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Monthly Archives: July 2015

What’s I&N Store (7/29)

29 Wednesday Jul 2015

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Roberto Aguirre Sacasa

New rule: anyone who leaves the theater while the credits are rolling to end a Marvel movie are henceforth banned from buying tickets for Marvel movies–for no other reason than they piss me off and ruin my experience because I can’t help but bitch about them to my wife, who, at this point, is pretty well fed up with my bitching and with waiting ’til the end mostly because she doesn’t get the references and either A) I bore her to tears with an explanation or B) she asks and ultimately finds my explanation awash in condescension, which makes for a fun ride home that’s for sure.  So, yeah: new rule.

New books:

  • Superman #42 (DC):
  • Teenage Mutant Ninja Turtles #48 (IDW)
  • Invisible Republic #5 (Image)
  • Lazarus #18 (Image)
  • Low #8 (Image): I&N Demand Just how low can Remender go?  He’s lowered the bar, bro, playing expectation limbo; and wouldn’t you know, low is high here, in this fluid world; and I’m a little loathe to admit it, because regular readers should remember, I, for the most part, hate Remender, save for the low blow he’s rendered with Greg Tocchini.  So, if you’re doing the math: I, more and les, loved–Whoa!  Some admission, no?  Take a screen shot!–#7.  Let me ramp it up even more: it’s one of my favorite books of the year.  (Wow.  Despite the betrayal, it feels good to have typed it.)  Two solid “Oh sh!t!” moments did it for me.  So, yeah: Remender’s Low is I&N Demand.  Damn right it is, fellow doubters!  Can’t wait to be dragged down further into the mother-effing abyss.
Low #8

Low #8

  • The Manhattan Projects: Sun Beyond the Stars #2 (Image)
  • Material #3 (Image): I&N Demand So what if I don’t agree with Kot’s politics: the son of a gun can write.  So what if Material is here, there, and everywhere: the son of a gun can write.  There are zero reasons to not follow Kot wherever he happens to find himself–as long as wherever he finds himself is in a world of his own divining.  So far, his Material material has been plied into a pattern that’s comic haute couture.  Yeah, that son of a gun just makes it work.
Material #3

Material #3

  • Rasputin #7 (Image)
  • Southern Bastards #10 (Image): I&N Demand More offensive than defensive, that’s for sure.  Aaron and Latour score over and over with their ground and pound approach–and it doesn’t look like they’re ready to take their collective foot off the gas pedal; oh no, they’re not afraid to show their readers who’s boss–even if they have to make a sacrifice or two to get the point across.
Southern Bastards #10

Southern Bastards #10

  • Daredevil #18 (Marvel)
  • Hit: 1957 #4 (BOOM!): I&N Demand What’s even more unlikely than my giving a Remender book an I&N Demand designation?  No, really: Bryce Carlson and Vanesa Del Rey deserve it after #3.  Only took one “Oh shit!” moment to cement this issue of Hit as an I&N Demand pick; and what a moment it was!  Yeah, I needed that like a hole in the head; but, hey, what the hell?  It ends here.  (Boy, that was quick, no?)  Wondering: what are they going to do to top the shot they took in the penultimate issue?
Hit: 1957

Hit: 1957

  • Ninjak #5 (Valiant)
  • Chilling Adventures of Sabrina #4 (Archie Horror) I&N Demand Which witch–and there’s a comic coven from which to choose, ain’t there?–has cast the most chilling spell over you?  Clearly, if you’re reading Sabrina, then you know the answer.  Each of Roberto Aguirre Sacasa’s words is a magic mot, and Robert Hack’s artwork brings to life the period and one exclamation point after another, punctuating both hilarity and horror as the spirit moves and crafting a tone that is as witch perfect as you’re bound to find.  Damn, it’s like these dudes sold their souls to the devil or something.
Chilling Adventures of Sabrina #4

Chilling Adventures of Sabrina #4

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (7/22)

22 Wednesday Jul 2015

Posted by ScottNerd in What's I&N Store?

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I took my daughter Avery to see her first in-theater movie on Monday. We saw Inside Out.  Sure, I loved the movie, but I loved even more how much Avery loved the experience of sitting in a deep theater seat with a Joy figurine in her cup holder and her own bag of popcorn in her lap, pieces of popcorn impatiently passing her lips, while watching an emotional atom bomb of a movie explode on an impossibly large screen. I loved her perfectly-timed giggly glances; I loved how we turned to one another with tears in our eyes and how she held onto my arm, her head on my shoulder until the end.

But the excitement of the afternoon didn’t end there. We were on the road talking about our favorite parts of the movie when–noticing in the rearview mirror that she wasn’t fiddling with her Joy figurine–I paused to ask if she had remembered to grab Joy on the way out of the theater. She said she had forgotten Joy, that she had left her in the cup holder!  As expected, in Joy’s absence, Sadness took over: Avery started bawling. “I want Joy!” were the only words that rose above the sobs. I promised her that I’d turn back and that we’d save Joy; I told her that this was going to be our journey, one not unlike the journey that Joy herself went on to save Riley. We met with a few obstacles–including an antagonistic red left turn arrow, which didn’t give a green that we were in a rush, skipping over us once as the lights cycled round the intersection; and a stubborn garbage truck that simply refused to get out of our way as it seemed to contemplate the value of each off ramp before finally choosing one–the one that immediately preceded the ramp to which we were racing.

Once in the multiplex lobby, we presented a stub to a ticket taker and explained our plight. She wished us luck and we ranranran–we knew the way–straight ahead, to the left, last theater on the right, which had–uh oh!–already started–oh no!–letting people in for the next showing. I hopedhopedhoped that some sticky-fingered kid hadn’t already found Avery’s Joy and sadly made it his own, that we weren’t going to be stuck with a sad ending–with a blue-tinged core memory. I was ready, however, to ask around–to plead; to pay, as necessary–if Joy wasn’t where Avery had left her. Luckily, no one was sitting in the row we had sat in, but the row below it was filled with kids, most of whom were most assuredly sticky fingered already! I got nervous as we climbed the steps and revisited our row. I stuck my hand in every blinking cup holder in that flipping row; and wouldn’t you know: no Joy. I turned to Avery and told her, “She’s not here, baby girl.” “I want my Joy,” she cried. She caught the attention of the kids and the adult in the row just below us. I asked them if they had happened to find a Joy figurine as they found their seats.   They apologized. I told Avery to wait right there and I got on my hands and knees. I reached under the seats that I supposed had been ours and knocked pieces of popcorn here and there; and as I did so, one of the kids in the row below reached over his seat and used his cellphone as a flashlight, illuminating the freakishly florescent popcorn–a lot of popcorn–did any popcorn make its way into Avery’s mouth?–and, amongst the kernels, Avery’s Joy. “Daddy saves the day!” celebrated the adult, probably a mom, who understood the import of the moment. I handed the figurine to Avery, thanked the clever kid with the cellphone, scooped Avery up and skipped down the steps. “Are you happy, baby?” “Uh huh. Can we go home now?” “We sure can.”

As we drove home, we were talking about our favorite parts of the movie and how cool it was that we had a journey of our own when–noticing in the rearview mirror that she was playing with Joy–I paused to say, “I love you, Avery.” She said, “I love you, too. I had fun on our date, Daddy.” “On our date?” I laughed. “I did, too, baby girl. I did, too.”

Boy, I can’t wait for a comic book to have that same effect on us.  Hmm.  Maybe one of these’ll do the trick:

  • Archie Vs. Predator #4 (Dark Horse)
  • Fight Club 2 #3 (Dark Horse)
  • Frankenstein Underground #5 (Dark Horse)
  • Mind MGMT #35 (Dark Horse): I&N Demand I cried plenty during Inside Out–and, full disclosure, during the volcanic short that preceded it.  You know: lava, tears.  My investment in those weren’t nearly the investment I have in Mind MGMT.  We’re two issues away from my being reduced to nerd jerky.  Speaking of being reduced: poor Meru!  She’s been laid out; her future’s in question–she’s on the brink!–and a cute K-9 strapped with C-4 has come to her rescue.  Yeah, Mind MGMT. is. about.  to. blow. up!  Cue tears.
Mind MGMT #35

Mind MGMT #35

  • We Are Robin #2 (DC)
  • Sidekick #11 (Image)
  • Stray Bullets: Sunshine and Roses #6 (Image)
  • Wolf #1 (Image): Just I&N Ales Kot is comic’s most compelling read–as long as he’s in his own world.  Lucky for us, Wolf‘s his.  Anticipate crime noir like you’ve never read befoir: a stream a flood of consciousness that’ll leave you drowning in daddy issues.  Or.  Maybe.  Not.  Heck, I’m imagining Brubaker and Phillips’ Criminal on ‘shrooms; Miller’s Sin City on youthful arrogance.  Whatever the result, I’m pretty confident that we’re in for a treat–a dust-laced Milk Bone, perhaps?
Wolf #1

Wolf #1

  • Magneto #20 (Marvel)
  • The Disciples #2 (Black Mask): I&N Demand A solid first issue’s worth of exposition–which never seemed to drag despite the conspicuous lack of action–with a shared WTF? hook at the end sold me on this slice of sci-fi horror from Steve Niles and Christopher Mitten.  Reminded a bit of Garth Ennis’s recently-wrapped Caliban (Avatar), which ended up being really good.  So, yeah, I’m ready for more.
The Disciples #2

The Disciples #2

  • Mayday #4 (Black Mask): I&N Demand “Chaos reigns,” indeed!  Curt Pires is lighting fires and is letting them burn down everything in sight!  Has been solidly amorphous through three.  I sure as hell hope the end note follows suit–by shooting the massive expectations that have been built up after three idiosyncratic issues in the effing head.
Mayday #4

Mayday #4

Avery’s Pick of the Week

  • My Little Pony: Friendship Is Magic #32 (IDW): Have I mentioned that Avery loves her Ponies?  If Applejack’s featured, all the better.  Guarantees that Grammy’s going to mention–again–that her father’s CB handle was Applejack.  Gosh, Avery just loves that little tidbit of information!
My Little Pony #32

My Little Pony #32

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (7/15)

15 Wednesday Jul 2015

Posted by ScottNerd in Uncategorized

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Getting this week’s list put together was like pulling teeth.

No, really: Tooth #31–Steve–was ripped from my head-Hallelujah!–after having gotten on my last nerves.  Dentist’s promise: no more pain and a clearer brain.  Oral surgeon seconded; so el lidocaine did flow.

Don’t need to be anesthetized to pull these incisive installments, a few on the cuspid of greatness:

  • BPRD: Hell on Earth #133 (Dark Horse)
  • Death Head #1 (Dark Horse)
  • Astro City #25 (DC/Vertigo)
  • Hawkeye #22 (Marvel): I&N Demand The honest-to-goodness final issue!  Hell, I wouldn’t mind if Fraction and Aja were to return every four or five months with another final issue.
Hawkeye #22

Hawkeye #22

  • Silver Surfer #13 (Marvel): I&N Demand In the wake of #11, #12 could’ve easily been a disaster.  Wasn’t–not by a long shot.  The issue itself was lotus flower that I ate blissfully–so blissfully that the final-splash kiss fully satisfied.  A love story fueled by the power cosmic–there is no love higher!  And there’s no book, er, better in the Marvel U.
Silver Surfer #13

Silver Surfer #13

  • Where Monsters Dwell #3 (Marvel)
  • Book of Death #1 (Valiant)
  • Crossed +100 #6 (Avatar): I&N Demand Re: #5: All the proof you need that Alan Moore is the best there is.  His handling of Salt’s journal was undeniably Nabokovian!  I’m kind of getting all arthritic as I’m typing this: #6 brings an end to Moore’s meticulous run, but his vision will carry on: a way-with-words son, Si Spurrier–who just so happened to win the 2014 Innie Award for Best Writer–is up next.  Before that all goes down, there’s this:
Crossed +100 #6

Crossed +100 #6

  • The Fiction #2 (BOOM!)
  • Giant Days #5 (BOOM!)
  • Mercury Heat #1 (Avatar): Just I&N Kieron Gillen goes sci-fi under the Avatar banner.  What’s not to love?
Mercury Heat #1

Mercury Heat #1

  • Oh, Killstrike #3 (BOOM!)
  • Rachel Rising #35 (Abstract Studio)

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (7/8)

08 Wednesday Jul 2015

Posted by ScottNerd in What's I&N Store?

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My weekly haul: is it getting better?

I say: #1 love/#1 life/When it’s #1 need in the night/It’s #1 love.

You, too?

I hope they don’t disappoint me/or leave a bad taste in [my] mouth.

The way to make sure that doesn’t happen: follow my advice to my youngest: we read comics, we don’t eat comics.  That girl–my youngest–is a serial cover ripper; she’s Paige the Ripper.  Yeah, it’s name destiny.

  • Harrow County #3 (Dark Horse): Suffering from witch hangover?  Wait.  Slightly different, but better: Suffering from witchdrawal?  Of course you are.  So what if Bunn’s a bit late to the black mass?  Here’s the skinny: his brew’s bubbling over with enough interesting notes–some familiar, some familial–to draw me in for another evil–and, thanks to Tyler Crook, beautiful–ladle-full.  On one warted hand: it ain’t Sabrina, that’s for damn sure.  On the other: it ain’t Wytches–thank Satan.  My one fear: it’s going to drag on for no good reason.
  • Rebels #4 (Dark Horse): Have Mercy!  Re: #3: Wood slowed things down–a lot–in order to deliver a backwoods backstory, in order to develop further–and, ultimately, sell–Seth, whose narration is equal parts addition and subtraction.  Wood generally uses narration to great effect–as seen in the recently-put-to-rest The Massive; but here, it’s a bit uneven, perhaps a result of the temporal trip, which, plays as one step back and one step forward, leaving us, in the end, kind of where we started.  That’s not what I signed up for, but I’m marching on.
  • Negative Space #1 (Dark Horse):  Ryan Lindsay and Owen Gieni had me with “writer’s block [getting] in the way of [a] suicide note.”  That brand of pathetic is my morning sun!  The simplicity of the idea–despite its dour note–inspires.  The rest of the premise (uncovering conspiracies, blah, blah–a potential Duh Vinci Code facsimile) could be a conveyor belt of clouds with cruel designs on my otherwise perfect day of unspoiled pessimism.  It could turn Colder; it could play a bit like Neverboy; hey, it could also grow into its own thing.  That’s why we read ’em, folks.
  • The Tomorrows #1 (Dark Horse): Curt Pires is killing it on Black Mask’s Mayday; as a result, he’s earned Must Try status.  Throw in a Zero-tolerance approach to the art duties–a different artist on each issue–and I’m ready to throw it in my bag without looking.  Regarding the premise, Previews hands down the following sentence: “The future: Art is illegal.”  Reminds of the most recent issue of Low, which was ridiculously good–a highpoint for the series, no doubt.  More of a turn on than a turn off.
  • Injection #3 (Image): #1 was a whole lot of What?  Plenty was drawn up; but in the end, Ellis and Shalvey’s singular thumb was poised smugly on the plunger with no clear sign that it was ready to push.  #2, however, brought the Injection for which I was hoping: it hit like an issue of Moon Knight.  Considering how great their short run was–how special their storytelling was–it would’ve been a shame if they didn’t hit some of the same narrative notes.
  • Saga #30 (Image): Throwing death around like the book’s in its death throes.  Unfortunately, the great Saga hasn’t been great of late.  The big page turns aren’t as big as they used to be; the irreverent moments don’t support the emotional bombs like they used to.  Yeah, the surprise is gone, the excitement gone; it’s missionary, once a month.
  • Starve #2 (Image): I&N Demand I love the desperation, the arrogance of Wood’s first course.  I love that Chef Cruikshank’s not so different in spirit from Callum Israel and that Zezelj’s art is a massive leap from–yet reminds of–his work on The Massive, which I miss so much.  I love the Heart of Darkness-ish riff on hunger and Wood’s fileting of foodies and chef celebs.  So, yeah, I guess I liked #1 enough to try another.  Cut me off another piece, man–I’m starving!
Starve #2

Starve #2

  • Archie #1 (Archie): Just I&N Seems like an obvious choice for our Just I&N pick of the week, doesn’t it?  Think about it: there’s really no other choice.  Mark Waid and Fiona Staples have paired up to remake Riverdale!  Sure, Afterlife With Archie and Chilling Adventures of Sabrina have already altered the Archieverse in unexpected ways; but–using DC’s Multiverse as a frame of reference–they’re set in Riverdale-2.  This is the Riverdale; this is classic Archie–the Archie–getting a modern makeover.  This is a huge undertaking, you know, with a world–one born in 1941–in the balance.  This, folks, is exciting.
Archie #1

Archie #1

  • Bloodshot: Reborn #4 (Valiant): Speaking of exciting: this one ain’t.  Therapist couch revelation: Bloodsquirt makes me want to hurt myself.  Ugh!  Just thinking about him makes my blood boil!  I may have to pass, if only to protect myself.  I hate typing it: it’s further proof that Jeff Lemire has trouble connecting with his characters and with his audience outside of his creator-owned work.
  • Death Sentence: London #2 (Titan): Re: #1: Montynero’s energy is infectious, and Martin Simmonds’ art harnesses it well.  Together, they’ve delivered a solid extension of the original series.
  • Providence #2 (Avatar): I&N Demand Re: #1: Patient and precise storytelling from Alan Moore.   It’s exposition at its finest.  You get the sense that Mr. Moore is in complete control, and it feels frighteningly good: his dialogue delivers what it needs to, just enough to feed curiosity; his transitions are sharp as a ritual dagger; but the most powerful proof: the four-panel bookends that are page one and page twenty-six.

STK672957

  • The Sadhu: Birth of the Warrior #1 (Graphic India): Why the hell not?  The premise has me thinking Orwell’s “Shooting an Elephant” gone mystical.  Chuck Dixon’s doing the wordy work, so I’m on board.
  • Strange Fruit #1 (BOOM!): The water and the tension are rising in this period piece from Mark Waid and J.G. Jones.  I wonder if Waid’s wading in the racist river of 1920s Mississippi in response to the roiling race relations that have been plaguing us of late or if this has been in the works for a while.  Even though Waid’s social-issue-of-the-month approach to Daredevil hurt Ol’ Horn Head more than a brawl with Bullseye, I’m willing to give this one a go because I know what I’m getting into–and it’s probably going to be pretty good.
  • Transference #1 (Black Mask): Yeah: grab it before you can’t.  Why?  Not because of Michael Moreci (I haven’t loved his stuff).  Certainly not because it’s a time-travel comic (that’s right, time-travel fans, it’s another time-travel comic!).  Here’s the big because: it’s a Black Mask book!  Count ’em, kids: #1: We Can’t Go Home.  #2: Mayday.  #3: The Disciples.  #4: Space Riders.  Really good stuff.  It’d be foolish not to try this one.

Avery’s Pick of the Week

  • Scooby-Doo! Where Are You? #59 (DC): Avery loves Shaggy.  Perhaps I should start worrying now.
Scooby-Doo Where Are You? #59

Scooby-Doo Where Are You? #59

What are you looking forward to this week?

Turning pages,

Scott

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What’s I&N Store (7/1)

01 Wednesday Jul 2015

Posted by ScottNerd in Uncategorized

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Kicked off summer vacation with a folk-rockin’ concert–Richard Thompson in NYC–and an empanada-fueled stroll into infinity along the naturban High Line.  Spent a schizophrenic Sunday in Davis Park; and for two pain-in-the-grass days, I fought the lawn–and the lawn won.  Quite a ride thus far.  Vacation really doesn’t start, however, until noon on Wednesday.

  • Neverboy #5 (Dark Horse)
  • Teenage Mutant Ninja Turtles #47 (IDW)
  • Airboy #2 (Image): I&N Demand Re: #1: James Robinson rocks as comicdom’s version of Hank Moody in a masturbatory exercise that makes Robinson required reading again!  As cocky as a book can get–though not quite as cocky as most of Danzig’s Verotik line from the mid-’90s, but plenty cocky in it’s own right, thanks to Greg Hinkle, whose pen is large and in charge!  Cover your eyes!  When Airboy finally showed up, I sighed with concern, fearful that his appearance would let the air out of the book–one that I’m super excited about.  Gosh, I hope this thing takes off…
Airboy #2

Airboy #2

  • No Mercy #4 (Image)
  • Satellite Sam #15 (Image): I&N Demand The story–Fraction’s brilliant black and Michael White-focused arc–ends here.  Big time bummer!  Each issue is an epic battle between class and crass.  Few books are as consistently great as Satellite Sam.  Sad to see it sign off–even if only for an extended hiatus.
Satellite Sam #15

Satellite Sam #15

  • We Stand On Guard #1 (Image): For thee: We Stand On Guard didn’t make the I&N Demand cut and has been trumped by The Spire for our one Just I&N designation; but, c’mon: it’s Brian K. Vaughan!  He’s fixing to make some magic north of the border!  Oh, I can hear the chatter already: It’s not as good as Saga, man; or: Man, this is so much better than Saga!  For worse or better, that’s what this book’s up against.  I’m hoping for the latter, especially since Saga‘s lost some its soul of late.
  • The Wicked + The Divine #12 (Image): I&N Demand Wow.  #11 delivered one of those unforgettable Didn’t see it comin’ moments.  Similar to Satellite Sam, this is a book that kills it month after month: Gillen, McKelvie, and Wilson are as in sync as creators can be, dropping perfect pop songs twenty-two pages at a time.
The Wicked + The Divine #12

The Wicked + The Divine #12

  • Zero #18 (Image): I&N Demand Our early favorite for book of the year–from an early favorite for writer of the year, Ales Kot–ends here, leaving us, appropriately, with an empty space that may never be filled.  Sure, Kot’s exploring similar themes in The Surface and Material; but this is clearly his baby–one that’s grown up way too fast.  Damn.
Zero #18

Zero #18

  • Broken World #2 (BOOM!)
  • The Bunker #12 (Oni)
  • Grant Morrison’s 18 Days #1 (Graphic India)
  • The Spire #1 (BOOM!): Just I&N The fellas behind one of our favorite books of 2013–the high-caliber Six-Gun Gorilla–are back!  Spurrier and Stokely laid down some serious–and not-so serious–layers in their meta-fiction miracle mini; I’ve been practicing my pinching skills ever since, and, boy, am I ready to do some peeling!
The Spire #1

The Spire #1

  • Über #26 (Avatar)
  • War Stories #10 (Avatar): I&N Demand What are Ennis and Aira going to do to follow up the high-risk and near-perfect “The Last German Winter”?  They’re sticking with WWII and sending a band of Irish boys–who have a lot of fight in ’em–to Germany.  It’s Guinness vs. Beck’s in a long-pour showdown that’s bound to satisfy ’til the last drop–of Nazi blood!
War Stories #10

War Stories #10

  • X-O Manowar #38 (Valiant)

Avery’s Picks of the Week

  • Scooby-Doo Team-Up #11 (DC)
  • Mickey Mouse #1 (IDW): No doubt about it: Avery loves Mickey!
Mickey Mouse #1

Mickey Mouse #1

  • My Little Pony: Friends Forever #18 (IDW)

What are you looking forward to this week?

Turning pages,

Scott

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