• The Big Picture
  • Here’s ScottNerd…
  • Here’s DerekNerd…

Images and Nerds

~ We're turning pages–and writing about them!

Images and Nerds

Tag Archives: Mike Raicht

I&N Review: Wild Blue Yonder #6

01 Thursday Jan 2015

Posted by ScottNerd in I&N Review

≈ 1 Comment

Tags

Austin Harrison, Battlestar Galactica, Colonial Viper, Cylon Raider, IDW, Mike Raicht, Nelson Daniel, Star Wars, Tie Fighter, Wild Blue Yonder, X-Wing, Zach Howard

This is it, folks: the explosive finale of the soaring spectacle that has been Wild Blue Yonder:

Wild Blue Yonder #6

Wild Blue Yonder #6

And by explosive, I’m not simply talking about all things coming to a head after all the tension that has been built up over five issues is released in a singular climactic burst.  I mean, literally: there are a lot of explosions.  A lot.  It’s clear–well, as clear as it can be for all the smoke and debris: the creative team–the Wild Blue myth masters–comprised of Mike Raicht (story/writer), Zach Howard (story/artist), Austin Harrison (story) and Nelson Daniel (colors) decided to go out with a FaDoom!

Told you so.

 

Despite the fact that there’s enough fiery fallout to warrant a a titular turn of the color wheel–from Wild Blue Yonder to Wild Orange Yonder–the biggest blast isn’t the result of offensive or defensive ordinance; instead, it comes from Raicht’s using the structure of the issue to further blow up archetypal conventions by turning the Judge–the story’s antagonist–into an antihero who’s worth rooting for, certainly as we recall his confident assertion in the previous issue: “we will rise above those flames for good” (good to be taken as “forevermore” and, relatively speaking, as “moral righteousness”); and thanks to a bloody flashback, which gives him even more power in the eyes of his people–and, more important, power over us.

Don’t be surprised, then, if you find yourself sympathizing with the Executioner before the axe comes down.  See: even though the world’s propped up on black (the Judge!) and white (Cola!) stanchions, the atmosphere of moral relativism takes on a shade of, well, blue.  It doesn’t take long, however, for our concern to turn back toward Cola and Co.  As the focus of the story switches to the defenders of the Dawn, we’re reminded that they’re the ones who deserve to carry on; they’re the ones who are meant to see a better day.

They are the ones–right?

But a better tomorrow doesn’t come easily.  Howard and Daniel–the former delivering a career-defining achievement and the latter wielding colors of mass destruction–make it look pretty easy, though, with their other-worldly attention to detail, which is showcased during the inevitable issue-spanning, sky-scarring dogfight that drives the narrative to its ultimate conclusion.  Oh, sure, it’s a familiar scene powered, in part, by cinematic urgency: heck, it comes preloaded with the energy of X-Wings vs. Tie Fighters and the desperation of Colonial Vipers vs. Cylon Raiders.  We see in this re-imagining a rag-tag air force–comprised of planes from a bygone era–led by Cola and supplemented by gutsy guns (including the high-caliber–and scene-stealing–Scram) vs. a swarm of Wraiths, this time spearheaded by the Judge, who knows that this is his last opportunity to provide a future for his people.  Undoubtedly–and unapologetically–the myth masters are sticking to a tried and true script; they’re pinning their hopes–and ours–on our familiarity–more, our sacred relationship–with genre tropes.  And it all works; it still feels fresh–thanks to special moments like the gorgeous final double-page splash, which hearkens back to a double-page splash from the past and which leaves us to do some Sol-searching of our own.

The clever fellas at Noble Transmission have left a few questions unanswered–questions that’ll tug at you long after you’ve bagged and boarded the book.  That’s got me thinking, expecting–and hoping–sequel.  Ah, now that will be a beautiful day.

I can’t wait to see what else they’ve got in store for us.

For now, though, you’ve got to wait for this:

Wild Blue Yonder #6 (IDW) is slated to hit the shelf of your favorite comic shop on 1/21.  I’ll be picking up my copy at Android’s Amazing Comics.

Turning pages,

Scott

 

 

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

What’s I&N Store (7/23)

22 Tuesday Jul 2014

Posted by ScottNerd in What's I&N Store?

≈ Leave a comment

Tags

Afterlife With Archie, Archer & Armstrong, Archie, Austin Harrison, Batman and Robin, Brian Azzarello, Brian K. Vaughan, Chris Samnee, Cliff Chiang, Daredevil, DC Comics, Dead Boy Detectives, Dynamite Entertainment, Fiona Staples, Francesco Francavilla, Fred Van Lente, Geoff Johns, Guiu Vilanova, IDW, Image, J. Michael Straczynski, John Romita Jr., Life With Archie, Mark Buckingham, Mark Waid, Marvel, Mike Raicht, Nelson Daniel, Ordinary, Patrick Gleason, Paul Kupperberg, Pere Perez, Peter J. Tomasi, Rob Williams, Roberto Aguirre Sacasa, Ryan North, Saga, Superman, Supreme: Blue Rose, The Midas Flesh, The Twilight Zone, Through the Looking Glass, Titan, Toby Litt, Trees, Valiant, Vertigo, Warren Ellis, Wild Blue Yonder, Wonder Woman, Zach Howard

Another big week of big books, highlighted by four titles from our Top Ten of 2013 (Wild Blue Yonder, Saga, Zero, and Archer & Armstrong) and an Archie two-fer!

  • Batman and Robin #33 (DC): Robin Rises: Omega #1–a nonsensical, never-ending fight scene–was a huge disappointment.  You know what?  I’m going to pretend it never happened.  Will be tough, though: I’m not too excited about the inevitable change of scenery; Lord Darkseid knows I’ve never been a fan of Apokolips.
  • Dead Boy Detectives #7 (DC/Vertigo): DBD has been very good–especially the previous Through the Looking Glass-inspired two-parter.  New story starts here.
  • Superman #33 (DC): Re: #32: The new Men of Today: Geoff Johns and John Romita, Jr. have started their reign well with Men of Tomorrow.  Liked how the former twisted Supes’ origin and came up with the well-named Ulysses.  The latter proved that his style suits Superman just fine.
  • Wonder Woman #33 (DC): Azzarello and Chiang are on their way out.  It’s been a helluva run–and gods know I will loyally follow them to the finish line.

 

Wonder Woman #33

Wonder Woman #33

  • Wild Blue Yonder #5 (IDW): Prepare to be jealous: I’ve already read it.  Liked it a lot.  (Shouldn’t come as much of a surprise: we’ve celebrated this series from the guys at Noble Transmission since take off.)  It lives up to the standard set by issues before: it’s summer-blockbuster big with some massive art moments from Zach Howard and Nelson Daniel.  (Nobody does double-page spreads like these guys.)  I particularly like how in a relativist sense the Judge is pretty much a good guy, as he is trying to do right by his people.  Just so happens other folks–those who call The Dawn home–would have to suffer in order for his people to survive.  If I’m finding myself rooting for the Judge, it’s because Mike Raicht is selling him well–kind of like how Patricia Highsmith convinces you root for the immoral Thomas Ripley; that’s high praise, indeed!  Also sold well is the big “final” moment, which is drawn out just long enough to sell one character’s sacrifice and another’s loss.  Can’t wait to see how everything plays out.  If you can’t wait to find out more about this issue, check out Derek’s review here.
Wild Blue Yonder #5

Wild Blue Yonder #5

 

  • Saga #21 (Image): This arc hasn’t really lived up to the Saga standard.  That being said, it’s still better than most.  #20 ended on a robot strong note–even if it were a bit too robotic, too thick with politic.
  • Trees #3 (Image): Hasn’t grown on me.  In fact, Derek and I agree: there’s been too much junk in the trunk; and, as a result, Trees #2 is our Biggest Dis(appointment) of June.  May have to chop this one down.  Might have trouble seeing the forest for the cover, though.
Tress #3

Tress #3

  • Velvet #6 (Image): New arc time.  The first one rubbed me the right way.  Something very modest about it.
  • Zero #9 (Image): The series started with so much promise.  That promise, however, has been broken.  Into pieces.  Tiny, tiny pieces.  We denounced #8 as our Biggest Dis(appointment) of May.  It’ll take an act of God or my typical lack of willpower to get this one into my bag,
  • Supreme: Blue Rose #1 (Image): Ellis is lighting it up on Moon Knight yet is growing Trees at an pine’s pace.  Wonder what we’ll get here.
Supreme: Blue Rose #1

Supreme: Blue Rose #1

  • Daredevil #6 (Marvel): #5 offered up my favorite line of the year: “Kudos to cancer.”  Man, I laughed; and then I was like “Ugh”; and then I laughed some more.  It’s quite clear: Mark ain’t afraid to Waid into some daring dialogue–especially if it’s meant to develop Matt further as the very best of friends and as the perfect Daredevil.
  • Afterlife With Archie #6 (Archie): Roberto Aguirre Sacasa and Francesco Francavilla’s first arc was as close to perfect as can be.  Expectations are very high for the next.
  • Archer & Armstrong #22 (Valiant): “American Wasteland” has been a blast!  Re: #21: I mean, ho-Lee crap: Fred Van Lente is fearless–he’s the Lone Funman!  It was so much fun, in fact, that we’ll be celebrating it as one of our Top 5 Books of June.  You know, when we get around to it.
Archer & Armstrong #22

Archer & Armstrong #22

  • Life With Archie #37 (Archie): Honesty: #36 was my first issue of LWA.  (I know I’m not alone in that one.)  It won’t be my last.  It was really, really good.  Love the choices Paul Kupperberg–who wrote one of my far- from-Archie faves: Vigilante–made while walking his way through Archie’s life.  Just took one issue to make me care a whole lot about the aftermath.
  • The Midas Flesh #8 (BOOM!): Mercifully comes the end.  After a strong #2, the series quickly went south and has unfortunately stayed that course–not plot-wise, per se; it’s been an execution issue, including too much in the way of leaden redundancies.  Maybe–just maybe–the end’ll be the true North we’ve been searching for.
  • Ordinary #3 (Titan): Mercilessly comes to an end.  An end?  Already?  Noooooooooooooooo!  Damn, man, the first two issues have been so very good.  We celebrated #1 as one of our Top 5 Books of May, and #2 will be recognized as one of our Top Books of June, you know, eventually.  Have every expectation that this’ll be just as good–if not better!  A strong finale will bump Rob Williams from a laudable Must Try to a rare Must Buy.
Ordinary #3

Ordinary #3

  • The Twilight Zone #7 (Dynamite): This second arc hasn’t been as nearly as compelling as the first.  That being said, #6 was definitely a step up from #5.  I’ll probably ride this one out, return to my home dimension and leave the key to imagination under the mat for the next guy.

Paige’s Pick of the Week

  • Popeye #24 (IDW): Big Sister’s still working on her pile from last week, so Baby Sister gets her second book in three weeks–of life!  I’ve keyed in on Popeye for her because she looks like the spinach-chompin’ sailor man when she eats.  And the cover’s an appropriate hoot, too, ’cause toot toot, my baby girl is goshdarn gassy!
Popeye #24

Popeye #24

What are you looking forward to this week?

Turning pages,

Scott

 

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

I&N Review: WILD BLUE YONDER #5

20 Sunday Jul 2014

Posted by ScottNerd in I&N Review

≈ 1 Comment

Tags

Austin Harrison, Firefly, IDW, Mike Raicht, Nelson Daniel, The Road Warrior, The Rocketeer, Wild Blue Yonder, Zach Howard

From the beginning, Wild Blue Yonder (published by IDW) has been the comic book equivalent of a Summer Blockbuster: non-stop, high-octane (literally!) action, larger than life characters and, thanks to the stunning visuals of Zach Howard and Nelson Daniel, special effects like you wouldn’t believe. The story involves the ragtag crew of The Dawn, a giant airship permanently flying over the earth, which (for reasons barely touched upon) is a scorched ruin. On their heels is the relentless Judge, who is after both their ship and their seemingly endless fuel supply. It’s like Firefly meets The Rocketeer meets The Road Warrior.

Previous issues, have–in between all the dogfights–explored life on The Dawn, and the interpersonal relationships of the cast including: Cola (the headstrong, daredevil pilot), Tug (the newbie and love interest of Cola), The Commander (tough, seemingly unfeeling and, oh yeah, Cola’s mom) and sure-to-be-fan-favorite Scram (a combustible, gregarious combination of Woody Harrelson and Hulk Hogan; easily the stand-out). The writers–Mike Raicht, Austin Harrison, and the aforementioned Mr. Howard–have done a nice job sketching in just enough telling dialogue and spare, quiet moments to make these characters compelling. Particularly well-handled is the mother/daughter dynamic between The Commander and Cola, as the former has to balance the needs of The Dawn with her daughter’s struggle to become her own woman. It’s great to see women take a primary role in a story like this, while leaving plenty of butt-kicking for the men, as well.

Speaking of butt-kicking: issue 5. It’s pretty much cover-to-cover action, as the Judge’s forces engage the woefully outnumbered inhabitants of The Dawn. Extended battle sequences like this can be difficult to orchestrate in a comprehensible manner (just ask Michael Bay). This can be even more challenging in comics, where the images are necessarily static; but Howard and Daniel handle it with aplomb. Through clean layout and bold composition, they expertly control the pacing so that the fast moments whizz by, while the big moments are allowed to be, well, big (though the biggest, involving a fateful decision by Tug, you could see a mile coming). In the midst of all of this they still manage some human moments, most affectingly with the Judge himself, transforming what had been a heavy, Darth Vader-type into a relatable, almost sympathetic human being.

In fact, my biggest complaint is that I’d like to spend more time with these characters, exploring their backgrounds, motivations and interactions in this harrowing, fantastic world. Ah well, if this is a Summer Blockbuster, I can only hope for the Inevitable Sequel.

Wild Blue Yonder #5 hits the shelves on 7/23.

Turning pages,

Derek Mainhart

–Wild Blue Yonder #5

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

The 2014 ‘Innie’ Awards!

05 Monday May 2014

Posted by dmainhart in Uncategorized

≈ 5 Comments

Tags

Marvel, Image, Fatale, Rachel Rising, Terry Moore, Saga, IDW, Matt Kindt, Ed Brubaker, Greg Rucka, Dark Horse, Garth Ennis, Sean Phillips, Goran Parlov, BOOM!, Dave Stewart, Brian K. Vaughan, Francesco Francavilla, Nelson Daniel, Fiona Staples, Jordie Bellaire, Fury: My War Gone By, Mind MGMT, Jose Villarrubia, Abstract Studio, Dean Motter, Mister X: Eviction, Six-Gun Gorilla, Simon Spurrier, Jeff Stokely, Wild Blue Yonder, Mike Raicht, Austin Harrison, Lazarus, Zach Howard, Numbercruncher, Michael Lark, Laura Allred, Titan, Archie, Afterlife With Archie, Roberto Aguirre Sacasa, Mister X, Eisner Awards, Harvey Awards, PJ Holden

The recent announcement of the 2014 Eisner Award nominees have occasioned much debate here at the I&N offices (located in a snug chateau high in the Swiss Alps). Needless to say we were filled with outrage! (And by ‘outrage’ I mean ‘mild disagreement’.) The choices for nominees did not exactly match our own! The temerity! This would not stand! And so, we here at I&N proudly present: the Innies!

What does ‘Innies’ stand for? Well other than an attempt at shameless self-branding, it stands for ‘independence’! Being ‘in’ the know! Part of the ‘in’ crowd! And possessing the non-freaky type of belly button.

Since we don’t have the big-time budget of the fancy-pants Eisners, we’ve limited ourselves to six categories (sorry Letterers of Archival Collections of Anthologies for Early Readers!)

If the Eisners are the Oscars, and the Harveys are the Golden Globes, then we’re the Independent Spirits! (or at least the Ace Awards)

Without further adieu:

Best Limited Series:

  • Fury: My War Gone By, by Garth Ennis and Goran Parlov (Marvel/Max)
  • Mister X: Eviction, by Dean Motter (Dark Horse)
  • Numbercruncher, by Simon Spurrier and PJ Holden (Titan)
  • Six-Gun Gorilla, by Simon Spurrier and Jeff Stokely (BOOM!)
  • Wild Blue Yonder, by Zach Howard, Mike Raicht, Nelson Daniel, and Austin Harrison (IDW)

Best Ongoing Series:

  • Afterlife with Archie, by Roberto Aguirre-Sacasa and Francesco Francavilla (Archie)
  • Fatale, by Ed Brubaker and Sean Phillips (Image)
  • Lazarus, by Greg Rucka and Michael Lark (Image)
  • Mind MGMT, by Matt Kindt (Dark Horse)
  • Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best Writer:

  • Matt Kindt, Mind MGMT (Dark Horse)
  • Dean Motter, Mister X (Dark Horse)
  • Greg Rucka, Lazarus (Image)
  • Simon Spurrier, Six-Gun Gorilla (BOOM!), Numbercruncher (Titan)
  • Brian K. Vaughan, Saga (Image)

Best Artist:

  • Francesco Francavilla, Afterlife with Archie (Archie)
  • Matt Kindt, Mind MGMT (Dark Horse)
  • Terry Moore, Rachel Rising (Abstract Studio)
  • Dean Motter, Mister X (Dark Horse)
  • Fiona Staples, Saga (Image)

Best Colorist:

  • Laura Allred
  • Jordie Bellaire
  • Francesco Francavilla
  • Dave Stewart
  • Jose Villarrubia

Best Comic Book Related Website Run By Two High-School Teachers In Their Spare Time In The Greater NY Area: 

  • Images and Nerds

Now it’s your turn. Who did we miss?

Let the internet shouting begin!

Turning pages,

Derek & Scott

 

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

What’s I&N Store (3/5)

05 Wednesday Mar 2014

Posted by ScottNerd in What's I&N Store?

≈ Leave a comment

Tags

Afterlife With Archie, Al Ewing, Archer & Armstrong, Archie, Austin Harrison, Avatar, Brian Michael Bendis, Chris Bachalo, Clone, Cullen Bunn, Dark Horse, David Schulner, Day Men, Declan Shalvey, Dynamite Entertainment, Ed Brubaker, Evil Empire, Francesco Francavilla, Frank Quitely, Fred Van Lente, Garth Ennis, Greg Rucka, IDW, Image, J. Michael Straczynski, James Asmus, Jeff Lemire, Jordie Bellaire, Juan Jose Ryp, Jupiter's Legacy, Lee Garbett, Loki: Agent of Asgard, Magneto, Mark Millar, Marvel, Max Bemis, Michael DiPascale, Mike Raicht, Moon Knight, Nelson Daniel, Oni Press, Quantum and Woody, Ransom Getty, Roberto Aguirre Sacasa, Rover Red Charlie, Starlight, Steve Epting, The Auteur, The Twilight Zone, Tom Fowler, Trillium, Uncanny X-Men, Valiant, Veil, Velvet, Vertigo, Warren Ellis, Wild Blue Yonder, Zach Howard

Huge week.  And, yes, this counts as narrowing it down.

  • Veil #1 (Dark Horse): Greg Rucka’s killing it with Lazarus and has Cyclops in his sights.  On the strength of the former and in anticipation of the latter, I’m thinking that this one’s a no-brainer.
  • Trillium #7 (DC/Vertigo): Through six issues, Jeff Lemire has insisted that we turn the page on our own expectations.  As excited as I am sad, knowing that–including this one–only two issues of Lemire’s head-spinning layouts are left!
Trillium #7

Trillium #7

  • Wild Blue Yonder #4 (IDW): One of our favorite books of 2013 is back–finally!–to bust some more blocks!  Super excited for this high-flying action adventure from the fine folks at Noble Transmission.
Wild Blue Yonder #4

Wild Blue Yonder #4

  • Clone #15 (Image): Clonetopia?  Yeah, probably not.  David Schulner and Co. have made it clear: happy endings end rather quickly in Clone–often after a single page turn.  And what terrific page turns they are: artist Juan Jose Ryp’s attention to detail is astounding–not unlike the great Geof Darrow, no?
  • Jupiter’s Legacy #4 (Image): If I’m remembering correctly, I thought #3 was all right–certainly enough for me to ignore my oath to pass over any Millar material no matter how shiny.  We all know by now that Mark Millar’s not concerned with our experiences as readers of his fine material; he’s too busy generating new ideas like…
  • Starlight #1 (Image): Of course I’m going to give Mr. Millar another opportunity to frustrate the hell out of me.
  • Velvet #4 (Image): Brubaker and Epting are taking their time, doing their thing, which is near-perfect cinematic slow-burn espionage.
Velvet #4

Velvet #4

  • Loki: Agent of Asgard #2 (Marvel): I’ve never been a fan of Thor’s corner of the Marvel Universe.  Al Ewing, however, has convinced me to extend my visit to a tidy right angle.
  • Magneto #1 (Marvel): Cullen Bunn (The Sixth Gun) writing one of my favorite characters?  Yes, please.
  • Moon Knight #1 (Marvel): I was crushed after the most recent–and mostly crazy–run of Moon Knight–by Bendis and Maleev–came to a close.  Now, Warren Ellis and Declan Shalvey are in charge of the lunatic in white.  Can’t wait.
Moon Knight #1

Moon Knight #1

  • Uncanny X-Men #18 (Marvel): Maybe–just maybe–#17 was a hint; maybe it was the nudge I need.  See: at the end of the issue, Cyclops kicks David Bond off the team because the new mutant fails to live up to expectations.  Maybe–just maybe–I should finally cast this book aside because it hasn’t lived up to my expectations.  Then again, Marco Rudy’s art looks ridiculously good.  So, another possibility: Fate has kept me around long enough for this!
  • Afterlife With Archie #4 (Archie): The series has been so good for so many reasons.  In fact, #3 was our #5 book of January–and deservedly so: Roberto Aguirre Sacasa’s storytelling–a brilliant balance of Archie and Afterlife–is top-notch, and Francesco Francavilla’s art is a perfect fit.
Afterlife With Archie #4

Afterlife With Archie #4

  • Archer & Armstrong #18 (Valiant): #17 was a rare sideways step for Fred Van Lente.  It certainly wasn’t what we were hoping for from one of our favorite books of 2013.  Wouldn’t you know: I liked #0.2014 a lot; in fact, it turned out to be one of my favorite origin issues, like, ever.
  • The Auteur #1 (Oni): Game-time decision.  Yeah, not too sure I need another “deranged” book.
  • Day Men #3 (BOOM!): A Millaresque release schedule without–so far, anyway–the Millaresque payoff that, generally, makes it worth the wait.  I’m going to have to pull #2 to bring myself up to speed.  Yeah, that’s always a bummer.
  • Evil Empire #1 (BOOM!): Another game-time decision.  I’m not familiar with Max Bemis or Ransom Getty, so I’ll give it an earnest flip and see what happens.
  • Quantum and Woody: Goat #0 (Valiant): Maa.
Quantum and Woody: Goat #0

Quantum and Woody: Goat #0

  • Rover Red Charlie #4 (Avatar): #3 was…  Oh, I’m going to save it for a future post.
  • The Twilight Zone #3 (Dynamite): Has been surprisingly good.  Certainly Straczynski’s best work–of the current batch, anyway.  The shine, however, was taken off a bit after I read Sidekick #5.  Seems Straczynski’s borrowing from himself–and he sure as heck isn’t being subtle about it!  Sure, I’ve seen creators who have borrowed from themselves, usually from past work, but this is just silly: Sidekick and Twilight Zone are concurrent titles, for goodness sake!  OK.  OK.  Wait a sec.  Is this the Twilight Zone?  Oh, well.  Still want to see how this plays out.
Twilight Zone #3

The Twilight Zone #3

What are you looking forward to tomorrow?

Turning pages,

Scott

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

I&N’s Top Ten of 2013

31 Tuesday Dec 2013

Posted by ScottNerd in Uncategorized

≈ 27 Comments

Tags

Abstract Studio, Adventure Time, Adventure Time with Fionna & Cake, Afterlife With Archie, Ales Kot, Archer & Armstrong, Archie, Austin Harrison, Bad Houses, Bandette, Battlefields, BOOM!, Brian K. Vaughan, Buzzkill, Clone, Daredevil, Dark Horse, Dark Horse Presents, DC, Dean Motter, Deathmatch, Dial H, Dynamite, Fiona Staples, Fred Van Lente, Fury: My War Gone By, Garth Ennis, Goran Parlov, Greg Rucka, Harold Gray, IDW, Image, Jeff Stokely, kaboom!, Lazarus, Manifest Destiny, Marvel, Mateus Santolouco, Matt Kindt, Michael Lark, Michael Walsh, Mike Raicht, Mind MGMT, Mind the Gap, Mister X: Eviction, Mister X: Hard Candy, Morgan Jeske, Nelson Daniel, Numbercruncher, Oni, Rachel Rising, Sabretooth Swordsman, Saga, Satellite Sam, Seth, Simon Spurrier, Six-Gun Gorilla, Star Wars, Terminator, Terry Moore, the Hernandez Bros, The Massive, The Sixth Gun, The Spirit, Thumbprint, Titan, Tradd Moore, Trillium, Valiant, Vertigo, Wild Blue Yonder, Will Eisner, Winsor McCay, Zach Howard, zero

Welcome to the 46th Annual I&N’s Top Ten Comics of the Year (aka “The Innies”)! Why it seems like just yesterday that a struggling little mag named “The Amazing Spider-Man” edged out “The Adventures of Jerry Lewis” for the top spot on our hallowed list, signaling the spectacular rise of one and the slow descent into obscurity of the other.

Each title below is testament to the fact that, even as conventional wisdom holds that print is dying, comics are in the midst of some kind of Renaissance. The persistent stereotype that this vibrant, global medium is followed by sad, middle-aged men who like to see men in tights beat each other up simply doesn’t hold water anymore, nor has it for quite some time. The fact is, the problem is no longer a lack of diversity in incredible material for any and all possible demographics; it’s that there’s too much of it to keep track of! No less than seven publishers are represented in our Top Ten, each producing catalogues of more great work than we could ever hope to encompass in our tiny alloted piece of the internet. (You’ll note we even had to expand our “Honorable Mentions” section to ten books apiece – and we could’ve used ten more!) Simply put: everyone should be reading comics.

As always, we here at I&N welcome debate – hell, that’s the whole point. Just be aware that results below have already been encrypted onto floppy discs and blasted into space for the benefit of our future alien overlords. (DM)

The List!

10. Archer & Armstrong (Valiant): When Valiant, earlier this year, began hyping up their new title Quantum and Woody as their foray into buddy-action slapstick comedy, I wanted to yell “Wait! They’ve already GOT one of those!” But Archer & Armstrong is much more than that. Fred Van Lente and Co. have taken the best of Lethal Weapon, The X-Files, ancient Sumerian mythology, Dan Brown-type conspiracy novels, Dr. Strangelove, and god knows what else, and concocted a world-spanning epic that despite its breakneck pace and impeccable comic timing, manages an intellectual underpinning that questions the very nature and origins of faith. Even at its most gleefully satirical, however, the sheer exuberance of the writing embraces an expansive view of humanity, in all its wonders and frailties. Fun in a bottle, folks. (DM)

Archer & Armstrong

9. Fury: My War Gone By (Marvel): Garth Ennis proves he’s one of the most incisive writers around (not just in comics) on the subject of war. His deconstruction of the Marvel soldier/spy icon (lately supercool due to Samuel Jackson’s sleek big screen portrayal) is the least of this title’s attributes (which is on our Top Ten for the second year running). Ennis’ story (rendered with appropriate, unblinking grit by Goran Parlov) also serves as an insider’s account through the anguished  litany of armed conflict of the second half of the 20th century. Most devastatingly, it portrays the effects of war, not on the nameless many whose lives are needlessly cut short, but on the wretched perpetrators who survive. Merciless and shattering. (DM)

Fury: My War Gone By

8. Zero (Image): Ales Kot, the enigmatic engineer behind the challenging Change (Image), a mostly on-time bullet train of thought fueled by a combustible blend of poetry and pictures, has heroically hit the brakes on the overplayed and over-parodied secret agent genre, expertly taking it from 007 to Zero in no time flat. He’s applied the same amount of poetic pressure here, but to a more successful–and coherent–end storytelling-wise: the danger is palpable, the emotion undeniable–thanks, in part, to the rather complex collaborative effort that has called for four different artists on the first four issues of the series–a move that has transcended gimmick and, instead, has proven invaluable, if only because the first four artists have been Michael Walsh (Comeback), Tradd Moore (The Strange Talent of Luther Strode), Mateus Santolouco (Dial H, TMNT), and Morgan Jeske (Change). My experience thus far: #1 hooked me with its perfect timing and left me lying in the gutter; #2 knocked me upside-down; #3 disarmed me; and #4 made me love it–made me punch-drunk love it, damn it! What makes the book even more exciting? It defies expectations. I expect that it’ll continue defying expectations as we move into 2014. And, in that, I expect Zero to be just as good as it’s been–if not infinitely better because we’re getting the best of Kot, who’s clearly giving us everything he’s got. (SC)

Zero #4

Zero

7. Lazarus (Image): Greg Rucka’s vision of a near-future oligarchic dystopia gets under your skin because, in the tradition of Huxley and Orwell, it seems an all-too-plausible extrapolation of our current reality. The story is made even more unsettlingly concrete by Michael Lark’s stark, photorealistic visuals. Contrast the plight of the teeming masses with the power-hungry family dynamic of the ultra-privileged few, and you have a potent, volatile mix. A comic for our times. (DM)

Lazarus #2

Lazarus

6. Wild Blue Yonder (IDW): Sure, it’s only three issues in, but what a three-issue ride it’s been!  We’ve celebrated this action-packed series from its radar-arousing takeoff, with each high-speed pass earning enviable I&N accolades along the way.  (Check out the love here, here, and here.)  Top Gunners Mike Raicht, Zach Howard, Nelson Daniel, and Austin Harrison have come together in classic diamond formation to deliver one superior salvo after another, each on its own–and as a whole–a blockbuster that would humble Hollywood’s own best of 2013. (SC)

Wild Blue Yonder

Wild Blue Yonder

5. Rachel Rising (Abstract Studio): Terry Moore presents a truly American horror story: witches, serial killers, and a resurrected figure of biblical origins seeking vengeance for the sins of our nation’s past. Oh yeah, and the Devil. Moore draws you in with the quiet beauty of his artwork; his snow-covered renditions of the sleepy town of Manson enveloping you like a down blanket in front of a fireplace, before the sharp spasms of bloodletting shock you right back into his nightmare. However terrible the events depicted though, Moore seems to suggest they pale against the cruelties of history. Speaking of cruelties, let’s hope a purported television adaptation staves off recent talk of this book’s imminent demise. Because the real horror story would be a world without Rachel Rising. (DM)

Rachel Rising

4. Saga (Image): Saga is a lot of things: a superlative satire, a side-splitting sci-fi romp, a heart-wrenching romance, a critique of fiction, a controversy magnet; but most of all, it’s extraordinarily consistent; and it’s that consistency that fosters a critical expectation: to expect the unexpected.  On a monthly basis, Brian K. Vaughan and Fiona Staples serve up sublime slices of a greater story–slices that showcase razor sharp dialogue, that pitch perfect pathos, that sell sure shocks; they wisely fool with the elements of fiction and, like confident alchemists, have come up with issue after issue of 22-page gold–and we’re all the richer for it. (SC)

Saga

Saga

3. Six-Gun Gorilla (BOOM!): In the biggest surprise of the year, Si Spurrier conducts a multi-layered masterclass in metaficiton and at the same time delivers a eulogy on the dying art of escapism.  From the existential exposition of this weird, weird western to its necessarily hopeful final act, Spurrier’s imaginative muse–the Six-Gun Gorilla, himself–becomes Blue’s, and then naturally becomes ours as we consent to the writer’s every insistence; as we gladly lose ourselves in this genre-bending–and never-ending–battle between reality and fiction, good and evil, and fate and freewill, which is brought to life by rising star Jeff Stokely, whose artwork crucially complements the conflicts at the core of the story.  At the same time a celebration of a culture’s vital literary legacy and a criticism of the current collective unconscious, Six-Gun Gorilla has earned its spot in the Western Canon of Comics–and our Top Ten–with a simple but oft-neglected gesture: by making and keeping a primal promise. (SC)

Six-Gun Gorilla #2

Six-Gun Gorilla

2. Mind MGMT (Dark Horse): Matt Kindt’s magical mystery tour de force Mind MGMT—our #3 book of 2012–continues to astound, especially as its crafty creator meticulously molds the medium to suit his carefully constructed conspiratorial agenda.  As the story of the eponymous enigmatic entity has evolved, so too has Kindt’s strategy for telling it: his precise, patient prose; his layouts, enlivened by some otherworldly calculus; and his innovative brushstrokes of genius merge miraculously and challenge us to think and to feel, to be active participants in the world in which we’ve been immersed: to put beautifully painted pieces together in order to experience–along with the impressive cast of characters–confusion and loss, the conflation of time, and a higher power drawing us somewhere unprecedented in breadth and scope–drawing us in to the mind of the medium’s finest manager. (SC)

Mind MGMT #13

Mind MGMT

1. Mister X (Dark Horse): There are many approaches to creating great comics. One of them is largely collaborative, in which the creative duties are are separated and clearly defined (writer, artist, colorist, letterer, etc). Through an amalgam of traditional, action-based American comics and the more leisurely paced, lushly visual influence of manga, this approach has evolved over the last twenty years or so into what could be called a “cinematic” style; a treatment of the comic book form that seems based in the ethos of filmmaking (Lazarus, above, is an excellent example of this). Then there is another approach (let us call it the “auteur’s” approach) in which the cartoonist (let us rescue this title from the cultural dung-heap) assumes all of the above creative responsibilities to produce narratives that are singular and personal in a way that no other visual medium, not even movies, can replicate. Since they control all aspects of the work – not just writing and drawing, but page design, panel lay-out, font style and placement and all sorts of graphic elements; in short the whole package – they can, at their best, perfectly marry content and form in a manner that is unique to the comics medium. It is an approach with a history that extends at least back to Will Eisner and The Spirit. Perhaps because it takes such a concerted effort by a single individual, this type of formal, experimental approach is most often seen in the realm of the “graphic novel”. Rarely is it employed in our beloved, stapled floppies (though glimmers of hope have begun to appear on the comic racks: see Matt Kindt, above and below). And then there is Mister X. Created by Dean Motter in the early 1980’s, (when “graphic novels” barely existed as an idea) the title has long been a touchstone among independent-minded cartoonists (early contributors include the Hernandez Bros and Seth). In its latest iterations, Hard Candy and Eviction, Motter continues to seamlessly wed both approaches: there is the clear stylistic influence of German Expressionism and film noir for which the comic is known, but there are also the aforementioned design choices that reflect the themes of the narrative itself. The story involves the mysterious architect of a city in which the very buildings (in all their art deco glory) seem to respond to, and adversely influence, the psyches of its very inhabitants. This theme, played out in yarns that are at once hard-boiled, surreal and whimsical, acts as a fitting metaphor for the experience of the reader, as they interact with the “architecture” of Motter’s intricate design. Further, Motter includes delightful homages to the likes of Harold Gray (“Little Urchin Andy”), Winsor McCay (“Dream of the Robot Friend”) and the aforementioned Eisner (see cover below) which pay tribute to the comics history of which Mister X is a part, while, again, also making sense within the story itself. The overall effect is immersive and beguiling. Some comics tell great stories. Some comics celebrate their history. Some comics continue to push at the boundaries of the medium. And then there is Mister X. Book Of the Year. (DM)

Mister X:Eviction

Derek’s Honorable Mentions: 20. Dial H (DC) 19.  Afterlife with Archie (Archie) 18. Manifest Destiny (Image) 17. Thumbprint (IDW) 16. The Massive (Dark Horse) 15. Battlefields (Dynamite) 14. Adventure Time (kaboom!) 13. Numbercruncher (Titan) 12. Trillium (DC/Vertigo) 11. Adventure Time with Fionna and Cake (kaboom!)

Scott’s Honorable Mentions:

20. Battlefields (Dynamite) 19. Daredevil (Marvel) 18. The Sixth Gun (Oni) 17. Deathmatch (BOOM!) 16. Satellite Sam (Image) 15. Clone (Image) 14. Numbercruncher (Titan) 13. Mind the Gap (Image) 12. The Massive (Dark Horse) 11. Trillium (DC/Vertigo)

Best Single Issue of the Year: Mind MGMT #17 (Dark Horse)

With #17, Kindt reaches new heights, goes to greater lengths–particularly in page-busting panels of crisply-crafted and concurrent continuous narratives–to exploit the power of the medium.   As promised by the clever cover–one awash in paranoia and paronomasia–the story moves at a breakneck pace: from a locked and loaded unhappy Home Maker to a veritable orgy of violent rivers running toward a simultaneous orgasm of double-page splashes–there goes the neighborhood, indeed!–to a crack shot Meru, who, with a twist of Lyme, is ready to take the reins and restore reason to the world one agent at a time.  The whole damn thing’s a miracle, really.  Hell, at this point, I wouldn’t be surprised if Kindt could turn his watercolors to wine; his work is that divine. (SC)

Mind MGMT #17

Mind MGMT #17

Publisher of the Year: Most comics-related outfits have finally caught onto Image Comics‘ trend-setting ways and already bestowed this honor upon them (no doubt, in no small part, due to our ahead-of-the-curve naming them Publisher of the Year in 2012 😉 And with stellar debuts like Lazarus and Zero (not to mention books like Manifest Destiny and Rat Queens) the accolades are hard to dispute. But let us do just that (contrary bastards that we are). Because 2013 was the year that a bevy of other publishers took a page from Image’s playbook and produced work, much of it creator-owned, that was just as innovative, idiosyncratic, and invigorating as Image’s output. BOOM!, IDW, Oni, Dyanmite – all produced titles of creativity, breadth and distinction. But there was one publisher that rose unexpectedly, like its namesake, above the rest: Dark Horse. While never taking their eye off their bread-and-butter licensed properties (like Star Wars and Terminator) Dark Horse branched out into new territory with exciting minis from largely unknown creators (Buzzkill), original graphic novels (Bad Houses), and printed versions of high quality digital comics (Bandette, Sabretooth Swordsman). And let’s face it, Dark Horse has been doing the creator-owned, independent thing for over twenty years, as evidenced by the revival of the premiere comics anthology, Dark Horse Presents. So while Image is the current industry darling (and deservedly so), we can’t ignore the evidence of our comic-lovin’ eyes: the best overall books of 2013 (including our Top Two titles) were published by Dark Horse Comics. (DM)

Looking forward to 2014,

Scott & Derek

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

Top 5 Books of October

24 Sunday Nov 2013

Posted by ScottNerd in 5 Comics You Should Be Reading, Uncategorized

≈ 3 Comments

Tags

Afterlife With Archie, Al Hirschfeld, Alberto Alburquerque, Ales Kot, Archie Comics, Armageddon, Austin Harrison, Charles Soule, Dark Horse, Dave McKean, David Mazzucchelli, DC Comics, Deep Impact, Francesco Francavilla, IDW, Image, Independence Day, J.H. Williams III, Letter 44, Matt Kindt, Mike Raicht, Mind MGMT, Neil Gaiman, Nelson Daniel, Oni Press, Roberto Aguirre Sacasa, The Sandman: Overture, Tradd Moore, Vertigo, Wild Blue Yonder, Zach Howard, zero

Extreme Makeover Edition! This month’s list features five new titles. That’s right: not one of the books from last month’s list is making a repeat appearance. For those scoring at home, that’s the first time that’s happened. Two ways to look at this: last month’s titles par excellence took the inevitable step back (alas, this is partially true – I’m looking at you, Saga!) Or, you may arrive at the conclusion that we have after making these lists every month: there’s a ton of great new comics being produced right now. Really, just the 5 below titles alone represent a cross-section of material that either you, or at the very least someone you know, would get a tremendous kick out of.

5. The Sandman: Overture #1 (DC/Vertigo): This one comes as no surprise. Neil Gaiman, one of the most celebrated writers of our time, makes the long-awaited return to his signature creation, The Sandman. What is surprising is how easily Gaiman re-envelops you in his world. That would be the world of Dream, the name of both the title character and the realm he is lord of; the Endless, his immortal brothers and sisters, each representing a facet of existence that starts with the letter “D” (like Gaiman’s winning goth-punk-cute take on Death); and the host of mythological beings, endearing and terrifying, that were introduced during Sandman’s original, legendary run. This could easily have been a greatest hits tour; give some page space to old fan-favorite characters, indulge your readership’s sense of nostalgia, and call it a day. Gaiman does indeed deliver on both these counts. But what quickly becomes evident is that what is missed most is not the characters, nor even their fantastical world; it is Gaiman’s voice. Alternately warm and wise, mysterious and remote, it has more magic in it than all of the wings and wands and arcane trappings that pass for so much of fantasy these days. And I haven’t even mentioned J.H. Williams art yet. Exquisite draftsmanship, a painterly palette that ranges from monochromatic to kaleidoscopic depending on the scene, eye-popping design that includes double and quadruple-page spreads (you’ll have to see for yourself); suffice it to say that, other than his longtime partnership with Dave McKean, this may be Gaiman’s most fortuitous artistic pairing yet. And that is saying something. A most welcome return. (DM)

The Sandman: Overture #1

4. Wild Blue Yonder #3 (IDW): After a brief hiatus, Wild Blue Yonder soars back onto the scene without having missed a beat.  That’s right: it’s another action-packed issue from the terrific team of Mike Raicht, Zach Howard, Nelson Daniel, and Austin Harrison, who are well on their way toward cementing this series as one of the year’s best.  Every note is played perfectly, as one might expect after two smartly developed  and beautifully rendered issues.  Chapter Three takes off with a testosterone-fueled test–one that leaves Tug, the clever new gun, with a sore jaw, a result of the unimpressed Scram’s heavy-handed assessment–and lands with a low-fuel rescue and a highly-anticipated kiss.  (Looks like Tug’s jaw was all right, after all.)  The care taken to craft such a superb story arc is reflected–more, it’s amplified–by Howard’s art and Daniel’s colors, which together capture both the chaotic and the tender moments with remarkable ease–with no better example of the delicate balance struck issue-wide than the absolutely stunning double-page spread that rests at the heart of this fabulously fun book.  Despite that romantic scene and the kiss that closes the chapter, we’re still left with the knowledge that Tug’s loyalties lie elsewhere–with the Judge.  Hey: he may be coming around to the cause; or maybe he’s simply playing Cola for the free-spirited fool that she is.  Who’s going to win this war of Tug?  Please, please, please don’t make me have to wait another three months to find out! (SC)

Wild Blue Yonder #3

3. Mind MGMT #16 (Dark Horse): At sixteen-issues old, Matt Kindt’s magnum opus is clearly the most mature book on our list, but don’t let its age fool you: it’s still contagiously kinetic and impossibly unpredictable–especially here in this expectation-erasing one-shot, which showcases Kindt’s incomparable ability to marry his watercolors and his words.  Once again, he “escape[s] into books” and plays both sides of the unique relationship between reader and writer, tapping into the fascination, obsession, and madness of this novel form of unrequited love.  Kindt takes a risk as he builds this complex character study on a character who’s important to the overarching storyline, sure, but in whom we’ve yet to make a significant investment.  The risk pays off: he fills up the blank spaces in the Eraser: he sets up and sells Julianne’s psychosis, her rapid divorce from reality, by literally drawing what’s going on in her mind and, as a result, figuratively drawing us into it.  We follow her, observe her, as she follows and observes; and her anxiety, which builds with each panel, parallels ours–not surprisingly thanks to Kindt’s attention to detail as he creates a memory game of sorts throughout the issue: one in which he challenges us to see patterns, subtle parallels between one panel, one page and another, even as Julianne’s own memory seemingly fails her–particularly in terms of her husband, the author of her obsession, Philip K. Verve.  Whether it’s a crescendo of phantom “taps,” a persistent mask of pipe smoke, or a face left unfinished, Kindt cleverly details her descent all the way toward the penultimate page of the story proper: a stunning splash, which, ironically, after an ascent–of stairs, anyway–brings the fictitious relationship to its inevitable, bloody end.  From the beginning, Mind MGMT has been a comic book experience unlike any other.  This issue may very well be the best of the bunch: it engages us as fully as the medium can; and, as Kindt writes through his art (see below), he manages to get us to think not only while we’re lost in the story, but long after we’ve finished reading it, as well. (SC)

Mind MGMT #16 p. 15

Mind MGMT #16 p. 15

2. Afterlife with Archie #1 (Archie): This was, perhaps, inevitable. We live in a mash-up world after all. Bluegrass techno music. Superheroes on Broadway. Bacon and everything. Add the seemingly undying craze for zombies, and it’s actually surprising it took this long. Now, at their worst, these types of amalgamations are self-indulgent exercises in pointlessness. And yet, there’s something about this... Just reading the title gives rise to an involuntary smile. The prospect of throwing those beloved, unaging teen icons and their whitewashed Norman Rockwell existence into a flesh-rending, post-apocalyptic fervor holds the excitement of both a dare and a promise. Indeed the difficulty may be in staying true to the Archie half of the equation. For this to work, there has to be a genuine understanding of these characters and their world; otherwise it could easily descend to a Mad magazine parody. Luckily, writer Roberto Aguirre-Sacasa seems up to the task. (His work salvaging the aforementioned superhero musical may have provided good training ground in the mash-up dept.) These characters act the way they’re supposed to; the corny jokes, the anachronistic cat-fighting of Betty and Veronica. But then there is the palpable mood of creeping horror, thanks largely to the stunning art of modern pulp-master Francesco Francavilla (which is, by itself, worth the price of admission – honestly I would’ve bought a regular issue of Archie Digest if Francavilla was drawing it. Note to self: Digest Archie would’ve been a great alternative title for this book.) Aguirre-Sarcasa promises much darker times ahead. The thrill of this book will be seeing how far he can go while still having it be recognizable as an Archie comic. It’s quite the task he’s set for himself. And if he goes too far? Well, that could be fun too… (DM)

Afterlife with Archie #1

1. Zero #2 (Image): Issue one was pretty good: Ales Kot presented a espionage/black-ops story involving a superhuman arms race. Not the most original concept, but placing it in the context of the ongoing Arab-Israeli conflict gave it a certain edge, aptly rendered by Michael Walsh’s choppy, early-Mazzucchelli realism. Issue two is a different beast entirely. The mysterious operative, Zero, is still the main character. We are again witness to a political assassination. And yet the tone couldn’t be more different. Whereas the first issue was all brutality and military jargon, the second issue balances the awful goings-on with a poignant tale of innocence lost. Or more accurately, torn away. In this issue, we flashback to Zero’s childhood. The sweet, unaffected cadence of his young view of the world is set side-by-side with the harsh nihilism of his education in sanctioned murder. This duality heightens the mood of each, a quality that extends to the art, which also couldn’t be more different from the first issue. Tradd Moore’s work exudes the literally wide-eyed, childlike perspective, without skimping out on any of the violence, by employing linework that has more of a late-Mazzucchelli grace; a clean, exuberant style suggestive of animation, or dare I suggest, even a touch of Al Hirschfeld (I’ve never before encountered an image of a brain-splattered assassination in which I wanted to count the ‘Nina’s‘.) In presenting two initial issues that attack his basic premise from wildly different angles (and artists), Kot has proven himself quite the chameleon, and hopefully set up that rare book in which, month to month, you truly don’t know what to expect. Book of the Month. (DM)

Zero #2

The Biggest Dis(appointment): Letter 44 #1 (Oni Press)

Letter 44 #1

Letter 44 #1

Welcome to the dis, Mr. Soule.  So you know, the next few lines are going to be rough.  A bunch of over-the-top positive reviews and a TV deal in the works don’t really prepare you for being The Biggest Dis(appointment) of the month–but you’ll get through it.  They all do.

Sorry.  Seemed fitting.

If I’m being honest, your being here isn’t really your fault.  Your book’s actually pretty good.  In fact, the first page is “something else,” and the introduction to 44 is expertly done; we know exactly what kind of man he is in four pages flat.  Your dialogue is sharp and naturalistic; and Alburquerque’s art does its job.  But my perspective changed after the abrupt insinuation of the, umm, extraterrestrial problem.  And you knew it would, didn’t you? I mean, you had the President-elect express–perhaps even more accurately–exactly what I was thinking a couple of panels later.  Clever, sir!

Now don’t get me wrong: I can suspend disbelief with the best of ’em.  Problem is, my disbelief immediately got suspended alongside several former disbeliefs that got strung up as a result of my having endured rockbusters like Armageddon and Deep Impact, and the soulless Independence Day.  It’s an inglorious gallows, indeed.  So, expectations?  Exploded.  A big budget’s worth of bust for only a buck!

As the issue wears on–and it does–it wears the White House well; the crew of the Clarke, well, not so much.  But, hey, it happens.  In this case, it is your fault for having created such a strong character in President Blades.  Any time he’s not on the page, however, the story suffers–but not as much as it suffered from its not living up to the previews and reviews that held it up to the heavens.

I think you’d agree: it’s not quite there yet.  I mean, at this stage, the core of Letter 44 is nothing more than a mostly familiar concept.  But will I give your book another issue?  Sure I will.  Will your book eventually meet the hyperbolic expectations heaped upon it–if not in #2, sometime soon?  Will it play more like an artsy independent film and less like a brain-dead blockbuster?  I have no idea.  Heck, I’d be happy if it meets the humble expectations I’ve now tied to it.  But as it stands, I expected more from this, which is why your initial offering has earned a dis. (SC)

Turning pages,

Scott and Derek

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

I&N Scott’s Bag (10/30)

18 Monday Nov 2013

Posted by ScottNerd in I&N Scott's Bag

≈ Leave a comment

Tags

Andres Mossa, Andrew Currie, Archie, Austin Harrison, Becky Cloonan, Brian K. Vaughan, Brian Michael Bendis, Dark Horse, DC, Dean Haspiel, Esad Ribic, Fiona Staples, Gerard Way, Giuseppe Camuncoli, Guru eFX, IDW, Image Comics, Ive Svorcina, J.H. Williams III, Jason Aaron, Kevin Eastman, Mark Waid, Marvel, Mateus Santolouco, Mike Raicht, Neil Gaiman, Nelson Daniel, Red Circle, Saga, Sandman: Overture, Teenage Mutant Ninja Turtles, The Fox, The True Lives of the Fabulous Killjoys, Tom Palmer, Vertigo, Wild Blue Yonder, X-Men: Battle of the Atom, Zach Howard

Couldn’t let this little lot slip though my finicky fingers.

  • The True Lives of the Fabulous Killjoys #5 (The cozy weirdness has gotten uncomfortably familiar.  And, wait: is that Maxine and Socks at the end?)
  • Sandman: Overture #1 (Elegant, mysterious, and impossibly beautiful.  Neil Gaiman’s got us reading out of the palm of his handsome mythology once again; and the peerless J.H. Williams makes his end of the Endless look so easy–so easy, in fact, that the experience demands one’s going back to admire his complex layouts and otherworldly attention to detail.)
Sandman: Overture #1

Sandman: Overture #1

  • Teenage Mutant Ninja Turtles #27 (Another good bit of Turtle fun!  Probably won’t be enough to keep me around past “City Fall,” but certainly worth the run.)
  • Wild Blue Yonder #3 (Another high-energy installment of the year’s biggest blockbuster, this one sporting a spectacular–and perfectly peaceful–double-page spread smack dab in the middle.  I suspect we’ll have more to say about this one.)
Wild Blue Yonder #3

Wild Blue Yonder #3

  • Saga #15 (Once again, Vaughan and Staples skewer expectations!  And how about that final sequence?  A willful assault, indeed!)
  • X-Men: Battle of the Atom #2 (In the end, one epilogue shy of epic brilliance.  “[R]idiculous schism,” indeed!  The most significant aftermath of this event: figuring out which of the X-books I’ll end up subtracting from my monthly haul as a result of this pointless glossover.)
  • The Fox #1 (A bit of a disappointment, considering the names attached to it.  Had to give it a shot, right?  I’m sure you did, too.  Well, after this unwieldy, unfunny offering, I’m out.  You?)

Turning pages,

Scott

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

Top 5 Books of July

14 Wednesday Aug 2013

Posted by ScottNerd in 5 Comics You Should Be Reading

≈ 2 Comments

Tags

BOOM!, Brian Michael Bendis, Captain Video, Chris Bachalo, Cyclops, Dark Horse, Dean Motter, His Girl Friday, Howard Chaykin, IDW, Image, Jason Ciaramella, Jeff Stokely, Joe Hill, L.A. Confidential, Mad Men, Marvel, Matt Fraction, Mike Raicht, Mister X: Eviction, Mystique, Nelson Daniel, Satellite Sam, Simon Spurrier, Six-Gun Gorilla, Stuart Immonen, Thumbprint, Vic Malhotra, Wild Blue Yonder, Will Eisner, Winsor McCay, Zach Howard

5. Satellite Sam #1 (Image): Matt Fraction and Howard Chaykin take us back to the dawn of television for a behind-the-scenes look at the type of low-fi, sci-fi program that nostalgists pine for as evidence of a simpler, more innocent time. But what Fraction and Chaykin show us is anything but: murder, sex, and best of all the breathless pacing and snappy dialogue of such stylish, seedy media sneak-peeks as L.A. Confidential, Mad Men and His Girl Friday. Captain Video this ain’t. Rather, with its mature themes and sophisticated storytelling, this is the kind of comic to give to people who don’t read comics. We need more like this. (DM)

Satellite Sam #1

Satellite Sam #1

4. Thumbprint #2 (IDW): Jason Ciaramella and Vic Malhotra deftly continue their adaptation of Joe Hill’s tour-de-force story about the horror that has seemingly followed a disgraced Iraqi War veteran back home. Emphasis on force: this issue largely concerns a flashback to a wartime episode of breathtaking cruelty. Hill’s accomplishment is not in the depiction of the act itself, but in the implicit conveyance that, as bad as this is, there were things that went on that were much, much worse. (DM)

Thumbprint #2

Thumbprint #2

3. Wild Blue Yonder #2 (IDW): Regular readers might remember that I celebrated the series’ opening salvo as a summer blockbuster.  Yeah, well, this issue takes all of the itty-bitty block bits left over from the initial blockbusting and busts them into even itty-bittier pieces!  Mike Raicht scripts the light fantastic as he slides from the Dawn to the dark side; as he builds bonds and, just like that, breaks them.  Zach Howard and Nelson Daniel come in heavy, bringing each scene to life or death with their gorgeously gritty artwork.  That’s right: grab your popcorn and pick the perfect seat: when it comes to high-flying fun, Wild Blue Yonder can’t be topped.  Two issues in and it’s quite clear: the sky’s the limit. (SC)

Wild Blue Yonder #2

Wild Blue Yonder #2

2. Six-Gun Gorilla #2 (BOOM!): Duck Dynasty ain’t got a damn thing on this simply “perfick” reality show from Simon Spurrier and Jeff Stokely.  Attention must be paid!  Hell, it’s “the name of the game.”  And if you’re not paying attention to this wild, wild western–if you’re not runnin’ with the ‘rilla by now–you’re clearly of questionable taste.  But, hey, it’s Goodall–I mean, it’s all good.  Sure, it’s possible–but not likely–you’re just not that into action-packed satires that co-star cigar-chomping simians who sell their lines like they’re looking to earn enough scratch to buy a big ol’ bunch of bananas before Blazetime. Yeah, that’s what I thought.  We ostentatiously tossed roses at the dusty knuckles of #1 (it was our Book of the Month for June), but Spurrier and Stokely very well may have raised the monkey bar with this one. (SC)

Six-Gun Gorilla #2

Six-Gun Gorilla #2

1. Mister X: Eviction #3 (Dark Horse): Dean Motter’s contender for Book of the Year is not just a compelling story with beautiful art; it is also a love-letter to the medium itself. From the Will Eisner-inspired cover to the delightful Winsor McCay interlude, this book is just catnip for comics enthusiasts. If Satellite Sam is recommended for people who don’t read comics, this is a gift for people that do. Book of the Month. (DM)

Mister X: Eviction #3

Mister X: Eviction #3

Biggest Dis(appointment): Brian Michael Bendis’s X-Mess

Both Uncanny and All-New versions of the X-Men this month–#8 and #9 of the former and #14 of the latter–are X-ercises in the ol’ rhetorical runaround.  Oh, they’re perfectly pretty–thanks to Chris Bachalo and Stuart Immonen, respectively–but what do they accomplish, really?  That’s right: be honest with yourself and with the world: the answer’s disgracefully obvious: not much at all.  Now, I know we’re headed toward the big Battle of the Atom crossover and maybe the jogging in place is related to that.  As it is, Bendis’s X-titles have been X-tremely disappointing for some time now; yeah, sadly this isn’t the first month where I’ve been like Why am I still buying these damn things?  But I’m still buying ’em–because I still believe in Bendis and because I’m not quite ready to be an ex-X-Men reader.  See: I’m a sucker for Cyclops.  So, on one eye, I’m like, to hell with it; and on the other, I’m sure that something’s going to happen–and soon!–to justify my loyalty.  I just know it!  After all, Bendis himself  promises–through Mystique–that “[t]here’s a bigger picture” here.  And, if, in the end, all of these pointless little pieces fit together to form it, well, then shame on me for doubting.  And if they don’t, whom do I ask for a refund? (SC)

Turning pages,

Derek & Scott

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

In Scott’s Bag (7/24)

28 Sunday Jul 2013

Posted by ScottNerd in I&N Scott's Bag

≈ Leave a comment

Tags

Aaron Campbell, Aaron Ginsburg, Andy Diggle, Austin Harrison, Barry Kitson, Batman/Superman, Bloodshot, Brian Wood, Clone, David Schulner, DC Comics, Duane Swierczynski, Dynamite, Garry Brown, Greg Pak, Greg Rucka, Hawkeye, IDW, Image, Jae Lee, Jason Ciaramella, Javier Pulido, Joe Hill, Jordie Bellaire, Joshua Dysart, Juan Jose Ryp, Khari Evans, Lazarus, Mark Waid, Matt Fraction, Matt Kindt, Michael Lark, Mike Raicht, Mind MGMT, Paul Smith, The Massive, The Rocketeer & The Spirit, Thumbprint, Trevor Hairsine, Uncanny, Vic Malhotra, Wade McIntyre, Wild Blue Yonder, Zack Howard

Keepin’ it as unreal as I can:

  • The Rocketeer & The Spirit #1 (Read it!  Passed it over as I put together What’s Up? for the week.  Thanks to Derek, however, I didn’t leave the shop without it.  Lots of fun.  Signature Waid with great art from Paul Smith.)
The Rocketeer & The Spirit #1

The Rocketeer & The Spirit #1

  • Uncanny #2 (Read it!  Certainly good enough to keep me around for another issue.)
  • Thumbprint #2 (Read it!  Some strong moments.  A couple of typos.  Ends on the same note as #1, which is a bit disappointing considering the length of the series.  Conclusion here we come!)
  • The Massive #14 (Read it!  Solid.  Sure: loose lips sink ships  So, too, do secrets.)
The Massive #14

The Massive #14

  • Harbinger #14 (Read it!  More engaging than the final issue of the ultimately underwhelming Harbinger Wars mini.)
  • Mind MGMT #13 (Saving it to savor it.)
  • The Sixth Gun: Sons of the Gun #5 (A Bunn wrap!  Still kills me.)
  • Bloodshot #13 (Read it!  Great cover!  So-so story.  Kitson’s been a drag on the series.)
Bloodshot #13

Bloodshot #13

  • Batman/Superman #2 (Read it!  I liked it, particularly the end–and that final splash page.  Overall, complex but not confusing.)
Batman/Superman #2

Batman/Superman #2

  • Clone #9 (Read it!  Back in the plus column.)
  • Hawkeye Annual #1 (I’ll get to it eventually.)
  • Wild Blue Yonder #2 (Read it!  Liked it a lot–every aspect of it.  Yup: no sophomore slump here.)
Wild Blue Yonder #2

Wild Blue Yonder #2

  • Lazarus #2 (Read it!  One thing I like about Greg Rucka books: they read like Greg Rucka books.  Can’t wait to read more!)

Here’s a first: several strong second efforts in one bag!

What did you get in your bag this week?

Turning pages,

Scott

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...
← Older posts

The Nerds

  • dmainhart
  • ScottNerd

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,149 other followers

An Amazing Comic Shop

Wiggle Room

It's just the beginning...

Tag Salad!

Ales Kot All-New X-Men Animal Man Archer & Armstrong Avatar Batman Batwoman Bloodshot BOOM! Brian Azzarello Brian K. Vaughan Brian Michael Bendis Brian Wood China Mieville Chris Bachalo Chris Samnee Clone comics Cullen Bunn Daredevil Dark Horse DC DC Comics Dial H Dynamite Dynamite Entertainment Ed Brubaker Fatale Fiona Staples Fred Van Lente Garth Ennis Goran Parlov Grant Morrison Greg Rucka Harbinger IDW Image Image Comics J.H. Williams III J. Michael Straczynski Jason Aaron Jeff Lemire Jonathan Hickman Jordie Bellaire Joshua Dysart Kevin Eastman Kieron Gillen Kurt Busiek Lazarus Mark Waid Marvel Matt Fraction Matt Kindt Mike Allred Mind MGMT Nick Spencer Oni Press Rachel Rising Robert Venditti Saga Scott Snyder Sean Phillips Swamp Thing Teenage Mutant Ninja Turtles Terry Moore The Massive Titan Uber Ultimate Spider-Man Uncanny X-Men Valiant Vertigo Wonder Woman X-O Manowar zero

Archives

  • March 2022
  • February 2022
  • December 2021
  • August 2020
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • August 2017
  • September 2016
  • August 2016
  • July 2016
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012

Features

  • 22 I&N 22
  • 5 Comics You Should Be Reading
  • Back and Forth
  • Derekommendations
  • I&N Print
  • I&N Review
  • I&N Scott's Bag
  • I&N Store
  • I&N the Gutter…
  • I&N's Top Ten
  • I&Nsight
  • I&Nterview
  • Innie Awards
  • Microviews
  • Scottlight on…
  • Superhero Friday!
  • Top 5 Books of the Month
  • Uncategorized
  • What's I&N Store?

Recent Posts

  • The Best Comics You’re Not Reading
  • Pick of the Week
  • Best Comics of 2021
  • Worth Your Time
  • I&N Store 11/7

Real Nerdy Stuff

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Twitter Updates

  • Derek opens the Vault: comics you should be reading: #RadioApocalypse, #DarkInterlude, & #TheRush! @thevaultcomics… twitter.com/i/web/status/1… 3 months ago
Follow @imagesandnerds

Top 3 Posts & Pages

  • The Best Comics You're Not Reading
  • Pick of the Week
  • Best Comics of 2021

Finders Keepers

Blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Follow Following
    • Images and Nerds
    • Join 1,149 other followers
    • Already have a WordPress.com account? Log in now.
    • Images and Nerds
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d bloggers like this: