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Tag Archives: Dark Horse Presents

What’s I&N Store (2/18)

18 Wednesday Feb 2015

Posted by ScottNerd in What's I&N Store?

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All-New Captain America, Autumnlands: Tooth & Claw, Batman and Robin, Ben Wolstenholme, Bitch Planet, BOOM!, BPRD, Brian Michael Bendis, Brian Wood, Burning Fields, Cap Stone, Chris Bachalo, Christina McCormack, Colin Lorimer, comics, Cullen Bunn, Dan Slott, Dark Horse, Dark Horse Presents, DC Comics, Dynamite Entertainment, Gabriel Hernandez Walta, Grant Morrison, Greg Rucka, Greg Smallwood, Guiu Vilanova, Image, Iron Fist: The Living Weapon, J. Michael Straczynski, Jay Faerber, Jeff Lemire, Joe Rivera, John Arcudi, Kaare Andrews, Kelly Sue DeConnick, Kurt Busiek, Lazarus, Liam Sharp, Magneto, Marvel, Mastermen, Matt Kindt, Michael Lark, Michael Moreci, Mike Allred, Mike Mignola, Mono, Moon Knight, Paolo Rivera, Patrick Gleason, Peter J. Tomasi, Quentin Tarantino, Raze, Rick Remender, Secret Identities, Silver Surfer, Stuart Immonen, The Multiversity, The Twilight Zone, The Valiant, Tim Daniel, Titan, Uncanny X-Men, Valiant, Zoë Bell

Wednesday’s forecast for the weather outside of my local comic shop is pretty much the same as its been: as cold as can be.  (I guess someone’s gone and ticked off Elsa again.)  The forecast for inside, however, is hot hot hot!  (That’s right: the way to thaw a frozen heart is with an act of true love–in this case, a perfectly pulled bag of comics!)  Speaking of hot books: our Top Ten Books of 2014 is well represented this week.  Take a peek:

  • BPRD: Hell on Earth #128 (Dark Horse): Has been good–not great.  Definitely glad I jumped on board, though.
  • Dark Horse Presents #7 (Dark Horse): DHP has been great–especially at the new price point.  This month’s edition offers up a little Matt Kindt–and Mignola, Van Lente, Aragonés, and more!  Talk about bang for your buck!
  • Batman and Robin #39 (DC): The Action-packed cover’s very clever:
Batman and Robin #39

Batman and Robin #39

I know better, though: B&R‘s been a huge disappointment for months now.  In fact, I finally got around to dropping it from my pull list last month.  No longer under any obligation, I should leave it on the shelf and fill the void with something new.  God knows there will be plenty of players for the spot.  Image alone has a thousand new titles coming out in the next few months, so…

  • The Multiversity: Mastermen #1 (DC) Just I&N Morrison’s Multiversity has been a metafiction metahuman masterwork!  And now, Mastermen–with every-panel’s-a-pinup Jim Lee on art duties.
Multiversity: Mastermen #1

Multiversity: Mastermen #1

  • Autumnlands: Tooth & Claw #4 (Image): I can’t be the only one who’s noticed: the current arc of Astro City‘s been a bit blah; but this has been really, really good.  Coincidence?
  • Bitch Planet #3 (Image): I enjoyed #1 for all sorts of reasons (exploiting exploitation, lots of Tarantino, hints of Fraction, etc.).  Hey: borrowing works well when it works well.  Oh, but when it doesn’t…  #2 lost me from the get-go–especially as I was taken immediately to a low budget modern-day exploitation flick that I caught one night on one of the Showtime or HBO channels: Raze, starring Tarantino darling Zoë Bell.  Coincidence?
Raze (2013)

Raze (2013)

I’ll try this one and see where it takes me.

  • Lazarus #15 (Image) I&N Demand Our #2 book of 2014!  It’s what we’ve been waiting for for like, well, forever: Forever in a Trial by Combat against another Lazarus!
Lazarus #15

Lazarus #15

  • Secret Identities #1 (Image): Jay Faerber’s earned Must Try status with Copperhead.
  • All-New Captain America #4 (Marvel): I know, I know.  But it hasn’t been terrible.  And this time out, Remender’s dusting off the Armadillo!  Gotta wonder, though, what effect Secret Wars is going to have on this little experiment–and if it’s worth following a dead title shelf-sitting.
  • Iron Fist: The Living Weapon #9 (Marvel): I love what Kaare Andrews is doing with Danny Rand.  In fact, Iron Fist was my #16 book of 2014–and my third-favorite superhero monthly after Silver Surfer and Moon Knight.  High praise, indeed!
  • Magneto #15 (Marvel): Bunn’s done a nice job of telling stories from issue to issue.  He’s delivered some nice twists along the way, too.  #14 ended with Magneto’s giving himself up to S.H.I.E.L.D.  Wonder what his endgame is…
  • Moon Knight #12 (Marvel) I&N Demand Our #8 book of 2014!  #11 ended on a bit of a down note–you know, with Marc Spector falling out of a flying detention facility and all.  (Wood and Smallwood must’ve watched–and liked–Stallone’s waterlogged–yet undeniably watchable–prison break bingo, Escape Plan, as they delivered quite an homage with Spector in Stallone’s role and Khonshu in Schwarzenegger’s.)  Not looking forward to saying goodbye to Wood and Smallwood, but I am looking forward to seeing how they end their arc–and how they leave things for Cullen Bunn and Ron Ackins.  Maybe they’ll reach back to Bullet to the Head.  Or Avenging Angelo…
Moon Knight #12

Moon Knight #12

  • Silver Surfer #9 (Marvel) I&N Demand Our #4 book of 2014!  Well orchestrated fun from Dan Slott and Michael Allred!  The biggest–and best–superhero monthly around–and this issue promises to be HUGE!
Silver Surfer #9

Silver Surfer #9

  • Uncanny X-Men #31 (Marvel): Bendis is on his way out.  That promises some real havoc in the X-Universe.  No, really–look:
Uncanny X-Men #31

Uncanny X-Men #31

  • Burning Fields #2 (BOOM!): Kinda like a cross between The Killing and Homeland.  Not a bad thing.
  • Cap Stone #3 (Titan): Some real high points: the conversation between Charlie and her mom; the wild shifts in Sharp’s artwork.  Some low points, too: the conversation between Charlie and her mom; the wild shifts in Sharp’s artwork.  I loved #1.  #2, however, exposed a serious flaw: inconsistency.  Still intriguing enough, though.
  • Mono #3 (Titan): Another book from Liam Sharp that took a step back after a very promising premier.  What spoiled the sophomore offering: the conversation–coincidence?–between Heinrich and Isabella, which acts as a dragline on the storyline.  Also seems waaaaaay too serious for a book about an ape-man secret agent and assassin for the Queen, doesn’t it?  It’s so goddamned dour!  I do like the layered approach that Sharp’s taking to create the Mono myth, however.
  • The Valiant #3 (Valiant) I&N Demand I liked #1 enough–but I absolutely loved #2!  I was particularly struck by the artistic collaboration between Lemire and Kindt on the storybook section.  Sure, many of the notes that are struck remind of Lemire’s run on Animal Man; but what the hell–they work well here, so all the better!
The Valiant #3

The Valiant #3

  • The Twilight Zone #12 (Dynamite) I&N Demand Our #10 book of 2014!  This issue ends an extremely powerful arc and Straczynski and Vilanova’s superior run.  So sad to see this go.  Hmm.  Maybe–just maybe–I could travel back in time and kill another series–Dream Police, for instance–in its place…
The Twilight Zone #12

The Twilight Zone #12

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (8/20)

20 Wednesday Aug 2014

Posted by ScottNerd in What's I&N Store?

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Adam Archer, Andre Sirangelo, Archaia, Archer & Armstrong, Armor Hunters: Harbinger, Batman and Robin, Black Market, BOOM!, Cullen Bunn, Daredevil, Dark Horse, Dark Horse Presents, David Lapham, David Mack, DC Comics, Ed Brubaker, Frank Barbiere, Frank Miller, Fred Van Lente, G. Willow Wilson, Gabriel Hernandez Walta, Gabriel Iumazark, Geof Darrow, Grant Morrison, IDW, Image, Ivan Reis, James Asmus, Jamie McKelvie, Javier Rodriguez, Josh Elder, Joshua Dysart, Joshua Hale Fialkov, Kabuki, Kano, Kieron Gillen, Little Nemo: Return to Slumberland, Magneto, Mark Waid, Marvel, Ms. Marvel, Oni Press, Patrick Gleason, Peter J. Tomasi, Quantum and Woody, Scribblenauts Unmasked, Sean Phillips, Stray Bullets: Killers, The Delinquents, The Fade Out, The Last Broadcast, The Life After, The Multiversity, The Wicked & The Divine, Valiant

Looking forward to a few HUGE number ones: DC’s Multiversity, Image’s The Fade Out, and Valiant’s The Delinquents.  Also have my eye on the repriced DHP.  Plenty of other good stuff, too–including an against-the-odds purchase that might bring down the walls of my LCS!

  • Dark Horse Presents 2014 #1 (Dark Horse): I would buy Geoff Darrow and Frank Miller’s anything.  I even would’ve paid $7.99!  But the fellas at Dark Horse have decided to knock down the price of DHP with the “reboot.”  So we’re talking $4.99 for Darrow and Miller and, among other anthological amuse-bouches, David Mack’s Kabuki!  Yes, please!
Dark Horse Presents 2014 #1

Dark Horse Presents 2014 #1

  • Batman and Robin #34 (DC): Robin is still rising.  I hope he does a better job of it this time around–especially considering how awful the awfully disappointing Robin Rises: Omega was.  That’s right: sad to say, my favorite Batman book earned the ignominious distinction of being the Biggest Dis(appointment) of July.
  • The Multiversity #1 (DC): Grant Morrison is back–finally.  He’s been missed–by us and, most assuredly, by the DC powers that be.  (Marvel’s been cleaning their clocks for a while now; so it’s about time.)  His name is synonymous with quality–even if it is an awkwardly incomprehensible quality.
The Multiversity #1

The Multiversity #1

  • Little Nemo: Return to Slumberland #1 (IDW): I don’t have any experience with Little Nemo, but this looks too good to pass up.
  • The Fade Out #1 (Image): Hot on the high heels of the Fatale finale comes this new series from Brubaker and Phillips.  The description reminds of Fraction and Chaykin’s Satellite Sam–which is not a bad thing.
The Fade Out #1

The Fade Out #1

  • Stray Bullets: Killers #6 (Image): The first new Amy Racecar issue brought a little horsepower back to Lapham’s Bullets, which has been grinding its gears a bit since a high-octane first issue–which Derek gushed over here.
  • Supreme: Blue Rose #2 (Image): Re: #1: I felt kinda lost.  Figure I’ll give it another issue, you know, ’cause it’s Ellis.
  • Trees #4 (Image): #2 earned our Biggest Dis(appointment) of June.  #3 didn’t necessarily wash the taste of #2 from our mouths, but, for the quality of the conversation, it certainly changed the flavor a bit.  Just when I thought I’d be free of Trees, Ellis sucks me right back in.
  • The Wicked & The Divine #3 (Image): I thought #2 was OK–certainly better than the first one.  It didn’t make me want to call it quits, nor did it leave me inconsolable over the fact that I’d have to wait a month for #3.  Damn thing reeks of arrogance–which suits the godly gang well.  I still think the premise is kinda cool, and I’ve come to have more faith in Gillen thanks to Über; so I’m sticking around.  We’ll see what happens.  (Side note: anyone else seeing similarities between this and Azzarello’s Wonder Woman?  A quick flip through just gave me that vibe.)
The Wicked & The Divine #3

The Wicked & The Divine #3

  • Daredevil #7 (Marvel): The Original Sin tie-in was actually pretty good and included one of the best DD double-page spreads I’ve ever heard.  On to another, more about Matt’s mother–and off to Wakanda.
  • Magneto #8 (Marvel): Re: #7: not my favorite issue.  More a carried note than a new one.  Translation: the pattern that Bunn’s been following stood out more than the story itself.  Hope that doesn’t carry forward.
  • Ms. Marvel #7 (Marvel): I can’t believe I’m saying this: I didn’t care very much for #6.  My secret crush–the marvelous Kamala Khan–was insufferable!  Ugh!  How did endearingly awkward twist to annoyingly annoying so darned quickly?  And my concerns about the change in artist–well, they were well founded.  Wyatt’s work may as well have been lined with metal, too.  I’m not ready to quit Kamala, but I am, quite suddenly, anxious about our next meeting.
  • Armor Hunters: Harbinger #2 (Valiant): The first one didn’t do much for me.  Probably going to ride it out anyway.
  • Black Market #2 (BOOM!): I’ve pretty much hated everything I’ve read from Frank Barbiere–until Black Market #1.  Everything about it worked–especially the end.  Definitely looking forward to my experience with #2–maybe more so than #2 itself.  Is it possible that I’ll like another issue of a Barbiere book?
  • The Delinquents #1 (Valiant): This has the potential of being the best thing ever, you know, with Van Lente and Asmus clinking their heads together like IPA-filled pint glasses.  I couldn’t be hoppier–er, happier about this collaboration.  Add to the toast the oft-amazing Kano, who blew us away with his work on Quantum and Woody #10, and, well, I’m willing to “Wow!” before I even read it!
The Delinquents #1

The Delinquents #1

  • The Last Broadcast #4 (BOOM!/Archaia): We’ve loved the series thus far–and we’ve broadcasted it to all who’d listen.  We made #2 one of our Top 5 Books of June and #3 just missed despite its being maybe even better than #2.  (Yeah, July was a pretty stacked month.  Top 5 to come.)  Very much looking forward to this.
The Last Broadcast #4

The Last Broadcast #4

  • The Life After #2 (Oni Press): Suicide certainly is a touchy subject–made even more so with the recent loss of Robin Williams.  For some, the wound might be too fresh.  For me, however, that wound calloused over a long time ago.  A high school classmate of mine took her life during our junior year; it’s something I’ve never gotten over but have learned to live with.  Fialkov is healing with the help of some famous figures.  I’m willing to follow along.

Avery’s Pick of the Week

  • Scribblenauts Unmasked: A Crisis of Imagination #8 (DC): Avery’s embrace of #7 went viral.  OK, so it wasn’t Ebola; but it certainly infected writer Josh Elder.  Odds are good she’s gonna hug this one, too!

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (3/19)

18 Tuesday Mar 2014

Posted by ScottNerd in What's I&N Store?

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DC, Marvel, Valiant, Image, Daredevil, Animal Man, Suicide Squad, Wonder Woman, Harbinger, X-O Manowar, X-Men, zero, Matt Kindt, Chris Bachalo, Brian Azzarello, Jeff Lemire, Greg Rucka, Mark Waid, Chris Samnee, Brian Michael Bendis, Dark Horse, Robert Venditti, Oni Press, Cliff Chiang, Scott Snyder, Travel Foreman, Vertigo, BOOM!, Rick Remender, Paul Tobin, Nick Spencer, Riley Rossmo, Joshua Dysart, Matt Fraction, Jonathan Hickman, Brian Wood, Ales Kot, American Vampire, Uncanny X-Men, The Sixth Gun, Cullen Bunn, Brian Hurtt, Frank Barbiere, Dean Motter, Khari Evans, Rafael Albuquerque, Lazarus, Michael Lark, Sex Criminals, Chip Zdarsky, Letter 44, Alberto Alburquerque, Vanesa Del Rey, A Voice in the Dark, Larime Taylor, Charles Soule, Tradd Moore, Dark Horse Presents, Avengers World, Skyman, Curse, Michael Moreci, Top Cow, Joshua Hale Fialkov, Tim Daniel, Colin Lorimer, Mister X, White Suits, Toby Cypress, The Witcher, Scribblenauts Unmasked, Fuse, All-New Ghost Rider, Ms. Marvel, G. Willow Wilson, Adrian Alphona, Winter Soldier: The Bitter March, Diego Bernard, American Vampire: Second Cycle

Can’t buy ’em all.  That’s why I narrow it down to a select many every week.

  • Dark Horse Presents #34 (Dark Horse): A pricey pick, that’s for sure; but a gotta grab because Dean Motter’s magnificent Mister X is making his much anticipated return to the DHU.  And we love us some Mister X: if you didn’t already know–and you’d be in rare company–Mister X: Eviction was our #1 book of 2013.
Dark Horse Presents #37

Dark Horse Presents #34

  • Skyman #3 (Dark Horse): Has been OK.  My interest level in this book increased exponentially after reading Joshua Hale Fialkov’s The Bunker.  Makes this a bit of a potential pick.  Thing is, as a four-issue mini, Skyman might not have the time to realize that potential.  On a positive note, I’m willing to go the distance because it’s a mini.  Wouldn’t have been so willing if it had been an ongoing.
  • White Suits #2 (Dark Horse): Toby Cypress’s art was certainly remarkable.  The story, not so much.  I’m leaning toward passing on it.
  • The Witcher #1 (Dark Horse): Capable horror scribe Paul Tobin (Colder) makes it a maybe.  The fact that it’s based on a video game makes it a maybe not.  May also pass on this one.
  • American Vampire: Second Cycle #1 (DC/Vertigo): I’ve been looking forward to this!  Oh, sure, I bashed Batman a time or two and have been mostly put to sleep by The Wake (that is until #6, which was, pretty much, in The Wake world, anyhow, the equivalent of a cold shower!).  But that doesn’t mean I’m a Snyder hater; in fact, I happen to love American Vampire.  Consumed ’em all in trade form and am ready for the next course!
  • Animal Man #29 (DC): Jumped off a while ago.  Wondering if it’s worth picking up seeing as it’s the last issue and all.  Love Lemire’s cover:
Animal Man #29

Animal Man #29

  • Batman and Aquaman #29 (DC): Peter J. Tomasi and Patrick Gleason continue to deliver the darkest of the Dark Knight books–and now, apparently, the wettest.
  • Suicide Squad #29 (DC): Hasn’t been as good as I had hoped it’d be with Kindt in command.  Riding out his run, anyway.
  • Wonder Woman #29 (DC): It’s no surprise that this is the only New 52 book I’ve stuck with–without missing an issue–from #1.  It’s no myth: Brian Azzarello has made a monthly living of being good.  Of drawing out the story, sure, but of being good, nevertheless.
  • A Voice in the Dark #5 (Image): Well, I certainly didn’t celebrate #4.  (Check out my review here.)  What I have celebrated, however, is the potential that Larime Taylor has shown–especially in a terrific #2.  Here, I’m hoping to see more than a return to form: I’m hoping to see improved pacing.  This book desperately needs to cut to the chase–and draw some blood in the process.
A Voice in the Dark #5

A Voice in the Dark #5

  • Fuse #2 (Image): #1 was an offer I could easily refuse–not re-Fuse, mind you.  Leaning toward leaving it on the shelf.
  • Lazarus #7 (Image): #6 was terrific–as always.  In it, Rucka and Lark build some serious tension, which neither slacks nor snaps.  It’s no wonder that Lazarus was our #7 book of 2013.
  • Sex Criminals #5 (Image): #4 was a bit of a rebound from a not-so-good #3, which was our Biggest Dis(appointment) of November 2013.  I’m going to go one more round and see what happens.  Let’s call this my having faith in Fraction.  Sure, he’s a mad god; he’s an effing oversexed overlord!  But when he’s good, he’s damn good.  If Fraction’s big three books were a menage a trois–ain’t they, though?–Sex Criminals would be on the bottom–and loving it, no doubt.
  • Zero #6 (image): With an arc in the books, er, trades, Zero—our #8 book of 2013–gets back to business with Vanesa Del Rey (artist on BOOM!’s quick Hit) bringing Ales Kot’s vision to life.  OK, not going to lie: still not too sure how I feel about how #5 ended.  I mean, aliens?  Really?  Going to have to trust my man Kot on this one.
Zero #6

Zero #6

  • All-New Ghost Rider #1 (Marvel): My only real exposure to Tradd Moore has been Zero #2, which is my favorite issue of the series thus far.  Honesty: I don’t give a boo about Ghost Rider; I’m grabbing this to get a little Moore.  We’ll see if the little’ll turn into a lot soon enough.
All-New Ghost Rider #1

All-New Ghost Rider #1

  • Avengers World #4 (Marvel): The series has been mostly blah.  Started off well enough, but it seems to have fallen into its “bigger” trap, leaving me asking, “What in the world?”  Consider how much bigger my bag promises to be this week, this one might find itself displaced.
  • Daredevil #1 (Marvel): Speaking of being displaced: time to see what Waid and Samnee have in store for comidom’s newest San Franciscan.
  • Ms. Marvel #2 (Marvel): I was very surprised by how much I enjoyed #1.  Reminded me of my initial experience with Miles Morales and how well Brian Michael Bendis handled–and sold–the character in the face of controversy.  In this case, I’m hoping that Wilson and Alphona can keep Kamala out of the editorial web that ultimately ensnared Miles.
Ms. Marvel #2

Ms. Marvel #2

  • Uncanny X-Men #19 (Marvel): Don’t judge me.
  • Winter Soldier: The Bitter March #2 (Marvel): Probably not.  I didn’t really care for the first one.  And after Remender’s Deadly Class #2, I’ve pretty well given up hope that he can deliver something that interests me.
  • X-Men #12 (Marvel): OK.  Now you may judge me.  You know, the series started off on such a nostalgic note, and I bought right into it.  Felt like the X-book I had been waiting for since coming back to comics.  Then came the momentum busting Battle of the Atom.  Since then, the damn thing’s been a bit of a mess.  I’ll ride out this storyline and decide from there.
  • Curse #3 (BOOM!): My curse: being unable to quit on a mini if I’m at least two issues in–even if I really don’t care very much about it. That pretty well describes this series for me.
  • Harbinger #0.2014 (Valiant): Everything you’ve wanted to know about the Bleeding Monk but were afraid to ask.
Harbinger #0.2014

Harbinger #0.2014

  • Letter 44 #5 (Oni Press): Still loving President Blades, and right now that’s all that matters to me.
  • Shadowman #16 (Valiant): A monthly mystery: I don’t care a lick about any of the characters and I’m often vexed by all the voodoo; but I still like it.  A major selling point: Roberto De La Torre’s art.  It really suits Peter Milligan’s turn on the book.
  • The Sixth Gun #39 (Oni Press): I’m almost caught up!  I’ve got three more issues to rock out.  Know what?  There’s no reason why I shouldn’t read through them tonight.  There you go: I’m going to read them tonight; and I will read this one first.  How’s that?  Oh, and, umm, just in case you didn’t know already: it’s good.  Really good.  As I’ve mentioned in recent posts: the team of Bunn and Hurtt will go down as one of the greats of the modern era–maybe even of all time–because of the terrific work they’ve done on The Sixth Gun.
The Sixth Gun #39

The Sixth Gun #39

  • X-O Manowar #23 (Valiant): Has been a solid read from the get-go.  Aric’s another one of my favorite characters, and Venditti’s shown a great command of his character in and out of the armor.

Avery’s Pick of the Week

  • Scribblenauts Unmasked: Crisis of Imagination #3 (DC): My daughter has enjoyed the first two issues well enough.  By “enjoyed” I mean “not torn the covers off yet.”

That about does it I&Nmates!

What are you looking forward to this week?

Turning pages,

Scott

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I&N’s Top Ten of 2013

31 Tuesday Dec 2013

Posted by ScottNerd in Uncategorized

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Abstract Studio, Adventure Time, Adventure Time with Fionna & Cake, Afterlife With Archie, Ales Kot, Archer & Armstrong, Archie, Austin Harrison, Bad Houses, Bandette, Battlefields, BOOM!, Brian K. Vaughan, Buzzkill, Clone, Daredevil, Dark Horse, Dark Horse Presents, DC, Dean Motter, Deathmatch, Dial H, Dynamite, Fiona Staples, Fred Van Lente, Fury: My War Gone By, Garth Ennis, Goran Parlov, Greg Rucka, Harold Gray, IDW, Image, Jeff Stokely, kaboom!, Lazarus, Manifest Destiny, Marvel, Mateus Santolouco, Matt Kindt, Michael Lark, Michael Walsh, Mike Raicht, Mind MGMT, Mind the Gap, Mister X: Eviction, Mister X: Hard Candy, Morgan Jeske, Nelson Daniel, Numbercruncher, Oni, Rachel Rising, Sabretooth Swordsman, Saga, Satellite Sam, Seth, Simon Spurrier, Six-Gun Gorilla, Star Wars, Terminator, Terry Moore, the Hernandez Bros, The Massive, The Sixth Gun, The Spirit, Thumbprint, Titan, Tradd Moore, Trillium, Valiant, Vertigo, Wild Blue Yonder, Will Eisner, Winsor McCay, Zach Howard, zero

Welcome to the 46th Annual I&N’s Top Ten Comics of the Year (aka “The Innies”)! Why it seems like just yesterday that a struggling little mag named “The Amazing Spider-Man” edged out “The Adventures of Jerry Lewis” for the top spot on our hallowed list, signaling the spectacular rise of one and the slow descent into obscurity of the other.

Each title below is testament to the fact that, even as conventional wisdom holds that print is dying, comics are in the midst of some kind of Renaissance. The persistent stereotype that this vibrant, global medium is followed by sad, middle-aged men who like to see men in tights beat each other up simply doesn’t hold water anymore, nor has it for quite some time. The fact is, the problem is no longer a lack of diversity in incredible material for any and all possible demographics; it’s that there’s too much of it to keep track of! No less than seven publishers are represented in our Top Ten, each producing catalogues of more great work than we could ever hope to encompass in our tiny alloted piece of the internet. (You’ll note we even had to expand our “Honorable Mentions” section to ten books apiece – and we could’ve used ten more!) Simply put: everyone should be reading comics.

As always, we here at I&N welcome debate – hell, that’s the whole point. Just be aware that results below have already been encrypted onto floppy discs and blasted into space for the benefit of our future alien overlords. (DM)

The List!

10. Archer & Armstrong (Valiant): When Valiant, earlier this year, began hyping up their new title Quantum and Woody as their foray into buddy-action slapstick comedy, I wanted to yell “Wait! They’ve already GOT one of those!” But Archer & Armstrong is much more than that. Fred Van Lente and Co. have taken the best of Lethal Weapon, The X-Files, ancient Sumerian mythology, Dan Brown-type conspiracy novels, Dr. Strangelove, and god knows what else, and concocted a world-spanning epic that despite its breakneck pace and impeccable comic timing, manages an intellectual underpinning that questions the very nature and origins of faith. Even at its most gleefully satirical, however, the sheer exuberance of the writing embraces an expansive view of humanity, in all its wonders and frailties. Fun in a bottle, folks. (DM)

Archer & Armstrong

9. Fury: My War Gone By (Marvel): Garth Ennis proves he’s one of the most incisive writers around (not just in comics) on the subject of war. His deconstruction of the Marvel soldier/spy icon (lately supercool due to Samuel Jackson’s sleek big screen portrayal) is the least of this title’s attributes (which is on our Top Ten for the second year running). Ennis’ story (rendered with appropriate, unblinking grit by Goran Parlov) also serves as an insider’s account through the anguished  litany of armed conflict of the second half of the 20th century. Most devastatingly, it portrays the effects of war, not on the nameless many whose lives are needlessly cut short, but on the wretched perpetrators who survive. Merciless and shattering. (DM)

Fury: My War Gone By

8. Zero (Image): Ales Kot, the enigmatic engineer behind the challenging Change (Image), a mostly on-time bullet train of thought fueled by a combustible blend of poetry and pictures, has heroically hit the brakes on the overplayed and over-parodied secret agent genre, expertly taking it from 007 to Zero in no time flat. He’s applied the same amount of poetic pressure here, but to a more successful–and coherent–end storytelling-wise: the danger is palpable, the emotion undeniable–thanks, in part, to the rather complex collaborative effort that has called for four different artists on the first four issues of the series–a move that has transcended gimmick and, instead, has proven invaluable, if only because the first four artists have been Michael Walsh (Comeback), Tradd Moore (The Strange Talent of Luther Strode), Mateus Santolouco (Dial H, TMNT), and Morgan Jeske (Change). My experience thus far: #1 hooked me with its perfect timing and left me lying in the gutter; #2 knocked me upside-down; #3 disarmed me; and #4 made me love it–made me punch-drunk love it, damn it! What makes the book even more exciting? It defies expectations. I expect that it’ll continue defying expectations as we move into 2014. And, in that, I expect Zero to be just as good as it’s been–if not infinitely better because we’re getting the best of Kot, who’s clearly giving us everything he’s got. (SC)

Zero #4

Zero

7. Lazarus (Image): Greg Rucka’s vision of a near-future oligarchic dystopia gets under your skin because, in the tradition of Huxley and Orwell, it seems an all-too-plausible extrapolation of our current reality. The story is made even more unsettlingly concrete by Michael Lark’s stark, photorealistic visuals. Contrast the plight of the teeming masses with the power-hungry family dynamic of the ultra-privileged few, and you have a potent, volatile mix. A comic for our times. (DM)

Lazarus #2

Lazarus

6. Wild Blue Yonder (IDW): Sure, it’s only three issues in, but what a three-issue ride it’s been!  We’ve celebrated this action-packed series from its radar-arousing takeoff, with each high-speed pass earning enviable I&N accolades along the way.  (Check out the love here, here, and here.)  Top Gunners Mike Raicht, Zach Howard, Nelson Daniel, and Austin Harrison have come together in classic diamond formation to deliver one superior salvo after another, each on its own–and as a whole–a blockbuster that would humble Hollywood’s own best of 2013. (SC)

Wild Blue Yonder

Wild Blue Yonder

5. Rachel Rising (Abstract Studio): Terry Moore presents a truly American horror story: witches, serial killers, and a resurrected figure of biblical origins seeking vengeance for the sins of our nation’s past. Oh yeah, and the Devil. Moore draws you in with the quiet beauty of his artwork; his snow-covered renditions of the sleepy town of Manson enveloping you like a down blanket in front of a fireplace, before the sharp spasms of bloodletting shock you right back into his nightmare. However terrible the events depicted though, Moore seems to suggest they pale against the cruelties of history. Speaking of cruelties, let’s hope a purported television adaptation staves off recent talk of this book’s imminent demise. Because the real horror story would be a world without Rachel Rising. (DM)

Rachel Rising

4. Saga (Image): Saga is a lot of things: a superlative satire, a side-splitting sci-fi romp, a heart-wrenching romance, a critique of fiction, a controversy magnet; but most of all, it’s extraordinarily consistent; and it’s that consistency that fosters a critical expectation: to expect the unexpected.  On a monthly basis, Brian K. Vaughan and Fiona Staples serve up sublime slices of a greater story–slices that showcase razor sharp dialogue, that pitch perfect pathos, that sell sure shocks; they wisely fool with the elements of fiction and, like confident alchemists, have come up with issue after issue of 22-page gold–and we’re all the richer for it. (SC)

Saga

Saga

3. Six-Gun Gorilla (BOOM!): In the biggest surprise of the year, Si Spurrier conducts a multi-layered masterclass in metaficiton and at the same time delivers a eulogy on the dying art of escapism.  From the existential exposition of this weird, weird western to its necessarily hopeful final act, Spurrier’s imaginative muse–the Six-Gun Gorilla, himself–becomes Blue’s, and then naturally becomes ours as we consent to the writer’s every insistence; as we gladly lose ourselves in this genre-bending–and never-ending–battle between reality and fiction, good and evil, and fate and freewill, which is brought to life by rising star Jeff Stokely, whose artwork crucially complements the conflicts at the core of the story.  At the same time a celebration of a culture’s vital literary legacy and a criticism of the current collective unconscious, Six-Gun Gorilla has earned its spot in the Western Canon of Comics–and our Top Ten–with a simple but oft-neglected gesture: by making and keeping a primal promise. (SC)

Six-Gun Gorilla #2

Six-Gun Gorilla

2. Mind MGMT (Dark Horse): Matt Kindt’s magical mystery tour de force Mind MGMT—our #3 book of 2012–continues to astound, especially as its crafty creator meticulously molds the medium to suit his carefully constructed conspiratorial agenda.  As the story of the eponymous enigmatic entity has evolved, so too has Kindt’s strategy for telling it: his precise, patient prose; his layouts, enlivened by some otherworldly calculus; and his innovative brushstrokes of genius merge miraculously and challenge us to think and to feel, to be active participants in the world in which we’ve been immersed: to put beautifully painted pieces together in order to experience–along with the impressive cast of characters–confusion and loss, the conflation of time, and a higher power drawing us somewhere unprecedented in breadth and scope–drawing us in to the mind of the medium’s finest manager. (SC)

Mind MGMT #13

Mind MGMT

1. Mister X (Dark Horse): There are many approaches to creating great comics. One of them is largely collaborative, in which the creative duties are are separated and clearly defined (writer, artist, colorist, letterer, etc). Through an amalgam of traditional, action-based American comics and the more leisurely paced, lushly visual influence of manga, this approach has evolved over the last twenty years or so into what could be called a “cinematic” style; a treatment of the comic book form that seems based in the ethos of filmmaking (Lazarus, above, is an excellent example of this). Then there is another approach (let us call it the “auteur’s” approach) in which the cartoonist (let us rescue this title from the cultural dung-heap) assumes all of the above creative responsibilities to produce narratives that are singular and personal in a way that no other visual medium, not even movies, can replicate. Since they control all aspects of the work – not just writing and drawing, but page design, panel lay-out, font style and placement and all sorts of graphic elements; in short the whole package – they can, at their best, perfectly marry content and form in a manner that is unique to the comics medium. It is an approach with a history that extends at least back to Will Eisner and The Spirit. Perhaps because it takes such a concerted effort by a single individual, this type of formal, experimental approach is most often seen in the realm of the “graphic novel”. Rarely is it employed in our beloved, stapled floppies (though glimmers of hope have begun to appear on the comic racks: see Matt Kindt, above and below). And then there is Mister X. Created by Dean Motter in the early 1980’s, (when “graphic novels” barely existed as an idea) the title has long been a touchstone among independent-minded cartoonists (early contributors include the Hernandez Bros and Seth). In its latest iterations, Hard Candy and Eviction, Motter continues to seamlessly wed both approaches: there is the clear stylistic influence of German Expressionism and film noir for which the comic is known, but there are also the aforementioned design choices that reflect the themes of the narrative itself. The story involves the mysterious architect of a city in which the very buildings (in all their art deco glory) seem to respond to, and adversely influence, the psyches of its very inhabitants. This theme, played out in yarns that are at once hard-boiled, surreal and whimsical, acts as a fitting metaphor for the experience of the reader, as they interact with the “architecture” of Motter’s intricate design. Further, Motter includes delightful homages to the likes of Harold Gray (“Little Urchin Andy”), Winsor McCay (“Dream of the Robot Friend”) and the aforementioned Eisner (see cover below) which pay tribute to the comics history of which Mister X is a part, while, again, also making sense within the story itself. The overall effect is immersive and beguiling. Some comics tell great stories. Some comics celebrate their history. Some comics continue to push at the boundaries of the medium. And then there is Mister X. Book Of the Year. (DM)

Mister X:Eviction

Derek’s Honorable Mentions: 20. Dial H (DC) 19.  Afterlife with Archie (Archie) 18. Manifest Destiny (Image) 17. Thumbprint (IDW) 16. The Massive (Dark Horse) 15. Battlefields (Dynamite) 14. Adventure Time (kaboom!) 13. Numbercruncher (Titan) 12. Trillium (DC/Vertigo) 11. Adventure Time with Fionna and Cake (kaboom!)

Scott’s Honorable Mentions:

20. Battlefields (Dynamite) 19. Daredevil (Marvel) 18. The Sixth Gun (Oni) 17. Deathmatch (BOOM!) 16. Satellite Sam (Image) 15. Clone (Image) 14. Numbercruncher (Titan) 13. Mind the Gap (Image) 12. The Massive (Dark Horse) 11. Trillium (DC/Vertigo)

Best Single Issue of the Year: Mind MGMT #17 (Dark Horse)

With #17, Kindt reaches new heights, goes to greater lengths–particularly in page-busting panels of crisply-crafted and concurrent continuous narratives–to exploit the power of the medium.   As promised by the clever cover–one awash in paranoia and paronomasia–the story moves at a breakneck pace: from a locked and loaded unhappy Home Maker to a veritable orgy of violent rivers running toward a simultaneous orgasm of double-page splashes–there goes the neighborhood, indeed!–to a crack shot Meru, who, with a twist of Lyme, is ready to take the reins and restore reason to the world one agent at a time.  The whole damn thing’s a miracle, really.  Hell, at this point, I wouldn’t be surprised if Kindt could turn his watercolors to wine; his work is that divine. (SC)

Mind MGMT #17

Mind MGMT #17

Publisher of the Year: Most comics-related outfits have finally caught onto Image Comics‘ trend-setting ways and already bestowed this honor upon them (no doubt, in no small part, due to our ahead-of-the-curve naming them Publisher of the Year in 2012 😉 And with stellar debuts like Lazarus and Zero (not to mention books like Manifest Destiny and Rat Queens) the accolades are hard to dispute. But let us do just that (contrary bastards that we are). Because 2013 was the year that a bevy of other publishers took a page from Image’s playbook and produced work, much of it creator-owned, that was just as innovative, idiosyncratic, and invigorating as Image’s output. BOOM!, IDW, Oni, Dyanmite – all produced titles of creativity, breadth and distinction. But there was one publisher that rose unexpectedly, like its namesake, above the rest: Dark Horse. While never taking their eye off their bread-and-butter licensed properties (like Star Wars and Terminator) Dark Horse branched out into new territory with exciting minis from largely unknown creators (Buzzkill), original graphic novels (Bad Houses), and printed versions of high quality digital comics (Bandette, Sabretooth Swordsman). And let’s face it, Dark Horse has been doing the creator-owned, independent thing for over twenty years, as evidenced by the revival of the premiere comics anthology, Dark Horse Presents. So while Image is the current industry darling (and deservedly so), we can’t ignore the evidence of our comic-lovin’ eyes: the best overall books of 2013 (including our Top Two titles) were published by Dark Horse Comics. (DM)

Looking forward to 2014,

Scott & Derek

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What’s I&N Store (12/18)

18 Wednesday Dec 2013

Posted by ScottNerd in What's I&N Store?

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Tags

A Voice in the Dark, Ales Kot, All-New X-Men, Avatar, Batman and Two-Face, Black Science, BOOM!, Brian Azzarello, Brian K. Vaughan, Brian Michael Bendis, Brian Wood, Bryce Carlson, Buzzkill, C.P. Smith, Cary Nord, Daredevil, Dark Horse, Dark Horse Presents, DC Comics, Department of Monsterology, Donny Cates, East of West, Eternal Warrior, Fiona Staples, Garry Brown, Greg Pak, Hit, Image, J. Michael Straczynski, Javier Rodriguez, Jim McCann, Jonathan Hickman, Kevin Eastman, Larime Taylor, Mark Reznicek, Mark Waid, Marvel, Matt Kindt, Matteo Scalera, Max Brooks, Mind MGMT, Mind the Gap, Nick Dragotta, P.J. Holden, Patrick Gleason, Peter J. Tomasi, Renegade Arts, Rick Remender, Robert Venditti, Rodin Esquejo, Ross Campbell, Ryan North, Saga, Teenage Mutant Ninja Turtles, Ten Grand, Terry Dodson, The Extinction Parade, The Massive, The Midas Flesh, Trevor Hairsine, Vanesa Del Rey, Wonder Woman, X-Men, X-O Manowar, zero

Haven’t had back-to-back weeks like this.  Yowza.

  • Buzzkill #4 (Dark Horse): One of the best minis of the year comes to a close.  No need to crack open a cold one to enjoy what Donny Cates and the crew have brewed up–but it certainly can’t hurt.  In fact, let’s drink to what they’ve accomplished thus far and to the promise of a perfectly choreographed booze-fueled father-son throwdown.
Buzzkill #4

Buzzkill #4

  • Dark Horse Presents #31 (Dark Horse): A hefty price to pay for a sliver of of the sublime Mind MGMT.  Oh, I’ll be paying it, all right!  Just like I paid…for…this…
Mind MGMT #17 pp. 22-23

Mind MGMT #17 pp. 22-23

  • The Massive #18 (Dark Horse): Over the life of The Massive, Brian Wood has put on a clinic in understatement and tension–no single issue more successful than the revealing #17, which put Callum Israel’s hatred for Bors Bergsen in context.  Brilliant.
  • Batman and Two-Face #26 (DC): I’ve said it before; I’ll say it again: despite what you’ve been led to believe, this is the best Batman book going.  Peter J. Tomasi and Patrick Gleason deserve far more credit for what they’ve been doing with Batman, particularly post-Robin.
  • Wonder Woman #26 (DC): Still worth my $2.99.  One of the few DC books worth my time.
  • Teenage Mutant Ninja Turtles #29 (IDW): I don’t know, maybe.  I really enjoyed “City Fall”–and not only because of Mateus Santolouco’s artwork, surprisingly enough; so, I’m actually leaning toward yes.  At least a flip-through, right?
TMNT #29

TMNT #29

  • A Voice in the Dark #2 (Image): #1 was mostly tedious, but Taylor has twisted my arm with a pretty terrific plot twist.  I want to–I have to!–see it play out.  Man, it’s the same problem I have when it comes to watching any cop show: if I watch the first two minutes, I’m stuck for the full sixty–even if I’ve never seen an episode of that particular show before.  Such a sucker!
  • Black Science #2 (Image): Surprise!  Remender’s playing with dimensions.  Oh, sorry: Yay!  If I end up buying it, it’ll be definitive proof that I have no self control.
  • East of West #8 (Image): Hickman’s been east of efficient in his storytelling.  That’s not a fault; in fact, I appreciate his frugality–especially considering how much reading I have to do!
  • Mind the Gap #16 (Image): One of my favorites is back with Act II.  I can’t wait to see how McCann and crew outdo themselves.  It’ll be tough, though, especially after the brilliant dueling-artist dual-narrative that closed out Act I.  Highest of expectations.
Mind the Gap #16

Mind the Gap #16

  • Saga #17 (Image): Guaranteed goodness.
  • Ten Grand #6 (Image): Dragged down–waaaaaaay down–by Templesmith’s departure.  More than likely, I’ll pass on it.  Sad, too, because I had finally gotten into it.
  • Zero #4 (Image): An amazing three-issue run to kick off the series.  Yeah, there’s a 0% chance of my missing this one; in fact, I’d give up my left arm for a copy!  Can’t wait to drink up another 24 pages of Ales Kot’s creative juices.
  • All-New X-Men #20 (Marvel): Hey, it is what it is.
  • Daredevil #34 (Marvel): I’m looking forward to the end of the run–just not sure if it’s for the right reasons.
  • X-Men #8 (Marvel): Bringing on the Dodsons was as genius a move as can be.  They’re perfect for this book.  It’s keeping me around, that’s for sure.
X-Men #8

X-Men #8

  • Department of Monsterology #3 (Renegade Arts): I loved #2.  Looking forward to seeing what they’ve got in store for us this time around.
Department of Monsterology #3

Department of Monsterology #3

  • Eternal Warrior #4 (Valiant): So far, so good.
  • The Extinction Parade #4 (Avatar): I’ve been picking it up for my wife.  Yeah, well, she hasn’t read #2 yet.  I’m caught up, though.  Nothing special.
  • Hit #4 (BOOM!): The solid hard-boiled crime drama from Bryce Carlson and Vanesa Del Rey comes to a close.
Hit #4

Hit #4

  • The Midas Flesh #1 (BOOM!): Time for another adventure from Ryan North!  Sounds fun!  I mean, everything he’s touched so far has turned to gold, right?
  • X-O Manowar #20 (Valiant): I was really surprised by–and really liked–Cary Nord’s artwork on #19.  Hoping to get more of the same here.

What are you looking forward to this week?

Turning pages,

Scott

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