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Tag Archives: Dan Slott

I&N Store 8/8

13 Monday Aug 2018

Posted by ScottNerd in Uncategorized

≈ 1 Comment

Tags

Abstract Studio, aftershock comics, Amazing Spider-Man, berger books, black badge, boom studions, Catwoman, christopher cantwell, clankillers, Dan Slott, Dark Horse Comics, DC Comics, eternal empire, Fantastic Four, farmhand, hilary jenkins, hot lunch special, Image Comics, Images and Nerds, in demand, Joelle Jones, Jordie Bellaire, Kyle Higgins, Laura Allred, martin morazzo, Matt Kindt, Miroslav Mrva, NCBD, oblivion song, previews, reviews, sandman universe, she could fly, Stephen Mooney, strangers in paradise xxv, Superman, Terry Moore, the dead hand, Tom King, Tyler Jenkins, unnatural

I was on a frame vacation–which is a vacation within a vacation, of course–and didn’t have time to flesh out my previews for 8/8’s books.  So, for you Images and Nerds completists out there, here’s a quick rundown.  This go-round, said rundown will be more re- and less pre- as I’ve read all of our I&N Demand books.

Thanks for your understanding.

  • The Dead Hand #5 (Image): I&N Demand I’m loving this series.  Haven’t heard much buzz about it, but it’s really good.  Kyle Higgins is doing great work here, playing with paranoia, with isolation, with existentialism and with an external existential threat, which, at this point, has found its way into Mountain View, a community essentially built upon a cleverly conceived existential threat of its own–one that wears the face of and, more important, particularly as it pertains to the development of the pervasive danger in the book, exhibits the mental and emotional capacity of a child.  (Parents: hits pretty close to home, no?  Ha!  Another fine twist!)  Stephen Mooney’s artwork, accentuated by Jordie Bellaire’s colors, helps to stretch the tension from panel to panel, page to page, issue to issue.  Sure, the Cold War might be over, but there are bombs still waiting to go off–and a shit ton of them are planted in the pages of The Dead Hand.

dead

  • Eternal Empire #10 (Image)
  • Farmhand #2 (Image)
  • Oblivion Song #6 (Image)
  • Unnatural #2 (Image)
  • She Could Fly #2 (Dark Horse/Berger Books): I&N Demand The first issue was a promise; and with #2, Christopher Cantwell, Martin Morazzo, and Miroslav Mrva delivered on it.  For one, the book moves at a decapitating pace; yeah, the narrative threads–see, they’re piano wire, and the quick cuts’ll leave your head in your hands.  (The cover’s got that covered, yo.)  The madness that fuels the frenzy is manifested meticulously, which may seem contradictory in reflection, but instead makes sense–which, considering the nature of the creator-reader relationship, in the end, makes all the sense in this mad, mad, mad, mad world.  Cool touch: Luna’s barrettes look like devil horns.  You know, once I noticed that, I couldn’t not see it and was like Wow, cool touch.  I even showed my wife.  She said, “Oh, yeah” and then went back to her phone–on Pinterest or Etsy or Instagram or Match or whatever the hell it is she spends so much time on.  She could swipe, that one.  But She Could Fly, if it keeps up this level of storytelling, will touch the fucking sun.

she

  • Catwoman #2 (DC): I&N Demand Joëlle Jones has brought her sexy lines and lots of leather together to give us the solo Catwoman we knew we needed and have desperately wanted, especially since the Tom King proposed the whole Bat-Cat thing.  #1 hit a lot of great notes writing-wise and art-wise.  Some of those notes were echoes of Jones’ terrific Lady Killer, which was, in retrospect, the perfect audition for Catwoman.  This second issue didn’t scratch the same spots as the first, but Jones whipped up a solid issue nevertheless–particularly in the portrayal of Cat’s angst over the big Bat break up and the development of the mystery surrounding Lady Creel’s plan for Selina; and, again, with the lines and the leather–and the Laura Allred’s luscious colors–all of it justification for my objectification of the femme feline–it’s damn easy on the eyes.

STL088823

  • Sandman Universe #1 (DC/Vertigo)
  • Superman #2 (DC)
  • Amazing Spider-Man #3 (Marvel)
  • Fantastic Four #1 (Marvel): I&N Demand The First Family is back!  Well, they’re almost back–and that, kids, is your hook.  But could their return be Doom-ed from the start?  Can’t wait to see what Dan Slott’s got in store for comicdom’s most indispensable four.

STL096763

  • Black Badge #1 (BOOM!): I&N Demand I’m kind of a Kindt junkie, and, logically, following with more figurative language, Black Badge is my next fix–oh, and how satisfying #1 was.  Exploiting the same chemical formula that worked so well in the intoxicatingly agitative Grass Kings–Kindt+Jenkins^2=masterfully mature storytelling and a well-deserved Eisner nom–Black Badge bursts onto the scene like a nostalgia bomb with a perfectly-paced adventure that calls to mind the ubiquitous kidventure movies of the ’80s (Stand by Me and The Explorers were two of my faves) and mirrors those games my friends and I used to play on the farm, as we’d battle imaginary Nazis or Russians a la Where Eagles Dare or Red Dawn.  These kids, however, aren’t playing a game–and neither is the creative team: this is some dark stuff; and like good little scouts, we best be prepared for more.  See: “Nobody can do what [they] can do.  No one can go where [they] can go.”  (Hey! you say?  “They”? Doubled for your pleasure, fair reader!  OK, you got me: mostly for mine.)  For the week, Black Badge #1 is #1 with a bullet drone strike.

black.jpg

  • Clankillers #2 (Aftershock)
  • Hot Lunch Special #1 (Aftershock)
  • Strangers in Paradise XXV #5 (Abstract Studio): I&N Demand Terry Moore’s return to Paradise has been exhilarating, with familiar faces and events unfolding, particularly around Katchoo, at a breakneck pace.  #5 slows things down a bit a lot to offer a history lesson, which is meant to make the mystery lessen a lot a bit, which it does–though not before Moore uses Katchoo–and her big ol’ yawn–to let us know that it’s OK that we got a bit–yeah, a bit–beaten up by Tambi’s walking like an Egyptian through her explanation of the situation that plagues them both.  In the end, however, Katchoo faces defeat her feet and realizes that she’s got to change her attitude–and her longitude–if she’s going to get to the truth.  Another black and white beauty from Mr. Moore.

strange

 

Thanks for reading!

Turning pages,

Scott

 

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The 2015 Innie Award Nominations!

07 Friday Aug 2015

Posted by dmaxwell in Innie Awards

≈ 5 Comments

Tags

2000 AD, Action Lab, Afterlife With Archie, Archie Comics, B.P.R.D.: Hell on Earth, BOOM!, Brass Sun, Brian Wood, Dan Abnett, Dan Slott, Daredevil, Dark Horse, Dave Stewart, Dry Spell, Dynamite, Eric Shanower, Francesco Francavilla, Gabriel Rodriguez, Greg Rucka, Guiu Vilanova, Hellboy and the B.P.R.D., I.N.J. Culbard, Ian Edginton, IDW, Image, Innie Awards, J. Michael Straczynski, Jordie Bellaire, Ken Krekeler, Laura Allred, Lazarus, Little Nemo: Return to Slumberland, Matt Kindt, Matt Wilson, Michael Lark, Mike Allred, Mind MGMT, Moon Knight, Nelson Daniel, Roberto Aguirre Sacasa, Silver Surfer, The Massive, The Twilight Zone, The Wicked & The Divine, Wild Blue Yonder, Wild's End, zero

The Harvey Award nominations have been announced! The Eisners are in the books! And now we offer our annual corrective: THE INNIE AWARDS!

What does ‘Innies’ stand for? Well, other than an attempt at shameless self-branding, it stands for ‘independence’! Being ‘in’ the know! Part of the ‘in’ crowd! And possessing the non-freaky type of belly button.

Since we don’t have the big-time budget of the fancy-pants Eisners or Harveys, we’ve limited ourselves to five categories.  (Sorry Best Translation of Foreign Material for Tweens!)

Keep in mind that these are for comics that were published in 2014.

If the Eisners are the Oscars, and the Harveys are the Golden Globes, then the Innies are the Independent Spirits–or at least the People’s Choice Awards!

The Nominations:

Best Limited Series:

  • Brass Sun by Ian Edginton and I.N.J Culbard (2000AD)
  • Dry Spell by Ken Krekeler (Action Lab/Danger Zone)
  • Little Nemo: Return to Slumberland by Eric Shanower and Gabriel Rodriguez (IDW)
  • The Twilight Zone by J. Michael Straczynski and Guiu Vilanova (Dynamite Entertainment)
  • Wild’s End by Dan Abnett and I.N.J Culbard (BOOM! Studios)

Best Ongoing Series:

  • Afterlife with Archie by Roberto Aguirre-Sacasa and Francesco Francavilla (Archie Horror)
  • Lazarus by Greg Rucka and Michael Lark (Image)
  • The Massive by Brian Wood and various (Dark Horse)
  • Mind MGMT by Matt Kindt (Dark Horse)
  • Silver Surfer by Dan Slott and Mike Allred (Marvel)

Best Writer:

  • Matt Kindt, Mind MGMT (Dark Horse)
  • Ken Krekeler, Dry Spell (Action Lab/Danger Zone)
  • Greg Rucka, Lazarus (Image)
  • Dan Slott, Silver Surfer (Marvel)
  • Brian Wood, The Massive (Dark Horse), Moon Knight (Marvel)

Best Artist:

  • Mike Allred, Silver Surfer (Marvel)
  • I.N.J. Culbard, Wild’s End (BOOM! Studios), Brass Sun (2000AD)
  • Francesco Francavilla, Afterlife with Archie (Archie Horror)
  • Matt Kindt, Mind MGMT (Dark Horse)
  • Gabriel Rodriguez, Little Nemo: Return to Slumberland (IDW)

Best Colorist:

  • Laura Allred, Silver Surfer (Marvel)
  • Jordie Bellaire, The Massive (Dark Horse), Moon Knight (Marvel), Zero (Image)
  • Nelson Daniel, Little Nemo: Return to Slumberland (IDW), Wild Blue Yonder (IDW)
  • Dave Stewart B.P.R.D.: Hell on Earth (Dark Horse), Hellboy & the B.P.R.D.: 1952 (Dark Horse)
  • Matthew Wilson The Wicked + The Divine (Image), Daredevil (Marvel)

Now it’s your turn. Did we miss anyone or anything?

Let the internet shouting begin!

Turning pages,

Derek & Scott

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Best Books of the Spring

05 Wednesday Aug 2015

Posted by ScottNerd in Top 5 Books of the Month

≈ 1 Comment

Tags

A Christmas Carol, Alan Moore, Ales Kot, Allen Ginsberg, Ant-Man, Archie, Autumnlands: Tooth & Claw, Avatar, Benjamin Dewey, Black Mask, BOOM!, Chilling Adventures of Sabrina, Chris Peterson, Crash, Curt Pires, Dan Slott, Downton Abbey, Eddie Campbell, Erica Henderson, From Hell, Garth, Giant Days, God Hates Astronauts, H.P. Lovecraft, Howard Chaykin, Ian Betram, Image, Jacen Burrows, Jeff Lemire, John Allison, Jordie Bellaire, Juan Rodriguex, Kaptara, Kurt Busiek, Lissa Treiman, Marvel, Material, Matt Fraction, Mayday, Mike Allred, Nick Spencer, Ommegang Abbey Ale, Penn State, Pete Toms, Providence, Robert Hack, Ryan North, Satellite Sam, Silver Surfer, Stathis Tsemberlidis, The Crucible, The Shining, the unbeatable Squirrel Girl, Tomas Aira, War Stories, Watchmen, Will Tempest, William S. Burroughs, zero

Summer is in full swing! As you lather up the sunscreen, fill the cooler with your beverage of choice (Ommegang Abbey Ale for me, thanks) and break out your thongs (sandals or otherwise, hey, we don’t judge) we present a list of recent comics that are well worth tracking down for your seaside, margarita-sipping, swimsuit-watching summer reading. Enjoy!

Top 5 Books of March

5. Giant Days #1 (BOOM!): OK, so, about 25 years or so ago, I made my way to The Pennsylvania State University, University Park campus; got settled in on the 4th floor of Pinchot Hall, a 10-storey sausage factory; cycled through a few roommates–smokers, snorers, and  psychopaths–during my two years on campus; fell in with a group of dorks who’d be my best buds for four blurry years; and all together, as fun as I think it was–as I remember it was–it was nothing like John Allison and Lissa Treiman’s irrepressibly jocular Giant Days #1.  Maybe that’s why I loved it so much.  Co-ed Musketeers–Daisy, Esther, and Susan–are the hyperbolically dramatic center of this university; and hilarity revolves around them in effortless ellipses, much to our benefit.  So good that I can confidently quote McGraw, the mustachioed hate interest, as I consider what the future holds for Giant Days and, fearing a sophomore slump, threaten the creators of this tasty treat: “Nothing you can do can spoil gravy for me.” (SC)

Giant Days #1

Giant Days #1

4. Autumnlands #5 (Image): Fantasy books are all about world-building. No comic in recent memory has presented a realm so fully realized as Autumnlands. Credit goes equally to writer Kurt Busiek (no stranger to this kind of thing – see Astro City) and artist Benjamin Dewey, whose lush style seems to belong to another era (it doesn’t hurt, of course, that it’s being colored by the omnipresent Jordie Bellaire, who I’m convinced at this point must be some sort of collective of robot artists). Floating cities, magical lore, calcified social strata, layer upon layer intertwine into a cohesive whole. Impressively, one doesn’t hear the awkard, behind-the-scenes clanging of this universe’s construction; rather, it’s as if it has always been there. It is merely our happy fortune to discover it, and get lost in it. Higher praise for a fantasy tale I can scarcely think of. (DM)

The Autumnlands: Tooth & Claw #5

The Autumnlands: Tooth & Claw #5

3. Ant-Man #3 (Marvel): I can’t even with this book. It is just too funny. I literally (and I mean that in the literal sense) have to keep putting it down because I’m laughing so hard. Literally! Nick Spencer is a comic (and I mean that in the comic sense) genius. Here’s your blurb: “The hero may be small, but the laughs are BIG!” (DM)

Ant-Man #3

Ant-Man #3

2. Silver Surfer #10 (Marvel): Dan Slott and Mike Allred are producing the definitive run of this classic character. They spent most of the first year bringing the fun, with story after story teeming with imagination and wit. But with the Silver Surfer, the piper must always be payed. They tackle the central pathos of the character head on: how can a being who played a role in the deaths of untold millions ever be redeemed? The story they come up with is so simple, so perfectly elegant, that I almost can’t believe no one’s thought of it before. Everyone knows that superhero stories from the Big Two are ‘never-ending’. That’s a shame, because this issue would serve as the perfect coda not just for this series, but for the journey that Norrin Radd has been on since Fantastic Four #48, all those decades ago. Beautiful. (DM)

Silver Surfer #10

Silver Surfer #10

1. Zero #15 (Image): The Jeff Lemire variant queries innocently enough, “What is Zero?” Answers inspired by fourteen issues of Ales Kot’s crazy, crazy calculus: Soldier.  Spy.  Hero.  Killer.  Storyteller.  Everything.  Nothing.  Open up the book, open mind, as always, as necessary with this schizophrenic series, ask again: Who is Zero?  Answer inspired by page one, panel one: I have no effing idea! <–I borrowed an exclamation point; don’t think it’ll be missed.  Kot unexpectedly offers up a figure who’s furiously fingering a typewriter and, in doing so, adds a literary layer, making the book more than Zero.  He’s gone meta, forging unforeseen relationships, crafting, out of the story thus far, a psych-session confession and a catharsis-in-progress.  This stunning thing with its wild spirit sees Kot exploiting his poetic proclivities: his words build images that build upon artist Ian Bertram’s images and affecting layouts: it’s a conscious stream of Ginsberg and guns, fathers and sons, drugs and drugs–all of it burrowing into the brain like a drunk bullet.  Stories don’t get more tragic than William S. Burroughs’, and Kot’s made magic by borrowing it–as if you couldn’t tell.

Zero #15

Zero #15

The Biggest Dis(appointment): Descender  #1 (Image)

Descender is the perfect title for this highly anticipated offering from the frustratingly inconsistent Jeff Lemire: the book, which starts off well enough, descends quickly–and dizzyingly so–to robotic schmaltz, lowlighted by the insultingly saccharine introduction of Tim-21, which bored a hole nerve-deep in my otherwise pretty resilient sweet tooth.  Anyone know a good dentist?  (SC)

Descender #1

Descender #1

 

Top 5 Books of April

5. the unbeatable Squirrel Girl #4 (Marvel): There’s a long-overdue resurgence taking place in monthly comics that are putting the ‘funny’ back in ‘funny books’. We’ve been trumpeting the aforementioned Ant-Man for a while now; add to that the likes of God Hates Astronauts, Kaptara, and East of West (ok, maybe not that last one). Enter: Squirrel Girl. Ryan North (fresh of his excellent, award-winning run on Adventure Time) and artist Erica Henderson have already established a quirky charmer through three issues. Well the fourth installment is, simply put, the funniest single comic I’ve read all year. Most books are lucky to get a chuckle; this one had me laughing out loud five times before I was even that many number of pages in (I’m laughing now, just remembering them). Or maybe I should just put it this way: Squirrel Girl Vs. Galactus. Nuts Said. (DM)

the unbeatable Squirrel Girl #4

the unbeatable Squirrel Girl #4

4. Mayday #1 (Black Mask): Curt Pires pops for real with this frenetic filet o’ film–one that drops some noms de cinéma (Kaufman, Lynch, and Bay) and goes to effing guerre with them.  Oh, yeah, man: it’s a wild ride that reads like a regiment of lines on a mirror meant to be snorted with the eyes and sorted out with a muddied mind.  Re: minds: Pires, paired with the more than competent Chris Peterson, sells a story that, in terms of comics, is “sort of like” Matt Fraction channeled through Ales Kot with Tyler Jenkins and Michael Walsh trying to one-up one another from one panel to the next.  Mayday #1 will leave you questioning your life choices–especially if most of them have sucked.  But you will not question your choice to pick it up–even if it is “just one big blur”; nor will you question whether or not you should pick up #2.  I mean, Kleio and Terrence have “just murdered two dudes.”  You totally don’t want them to come after you. (SC)

Mayday #1

Mayday #1

3. War Stories #8 (Avatar): Sounds like a given: Part 2 of “The Last German Winter” hits the mark with this icy mid-arc march through moral relativism; but let’s be honest: there’s nothing easy–nothing safe–about it.  I mean, who can take a Nazi, humanize his ass, then make you wonder all along when hell will come to pass?  Only Garth Ennis can.  Only Garth Ennis can.  (No, you’re not imagining things: go back and hum the tune as you read–heck, sing it out loud, you Sammy wannabe!)  He crafts a German hero–Gerhard the Gallant–who, considering the situation, is easy to root for; but we know better, don’t we?  Don’t we?  Just in case, Ennis reminds us, elbows us to make sure we’re paying attention; oh, but then he nudges us–so vulnerable to his charms–right back to where he wants us–seeing the man, not seeing the monster–thanks mostly to his narrative voice, the vulnerable Rachel Kohler, and to the portrayal of the even more monstrous Russians, their evil punctuated by an horrific splash from Tomas Aira.  The execution is near Nabokovian!  (No, you’re not imagining things: go back and Hum.)  Now that, dear reader, is a war story! (SC)

War Stories #8

War Stories #8

2. Chilling Adventures of Sabrina #2 (Archie Horror): Was a long time coming–so long that Roberto Aguirre-Sacasa offered up an apology to kick off the letter page!–but this second issue of Sabrina, which introduces with verve the vengeful and irredeemably evil Madam Satan, was well worth the wait.  The aforementioned writer–who not only sets a scene, he sets it on fire with his precise imagery–and artist Robert Hack, whose retro style is equal parts pillowy soft and boldly bloody, own the tone of this witches’ brew, which is bubbling over with literary allusions.  It’s campy; it’s creepy; it’s killer, kids! (SC)

 

Sabrina #2

Sabrina #2

1. Silver Surfer #11 (Marvel): Dan Slott and Mike Allred follow up the powerhouse of issue 10 with a comic that is as formalistically daring as it is emotionally satisfying. Surfer and Co. are trapped in a time loop and the question becomes not only whether they’ll escape, but whether they’ll even realize it at all. A graphic illustration of Free Will versus Determinism, a metaphor for the repetitive cycle of our everyday experience, a tale of love, forgiveness and redemption; this issue delivers all three in a thrilling marriage of form and content. I maintain that issue 10 would have provided an excellent ending to this wonderful series. But I’m glad it didn’t. (DM)

Silver Surfer #11

Silver Surfer #11

 

Top 5 Books of May

5. Zero #16 (Image): Collective unconscious, the inevitability of change, the destiny of DNA, the life sentence that is guilt–Zero‘s certainly much more than its title insists.  It’s a proving ground, of sorts; it’s Ales Kot’s firing range of ideas: it’s rhyme-free reason; it’s a game of William Tell: Kot himself is the tortured William S. Burroughs, and we’re the trusting Joan Burroughs, with an apple of expectations balanced precariously on our head.  Too.  Tempting.  BANG!  Somehow this experimental spy story became an experiment in layers deep meta-fiction; and, despite the jarring shift, the result is nothing short of spore-born brilliance.  Wherever this crazy thing ends up, rest assured, Ales Kot will not fail us–but he’ll sure as hell phallus, as evidenced by Tom Muller and Stathis Tsemberlidis’s cocky cover, which, in turn, is further proof of an air of youthful arrogance in Kot’s work, especially here in Zero.  I’m more than happy to breathe it in for as long as it lasts.  (SC)

Zero #16

Zero #16

4. Afterlife with Archie #8 (Archie Horror): Roberto Aguirre-Sacasa and Francesco Francavilla continue to add to their modern horror mash-up by seamlessly incorporating elements that you didn’t even know you wanted; everything from The Shining to The Crucible, even A Christmas Carol. The result is rich tapestry that continues to add texture to the story, a mix that acknowledges the high-points in the history of horror through the unlikeliest of lenses. (DM)

Afterlife With Archie #8

Afterlife With Archie #8

3. Mind MGMT #33 (Image): The ultimate showdown’s coming, but there’s no sign of a slowdown–even as Matt Kindt slows things down to foster a touching family reunion, one that frames Team Meru’s Soldiers of Fortune Cookies and their receiving and executing–with stunning efficiency–their munching–er, marching orders.  The decidedly deliberate issue ends with a Dalicious splash that promises a wild time.  With the end of the series so near, I’m excited, I’m anxious; but, no, Pipe Kid, I’m not ready–and I’m as not ready as I’m ever going to be.  (SC)

Mind MGMT #33

Mind MGMT #33

2. Providence #1 (Avatar): Avatar’s publicity department has been describing this new series by Alan Moore as “The Watchmen of horror”. But the story from Moore’s oeuvre that it more readily calls to mind is From Hell (an even more impressive achievement to this reviewer’s mind). FH brilliantly examined the underlying brutality of patriarchal hegemony through the lens of Victorian England, using the Whitechapel murders as a vehicle. Providence promises to delve into the repressed corners of American society of the past century using the fiction of H.P. Lovecraft (a passion of Moore’s for some time now) as a framework. Moore explores the Jungian implications of Lovecraft’s mythos (underlying realities masked by our limited human perception) by using them as a metaphor for aspects of the American experience that needed to remain hidden, given the times (in this case, “the love that dare not speak its name”). Yes, there is much to unpack here. Yet for all that,  this first issue is a master’s class in restrained, subtle storytelling. The deliberate pacing, the seemingly minor details that gain importance as the issue progresses, the symmetry of the opening and closing segments; Moore’s assured control of the material, when he’s on, has never been matched by another comic book writer. To say nothing of the insane amount of research that is woven throughout. Which brings us to the art. Here another comparison to FH is apt: Eddie Campbell’s nonpareil art in that tome had a scratchy looseness, a sketchy immediacy that pulled the modern reader with its irrepressible energy, despite the period setting. Here, Jacen Burrows takes the opposite approach: meticulously rendered, exhaustive research evident in every carefully placed line. The effect is polished, subdued and certainly visually impressive, but with a formal stiffness akin to watching an episode of Downton Abbey. And yet this is reflective of Moore’s otherworldly precision. Ultimately, the hyperbole of comparing this new series to the well-known Watchmen is needless. This first issue promises an epic Alan Moore tale to match or exceed, in scope, ambition and execution, anything he’s previously produced. That alone should suffice. (DM)

Providence #1

Providence #1

1. Material #1 (Image): With Material, Ales Kot’s has found his forum, the perfect space for him to keep pace with the injustices of the world.  No matter how desperate or disparate, they have a home here; and God knows he’ll never want for material as long as he never casts off the lenses–the perspective-altering critical approaches to analyzing, well, everything so relied upon by campus comrades, the arrogant academicians and their lecture-hall spawn–that help him to see the Ugly Spirit* in, well, everything.  Despite the pessimism that pervades the four narratives, which may or may not Crash into each other at some point, what Kot’s come up with–in tandem with the ironically-named Will Tempest–is beautiful.  He asserts that there’s hope in moments, in connections, and what better way to convey that point than with a comic book!  Holding its pages open is like holding hands with Kot himself as he leads the march toward enlightenment–toward Utopia.  And even if that march is born of naÏveté, it’s fueled by honesty, by brashness; and in the context of this comic, it’s something I want to follow.

*See Zero to see Burroughs to see that Kot’s got the Spirit–yes he does! (SC)

 

Material #1

Material #1

Biggest Dis(appointment)(April/May): Convergence/Secret Wars (DC/Marvel) – A bunch of heroes and villains from various alternate universes battle it out on a patchwork planet in a Secret Crisis of Ultimate Infinite blahblahblah. Yes, I’ve just described the plot of both summer blockbuster crossovers from the Big Two. In the cynical cycle of endless Events, this has to be a new low. I don’t know who’s guiltier: the company that seemingly pilfered the other’s concept, or the company that came up with such an awful idea to begin with. (DM)

Convergeance #1

Convergeance #1

Secret Wars #1

Secret Wars #1

Turning pages,

Derek & Scott

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Top 5 Books of February

11 Saturday Apr 2015

Posted by ScottNerd in Top 5 Books of the Month

≈ 2 Comments

Tags

Ant-Man, Brian Wood, Dan Slott, Dark Horse, David Lapham, Dean Motter, Edgar Allan Poe, Greg Smallwood, Howard Chaykin, Image, Jordan Boyd, Marvel, Matt Fraction, Mike Allred, Mister X: Eviction, Mister X: Razed, Moon Knight, Nick Spencer, O. Henry, Radiant City, Ramon Rosanas, Satellite Sam, Silver Surfer, Spanish Scott, Stray Bullets: Sunshine and Roses

For all of you keeping score, here it is: our Top 5 Books of February!

5. Satellite Sam #11 (Image): Waking life–and death!  Matt Fraction and Howard Chaykin are as masterful as ever as alarm bells go off, eyes open, and metaphors deliver their lines with ironic conviction.  This thickly-themed and perfectly-timed issue sees the largely unlikable ensemble cast dissembled and reassembled, self-serving agendas selflessly serving as the common thread that binds the lot together on this very, very good morning. (SC)

Satellite Sam #11

Satellite Sam #11

4. Ant-Man #2 (Marvel): How did this book, easily dismissed as a cynical corporate media tie-in, make it into our bag, much less our hallowed Top 5? Well, one could mention the appealing heart in a story about a down-on-his-luck divorced father who’s willing to do anything to be near his daughter. Or one could point to the clean, appealing art by Ramon Rosanas and Jordan Boyd. All true, but what separates this book from the congested, middle of the road superhero pack is that it is so. Damn. Funny. We mean it folks: not LOL funny, but quite literally Laugh-Out-Loud funny. People on the train giving me strange looks as I’m guffawing at a freaking comic book funny. Any comic, hell anything, that can engender such a visceral reaction is aces in my book. So let’s just come out and say it: Nick Spencer is the funniest writer working in funny books today. (DM)

Ant-Man #2

Ant-Man #2

3. Stray Bullets: Sunshine and Roses #1 (Image): With a sly “Hi,” David Lapham welcomes us back to the next round of Bullets: a lone gunman–a coldly fetching Kretchmeyer–is hunted down by series vet, the brooding Spanish Scott, a calculating killer himself, who is, let’s be honest, more siesta than fiesta.  Scott’s lethargic inevitability–you know, like death itself–is integral to the development of the issue-spanning tension, especially as it mirrors the dangerously direct and determined Kretchmeyer’s own semisomnambulistic nature.  Lapham brings the two together, guns drawn, in an unforgettable–and emphatically phallic–panel that finds Beth, one seriously distressed damsel, an extremely interested party who quite literally doesn’t want to lose her head.  Yeah, it’s vintage Stray Bullets, folks: it’s fun; it’s violent, and it’s tight–it’s “another [effing] hole-in-one.” (SC)

Stray Bullets: Sunshine and Roses #1

Stray Bullets: Sunshine and Roses #1

2. Silver Surfer #9 (Marvel): The little engine that could.  The ant with high apple-pie-in-the-sky hopes.  Buster Douglas.  Life.   Yeah, we’ve got a thing for the underdog; it’s hardwired; heck, it’s about survival–our own survival that we fight for vicariously through whatever odds-against scenario we’re privy to in the moment.  That’s what makes this issue of Silver Surfer so affective–so blisteringly painful.  Dan Slott and Mike Allred do more than just continue the brilliant course set in #8, our #2 book of January; they ride it to greater emotional heights, selling the Surfer’s inspirational effort of “surfing the moon,” only to–in the blast of an eye–reveal the tack’s ultimate value: none.  Yeah, seems Galactus is no Goliath, and the Surfer–stripped of the power cosmic–is the Surfer no more.  But his defeat doesn’t leave us feeling defeated.  Oh, no it doesn’t.  Despite the bleak ending–maybe because of the bleak ending–we’re built up even more; we’re even more defiant, more hopeful.  See: hope is our heroin, and thanks to the low note struck at the end, we are super high and primed for the return of our hero in a month’s time–primed for victory–because the little guy always wins–right? (SC)

Silver Surfer #9

Silver Surfer #9

1. Mister X: Razed #1 (Dark Horse): We honored Dean Motter’s previous installment Mister X: Eviction with the 2014 Innie Award for Best Limited Series. So expectations were high for his new collection. Well, we’re happy to report those expectations have been met and surpassed. In a book that already wears such stylish influences as Will Eisner and Fritz Lang, this issue boasts a gorgeous ensemble of O. Henry with just a dash of Edgar Allan Poe (in the undergarments) to weave a seamless, pulpy dream. You won’t find a better looking (or reading) book this season!

Seriously, Motter has spent years building up the fantastic, darkly surreal playground that is Radiant City. Now we get the supreme pleasure of just sitting back and watching the master play. (DM)

Mister X: Razed #1

Mister X: Razed #1

Biggest Dis(appointment): Moon Knight #12 (Marvel) – Brian Wood takes a fascinating, morally fraught premise – Khnoshu abandons Marc Spector and bestows the mantle of Moon Knight on someone who’s willing to murder a head of state for his past crimes against humanity – and ends it with a cop out. Spoiler alert! Turns out the new Moon Knight was just after his money! A weak ending that invalidates a riveting, timely premise. A true let-down. (DM)

Moon Knight #12

Moon Knight #12

Turning pages,

Scott & Derek

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The Top 5 Books of January

31 Tuesday Mar 2015

Posted by ScottNerd in 5 Comics You Should Be Reading, Top 5 Books of the Month

≈ 2 Comments

Tags

BOOM!, Dan Abnett, Dan Slott, Dark Horse, DC, Grant Morrison, I.N.J. Culbard, Jamie S. Rich, Joelle Jones, Lady Killer, Marvel, Matt Kindt, Mike Allred, Mind MGMT, Silver Surfer, The Multiversity, Wild's End

Great Scott! Can it be? Has a third of the year gone by without us posting one of our ballyhooed Top 5 lists? I&Ndefensible we say! So, for you completists, here it is: our Top 5 books of January. Coming soon: our Top 5 of Feb! And March! (We swear!)

5. The Multiversity: Guidebook #1 (DC): Grant Morrison takes the unwieldy mess that is the DC multiverse and turns it into a strength; a rich tapestry, (illustrated by an impressive bevy of artists) at once alien and familiar, ripe with possibility. He not only accomplishes the herculean feat of making sense of it all, he tells one barn burner of a story while doing it. His expansive view seemingly embraces everything, the odder and more trivial the better. I don’t what DC has planned after its next clearing of the decks, but it could do a lot worse than using this as its Guidebook. (DM)

The Multiversity: Guidebook #1

The Multiversity: Guidebook #1

4. Lady Killer #1 (Dark Horse): “Top 5 Books of January calling!”  Wow!  What a killer debut from Joëlle Jones and Jamie S. Rich!  As evidenced by the cover–a kitchen done up in classic post-war abattoir–they’re mopping the floor with genre tropes and gender notes, the highest being Josie, of course, their Bride of Fifties-stein, who is June Cleaver living up to her name, that’s for sure!  She’s one tough mother–one who’s not afraid to use her assets to get the job done.  It’s the nature of the assassin–and of clever creators–to play a game of cat and mouse with her prey, isn’t it?  Consider the final page, fellow readers: we are most assuredly the mice.  (SC)

Lady Killer #1

Lady Killer #1

3. Wild’s End #5 (BOOM!): Abnett and Culbard’s Wild’s End–our #9 book of 2014–has been about as perfect as a book can be after five issues.  In this installment, the stakes are wildly high, what with the killer lamppost lighting around and lighting up our motley zoo crew, who, all along, keep–relatively–calm and carry on as well as they can with a six-legged, extraterrestrial death ray on their tails.  Love the ribbon tied to the end of the issue: revealing the irrepressible Ms. Peardew’s written account of the big adventure and her pretty assertive assessment of Lewis Cornfelt.  With its tentacles 100% wrapped around me, if Wild’s End were the only fiction left in the world, I’d be quite satisfied.  (SC)

Wild's End #5

Wild’s End #5

2. Silver Surfer #8 (Marvel): Fresh off their claiming the #4 spot on our Top Ten Books of 2014, Dan Slott and Mike Allred offer up a grave planet of survivors–each the last of his or her or its species–and a tidal wave of guilt upon which the former herald of Galactus rides, leaving a wake of cosmic energy that leads the Devourer of Worlds to perhaps his most satisfying meal yet.  It’s a brilliant premise that brings together a universe of victims and pulls apart our otherwise perfect pair, the Surfer and Dawn Greenwood, as emotionally affective individually as when side by side–and, in a very fun moment, with Dawn at the wheel for the first time, “Ha ha ha!”–they ride the temperamental Toomie.  What’s that?  You’re right: When it comes to superhero books, there is none higher, and #8 is further proof.  (SC)

Silver Surfer #8

Silver Surfer #8

1. Mind MGMT #30 (Dark Horse): In one fell swoop Matt Kindt takes everything you knew about this title and turns it on its head. He gathers up threads from earlier issues and ties them together with a revelation that changes the perspective of the entire series. Not content with that, he tells the modern-day story as though it were a pulp sci-fi novel of the 1960s. The meta conceit however is merely a filter for the viewpoint of the narrator, one that makes total sense given her past. Furthermore this narrator, through the use of the (always challenging to pull off) second person, becomes “you.” Confused yet? Perhaps the biggest miracle in this is that Kindt doesn’t lose you, even for a second. A masterpiece. (DM)

Mind MGMT #30

Mind MGMT #30

The Biggest Dis(appointment): Loki: Agent of Asgard #10 (Marvel) – What could have been just another movie franchise tie-in, turned out, in the early going, to be remarkably entertaining due to Al Ewing’s witty, exuberant writing. Alas, just as Loki himself seems unable to escape his destiny, this book was unable to steer clear of getting embroiled in a “Big Event.”  Since then the jocularity has been drained of this once surprising title, its imaginative gold spun into cumbersome lead. (DM)

Loki: Agent of Asgard #10

Loki: Agent of Asgard #10

Turning pages,

Derek & Scott

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What’s I&N Store (3/11)

11 Wednesday Mar 2015

Posted by ScottNerd in What's I&N Store?

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Tags

Abstract Studio, Ales Kot, Ant-Man, Astro City, Avatar, Cullen Bunn, Dan Slott, Dynamite, East of West, Ed Brisson, Fred Van Lente, Garth Ennis, Hellbreak, Image, J. Michael Straczynski, Jason Aaron, John Cassaday, Johnnie Christmas, Jonathan Hickman, Kurt Busiek, Magnus: Robot Fighter, Marvel, Matt Kindt, Mike Allred, Nick Dragotta, Nick Spencer, Ninjak, Oni, Rachel Rising, Sheltered, Sidekick, Silver Surfer, Star Wars, Terry Moore, The Damnation of Charlie Wormwood, The Sixth Gun: Dust to Dust, The Surface, Thor, Vertigo, War Stories

A real conversation I overheard in my head:

What are you looking forward to most this week?

Me?  Without a doubt: Thaw.

Oh, wow, OK.  I was expecting you to say something else.  You know, with Kindt and Kot and Slott and whatnot.

Hmm?  I said thaw.  Right?  Thaw.  Especially after all of the ice and snow.

Yeah, no, I know.  Frost giants are bad-ass.  But whoever the hell it is under that helmet is all business.  Girl power, baby!

Thaw.  Not Thor.  Thaw.

That is the question, isn’t it?

No, it isn’t.  You’re just not getting it, are you?

Are you kidding me?  Of course, I am!  I mean, Aaron’s hammering home a relevant point about gender, about identity–it’s almost Shakespearean if you think about it!

Just did.  And, no, it isn’t.

I’m so confused right now.  Doesn’t really sound like you’re really all that interested in Thor.  I mean–I don’t know.

Third base.

 

  • Astro City #21 (DC/Vertigo): This Quarrel-centric arc’s been a drag.  Wondering if Astro City‘s suffering from Busiek’s attention to his excellent–and anthropomorphically-fresh–The Autumnlands: Tooth & Claw.
  • East of West #18 (Image) I&N Demand I always look forward to getting lost in Hickman’s fatal vision, particularly now with the increasingly-intriguing boy with the A.I. balloon.  Alas, Babylon: I wish you well on your journey!
East of West #18

East of West #18

  • Sheltered #15 (Image): Wait a sec.  This is the end?  Oh, well.  I guess the volcano’s gonna blow after all.  Kinda glad it’s over.
  • Sidekick #10 (Image): I’ve liked Sidekick a lot.  Hard to imagine I almost quit after the first one!  Oh, and then there was the time I accused J.M.S. of plagiarizing–his own material, for goodness sake!  (In an odd twist, Straczynski employed a plot device in The Twilight Zone [our #10 book of 2014, by the way] that just so happened to be an integral part of fellow shelf-sitter Sidekick.)  All blood under the bridge.  Can’t wait to see how this wraps up.
  • The Surface #1 (Image) Just I&N Ales Kot–love him (Change, Zero) or hate him (Suicide Squad, Bucky Barnes: The Winter Soldier)–demands attention with his off-beat, oft-rhythmic writing style.  He definitely does “mind-bending” well, so I’m definitely down with discovering what lies beneath The Surface.
The Surface #1

The Surface #1

  • Ant-Man #3 (Marvel) I&N Demand Never in my life–or at least in the last couple of months–did I expect to find myself excited about Ant-Man.  Ant-Man for God’s sake!  It’s mostly promotional material, isn’t it?  And what about Secret Wars?  I mean, is this series gonna get stepped on after #5?  But Spencer’s having a good time and it shows!  (See Darth Vader and Princess Leia for very much the opposite feeling.)  And, then, of course, there’s the promise of the Taskmaster, one of my all-time faves.
Ant-Man #3

Ant-Man #3

  • Silver Surfer #10 (Marvel) I&N Demand Any regular reader–or occasional clicker–worth his power cosmic knows that we love Slott and Allred’s Silver Surfer, our #4 book of 2014.  What you don’t know–no matter your status–is that #8 was a Top 5 Pick of January and #9 was a Top Five Pick of February.  (Yeah, no links.  Sorry: we’re kind of behind.  It happens.  A lot.)  It’s been the perfect balance of humor and huge moments–none huger than the coming of Galactus.
Silver Surfer #10

Silver Surfer #10

  • Star Wars #3 (Marvel): Of the three newly relaunched Star Wars books, this one’s the only one that seems to care.  How much do I care?  Not as much as I had hoped.  We’ll see if this one helps.
  • Thor #6 (Marvel): OK, so I’m intrigued.  Sure, there have been some terrible moments (#5, for example: What is that nonsense between Thor and Titiana?  Is it The Sisterhood of the Traveling Spandex?); but they’ve been generally tempered by the well-developed mystery and the emergence of the Odinson as a superior supporting character.
  • The Damnation of Charlie Wormwood #5 (Dynamite): A decent Twilight Zone-ish story with some literary notes comes to close.
  • Magnus: Robot Fighter #12 (Dynamite): Yet another series comes to a close–a merciful, merciful close.
  • Ninjak #1 (Valiant) I&N Demand Matt Kindt’s proving that Valiant picked the right guy to power up their universe–especially with his latest wave of books (The Valiant, Divinity)  Ninjak promises to be further proof.
Ninjak #1

Ninjak #1

  • Rachel Rising #32 (Abstract Studio): I had this book written off for dead after #29.  #30 found Terry Moore resurrecting everything that made Rachel rise above the rest–and into our Top Ten Books of 2013.  Pretty glad I kept it on my pull list.  Thing is, I know that Moore can slip to less–and that knowledge is going to linger, maybe even spoil.  Rats.
  • The Sixth Gun: Dust to Dust #1 (Oni):  If it’s The Sixth Gun, it’s going to find its way into my bag.
  • War Stories #6 (Avatar): Garth Ennis and Tomas Aria are telling the harrowing story of the Children of Israel, and I’m on the edge of my seat to find out how it ends.

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (2/18)

18 Wednesday Feb 2015

Posted by ScottNerd in What's I&N Store?

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All-New Captain America, Autumnlands: Tooth & Claw, Batman and Robin, Ben Wolstenholme, Bitch Planet, BOOM!, BPRD, Brian Michael Bendis, Brian Wood, Burning Fields, Cap Stone, Chris Bachalo, Christina McCormack, Colin Lorimer, comics, Cullen Bunn, Dan Slott, Dark Horse, Dark Horse Presents, DC Comics, Dynamite Entertainment, Gabriel Hernandez Walta, Grant Morrison, Greg Rucka, Greg Smallwood, Guiu Vilanova, Image, Iron Fist: The Living Weapon, J. Michael Straczynski, Jay Faerber, Jeff Lemire, Joe Rivera, John Arcudi, Kaare Andrews, Kelly Sue DeConnick, Kurt Busiek, Lazarus, Liam Sharp, Magneto, Marvel, Mastermen, Matt Kindt, Michael Lark, Michael Moreci, Mike Allred, Mike Mignola, Mono, Moon Knight, Paolo Rivera, Patrick Gleason, Peter J. Tomasi, Quentin Tarantino, Raze, Rick Remender, Secret Identities, Silver Surfer, Stuart Immonen, The Multiversity, The Twilight Zone, The Valiant, Tim Daniel, Titan, Uncanny X-Men, Valiant, Zoë Bell

Wednesday’s forecast for the weather outside of my local comic shop is pretty much the same as its been: as cold as can be.  (I guess someone’s gone and ticked off Elsa again.)  The forecast for inside, however, is hot hot hot!  (That’s right: the way to thaw a frozen heart is with an act of true love–in this case, a perfectly pulled bag of comics!)  Speaking of hot books: our Top Ten Books of 2014 is well represented this week.  Take a peek:

  • BPRD: Hell on Earth #128 (Dark Horse): Has been good–not great.  Definitely glad I jumped on board, though.
  • Dark Horse Presents #7 (Dark Horse): DHP has been great–especially at the new price point.  This month’s edition offers up a little Matt Kindt–and Mignola, Van Lente, Aragonés, and more!  Talk about bang for your buck!
  • Batman and Robin #39 (DC): The Action-packed cover’s very clever:
Batman and Robin #39

Batman and Robin #39

I know better, though: B&R‘s been a huge disappointment for months now.  In fact, I finally got around to dropping it from my pull list last month.  No longer under any obligation, I should leave it on the shelf and fill the void with something new.  God knows there will be plenty of players for the spot.  Image alone has a thousand new titles coming out in the next few months, so…

  • The Multiversity: Mastermen #1 (DC) Just I&N Morrison’s Multiversity has been a metafiction metahuman masterwork!  And now, Mastermen–with every-panel’s-a-pinup Jim Lee on art duties.
Multiversity: Mastermen #1

Multiversity: Mastermen #1

  • Autumnlands: Tooth & Claw #4 (Image): I can’t be the only one who’s noticed: the current arc of Astro City‘s been a bit blah; but this has been really, really good.  Coincidence?
  • Bitch Planet #3 (Image): I enjoyed #1 for all sorts of reasons (exploiting exploitation, lots of Tarantino, hints of Fraction, etc.).  Hey: borrowing works well when it works well.  Oh, but when it doesn’t…  #2 lost me from the get-go–especially as I was taken immediately to a low budget modern-day exploitation flick that I caught one night on one of the Showtime or HBO channels: Raze, starring Tarantino darling Zoë Bell.  Coincidence?
Raze (2013)

Raze (2013)

I’ll try this one and see where it takes me.

  • Lazarus #15 (Image) I&N Demand Our #2 book of 2014!  It’s what we’ve been waiting for for like, well, forever: Forever in a Trial by Combat against another Lazarus!
Lazarus #15

Lazarus #15

  • Secret Identities #1 (Image): Jay Faerber’s earned Must Try status with Copperhead.
  • All-New Captain America #4 (Marvel): I know, I know.  But it hasn’t been terrible.  And this time out, Remender’s dusting off the Armadillo!  Gotta wonder, though, what effect Secret Wars is going to have on this little experiment–and if it’s worth following a dead title shelf-sitting.
  • Iron Fist: The Living Weapon #9 (Marvel): I love what Kaare Andrews is doing with Danny Rand.  In fact, Iron Fist was my #16 book of 2014–and my third-favorite superhero monthly after Silver Surfer and Moon Knight.  High praise, indeed!
  • Magneto #15 (Marvel): Bunn’s done a nice job of telling stories from issue to issue.  He’s delivered some nice twists along the way, too.  #14 ended with Magneto’s giving himself up to S.H.I.E.L.D.  Wonder what his endgame is…
  • Moon Knight #12 (Marvel) I&N Demand Our #8 book of 2014!  #11 ended on a bit of a down note–you know, with Marc Spector falling out of a flying detention facility and all.  (Wood and Smallwood must’ve watched–and liked–Stallone’s waterlogged–yet undeniably watchable–prison break bingo, Escape Plan, as they delivered quite an homage with Spector in Stallone’s role and Khonshu in Schwarzenegger’s.)  Not looking forward to saying goodbye to Wood and Smallwood, but I am looking forward to seeing how they end their arc–and how they leave things for Cullen Bunn and Ron Ackins.  Maybe they’ll reach back to Bullet to the Head.  Or Avenging Angelo…
Moon Knight #12

Moon Knight #12

  • Silver Surfer #9 (Marvel) I&N Demand Our #4 book of 2014!  Well orchestrated fun from Dan Slott and Michael Allred!  The biggest–and best–superhero monthly around–and this issue promises to be HUGE!
Silver Surfer #9

Silver Surfer #9

  • Uncanny X-Men #31 (Marvel): Bendis is on his way out.  That promises some real havoc in the X-Universe.  No, really–look:
Uncanny X-Men #31

Uncanny X-Men #31

  • Burning Fields #2 (BOOM!): Kinda like a cross between The Killing and Homeland.  Not a bad thing.
  • Cap Stone #3 (Titan): Some real high points: the conversation between Charlie and her mom; the wild shifts in Sharp’s artwork.  Some low points, too: the conversation between Charlie and her mom; the wild shifts in Sharp’s artwork.  I loved #1.  #2, however, exposed a serious flaw: inconsistency.  Still intriguing enough, though.
  • Mono #3 (Titan): Another book from Liam Sharp that took a step back after a very promising premier.  What spoiled the sophomore offering: the conversation–coincidence?–between Heinrich and Isabella, which acts as a dragline on the storyline.  Also seems waaaaaay too serious for a book about an ape-man secret agent and assassin for the Queen, doesn’t it?  It’s so goddamned dour!  I do like the layered approach that Sharp’s taking to create the Mono myth, however.
  • The Valiant #3 (Valiant) I&N Demand I liked #1 enough–but I absolutely loved #2!  I was particularly struck by the artistic collaboration between Lemire and Kindt on the storybook section.  Sure, many of the notes that are struck remind of Lemire’s run on Animal Man; but what the hell–they work well here, so all the better!
The Valiant #3

The Valiant #3

  • The Twilight Zone #12 (Dynamite) I&N Demand Our #10 book of 2014!  This issue ends an extremely powerful arc and Straczynski and Vilanova’s superior run.  So sad to see this go.  Hmm.  Maybe–just maybe–I could travel back in time and kill another series–Dream Police, for instance–in its place…
The Twilight Zone #12

The Twilight Zone #12

What are you looking forward to this week?

Turning pages,

Scott

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I&N’s Top Ten Books of 2014

15 Sunday Feb 2015

Posted by dmaxwell in I&N's Top Ten

≈ 9 Comments

Tags

1984, Action Labs, Afterlife With Archie, Alan Moore, Ales Kot, Archie, BOOM!, Brian Wood, Dan Abnett, Dan Slott, Danger Zone, Dark Horse, Declan Shalvey, Dry Spell, Dynamite, Francesco Francavilla, Garry Brown, Greg Rucka, Greg Smallwood, Guiu Vilanova, I.N.J. Culbard, Image, J. Michael Straczynski, Jamie S. Rich, Jordie Bellaire, Ken Krekeler, Lazarus, Madame Frankenstein, Marvel, Marvelman, Matt Kindt, Megan Levens, Michael Lark, Mike Allred, Mind MGMT, Miracleman, Moon Knight, Ms. Marvel, Roberto Aguirre Sacasa, Silver Surfer, The League of Extraordinary Gentlemen, The Massive, The New Deadwardians, The Twilight Zone, The War of the Worlds, The Wind in the Willows, Warren Ellis, Warrior, Watchmen, Wild's End, zero

Welcome to the 34th edition of I&N’s Top Ten Comics of the Year! Why, it seems like just yesterday we were bestowing our top honor to a little known comic from across the pond titled Warrior #1 (1982), solely for its inclusion of the work of a budding, young upstart named Alan Moore (who subsequently sent us a scroll with a nigh-illegible incantation, which was either a note of thanks or a curse from the Necronomicon; we could never tell which). While we dug his nascent V for Vendetta, it was his writing on Marvelman that enthralled. Happily, after a long absence, the original stories are finally being reprinted by Marvel Comics of all places (now re-titled Miracleman, due to the book’s long and tortured publishing history in which Marvel itself played an ignominious part). Viewed through the lens of history, this groundbreaking work has often been seen as Moore’s warm-up to his seminal, ubiquitous Watchmen. Visiting these stories afresh, however, it quickly becomes apparent that Moore’s initial go at “realistic” superheroes is as poetic, disquieting and masterful as his better-known oeuvre. Indeed, it’s a good thing we already recognized Marvelman’s greatness. Otherwise, despite Marvel’s awkward presentation (half of each issue is filler? and polybagged for no discernible reason?) these brilliant, essential tales would likely top our list again.

Speaking of which!

10. The Twilight Zone (Dynamite):

This is the dimension of J. Michael Straczynski’s imagination.  It is an area which we call the #10 book of 2014.  Returning to a creative comfort zone, J.M.S. has penned a series of meticulously plotted arcs that could easily stand as episodes of the iconic television show, each issue filled with tight twists, palpable fear, and ethical dilemmas that try and crush the souls of men and women alike.  Complementing Straczynski’s script is the gorgeous work of artist Guiu Vilanova, who draws out the fateful schemes in a realistic manner, making the unreal scenarios that much more believable–that much more frightening.  So while Straczynski might be going through the motions with some of his other titles, here he’s most assuredly in the zone.  We, unlike his protagonists, are the luckier for it; and Rod Serling’s somewhere out there in the timeless fifth dimension smiling, smoking–and waiting for the next issue of The Twilight Zone to hit the shelves.  Sadly, Straczynski and Vilanova’s terrific turn on this moralistic monster of a comic has but one issue left!  Ah, yet another cruel twist…(SC)

The Twilight Zone #4

The Twilight Zone #4

9. Wild’s End (BOOM!):

At this point, the mash-up is a long accepted (if not well-worn) artistic trope throughout all types of media. Indeed the initial collaboration between creators Dan Abnett and I.N.J. Culbard yielded The New Deadwardians, a ripping Victorian detective story simply teeming with zombies and vampires wot, wot! Wild’s End’s mix of The Wind in the Willows and The War of the Worlds may seem an unlikely entry into the burgeoning genre at first (and ill-advised besides, given Alan Moore’s own memorable War of the Worlds mash-up in The League of Extraordinary Gentlemen). But in the end, what matters, as it always has, is the telling. Abnett fully realizes the quaint comforts of his cozy anthropomorphized village, before threatening to tear it to shreds. Culbard’s rendering is uncluttered and timeless, effortlessly evoking both 19th century fairy tales and 1950’s sci-fi cinema. Most mash-ups hold their disparate elements in stark relief. The magic of this one is that it seems utterly seamless, as though these genres had been married from the start. The result is deceptively simple and completely enchanting. (DM)

Wild's End #3

Wild’s End #3

8. Moon Knight (Marvel):

It’s an I&N first!  That’s right: we’re celebrating a book that has had two different creative teams–over the course of the title’s first ten issues, no less!  Yeah, that’s usually a bad sign.  Not here, though: the launch team of Warren Ellis and Declan Shalvey rocketed this latest incarnation of the second-string, schizophrenic servant of Khonshu into lunar orbit.  In a series of connected one-offs, Ellis finds his–and Marc Spector’s–voice while favoring frugality: displaying his mastery of the craft–and enough confidence to cast a long shadow over some of his long-winded contemporaries–he wisely withdraws his words from the massive moments, not because they are unnecessary, but to allow Shalvey to shine like the fullest of moons–and shine he does, showcasing loudly his silent storytelling through striking sequences issue after issue.  Now, the news that this team was only on board for a sixer didn’t come as a surprise, but it was disappointing, especially considering what the pair had accomplished in so short a time.  The disappointment wouldn’t last long, however: the new team–Brian Wood and Greg Smallwood–came in with a clear plan and executed it with a vengeance.  They were clearly not intimidated by the work before them, and their fearlessness helped them to hit the Marc–changing the titular character to suit this new phase–one that so far reads not unlike an episode–or an arc–of The Twilight Zone.  Man, I only wish they’d gibbous more than one more issue!  (See: sticking to the motif: it’s on to a newer phase–and on to creative team number three–with #13.)  What they–both teams–have given us, however, has been superior–and vital–superhero fare; what they’ve given us is a white knight to lead us out of the dark. (SC)

Moon Knight #1

Moon Knight #1

7. Zero (Image):

Certainly the most frustrating title on our list, Ales Kot’s nihilistic super-spy thriller could range from the poetically sublime one issue to incoherent violence the next. At different points this year we named it both Book of the Month and Biggest Dis(appointment) – one thing you could never call this book was ‘predictable’. But at its best, this title (drawn by an impressive roster of rotating artists) was at once lyrically beautiful and viscerally harrowing, loosely tethered, as it was, to real life arenas of violence. This was never more true than in issue #9, a tale (an origin story it turns out) set in the Bosnian War that encompassed deceit and innocence, hope and despair, and a tragic ultimatum that yielded new life in the face of brutal murder. Told in a spare 22 pages, it was possibly the best single comic we read all year. Holding up a mirror to the darkness of recent history, and shining a light upon it, however frail, not only to remember, but also to try to render something beautiful out of it, may well be a fruitless exercise. It may also be art. (DM)

Zero #10

Zero #10

6. Afterlife with Archie (Archie):

A no-brainer, really–well, only because said brains have been exuberantly consumed by the Jughead-led undead of Riverdale.  Maestro Roberto Aguirre Sacasa and the perfectly frightening Franceso Francavilla have continued their brazen exploration into the heart of nostalgia by wearing the mask of familiarity while delivering something wholly unexpected–something undeniably challenging and zombeautiful.  And, of course, there’s issue #4–our #2 book of March and one of the best single issues of the year–which, doggone it, made me cry.  Real tears.  See: as it turns, what happens to Vegas stays with you for a long, long time–like that heartbreaking song that’s so perfectly composed that you get lost in the shadow of every sorrowful note–and hope to never be found again.  Sure, this isn’t the afterlife that they pitched in Sunday school, but if I’m being honest–and maybe a little bit blasphemous–I like this one a hell of a lot more.  (SC)

Afterlife With Archie #4

Afterlife With Archie #4

5. The Massive (Dark Horse):

Environmental degradation and societal collapse have always been the subtext in Brian Wood’s magisterial, globe-trotting mystery. Well, in its unsparing final act, (with appropriately stark visuals by Garry Brown and Jordie Bellaire) subtext became text as the Ahab-like search for a missing vessel, which previously drove the narrative, was transformed into Judgement Day, with all the biblical proportion that implies. One always suspected that Wood would get around to driving his point home; that he did so with such force contrasted sharply with earlier issues, which were told with a subtlety that sometimes veered toward the opaque. The apocalyptic ending, with its uneasy mix of hope and misanthropy, served as a case study for a failed species: humanity. The series, in the end, is an impassioned, ecological cri de guerre, but one that is packed in a masterpiece of storytelling. (DM)

The Massive #24

The Massive #24

4. Silver Surfer (Marvel):

Of the so-called “Big Two” in 2014, Marvel seemed to have the more cohesive game plan. Certainly, they thrived on the expected, event-driven, media-tie-in franchise titles. But they balanced the relentless grinding of the hype machine with some surprisingly refreshing takes on some of their lesser known characters; those B and C – listers who exist at a remove from the shenanigans of the their bread-and-butter superstars. That remove and relative obscurity allowed for a certain amount of freedom. Marvel, to their credit, brought in some top-tier talent and gave them a free hand with these characters (see Moon Knight, above). Call them the Outliers, for their success seems to be in inverse proportion to their proximity to the main goings on of the Marvel U. (Even everyone’s darling, Ms. Marvel, began to flag once she was saddled with Wolverine guest-appearances and increasing ties to Marvel’s ongoing Inhumanity storyline). What better place then for Silver Surfer to be, than on the fringes of the known universe? Dan Slott’s inspired choice of setting not only wisely removed him from the chess board, so to speak, it gives wunderkind artist Mike Allred the largest possible canvas in which to unleash imagination. Aliens, other dimensions, planet casinos; Allred brings the F-U-N to any project he’s involved in. As I’ve said before, he seems to inspire his collaborators to elevate their game, and Slott has proven up to the challenge. Together they’ve concocted the kind of absurdly sublime cosmic romp one would be hard-pressed to find anywhere this side of Terry Pratchett. And in Dawn Greenwood, small-town girl from Anchor Bay, Mass., they created the most winning new Marvel character of the year (the aforementioned Ms. Marvel notwithstanding). Finally, in pairing the Man from Beyond the Stars with the Girl Next Door, they also have the makings of the most adorable budding romance in comics. Truly they’ve producing the best monthly super-hero book on the stands. Let’s hope it survives Marvel’s Next Big Thing. (DM)

Silver Surfer #7

Silver Surfer #7

3. Dry Spell (Action Labs/Danger Zone):

Ken Krekeler’s Dry Spell is a book that kicks off with a bold promise–one in the form an artfully chosen quotation from the incomparable Alan Moore.  In fact, I bought the book because I figured anyone ballsy enough to borrow so brazenly from the best must have something to say.  Turns out that Krekeler didn’t have something to say after all–he had something to shout!  Hey, Ken: I hear you.  Loud and clear.  OK, so, it took re-releasing your book (originally published through Krekeler’s own Kinetic Press in 2011) through a more established outfit like Action Labs to finally reach me; but thank goodness for that–for the person who knew this book needed to reach me and that it could only reach me this way; otherwise, I would’ve been deprived of this superb take on the superhero genre–a canvas filled with small voices and big moments, crazy twists and smart page-turns–in total, a “Howl” for the villain in us all.  Krekeler–a previously unknown quantity–delivers on his book’s bold promise by taking advantage of the medium, particularly with his inventive dialogue and his sympathetic color palette; and he serves up a finale–the definitive finale–a perfect final issue that hits massive notes–the biggest struck by the tsunami of splash pages, the last–reminiscent of Rocky and Apollo (coincidence?) throwing punches that never quite connect at the end of Rocky III–declaring the Black Baron’s personal dry spell officially over.  Good to know that this superior series–and best mini of 2014–isn’t over: the inside back cover of #4 makes another bold promise–one that Krekeler better keep, if he knows what’s good for him–and for us: Dry Spell 2 is coming soon.  Yeah, not soon enough. (SC)

Dry Spell #4

Dry Spell #4

2. Lazarus (Image):

What would you get if 1984 was directed by Francis Ford Coppola from a screenplay written by Noam Chomsky? The answer might look a lot like Lazarus. Alternating between a macro view of a near-future worldwide economic catastrophe and a microcosm of the inner-workings of one of the powerful Families who rose to power because of it, Lazarus, like most great socially-minded science fiction, feels at once expansive and suffocating. Creators Greg Rucka and Michael Lark have hit that sweet spot of dystopian dread, where the reader is exhilarated by the sheer breadth of this brave new world, even as its does its best to debase, dehumanize and stamp out any sign of resistance from its inhabitants. No mere escapism this; its true power comes from the realization that the seeds of the future nightmare it describes are currently being planted all around us, if only we would notice. Lazarus is a visionary sci-fi masterpiece for the early 21st century. (DM)

Lazarus #9

Lazarus #9

1. Mind MGMT (Dark Horse):

There was no denying Matt Kindt’s kinetic masterpiece this time around.  Its ascension to the top spot of our annual Top Ten was as inevitable as truth and death: #3 (2012), #2 (2013), and now #1, the spot it so richly deserves for its clever cover homages (re: Rousseau [#18] and Magritte [#22]) and its ebullient barrages of images and words, which create a reading-cum-sensory experience even more unique than unique to the comic book genre.  The year flew by in a fury of frantic page turns: from Meru’s failed recruitment of Ella the Animal Kid, an inventive and intense story inspired by Kindt’s own daughter and one of our favorite single issues of the year; to the illusory introduction of the Magician; to the frustratingly thoughtful silent issue, which actually earned the ignominious title of Biggest Dis(appointment) for the month of April; to Kindt’s pushing the petal-to-the-metal to reach the speed of heartbreak, the result of the death of a major character; to the father of clichéd revelations that manages to be fresh and affecting; and ultimately, to a showdown that’s all show up, leaving us to wait a little while longer for the final throw down between Meru and the Eraser.  Kindt drives the narrative as only he can with his unexpected layouts and whitewater watercolors.  His Field Guide/Voice of God–voice of Meru!–marginalia continue to draw more into the story, allowing us to draw more out–more out of the relative reality of the universe he’s created; more out of the fiction that empowers Meru in climactic moments; more out of the memories that are either reality or fiction–or both.  There’s unquestionably more here in Mind MGMT than in any book on the shelf, which makes this our easy pick for the #1 book of 2014. (SC)

Mind MGMT #24

Mind MGMT #24

Derek’s Honorable Mentions: 20. Multiversity (DC) 19. Archer and Armstrong (Valiant) 18. Cap’n Dinosaur (Image) 17. Satellite Sam (Image) 16. The Fade Out (Image) 15. Punks: The Comic (Image) 14. Copperhead (Image) 13. Ordinary (Titan) 12. Little Nemo: Return to Slumberland (IDW) 11. Adventure Time (kaboom! – so long Ryan North & co.!)

Scott’s Honorable Mentions: 20. BPRD (Dark Horse) 19. Saga (Image) 18. Evil Empire (BOOM!) 17. Satellite Sam (Image) 16. Iron Fist: The Living Weapon (Marvel) 15. Stray Bullets: Killers (Image) 14. Southern Bastards (Image) 13. Brass Sun (2000 AD) 12. East of West (Image) 11. The Wicked & The Divine (Image)

Publisher of the Year:
This was the year that Image Comics doubled-down on its core strategy: attracting top-tier talent from throughout the industry and parlaying their success to create a space where lesser-known creators can play as well. The result was an avalanche of diversity that exemplified the boundless range of the medium (just check out how many Image titles made our Honorable Mentions, not to mention the two on our Top Ten). Were they all winners? Of course not. But each title was allowed to be its own idiosyncratic, little thing. To wit: Madame Frankenstein. Perhaps not one of the year’s best, Jamie S. Rich’s odd melange of Shelly’s classic horror story, F. Scott Fitzgerald’s milieu, Pygmalion‘s mores (stretched to their logical conclusion) and even Kafka-esque fatalism at the end, was unlike anything else on the stands, possibly ever. Furthermore, Megan Levens tackled such complex, macabre subject matter with an art style that was a cartoony blend of Jeff Smith and Ted Naifeh; in other words something one is more accustomed to seeing in a YA book. As a visual approach, it stretched the overall reading experience almost to the point of incongruity. Was Madame Frankenstein a complete success? I’m still not sure. But it sure was fascinating watching the creators try. And for giving such singular titles like this one a place to exist, I’m grateful to Image Comics. (DM)

Turning pages,

Derek & Scott

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What’s I&N Store (8/27)

27 Wednesday Aug 2014

Posted by ScottNerd in What's I&N Store?

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Tags

2000 AD, Al Ewing, All-New X-Men, Bodies, Brass Sun, Brian Hurtt, Brian K. Vaughan, Brian Michael Bendis, Brian Wood, Cullen Bunn, Curt Pires, Dan Slott, Dark Horse, David Aja, DC Comics, Dead Boy Detectives, Elizabeth Breitweiser, Evil Empire, Fiona Staples, Garry Brown, Geoff Johns, Greg Tocchini, I.N.J. Culbard, Ian Edginton, IDW, Image, Jason Copland, Jay Shaw, Jim Zub, John Romita Jr., Jonathan Hickman, Low, Mark Buckingham, Marvel, Matt Kindt, Max Bemis, Mike Allred, Mind MGMT, Nick Pitarra, Original Sin, Outcast, Paul Azaceta, Pop, Rick Remender, Robert Kirkman, Robert Venditti, Saga, Si Spencer, Silver Surfer, Stuart Immonen, Superman, The Last Fall, The Manhattan Projects, The Massive, The Sixth Gun, The Wake, Toby Litt, Tom Waltz, Vertigo, Wayward, X-O Manowar

This week isn’t defined so much by the number of books I’m getting as it’s defined by one particular book I’m getting.  You’ll know which one when you get to it.  So much for self control!

  • The Massive #26 (Dark Horse): Winding down to the end.  (I’m still in denial about it, mind you.)  #25 was OK–tough to be the first issue after an arc that truly slakes the thirst like “Sahara”–but had that “setting up the wind down” feel to it.  Silver lining: answers are on the horizon.
  • Mind MGMT #25 (Dark Horse): Can’t type about #24 without first mentioning the gorgeous wraparound cover–which, by the way, was won at auction by some lucky fan for a smidgen over $5000: I got Lyme disease just looking at it!  Inside, a bit of a retrospective, more a Rosetta Stone–all through the lens of Henry Lyme, who’s heart is so lovingly revealed–and it’s Merutiful!.  Loved it.  OK, so, the big question about this month’s issue: how much is this cover going to go for?
Mind MGMT #25

Mind MGMT #25

  • Pop #1 (Dark Horse):This poppy premise is definitely Top 40: a prefabbed pop princess goes off the reservation!  Will she auto-tune her way out of trouble?  Or will she go full Milli Vanilli?  Don’t know the creators, but when has that ever stopped me?  Here’s hoping that Curt Pires and Jason Copland deliver a hit–and that they’re not one-hit wonders.
Pop #1

Pop #1

  • Bodies #2 (DC/Vertigo): Loved, loved, loved the quilt that Si Spencer stitched together with his coterie of co-creators.  We liked it so much that we’ve made it one of our Top 5 Books of July!  (Write-up to come.)
Bodies #2

Bodies #2

  • Dead Boy Detectives #8 (DC/Vertigo): Continues to be an engaging read a la The Books of Magic ongoing.
  • Superman #34 (DC): Finally!  A Superman book worth reading!  It’s felt like forever since Morrison left and took his massive moments with him.  Two issues into their arc, Johns and Romita, Jr. have proven that they are worthy successors–even if they are a bit more straightforward in terms of storytelling.
  • The Last Fall #2 (IDW): Wasn’t knocked out by #1, but I’m going to try another.  Why?  Since you asked: I’m giving Tom Waltz my attention because of his terrific work on TMNT.  I’m loyal like that.
  • Low #2 (Image): Not high on this but not exactly low, either.  Yes, #1 read like a Remender book; but Greg Tocchini’s art, which is pretty excellent, made me think but not mind that I was basically reading The Wake Part II #1.  I’m going to go against my better judgement and buy this one.  I don’t know–maybe this’ll be the book that finally turns me toward Remender.  Then again, the writer’s own words from #1 haunt–and taunt–me; they are essentially telling me to lay off: “Being optimistic doesn’t mean you have to ignore the realities around you.”  Preach, Reverend Rick.  Preach.
Low #2

Low #2

  • The Manhattan Projects #23 (Image): In #22, Hickman refers to a “line between the mundane and the divine.”  Usually, TMP is firmly planted on the divine side; it’s as consistent a book as you’re going to find.  However, much of #22 toes that ironically referenced line; in fact, it does a much-too-talky tip-toe dance for a goodly part of the book.  But, in typical Hickman fashion, it ends elegantly on pointe.  And blade.  And spike.
  • Outcast #3 (Image): The story is compelling enough, with its layers and all.  Robert Kirkman and Paul Azaceta–whose art, as colored by Elizabeth Breitweiser, reminds of David Aja’s–have done a fine job of developing a sense of dread–you know, the seventh sense–and authentic sympathy for Kyle.
  • Saga #22 (Image): Honesty: #19 and #20 left me a bit wanting; yeah, hadn’t been feeling so gaga about Saga–until #21, that is.  Oof, what a comeback.  (Not so much for Mama Sun, though, eh?)  Five big splashes from Fiona Staples help hammer home the love, the hate, the hurt–the brilliance—of Saga.
Saga #22

Saga #22

  • Wayward #1 (Image): Marketed as “Buffy the Vampire Slayer for a new generation,” but gonna give it a try anyway.  God knows I love a me a good “supernatural spectacle,” you know, like the supernaturally terrific Thomas Alsop (BOOM!).
  • All-New X-Men #31 (Marvel): Still haven’t gotten a hold of #30.  Figures that just as I came around to what Bendis is doing I can’t find the damn book on the shelf.  My fault, I guess.  I should’ve put it on my pull list as soon as things turned toward the positive for me.
  • Original Sin #5.4 (Marvel): Once again, a crossover has come along and murdered momentum–in the case of Loki: Agent of Asgard, magical momentum.  It’s been nice to look at; otherwise, I can’t wait for this nonsense to fall away so we can get back on the alluringly loqucious Lokimotive.
  • Silver Surfer #5 (Marvel): We’ve celebrated each of the first three issues as a top book of the month.  (See: March, April, and June.)  #4 was great, too; but, because of all of the greater books that dropped in July, it missed being a Top 5 book.  It was easily a Top 10 title, though.  Despite a dignified drop in the I&N rankings, one thing’s been a constant: SS has been a perfect marriage of writer and artist: Slott’s writing the new adventures of Norrin Radd like it was his professional destiny, and Allred’s, well, Allred: he is the power cosmic complement who makes the book pop–for as long as they both shall live.  Or at least until their hang-tenure is over.
Silver Surfer #5

Silver Surfer #5

  • Brass Sun #4 (2000 A.D.): I’m digging Brass Sun.  I like the possibilities offered up by the universe that Ian Edginton’s created, and I’ve really taken to artist I.N.J. Culbard’s approach and how carries the story without ever distracting from it.  #3, with its twists and spurns, has kicked things up a notch.  On to the next!
  • Evil Empire #4 (BOOM!): Speaking of a #3 that delivered some twists!  Glad I didn’t ditch after #2!  Can’t look past the great covers by Jay Shaw, either.  Then again, you have to, you know, if you want to read the book.  Rest assured: it’s OK if you want to judge Evil Empire by this cover:
Evil Empire #4

Evil Empire #4

  • The Sixth Gun #42 (Oni Press): Still a bit behind.  This’ll sit on a short stack, which I will–i must–read before I go back to work.
  • X-O Manowar #28 (Valiant): Generally, I don’t care for crossovers, but the Armor Hunters diversion works well here, for obvious reasons.  Sure, Archer & Armstrong and Quantum and Woody deserve the accolades they’ve received.  (Harvey noms are nothing to sneeze at.)  Robert Venditti, however, deserves a lot of credit for playing a one-note character into a symphony of sympathy, which has lasted, now, for twenty-eight issues.

Avery’s Pick of the Week:

  • Bee and Puppycat #3 (BOOM!): Avery just thinks that Bee and Puppycat is the dog’s meow.

What are you looking forward to this week?

Turning pages,

Scott

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Top 5(ish) Books of June

02 Saturday Aug 2014

Posted by ScottNerd in 5 Comics You Should Be Reading, Top 5 Books of the Month

≈ 4 Comments

Tags

Andre Sirangelo, Archaia, Archer & Armstrong, Brian Wood, D'Israeli, Dan Slott, Danijel Zezelj, Dark Horse, Fred Van Lente, Gabriel Iumazark, Jordie Bellaire, Laura Allred, Marvel, Matt Kindt, Mike Allred, Mind MGMT, Ordinary, Pere Perez, Rob Williams, Silver Surfer, The Last Broadcast, The Massive, Titan, Valiant

Here’s a little secret: we, the mighty gate-keepers here at I&N, don’t always agree on who makes the cut on our monthly purview of comics excellence. But, through a complex process of behind-the-scenes negotiation, diplomacy, arm-twisting and, if need be, feats of manliness, we have always been able to whittle down the monthly title wave to our hallowed Top 5. That is, until now. And so, recklessly abandoning all sense of tradition and decorum, we present for the first time: our Top 6 Books of the Month.

#5 (tie). Mind MGMT #23 (Dark Horse): Matt Kindt–winner of the 2014 Innie for Best Artist–delivers a real punch to the gut with this well composed hit-single issue, which sees the Dusty-deadicated side notes harmonizing heroically with the cacophony of the nihilistic narrative–with the darkness Dusty so deeply despised and hoped to one day change with his music.  With the in memoriam to Dusty as the lead vocal of the book, Kindt further develops the memory motif by making the Eraser play “memory games” with an incredulous Meru, using blacked out panels to indicate the missing moments; and by putting petal to the metal in a series of flowering flashbacks featuring Bill and Meru that fan out to form a stunning centerpiece for this death-marred installment and ultimately fall from the stem, foreshadowing poor Bill’s demise and Meru’s heartbreak.  In the end, Kindt cleverly ties the margin matter to the story proper by having Meru’s falling tears look just like the music rising from the headphones that are taken from Dusty’s dead body.  That alone would’ve been enough to tattoo this issue on our Top 5!   But as a final note–or a last grain of hourglass sand–Kindt calls upon the aforementioned memory motif one last time and offers up an intimate Mad Magazine fold-in that’ll rattle around in your skull well after reading. (SC)

Mind MGMT #23

#5 (tie). The Massive #24 (Dark Horse): As Brian Wood’s near-future socioeconomic/environmental dystopia comes to a head, the enigmatic Mary stands revealed as the lynchpin. Some kind of goddess-figure, Mary’s been witness to centuries of manmade degradation of every kind: against nature, against each other, against our own history (part of the brilliance of Wood’s argument is that, throughout the series, he’s presented these as one and the same). Well now she sits in judgement, speaking in biblical terms that portend even greater disaster (or, perhaps, wrath). Even more damning, she stares out directly at the reader as she does so (indelibly rendered, as is the entire arc, by Danijel Zezelj and Jordie Bellaire). If this seems a bit heavy-handed, this particular sequence, all of two pages, stands in stark relief to twenty-three previous issues of breathtaking, world-spanning incident remarkable for the sheer depth of knowledge displayed, as well as their understated, plot-driven delivery. It also thrusts us headlong into the mysteries to be revealed in the final arc, and adds one more: could Mary have played a role in The Crash, the event that laid the world low to begin with? And, having found mankind wanting, is the worst yet to come? (DM)

The Massive #24

The Massive #24

#4. The Last Broadcast #2 (Archaia): Great magicians never reveal their secrets; and those secrets, for the compulsively curious, inevitably become the seeds of great mysteries.  Writer André Sirangelo and artist Gabriel Iumazark plant plenty of seductive seeds here in the second installment of The Last Broadcast, which puts our main man Ivan–himself a magician–on a crooked path of discovery.  His frantic search for his pal Dmitri is an off-kilter crusade–one amplified by Iumazark’s irregular panel pattern that keeps us likewise off balance as we move from page to page–that finds him courting odd characters, including an enigmatic bookshop owner and an eye-biting barfly who pleasingly smack of Polanski stock, and that leads him to a couple of urban explorers–the Backbone of the story–who themselves are missing a mate.  (I, too, am compulsively curious, and I wonder: Could Dmitri and Damon be one in the same?)  Making the story–and the story to come–even more exciting is the prospect of a very-much-alive Sir Arthur Conan Doyle’s having a hand in scripting the outcome.  Believe your eyes, folks: this magic–The Last Broadcast–is for real. (SC)

The Last Broadcast #2

The Last Broadcast #2

#3. Ordinary #2 (Titan): A determined father intrepidly braves a gauntlet of nefarious characters and death-defying situations with only one thought on his mind: to find his son! This may sound like the latest Liam Neeson revenge flick, until you realize that a) the determined father is Michael, a balding, bespectacled schlub with a dead-end job; b) the nefarious characters are everyone else on the planet, who have suddenly and inexplicably been granted ridiculous super powers; and c) the death-defying situations include show-stopping Broadway musical numbers (especially frightening that). Rob Williams and D’Israeli serve up thrill-ride absurdity that at once takes the gas out of the sort of adolescent power fantasies that so many comics fans (many of whom bear more than a passing resemblance to Michael) still faithfully devour, while also slyly celebrating them. After all, if the biggest loser in the world can overcome odds like this, there’s hope for everyone. (DM)

Ordinary #2

Ordinary #2

#2. Archer & Armstrong #21 (Valiant): Our fascination with celebrities in many ways defines us as a culture.  Funny enough, our fascination with dead celebrities even more so.  Fred Van Lente knows that, and he’s clearly having a blast bringing back some long–and some freshly–dead famous folks for his satirical tour de farce “American Wasteland.”  Artist Pere Pérez brings the late lot to life around Archer and Armstrong, kicking off a game of “How many dead celebs can you name?”; and it’s a game where we’re all winners for playing along.  I was slayed by the inclusion of Jeff Hanneman and then was all “Already?” upon seeing Philip Seymour Hoffman.  The next three page turns may very well be as unforgettable as the featured figures themselves: first, it’s a father and child reunion as Bruce and Brandon Lee attack our heroes in a sole-touching moment!  (Do they win?  Of course they Jeet Kune Don’t–thanks to Archer’s, umm, stun ram.)  And, after meeting a distraught Jackie Kennedy, who isn’t long for even this world (I was like, “No he di’int!”), A & A come across more Oswalds than you can shake a Zapruder film at!  Throw in some East and West disorderly action with phat boys Biggie and Tupac, and you’ve got yourself a book where a clever contrivance becomes more the thing than the story itself–well, initially, anyway.  Because after the excitement of recognition and the well-earned laughter fall to necessary contemplation, there’s Van Lente himself laughing, “Gotcha.” (SC)

Archer & Armstrong #21

Archer & Armstrong #21

#1. Silver Surfer #3 (Marvel): There was a recent internet controversy which involved, among other things, the notion that certain aspects of super heroes were just too “goofy” and needed to be jettisoned in order for today’s audiences to take the characters seriously. The thinking behind this seems to be that the colorful, larger-than-life paragons of heroism that have populated comics since their inception need to be brought back down to earth, their vibrancy toned down to reflect our own muddled reality. One could make the case  that this view, in its cynicism, utterly misses the point of what super heroes are supposed to be. But why do that when you could just read Silver Surfer by Dan Slott and Michael and Laura Allred instead? It makes the case better than any argument ever could.

The current issue is particularly apt, as it deals with a cosmic struggle not so much of good versus evil, but of reality versus possibility. In it, a double-talking alien named the Incredulous Zed seeks to strike down an entity known as the Never Queen to ensure that the future will only ever have one possible outcome. Standing against him are the Silver Surfer and his new partner Dawn Greenwood, an especially winning creation, who runs a nice bed-and-breakfast in Anchor Bay, Mass. Slott’s wild, expansive approach to story is matched by Allred’s art, which, as always, is teeming with fantastic weirdness. There are monkey toys and stolen hearts. Space freaks and childhood memories. True love and The Three Stooges. And in Slott’s and Allred’s vision these live comfortably side-by-side. They suggest, in the sheer vitality of their storytelling, that one need not discard absurdity in the pursuit of profundity. Rather, whatever it is that is profound in these types of stories, whatever is truly wonderful, is inextricably tied to the fact that they’re so damn much FUN. (DM)

Silver Surfer #3

Silver Surfer #3

The Biggest Dis(appointment): Trees #2 (Image) – It has been a storytelling trope the last twenty years or so to juggle multiple, seemingly disparate narratives within an overall framework, and then slowly draw the separate strands together so that they all collide by the end, revealing a larger picture. It is perhaps perfectly legitimate in today’s hyper-connected world to seek meaning in the seemingly infinite byways that cyberspace allows, especially as it has simultaneously caused the world to get ever smaller. This narrative approach, depending on how it’s handled, can be insightful and profound or obtuse and annoying (Terence Malick’s The Tree of Life [no relation] for example, falls into either one or the other categories depending on your point of view). But it works best when the individual stories are compelling (as in say, Pulp Fiction). Unfortunately Trees manages to be both obtuse and uninteresting. Warren Ellis’ story, involving a bunch of giant alien trees that suddenly appear on earth (nicely rendered by Jason Howard), apparently indifferent to human activity, unwittingly provides an apt metaphor for the experience of reading it. When the various narratives are as soporific as those presented, one can’t blame the title characters for ignoring them. The back inside cover, presumably reinforcing the trees ambivalence, ends the issue with the sentence  “It doesn’t care.

Neither do I. (DM)

Trees #2

Trees #2

 

Turning pages,

Derek & Scott

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