story.  Doesn’t hurt that Jeff Parker and Evan Shaner are attached to it.
Flash Gordon #1

Flash Gordon #1

  • Magnus: Robot Fighter #2 (Dynamite): I enjoyed #1 enough.  You down with FVL?  Yeah, you know mehl.
  • The Twilight Zone #4 (Dynamite): #2 was one of our top books of February.  #3 didn’t quite reach that level, but it was still pretty good.  #4 brings J. Michael Straczynski’s first arc to its face-melting final act.  Will the real Trevor Richmond please stand up.  Please stand up.  Please stand up.
The Twilight Zone #4

The Twilight Zone #4

  • Unity #6 (Valiant):  I’m awfully close to passing on it.  It’s no secret: I’m a Matt Kindt junkie.  Thing is, #5 was pretty terrible.  Arrgh!  I don’t know what to do!

Which books are you looking forward to this week?

Turning pages,

Scott

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Top 5 Books of February

06 Sunday Apr 2014

Posted by ScottNerd in Top 5 Books of the Month

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Brian Wood, Dark Horse, Dynamite Entertainment, Ed Brubaker, Fatale, Garry Brown, Greg Rucka, Guiu Vilanova, Image, Lazarus, Matt Kindt, Michael Lark, Mind MGMT, Sean Phillips, The Massive, The Twilight Zone

Sorry our list is late.  I blame Derek for having passed on his half of the Top 5 because his wife gave birth to his second child–another beautiful daughter–or something silly like that.

#5. Lazarus #6 (Image): Greg Rucka’s not a shy guy.  We know which way he leans politically–and there’s plenty of leaning here in Lazarus.  Sure, he could easily have turned this series into a didactic dystopian diatribe; however, he handles the political landscape with class, never becoming too heavy handed.  This chapter is beautifully bookended: it kicks off with a flashback to a young Forever–and the simmering mystery regarding her family ties–and ends with the hope of a brighter future for old Dennis’s granddaughter–a future with a family not her own.  The issue is a slow burn, satisfyingly so, which at its peak features the fleeting threat of violence.  Michael Lark’s art is as effective as ever, but it’s the pacing, the patience, that propels this part of the story. (SC)

Lazarus_06-1

#4. The Twilight Zone #2 (Dynamite): J. Michael Straczynski’s a frustrating fella.  His Joe’s Comics line, in general, has been a major disappointment; but we’re still willing to give him a shot, aren’t we?  Of course, we are: he’s JMS, after all.  And good thing, too: The Twilight Zone is something special–even if it isn’t so unique.  See: the storyline–what makes this initial arc a believable Twilight Zone episode–is the very same storyline at the center of JMS’s Sidekick.  No kidding!  But I’m not going to speculate as to the reason for his identical identity-swapping plots; instead, I’m going to put that inconvenient truth aside and celebrate what he’s done well.  Let’s be honest: it’s no surprise that Straczynski shines here: after all, he wrote episodes of The Twilight Zone television series some twenty-five years ago; and those TV writing chops are seen specifically in the furious pace that is set, the result of narration and dialogue designed to launch the story into the stratosphere, where, in true Twilight Zone fashion, the impossible becomes even more impossible: Trevor Richmond, who is technically the re-faced former Trevor Richmond, finds a new and improved Trevor Richmond, who unsettlingly looks the part and is looking to right the former’s wrongs–in the boardroom and in the bedroom–and the former is none to happy about it!  Straczynski and artist Guiu Vilanova set Trevor Prime in motion–a la Dan Aykroyd’s Louis Winthorpe III from Trading Places: he gets scoffed at, shot at, frying-panned at; and, unable to take it anymore, he swears revenge “one way…or the other” on an ominous final page that makes us believe him.  Something tells me that this new Trevor Richmond isn’t exactly what he looks like. (SC)

Twilight Zone #2

Twilight Zone #2

#3. The Massive #20 (Dark Horse): Once again, Brian Wood wields tension like a gun loaded with climaxes but not fired. He offers us a rope; we willingly pull it taut; and he challenges us along the way, never allowing any slack, but also never threatening to snap the rope in two. The telling tug-of-war extends to the characters, as well: Mag vs. agents of Arkady–and then Arkady himself; Cal vs. Yusup, himself a seemingly reluctant agent of Arkady; and, ultimately, roiling beneath the surface, waiting to boil over, Cal vs. Mag. The juxtaposition of the conversations is choreographed elegantly, and executed expertly by the game Garry Brown, through to the final page of this deliberate dance–a final page that hints at Wood’s willingness to finally pull the trigger: as his page-bound proxy promises, come next issue, “[A]ll will be made clear.”  Oh, and there’s something about Mary–something very mysterious and melodious about Mary. (SC)

The Massive #20

The Massive #20

#2. Fatale #20 (Image): Ed Brubaker and Sean Phillips’ Fatale has been a well-Lovecrafted hypnotic thrill-ride from the smoking hot and super suggestive first issue.  But none has possessed as much raw demonic power as this month’s offering, in which Josephine lights up and lets go, revealing several sides of herself, including, most notably, her desperate suiside–well, her numerous attempts, anyway.  She’s driven to find Nick, and she ain’t kiddin’ around: in fact, in a particularly creepy scene, she kicks a kid–a boy who hits puberty hard in Jo’s “pretty, pretty” presence–out of a car she jacks and leaves him in the middle of the road, another casualty of the ruinous raven-haired femme fatale, who, in the end, lobotomizes Lance with a cigarette-flavored kiss and saves Nick, but not before leaving him with a memory that blows his mind–and an issue that blows ours to smithereens.  Sexy mothereffing smithereens. (SC)

Fatale #20

Fatale #20

#1. Mind MGMT #19 (Dark Horse): And now for Matt Kindt’s next trick: using a torn paper technique and tri-color coding to affect four–count ’em: four!–concurrent narratives, the incomparable creator sends Meru to Berlin for the next stop on her magical mystery recruitment tour, leaving us with that childish sense of wonder only a true wizard of the medium can inspire.  The Magician’s Tale–the issue’s spine, fractured from the moment the fem illusionist first steps on stage–takes us on a vertical adventure, page after page, from fleeing the increasingly unfriendly audience–and the agents she’s identified in it–all the way to the welcoming arms of the new Mind Management.  Attempting to keep pace with the disgraced mage, Meru’s crew splits into two teams, each–in its own series of panels–heading horizontally toward some precarious parallelism–all while the Eraser and her gang, in their own longitudinal fashion, actively pursue, and ultimately score the former agent.  Doesn’t matter for whom you’re rooting: it’s an issue that deserves a standing ovation and the top spot in our Top 5. (SC)

Mind MGMT #19

Mind MGMT #19

The Biggest Dis(appointment): Rover Red Charlie #3 (Avatar)

Our heroic hounds chasing chickens?  A tasty treat!  Umm, but having a former feeder toss a bulldog’s kibbles leaves a bad taste in the mouth, doesn’t it? Ugh. (SC)

Rover Red Charlie #3

Rover Red Charlie #3

Turning pages,

Scott

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Back and Forth: Vs.

10 Thursday Jan 2013

Posted by dmainhart in Back and Forth, Microviews

≈ 1 Comment

Tags

Adventure Time, Adventure Time with Fionna & Cake, Albus Dumbledore, AvX, Bravest Warriors, Brian Michael Bendis, Cartoon Hangover, Colder, Courtney Crumrin, Dark Horse, Dark Shadows, Dave Stewart, Drago, Dynamite Entertainment, Ed Brubaker, Edgar Winter, Fatale, Francesco Francavilla, Fury: My War Gone By, Garth Ennis, Goran Parlov, Guiu Vilanova, IDW, Image, Joey Comeau, Jonathan Frid, Juan Ferreyra, Justin Ponsor, kaboom!, Mars Attacks Popeye, Martin Powell, Marvel, Marvel Max, Mike Holmes, Mike Raight, Natasha Allegri, Oni Press, Paul Tobin, Ray Dillon, Rocky, Sara Pichelli, Sean Phillips, Superman Vs. Muhammad Ali, Ted Naifeh, Terry Beatty, Ultimate Spider-Man, Warren Wucinich

Who doesn’t love a good fight? David Vs. Goliath! Rocky Vs. Drago! Lindsay Lohan Vs. Dignity! Comic books are replete with these classic donnybrooks, from the sublime (Superman Vs. Muhammad Ali) to the atrocious (Avengers Vs. X-Men). In that spirit, we present this weeks selections in a manner befitting the tenor of our times: steel-cage death-match! (Because, as we all know, art IS a competition!)

The Helter-Skelter Weight Bout: Dark Shadows #11 Vs. Fatale #11

Dark Shadows #11 (Dynamite): A relative unknown and the clear underdog in this match, going up against our #5 pick for the Top Books of 2012. But don’t underestimate this book – it’s got plenty of (ahem) bite! Both books involve occult forces, demonic possession and children in grave peril. But only this one has a werewolf in a cheap suit! Writer Mike Raight packs in plot twists aplenty, befitting the series’ soap operatic origins. But he wisely keeps the camp to a minimum, instead delivering genuine chills and moments of pathos. Guiu Vilanova’s art is properly moody and atmospheric. And how could you resist Francesco Francavilla’s classic cover, rendered in a style I like to call 1970s Gothic (and dedicated to Jonathan Frid, no less)? To all of this add not one, but TWO cliffhangers, and you’ve got one helluva horror book. (DM)

Fatale #11 (Image): I’ll tell you: I couldn’t be more thrilled by the fact that Ed Brubaker “started having ideas for more stories within this world” of Fatale because he hooked me hard–or maybe it was Josephine after all–and a limited series would’ve left me standing on the tracks like poor Officer Nelson.  Poor Officer Nelson, indeed: I love how he’s left stepping toward the tracks as the narrative shifts to Jo’s meeting with “the writer,” Alfred Ravenscoft.  His satanic tale of of innocence obliterated leaves Jo with more questions than answers, which leads her to push Alfred toward an audience with his mysterious, and ultimately monstrous, mother–and the book’s audience toward another Alfred and his mother: Hitchcock’s murderous matriarch from the classic thriller Psycho.  Jo gets her meeting, but it doesn’t go as she had planned.  Her escape lays the track for a terrific transition: as she speeds past a railroad crossing in search of an end to the madness, we come to find Officer Nelson, who’s looking to catch the next train in order to find an end of his own.  Unfortunately for him, he’s “saved” by a few fellas who are in hot pursuit of Jo–including a couple bespectacled brutes with whom we’re far too familiar.  At the end of the story, we’re left hanging with Alfred–only we’re still able to beg for more.  All told, Fatale #11 is a  perfectly constructed one-shot; in fact, it’s more than just a one-shot: it’s a damned deadly derringer.  And with it, looks like the aforementioned Brubaker, Sean Phillips, and Dave Stewart are aiming to have their ticket to next year’s top ten punched plenty early.  As one of the conductors of this little blog, I’m almost inclined to do it!  Or maybe–just maybe–it’s Josephine, after all… (SC)

This one’s closer than you might think, but the winner (and Book of the Week): Fatale

The Featherweight  Bout: Courtney Crumrin #8 Vs. Ultimate Spider-Man #19

Courtney Crumrin #8 (Oni): A couple of youngsters from our Junior Division, but what these two lack in experience, they make up for in chutzpah! Both series center around their teenage protagonists coming of age. Both feature fathers (or in this case father figures) who are not what their children thought they were. And both balance personal drama against a backdrop of conspiracy. Here, Courtney is on the run from her beloved Uncle Aloysius who just happens to be the most powerful wizard in her supernatural world. Creator Ted Naifeh nicely portrays Courtney’s world turned on its head as this once cocksure waif realizes how much she’d depended on her uncle and how his seeming betrayal has left her utterly lost. Her confusion and alienation mesh well with the larger story of adult compromise and corruption. Courtney’s world is getting more complicated and dangerous. Like the subtle color palette (employed by Warren Wucinich over Naifeh’s darkly expressive art) there are a lot of shades of grey. Naifeh’s compelling story depicts Courtney experiencing that common tragedy we all go through: becoming an adult. (DM)

Ultimate Spider-Man #19 (Marvel): OK.  You know how when your wife invites your mother-in-law over for a a couple of days and you’re not super thrilled about it, and you put up with it because, technically, you love your wife enough to deal with the–supposedly–short stay?  Yeah, that’s pretty much it–only it’s Venom who’s invading USM for Bendis knows how long.  Sure, Miles and Ganke are always good together, like Huck Finn and Tom Sawyer; and the intrigue surrounding Miles’ dad is, well, intriguing.  I even enjoyed J. Jonah Jameson’s defense of our post-Parker Spidey.  But the insinuation of Venom just doesn’t do it for me.  Sara Pichelli and Justin Ponsor’s splash on page 11, a startling disappointment considering their combined talents, pretty well sums the issue up for me: lackluster.  No, it’s not awful, like most of the United We Stand nightmare; it’s just, well, what it is.  Next please. (SC)

Courtney Crumrin has Aloysius, a cross between Albus Dumbledore and Edgar Winter. Ultimate Spider-Man has Venom. The winner: Courtney Crumrin 

The Maim Event: Bravest Warriors #3 Vs. Colder #3

Bravest Warriors #3 (kaboom!): What are these two doing in the same match? Well, for one thing, in a coincidence of Jungian proportions, BOTH feature a demonic presence  bursting violently out of someone’s body! See for yourself:

bw-pg11

Scenes like this do raise the question of why Bravest Warriors, as part of the kaboom! line of books, is being marketed to children. Not that there’s anything truly objectionable, but the animated series is being touted more for adults. There is a vibe (and occasional risque joke) in both versions that suggests “Not for Kids”. I get that it’s part of the Adventure Time brand, but it IS odd seeing the “Cartoon Hangover” masthead on the cover of what is ostensibly a childrens’ comic. Griping aside, this comic has Adventure Time’s patented tone of adrenalized slackerdom down pat; if anything, Bravest Warriors takes itself even less seriously. Writer Joey Comeau keeps the action and jokes coming at a furious pace. Mike Holmes’ art is the perfect compliment, staying within the Adventure Time “house style” while composing dynamic panels (see above) that highlight the bizarre story. Speaking of which, with this issue’s unrelenting sad-zombie-clowns, and last issue featuring Danny vomiting live spiders(!!!) this story line is like my 5-year-old nightmare from Hell. Add in the genuine laughs and this book can only be described as: hysterrifying. (DM)

Colder #3 (Dark Horse): Unlike Fatale, this series is probably better off that it’s limited to five issues.  The first issue was ice–with Paul Tobin’s inspired insanity and Juan Ferreyra’s stunning artwork–until Declan declares that “it’s time [he and Reece] had a talk.”  That worried me a bit; it seemed like a sure misstep into sanity.  The second issue had some bone-rattling moments, for sure–especially thanks to the perpetually frozen Ferreyra.  Unfortunately, I wasn’t so taken by Declan’s declarations–and there were many of them.  So, #3–well, at least we’re over the hump!  The creative team kicks things off well enough with a certifiably crazy contest of hide and seek, punctuated by Nimble Jack’s aforementioned shedding of someone else’s skin in an effort to win the game.  Inspired!  After that, however, the book babbles along, albeit beautifully, at a glacial pace.  Yup: Declan’s a drag.  But a bunch of arms dragging Reece through the roof of a taxi?  Now, that’s what I call ceiling the deal!  The odds of my missing #4?  Absolute zero. (SC)

One of these books is a horrific descent into madness. The other is Colder. The winner: Bravest Warriors

 Battle of the Sexes!: Fury: My War Gone By #8 Vs. Adventure Time with Fionna & Cake #1

Adventure Time with Fionna and Cake #1 (kaboom!): What do these books have in common? Absolutely nothing! They couldn’t be more polar opposites! Let’s pit the grizzled, one-eyed war veteran against the little girl with the magic puppy and see what happens! Like Bravest Warriors, this book is an extension of kaboom!’s successful Adventure Time franchise. Inspired by the fan-favorite gender-switching episode, this series puts a girl’s spin on what is ostensibly a boy’s enterprise. And, like that episode, it pulls it off with panache. Written and illustrated by Natasha Allegri (who also works on the show), the story doesn’t take the easy route of having its female characters appear strong simply by acting like boys. Instead, the characters are imbued with recognizably feminine personalities (especially the irrepressible Cake) without sacrificing one whit of action or humor. Indeed, Allegri begins the book with a story-within-a-story that, in a few brief pages, achieves the grandeur of myth. She then abruptly shifts tone toward the everyday low-brow (de rigueur for Adventure Time). She never loses sight of the fairy-tale wonder of her story, however, and her expansive lay-outs imbue the proceedings with a larger-than-life quality to match. The result? Out of all the books in Adventure Time‘s growing family of titles, this one feels the most EPIC. (DM)

Fury: My War Gone By #8 (Marvel): Fionna and Cake vs. Fury and Castle? That seems fair.  As I mentioned in my In Scott’s Bag post, I l-o-v-e the first page.  Goran Parlov’s splash carries quite a message: war ain’t black and white, brother; it’s shades–maybe fifty of ’em, but who’s counting–of gray shrapnel shredding men to pieces.  The narration casts a darker shadow, indeed, as the book’s–and Fury’s–antagonist explains–while Parlov shows–how Fury and Castle fell foolishly into his Viet Cong clutches.  And that’s just the first two pages!  As the story unfolds, General Ennis orders up an assault of ethical dilemmas and uncomfortable truths, all conveyed through perfectly calibrated conversations and culminating uncompromisingly in a multi-layered and minacious cliffhanger.  Will Fury do Giap’s bidding in order to end the war?  Will Castle do whatever it takes to keep the war from ending?  Will the Americans blow them all to hell?  Will Ms. Defabio blow them all to…?  Well, speaking of cliffs: the most memorable moment: Castle tosses a wounded enemy soldier off a cliff to test a potential escape route.  Fury concedes, “Not much of a splash.”  Castle replies, “No.  Only one way this can go now.”  And what a way it is. (SC)

The winner: Fury. Boys always win! HA! (except for Courtney Crumrin I guess. oh, and Fatale…)

Finally, given our premise, I’d be remiss if I didn’t at least mention the following:

(written by Martin Powell with art by Terry Beatty)

Is it Shakespeare? No, it’s Popeye beating up Martians. If the concept alone (or the cover by Ray Dillon) isn’t enough to make you giddy with excitement then we is emenies and I challenges you to steel-cage fiskicuffs.

(Don’t worry. You’ll win.)

Turning pages,

Scott and Derek

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Halloween Edition!

29 Monday Oct 2012

Posted by dmainhart in 5 Comics You Should Be Reading

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30 Days of Night, Attila Futaki, Bernie Wrightson, Courtney Crumrin, Criminal Macabre, Dark Horse, Dark Shadows, Dynamite Entertainment, Ed Brubaker, Fatale, Francesco Francavilla, Frankenstein Alive Alive!, Guiu Vilanova, Hammer Films, IDW, Image, Lovecraft, Mary Shelley, Mike Raight, Norman Rockwell, Oni Press, Scott Snyder, Scott Tuft, Sean Phillips, Severed, Steve Niles, Ted Naifeh, The Walking Dead, Tim Burton

Welcome to the inaugural posting of 5 Comics You Should Be Reading! In this space we’ll be highlighting books that perhaps we didn’t have time for in our usual reviews (hey, we’re only human) or that we loved so much we’re mentioning them again dammit! This will also give us a chance to step back and consider overall series, as opposed to individual issues.

As it’s approaching All Hallows Eve, when the membrane separating the living and the dead is at its most tremulous, I thought it a good time to throw a quavering lantern light on the field of horror and the supernatural. A couple of personal, debatable rules when it comes to horror: No Superheroes. Just the presence of a costumed do-gooder robs a proper spine-tingler of one of its most potent premises; that things may not turn out alright. Superheroes are a safety net in the free fall of terror (Yes, even Batman). Second, no stories that use Halloween as a direct reference point. These stories are limited to an annual, holiday-themed reading. Horror books, on the other hand should  be enjoyed all year round. (Sorry, good as it is, you will not be finding The Long Halloween on this list).

A couple of shout-outs: Dark Horse is the leading publisher of horror comics by a wide margin. Though none of their books appear on this list, their catalog is replete with enough (burnt) offerings to satisfy the bloodlust of even the most ravenous bloodsucker. The Walking Dead is also not on the list, since, let’s face it, you’re probably already reading it.

5. Frankenstein Alive, Alive! (IDW) – The writer of 30 Days of Night (and the underappreciated Criminal Macabre) collaborating with the most legendary horror artist of our times, bar none. What more could you want? Steve Niles’ intriguing  story continues where Mary Shelley’s classic novel ends. But what makes this an event is Bernie Wrightson’s incomparable art. The only complaint here is that the first issue came out months ago. But you’ll likely be in a forgiving mood once you feast your eyes on the art. Here’s a peek:

With issue #2 finally due out in a couple of weeks, now’s a good time to check it out.

4. Dark Shadows (Dynamite) – Not the tongue-in-cheek Tim Burton parody. This iteration harkens back to the original cult classic, staying true to the melodramatic pitch and outsize personalities of its characters. But because this is a comic book and not a TV show, the camp of cheesy special effects and awkward editing is toned down in favor a style that has more in common with the lush, outre Hammer films of the 1950’s-70’s. The current creative team of Mike Raicht and Guiu Vilanova have things bubbling nicely. And you can’t miss it thanks to Francesco Francavilla’s Eisner Award-winning covers.  Purple dialogue, picturesque settings rocked by intermittent spasms of Grand Guignol violence; forget gothic, this series is positively baroque.

3. Courtney Crumrin (Oni) – Ted Naifeh’s coming of age tale of a young witch is what every ongoing supernatural series aspires to be: multilayered, textural, and driven by distinct, compelling characters caught in a fully realized world fraught with secrets, threats and humor, all of the macabre variety.

2. Fatale (Image) – Ed Brubaker and Sean Phillips apply their considerable noir chops to the bottomless well of Lovecraftian horror with chilling results. A postmodern mash-up of classic genres with the potency of aged whiskey drunk from a medieval goblet.

1. Severed (Image) – The story follows Jack, a Depression-era urchin, as he travels across 1920’s America in search of his wayward musician father. His quest is derailed by an evil as ordinary and ingratiating as it is terrifying. In the Salesman, writers Scott Snyder and Scott Tuft have created a monster that instantly takes his place amongst the greatest bogeyman of our times. Just as the Salesman toys with Jack, Snyder and Scott take their time, letting the suspense of the story simmer, notching up the heat with exquisite, inexorable deliberation over seven issues, until it finally, unforgettably boils over. The art by Attila Futaki is a Norman Rockwell nightmare. Simply put, this is the best horror comic in recent memory;  a sophisticated, unsettling tale that will sit in your gut like a cold, dead lump, long after you’ve put it down.

Squirming pages,

Derek

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Back and Forth: A Stitch in Time

16 Sunday Sep 2012

Posted by ScottNerd in Back and Forth, Microviews

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Adam Glass, Alberto Ponticelli, AvX, Batman, Before Watchmen, Brian Azzarello, Butch Guice, Charles Dickens, Chris Bachalo, Chris Samnee, Comedian, Cyclops, Dark Horse, Dark Shadows, DC Comics, Dynamite Entertainment, Ed Brubaker, Frankenstein, Gene Ha, Greg Rucka, Guiu Vilanova, Hal Foster, Harbinger, IDW, J.G. Jones, James Robinson, Jason Aaron, Jeff Lemire, Lee Garbett, Mark Waid, Marvel, Mateus Santoluoco, Matt Kindt, Matthew Southworth, Mike Mignola, Mike Raight, Oni Press, Oscar Wilde, Prince Valiant, Professor X, Punk Rock Jesus, Rico Renzi, Robert Venditti, Rocketeer, Sandman, Sean Murphy, Stefano Gaudiano, Stumptown, Suicide Squad, The Shade, Valiant, William Shakespeare, Winter Soldier, Wolverine and the X-Men, X-O Manowar

Scott Carney: With a first page that leaves two-thirds of We3 in pieces on lab tables, Frankenstein: Agent of S.H.A.D.E. #0 skulks its way toward a violent origin, one that plays out–thanks to the way Frank is depicted–like the birth of a pre-Atomic Age Hulk.  What a fun book!  Just turn to page 11.  I know what you’re hearing while looking at that scurvy bunch: you’re hearing a salty Obi-Wan Kenobi say forcefully: “Mos Eisley spaceport. You will never find a more wretched hive of scum and villainy. We must be cautious.”  Glorious!  The rest of the story reads well enough.  Necessary comment: Kindt’s father-son showdown–an expected but wholly appropriate climax–makes the mutant patricide of AvX look pedestrian in execution.  Just sayin’.  And, come on: a Nazi robot spider?  That’s right up there with gorillas with guns.  I’d like to also celebrate Ponticelli’s cover, which is my favorite of the zeroes.  Every time I look at the damn thing, I feel like that sword’s gonna come down and cut off something I might need.

Frankenstein: Agent of S.H.A.D.E. #0 Cover

Derek Mainhart: Yeah that cover is really something. Best use of the whole “tearing through the page” conceit. For a book that initially seemed like it was going to be DC’s version of the Mike Mignola’s B.P.R.D., this title has really established itself as one of the most fun corners of the DCU. Jeff Lemire’s initial run was characterized  by  a wanton sense of absurdity, grounded (well, semi-grounded) by Frankenstein’s grave demeanor (pun intended!). Frank’s unwavering character anchored the stories allowing Lemire to introduce whatever wild sci-fi / horror tropes he could come up with. Matt Kindt’s run has continued in that vein but, in exploring the monster’s past, has introduced a level of pathos to the proceedings. This extra wrinkle, combined with Kindt’s refined appreciation of the ridiculous, have produced stories that thrill on a level that I would call epic, if “epics” didn’t take themselves so seriously. (To wit: your apt contrast of this with the “epic” AvX, which is simply awful. But that is perhaps grist for another discussion.) Alberto Ponticelli has visually really made this book his own. Some standout scenes, in addition to the ones you mentioned: page 6 as the freed mental inmates tear through the mansion past the Doctor’s poor sainted wife; and the palpable, kinetic action of the big fight scene in pages 17-20. I’ll be sad to see him go, as he moves over to Dial H (I’m also sorry to see Mateus Santoluoco leave that book). My one quibble about this issue was that it really should have ended at page 26, with the line “You can call me Father”. How apropos, no? The final two pages seemed tacked on for the benefit of new readers, I guess. Still, I’ll forgive it since those last pages include the aforementioned GIANT NAZI SPIDERS! Book of the Week.

A close second however was Rocketeer: Cargo of Doom #2 by Mark Waid and Chris Samnee (IDW). After a shaky first issue, Waid really seems to have found his footing here. There isn’t a wasted moment as the story propels from one improbable action scene to the next. Samnee draws a particularly effective sequence right away on pages 2-3 as the villain of the book is shown incapacitating the dangerous cargo of the title without revealing what the cargo actually is; a neat visual trick. Samnee’s visuals perfectly complement Waid’s retro tone, which is a gleeful combination of Indiana Jones, King Kong and perhaps a touch of Looney Tunes. Like Indy, its an homage to the propulsive movie serials of old, complete with the requisite, exquisitely unbelievable cliffhanger. Don’t miss it.

SC: I liked Winter Soldier #10, too.  Loved Guice’s layouts from the get-go; he gives stunning and shadowy life to the Widow’s unexpected awakening and to Jasper’s selfless final act.  Brubaker brings Captain America, Wolverine, and Hawkeye to Bucky’s side, creating a formidable cavalry to face down an increasingly formidable foe.  The romantic Parisian flashback, juxtaposing the rain and the pain, is tenderly rendered, and rounds out a seriously solid issue.  If this storyline  is Brubaker’s kiss goodbye to Marvel, it’s a French kiss, indeed.

DM: Big fan of Butch Guice’s artwork as well (this book has been blessed with some stellar artists), but this issue just seemed to be treading water to me. Brubaker spends the first nine pages rehashing events that the reader could have surmised from last issue (including a beloved SHEILD agent getting killed a la The Avengers movie). Then some expository dialogue explaining her brainwashing in more detail than is needed. And then the guest stars show up. (Wolverine seems kinda forced. Doesn’t he have enough to do?) It even ended on an awkward beat. Hopefully things will pick up next issue.

SC: Wouldn’t you know, with Wolverine and the X-Men #16, Aaron has pulled another one out of the Phoenix fire.  This time, he’s out of the damn crossover frying pan and into the Hellfire.  This Kilgore kid is bad-ass and has a killer back story to prove it–specifically a black and white one that Bachalo just absolutely blows up.  This is wicked fun that seems to be headed in the right direction–back to where it all started; back to what drew me to the book in the first place.

DM: Glad AvX didn’t ruin this book for you. (Did I mention it was awful?)

SC: The Shade #12 isn’t bad for a final issue.  Too often exceptional story arcs fall apart at the all-too-crucial end; but not this one.  Robinson mixes up some magic with an Oliver twist.  The art’s no joke: when the Scrooge-lookin’ Simon summons Scathach, Ha hits a high note driving the darkness into Dick.  Oh, I’m sure–well, I hope I’m sure–this isn’t the last we’ll see of the good Mr. Swift.  I mean, where else is Robinson going to shine but in The Shade?

DM: I’m going to miss The Shade. If the final two issues weren’t completely satisfying, it’s only because Robinson set the bar so high with the first ten. The roster of artists has been stellar, but the star of this series was the writing. Something about playing in the Starman universe seems to bring out the best in Mr. Robinson, and here we were treated to roguish imaginings in various eras filtered through the arched eyebrow of an Oscar Wilde dandy. Interesting that for this last issue the Shade’s teamed up with Charles Dickens. (It brought to mind the final issue of Sandman featuring William Shakespeare, right down to the lush period illustrations of Gene Ha.) My main quibble is that this didn’t feel like a last issue. The reintroduction of Simon Culp as his arch-nemesis, the mystery of why the goddess chose the Shade to receive his powers, the friendship with Dickens; all of these seem like plot threads of a series in mid-stride, not one that is winding down. Let’s hope you’re right and Robinson returns to this material soon. It’s the best stuff he’s written in years.

SC: The Valiant books were all right.  I wasn’t too impressed by the introduction of Ninjak in X-O Manowar #5.  But I did enjoy Aric’s arrogance; it reminds me so much of myself.  Harbinger #4 was a bit better with Pete’s almost losing Faith and then his really losing it over Joe.

DM: As someone who was, shall we say, less than enthused about the whole Valiant relaunch, I gotta say X-O is growing on me. I’m enjoying the artwork by Lee Garbett and Stefano Gaudiano (a touch of Hal Foster, no? A little Prince Valiant in Valiant?  Have I taken things too far?). And Robert Venditti’s tale of Roman slaves, time travel and pseudo-religious space invaders has never been less than a good time. (The grenade bit on page 12 alone was worth the price of admission)

SC: I may be done with Comedian after #3.  I may be nuts, too, but is there any doubt that Azzarello’s been dropping little hints about how he feels about this whole Before Watchmen venture.  The first hint pops up in Rorschach #1, when “Crime” tells Rorschach that he doesn’t quite live up to the myth.  Here, it’s not-so-hidden on pages 22-23, where Blake watches a dog take a dump on the sidewalk and then tosses a piece of crap at a police chief’s face.  Is it possible Azzarello’s not doing this on purpose?  Is it?  No, really, is it?

DM: Comedian was a bit of a letdown for me as well, though I think I liked it a little more than you. I enjoyed his moral ambivalence as he played all sides against each other simply because, well, he could. (And the art by J.G. Jones certainly doesn’t hurt.)  Having said that, I was disappointed that this is starting to read like an overly comprehensive flashback – “this happened, then this happened, then this, and so on” – an aspect that has been endemic in all of the Before Watchmen books. How about focusing in on just one compelling story and seeing what it reveals about the character?

SC: I am done with Suicide Squad after #0.  My soft spot for the book killed itself a few pages in.  That’s right: the Glass has finally cracked.  What a disaster.

Re: Batman #0: When does #13 come out?

DM: Yeah, what was the point of this issue again? After the laser-like focus and highwire tension of the Court of the Owls arc, this issue and the last one (which was better, a little) have meandered into territory that seems trivial at best. A lost opportunity for a zero issue.

To end on a high note I’d like to show some love to the following:

Stumptown: The Case of the Baby in the Velvet Case #1. (Oni Press) The title alone grabbed my attention. In his end piece, writer Greg Rucka extols the pleasures of the 70’s PI show, highlighting The Rockford Files. This first issue shares that show’s laconic tone and wry humor. No end-of-the-world stakes here. Just a seemingly routine mystery that begins with a missing guitar. Solid art by Matthew Southworth and Rico Renzi. Fans of detective fiction should check it out.

Dark Shadows #7. Speaking of the 70’s, Guiu Vilanova’s art, with it’s shaggy hair, handlebar mustaches and big-honkin’ police cars, captures the era of this book perfectly (This is a compliment. Really). Unlike the recent Tim Burton movie, writer Mike Raight, focuses less on the camp (which is inherent) and more on the horror. Fans of Dark Horse’s line of arcane horror books (Hellboy, et al.) should give this a try. Another solid book from Dynamite.

And finally, Punk Rock Jesus #3, the story of Christ’s second coming via cloning (story and art by Sean Murphy.) The art features a harsh, expressionistic (but never unreadable) line well-suited to its punk rock ethos. The character development and pacing may be a tad forced (I think this is Murphy’s first crack at writing), but this is more than made up for by the anarchic energy and send-up of modern society that the title so ably suggests. Definitely worth a look.

SC: Hmm.  You’re inspiring me to think outside my bag.  (I could hate you for it; but I don’t.  Not yet, anyway.)  Just when I thought it was safe to go back to the comic shop.

Turning pages,

Scott & Derek

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