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Tag Archives: Catwoman

I&N Store 9/12

13 Thursday Sep 2018

Posted by ScottNerd in I&N Store

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aftershock comics, Ales Kot, Ann Nocenti, berger books, Catwoman, Cemetery Beach, christopher cantwell, crossed +100: mimic, Daredevil, Dark Horse Comics, David Aja, DC Comics, Detective Comics, eliot rahal, Fantastic Four, hot lunch special, I&N Store, Image Comics, Images and Nerds, imagesandnerds, Jason Howard, jorge fornés, mage: the hero denied, martin morazzo, Marvel, Matt Wagner, moth & whisper, oblivion song, previews, she could fly, Superman, the amazing spider-man, The New World, The Seeds, The Wicked & The Divine, Tradd Moore, volition, Warren Ellis

Sorry if I don’t hit all of the notes you’ve come to expect.

Bachelor in Paradise–final two episodes of the season–

And I just can’t.

I mean, come on: Kendall and fucking Grocery Store Joe!  I was like Nooooooooooo

And Kevin and Astrid. Goddamn it, Kevin, ya big, dumb dope!  80% this plus 20% that equals 100% stupid.

Am I right?

  • Cemetery Beach #1 (Image): I&N Demand Warren Ellis and another out-of-this-world premise–a sci-fi twist on Papillon, perhaps?–that’s good enough for me.  Plus: any time I see a title that’s Fill-in-the-blank Beach, I’m taken back to Matthew Arnold’s “Dover Beach,” and I’m filled with a kind of curdled joy, which is burdensome, sure, but is satisfying, too.  The “generations of lunatics,” a phrase borrowed from the Cemetery Beach preview on PreviewsWorld.com reminds–loosely yet lovingly–of the “ignorant armies clash[ing] by night” in Arnold’s lovely yet melancholy lyric poem–an invitation, a commentary, a warning–from 1867.  So, yeah: looking forward to this one–even if “Warren Ellis” is, ultimately, the only legit reason for my forward looking.

ellis

  • Mage: The Hero Denied #12 (Image): I&N Demand Well, look at that: I referenced in my write-up for Batman #54 the glorious green bubbles that caught my eye thirty or so years ago–that drew me to Mage: The Hero Discovered and the adventures of Kevin Matchstick–without having seen the cover to this issue.  Now that’s magic.

mage12

  • The New World #3 (Image): I&N Demand #2 was fun, fun, fun!  Aleš Kot kicked the conflict into high gear; he pushed the peril to the metal: struck by something undefinable while in the midst of a televised takedown, Stella decides to take a risk, trading a seemingly cushy future for, well, a seemingly mushy fugitive.  Isn’t that how all great love stories begin?  Shifting: Now, I’m not an artist, still I find Tradd Moore’s art humbling.  (Heather Moore’s colors are there to rub it in, ain’t they though?  They force the eyes wider, and, along with the mister’s living, breathing lines, create an immersive experience that is absolutely exhilarating!)  See: each page turn is bigger than the next; and there I am, bearing the weight of the lines and the colors, which support gloriously Kot’s big ideas, and I’m just like Wow.  That’s some spinning-in-your-bed while spinning-some-Floyd-vinyl shit going on.  “Legendary,” indeed.  You know what I need?  I need to see this as a cartoon.  A big-screen motherfucking cartoon movie.  Please make this into a cartoon movie.  Thank you.  Next up: a little surgery.  Goin’ to the scalpel of love…

tnw3

  • Oblivion Song #7 (Image)
  • The Wicked + The Divine #39 (Image)
  • the seeds #2 (Dark Horse/Berger Books): I&N Demand Loyal readers might remember: I celebrated #1 with a 22 I&N 22; and looking back at the post–proud of that one, for sure!–and at the issue, I’m reminded of the perfection–as seen in the hive, in the perfect-every-time hexagon of the humble honeybee–of the initial offering.  Ann Nocenti’s writing is stinger sharp, piercing the part of us that reads and feels and thinks and looks to connect with another afflicted soul–one driven deeper into the comforting yet conflicting chasm of conspiracy, colored, unfailingly by David Aja, a loud khaki green. Fuck.  I can’t wait to get my hands on this one.

theseed

  • She Could Fly #3 (Dark Horse/Berger Books): I&N Demand She Could Fly #2 moves– it flies at a pace that reflects well Luna’s undeterred descent into madness, her succumbing to the stressors that surround her, including family, mystery, and–ceiling the deal–gravity.  But she’s not the only one falling: oh no: see, everyone around her–and a significant one who was above her–has fallen or is falling in some way, be it morally, mentally, physically, interpersonally.  Yup: lots of falling.   Any surprise that the issue wraps up in a basement?  Christopher Cantwell’s driving home the point–and is driving it down, down, which will make the rise–there’ll be a rise eventually, right?–that much more satisfying, I’m sure.  Add to the mix the discomfort drawn into the narrative by Martin Morazzo’s hectic panel work, and the result is a trap that, even in the freedom of chaos, feels increasingly claustrophobic.  Bill and Luna might “need to talk,” but, damn it, I need to read.  Gimme #3!

scf

  • Catwoman #3 (DC)
  • Detective Comics #988 (DC)
  • Superman #3 (DC)
  • The Amazing Spider-Man #5 (Marvel)
  • Daredevil #608 (Marvel)
  • Fantastic Four #2 (Marvel)
  • Crossed +100: Mimic #5 (Avatar)
  • Hot Lunch Special #2 (AfterShock): I&N Demand Well, wasn’t Hot Lunch Special #1 just the biggest surprise?  Hell yeah, it was!  I ate that shit up and loved every crumb.  I was moved to write an inspired 22 I&N 22, and I hope pray expect that Eliot Rahal and Jorge Fornés will move me in much the same manner with this second helping of sandwiches and sumbitches, trucks and ho-lee fucks!

hls

  • Moth & Whisper #1 (AfterShock)
  • Volition #2 (AfterShock)

What are you looking forward to this week?

If you were looking forward to Kendall and Grocery Store Joe getting back together–and, why not, while you’re at it, to Astrid and Kevin getting back together–well, then, fellow citizen of Bachelor Nation, you got your wish.

Turning pages,

Scott

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I&N Store 8/8

13 Monday Aug 2018

Posted by ScottNerd in Uncategorized

≈ 1 Comment

Tags

Abstract Studio, aftershock comics, Amazing Spider-Man, berger books, black badge, boom studions, Catwoman, christopher cantwell, clankillers, Dan Slott, Dark Horse Comics, DC Comics, eternal empire, Fantastic Four, farmhand, hilary jenkins, hot lunch special, Image Comics, Images and Nerds, in demand, Joelle Jones, Jordie Bellaire, Kyle Higgins, Laura Allred, martin morazzo, Matt Kindt, Miroslav Mrva, NCBD, oblivion song, previews, reviews, sandman universe, she could fly, Stephen Mooney, strangers in paradise xxv, Superman, Terry Moore, the dead hand, Tom King, Tyler Jenkins, unnatural

I was on a frame vacation–which is a vacation within a vacation, of course–and didn’t have time to flesh out my previews for 8/8’s books.  So, for you Images and Nerds completists out there, here’s a quick rundown.  This go-round, said rundown will be more re- and less pre- as I’ve read all of our I&N Demand books.

Thanks for your understanding.

  • The Dead Hand #5 (Image): I&N Demand I’m loving this series.  Haven’t heard much buzz about it, but it’s really good.  Kyle Higgins is doing great work here, playing with paranoia, with isolation, with existentialism and with an external existential threat, which, at this point, has found its way into Mountain View, a community essentially built upon a cleverly conceived existential threat of its own–one that wears the face of and, more important, particularly as it pertains to the development of the pervasive danger in the book, exhibits the mental and emotional capacity of a child.  (Parents: hits pretty close to home, no?  Ha!  Another fine twist!)  Stephen Mooney’s artwork, accentuated by Jordie Bellaire’s colors, helps to stretch the tension from panel to panel, page to page, issue to issue.  Sure, the Cold War might be over, but there are bombs still waiting to go off–and a shit ton of them are planted in the pages of The Dead Hand.

dead

  • Eternal Empire #10 (Image)
  • Farmhand #2 (Image)
  • Oblivion Song #6 (Image)
  • Unnatural #2 (Image)
  • She Could Fly #2 (Dark Horse/Berger Books): I&N Demand The first issue was a promise; and with #2, Christopher Cantwell, Martin Morazzo, and Miroslav Mrva delivered on it.  For one, the book moves at a decapitating pace; yeah, the narrative threads–see, they’re piano wire, and the quick cuts’ll leave your head in your hands.  (The cover’s got that covered, yo.)  The madness that fuels the frenzy is manifested meticulously, which may seem contradictory in reflection, but instead makes sense–which, considering the nature of the creator-reader relationship, in the end, makes all the sense in this mad, mad, mad, mad world.  Cool touch: Luna’s barrettes look like devil horns.  You know, once I noticed that, I couldn’t not see it and was like Wow, cool touch.  I even showed my wife.  She said, “Oh, yeah” and then went back to her phone–on Pinterest or Etsy or Instagram or Match or whatever the hell it is she spends so much time on.  She could swipe, that one.  But She Could Fly, if it keeps up this level of storytelling, will touch the fucking sun.

she

  • Catwoman #2 (DC): I&N Demand Joëlle Jones has brought her sexy lines and lots of leather together to give us the solo Catwoman we knew we needed and have desperately wanted, especially since the Tom King proposed the whole Bat-Cat thing.  #1 hit a lot of great notes writing-wise and art-wise.  Some of those notes were echoes of Jones’ terrific Lady Killer, which was, in retrospect, the perfect audition for Catwoman.  This second issue didn’t scratch the same spots as the first, but Jones whipped up a solid issue nevertheless–particularly in the portrayal of Cat’s angst over the big Bat break up and the development of the mystery surrounding Lady Creel’s plan for Selina; and, again, with the lines and the leather–and the Laura Allred’s luscious colors–all of it justification for my objectification of the femme feline–it’s damn easy on the eyes.

STL088823

  • Sandman Universe #1 (DC/Vertigo)
  • Superman #2 (DC)
  • Amazing Spider-Man #3 (Marvel)
  • Fantastic Four #1 (Marvel): I&N Demand The First Family is back!  Well, they’re almost back–and that, kids, is your hook.  But could their return be Doom-ed from the start?  Can’t wait to see what Dan Slott’s got in store for comicdom’s most indispensable four.

STL096763

  • Black Badge #1 (BOOM!): I&N Demand I’m kind of a Kindt junkie, and, logically, following with more figurative language, Black Badge is my next fix–oh, and how satisfying #1 was.  Exploiting the same chemical formula that worked so well in the intoxicatingly agitative Grass Kings–Kindt+Jenkins^2=masterfully mature storytelling and a well-deserved Eisner nom–Black Badge bursts onto the scene like a nostalgia bomb with a perfectly-paced adventure that calls to mind the ubiquitous kidventure movies of the ’80s (Stand by Me and The Explorers were two of my faves) and mirrors those games my friends and I used to play on the farm, as we’d battle imaginary Nazis or Russians a la Where Eagles Dare or Red Dawn.  These kids, however, aren’t playing a game–and neither is the creative team: this is some dark stuff; and like good little scouts, we best be prepared for more.  See: “Nobody can do what [they] can do.  No one can go where [they] can go.”  (Hey! you say?  “They”? Doubled for your pleasure, fair reader!  OK, you got me: mostly for mine.)  For the week, Black Badge #1 is #1 with a bullet drone strike.

black.jpg

  • Clankillers #2 (Aftershock)
  • Hot Lunch Special #1 (Aftershock)
  • Strangers in Paradise XXV #5 (Abstract Studio): I&N Demand Terry Moore’s return to Paradise has been exhilarating, with familiar faces and events unfolding, particularly around Katchoo, at a breakneck pace.  #5 slows things down a bit a lot to offer a history lesson, which is meant to make the mystery lessen a lot a bit, which it does–though not before Moore uses Katchoo–and her big ol’ yawn–to let us know that it’s OK that we got a bit–yeah, a bit–beaten up by Tambi’s walking like an Egyptian through her explanation of the situation that plagues them both.  In the end, however, Katchoo faces defeat her feet and realizes that she’s got to change her attitude–and her longitude–if she’s going to get to the truth.  Another black and white beauty from Mr. Moore.

strange

 

Thanks for reading!

Turning pages,

Scott

 

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Back and Forth: Sex & Children’s Books

17 Sunday Mar 2013

Posted by dmainhart in Back and Forth

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Adventure Time, Adventure Time with Fionna & Cake, Animal Man, Aubrey Beardsley, Barnabas Collins, Batman, Batwoman, Bravest Warriors, Catwoman, Dark Shadows, DC Comics, Dynamite Entertainment, Ex Machina, Green Arrow, Hayao Miyazaki, Image, Jae Lee, Janet Lee, Jeff Lemire, Jim McCann, Joe Casey, kaboom!, Lost Vegas, Mike Raight, Nacho Tenorio, Natasha Allegri, New 52, Ocean's Eleven, Pendleton Ward, Piotr Kowalski, Return of the Dapper Men, Richard Corben, Rotworld, Scott Snyder, Sex, Swamp Thing, Watchmen, Winsor McCay, Yanick Paquette

Derek Mainhart: Provocative title, eh? Well, we’ll get to that in a minute. First to some (finally) finished business.

Scott Carney: Finished, indeed–at least as far as Animal Man #18 (DC) finishes anything.  And thank the good Lord, too.  The Rot was wearing on me, man.  It’s no secret: we didn’t care for the big two-part Rotworld finale for an unholy host of reasons.  Lucky for us, the finale was only the finale of the storyline as it takes place in the actual Rotworld; and by actual, I mean possible because, in the end, Baker and Holland were presented with the opportunity to keep it all from happening in the first place–and, boy, did they take it!  I can’t get into the nitty-gritty of the real finale, however, without first commenting on the ill-conceived cover.  Jae Lee’s anguished Animal Man is stunning; and the cover would’ve been, too, had it not been sullied by a tragically-placed assertion that spits vomits in the eye of subtlety:

I mean, come on!  Check out this art-only cover; it’s so much more effective:

Animal Man #18--Right?

Animal Man #18–Right?

Add the requisite logo and bar code and we’re still talking about an absolutely killer cover.

DM: Have to agree about the cover. Without the text, completely effective. With the text, it’s like that oft-parodied film cliche of the tragic hero falling to is knees while yelling “NNOOOOOOO!!!!” up at the sky. In other words: laughable. The early front-runner for worst cover of the year.

SC: Once inside, we’re treated to a quick little recap of the end of Swamp Thing #17 and then sucked into what Buddy refers to as “the most unsettling sensation,” while describing his return to the pre-Rotworld present.  I found the narration unsettling, as well; it seems to creep toward the edge of profundity, never quite making it there, and, as a result, festers in ineffectuality and leaves behind unintentionally laughable lines–and a hero for whom I had trouble hoping the very best.

(I don’t do this very often: spoiler alert!!!)

I did find a truly touching moment in Buddy’s remembering Cliff’s finger painting different animals when the latter was “a little boy.”  I’d have trouble, though, if you were to ask me to “flip the pages and point to another” such moment.  Couldn’t do it.  See: after that singular scene–in retrospect, the necessary father-and-son set-up for the end–the story dies as quickly and as unceremoniously as Cliff–who passes proudly as a “hero–just like [his father],” which, on a side note, is an interesting counterpoint to something Jeff Lemire’s developing in another one of his books, Green Arrow #18: Komodo, the Bullseye to Green Arrow’s Daredevil, has a daughter who–speaking of unsettling–plays the role of an evil apprentice, who also has a connection, story-wise to fingers, oddly enough; in this case, the little girl is used as a pointed threat against one of her father’s prisoners: “[…], or my daughter starts cutting off your fingers.”  (By the way, I’m still not too sure how I feel about it.  Kudos to Lemire for that!)

Back to Animal Man and the devolution of the story: with my own fingers dutifully turning pages, I found the dialogue disappointingly reminiscent of #17 (“So just die already!”).  And how strange was the splash on page 18, with the guys in the yellow suits shedding their rot?  At last!  Something interesting!  But, despite their presence on the page, neither Buddy nor Maxine react to the seemingly important revelation; and when Buddy finally does seem to notice them–several panels later–he doesn’t seem all that concerned!  It was all so very awkward and forced–well, Lemire did have to live up to the promise of the textually explicit cover, after all; couldn’t bring myself to care, though, even with the final splash–and just not what I’ve come to expect from the aforementioned esteemed writer, who is an absolute master at developing sympathetic characters and complex yet relatable relationships.  My expectations are still high for him and Animal Man, so I’ll be sticking around for more–especially since we’re headed in a new direction.

DM: Scott Snyder, on the other hand, in Swamp Thing #18 (DC), ties a bow on this story, and his run, in a manner that is satisfying and organic (pun intended–every time!). Amidst Yanick Paquette’s gorgeous leafmotif visuals is a story where the damsel becomes the hero, the demon is rent asunder, and our lovers have their stars well and truly crossed. But not before the creators generously allow them one last (first?) kiss, in which their passion literally burns. A fitting finale to a mostly excellent run.

But Swamp Thing and Animal Man aren’t the only hero-inhabiting-a-new-body-travels-to-a-dystopian-future-to-defeat-unearthly-evil-then-returns-to-the-present-in-order-to-prevent-it-in-the-first-place stories this week. That’s right! The same exact plot is featured in Dynamite’s Dark Shadows #14!

Dark Shadows #14

Dark Shadows #14

Ah well, no new ideas and all that; it’s how well you handle them. Writer Mike Raight’s vampiric version involves Gothic plot twists, backstabbing (with wooden stakes, natch!) and enough Grand Guignol action to satiate any horror fan. Artist Nacho Tenorio does a nice job orchestrating the gore, alternating between excess and restraint, the way any 1960’s-influenced horror should. This isn’t all superficial bloodletting however. (SPOILERS!) Raight infuses some depth and existential quandary as the evil that the hero, Barnabas Collins, must destroy in order to save his family, is himself. There’s also a well-wrought, even delicate twist, as Barnabas’ mysterious ally reveals that aiding him and taking revenge upon him are, in this case, one and the same. Solid and compelling, this book is one of the most reliable sources of monthly macabre that you’re likely to find.

So, having been hooked by our attention-grabbing title, you’ve made it this far through our post, and yet you find yourself disappointed by the lack of any content that could be considered truly eye-opening.

SC: Hey!  What about my–

DM: Well then, you’ve got an idea of the experience of reading Sex #1 by Joe Casey and Piotr Kowalski (Image).

SC: Oh, I see.  Clever.

DM: Mr. Casey means well. In a heartfelt (and rather breathless) afterword, he holds forth on the state of today’s comics; mainly the continued dominance of the Big Two despite the wild variety and quality of other work out there. Well hear, hear! And yet, what does he offer us? A wealthy scion reluctantly returns to run his vaguely defined corporate empire. A seedy underworld controlled by a grotesque mob boss. Words of wisdom from a trusted Man (or in this case, Gal) Friday. And, oh yeah, said wealthy scion is a former superhero. This set up bears any number of resemblances to Batman, the newfangled Green Arrow, Ex Machina (a much better melange of superhero/real world tropes from eight years ago), etc. But wait, this has superheroes and sex. Well Watchmen broke that seal long ago. It’s simply no longer a shocking conceit (I mean even Catwoman’s done it for chrissakes). Now, to Casey’s credit, when the naughty section does occur, despite its fairly graphic nature, it’s contrasted in such a way that it is robbed of nearly all prurient titillation. The participants even call out the reader’s presumed lasciviousness, in a clever use of breaking the fourth wall. Kudos to Casey for subverting the expectations set up by his conspicuous title.  But in the end, this is just another superhero comic. And what’s so sexy about that?

SC: I hear ya.  Image did have another release this week that I enjoyed more than Sex—

DM: (tee-hee!)

SC: Uh-huh. Anyway, it’s Jim McCann and Janet Lee’s Lost Vegas #1.  It came with a little less hype than Casey’s book did, but it was loads better.  Though engaging from the get-go, McCann’s writing does prove a bit hard to swallow at times, especially as the Ocean’s Eleven-esque scheme is laid out; but Lee’s artwork is enviably voluptuous, a stunning exercise in sensuality.

DM: Yes, Lee’s work is certainly the star for me thus far. She blew me away on Return of the Dapper Men a few years ago (also written by McCann). There she dazzled with an unorthodox process that combined vibrant expressionistic backgrounds with the sublime precision of Winsor McCay (if you don’t know who that is, look him up. Look him up now.) Here the chameleon-like Ms. Lee seems to be offering something of the sensual loucheness of Aubrey Beardsley, combined with the sci-fi sensibilities of Richard Corben, and even a dash of Hayao Miyazaki for fun.

SC: That’s some company she’s keeping.

DM: Indeed. Like Batwoman, this could become a book that I buy for the art alone.

SC: Well worth the price of admission.  I’m certainly up for round two.

DM: Now, returning to our theme, for a nuanced, astute, refreshing exploration of sex, one need look no further than Adventure Time with Fionna & Cake #3 (kaboom!):

Adventure Time: Fiona and Cake #3

Adventure Time with Fiona & Cake #3

Sex, in this case, denoting gender. ‘A childrens’ book?’ you say, eyebrow ever so arched? Well in its brief existence, Pendleton Ward’s magical juggernaut has tackled such concepts as abandonment, existential loneliness, first loves, the bonds of honor and friendship, pride, sacrifice, betrayal, the origins of myth, the nature of evil, the afterlife, determinism, fate, and nuclear annihilation to name a few. It never addresses these issues head-on however (it’s much too smart for that), but from rather more of a sideways angle, (and perhaps, blindfolded). Y’know, Stuff Happens. Each candy-colored episode is wide open to (and the subject of) much interpretation. It’s the type of show that dissertations will be written about someday(if that hasn’t already happened). I ask you, what better place to consider gender and identity issues than the sociological phenomenon that is Adventure Time?

For those who don’t follow the show (losers!) Fionna and Cake was a fan-favorite episode which featured alternate, gender-swapped versions of series’ stars, Finn and Jake. Now Natasha Allegri, who had a hand in that episode, gives the ladies a chance to shine in their own title. Issue 3 is the best one yet. The first two issues established the characters as well the epic, yet tongue-in-cheek tone that AT does so well. The third issue really delves into the gender stuff and shows why this is not your father’s (um, older brother’s?) AT. The story begins with Marshall Lee (the male version of the vampire Marceline from AT) suddenly appearing in the lead characters’ home in a state of distress. But unlike his female counterpart, who is decidedly bad-ass, this vampire is positively sparkly. Needless to say, Fionna has a crush (-and Cake does not approve!) It seems they need to rescue Prince Gumball, who is caught in a ridiculous trap, which I won’t ruin for you. Nor shall I spoil all the loaded symbols, pregnant pauses and hysterical double entendres peppered throughout the tale. These never come across as forced or excessive; they are, indeed the story’s raison d’etre. I will say that they culminate in a visual gag so audacious that I couldn’t believe it was in a children’s comic, even as I barked with laughter. And yet it perfectly encapsulates the major theme of this series. Sound dirty? Well, again, it’s not because all of the above is not so much dealing with sex, as it is gender and identity. I am not suggesting (as I have with AT’s sister book Bravest Warriors) that this title is inappropriate for children. Part of Allegri’s brilliance (in addition to the beautiful art) is that this book is, on the literal level that children tend to read, an exuberant, imaginative adventure/fantasy. It certainly can (and should, to some degree) be enjoyed that way. The storytelling is deft enough that whatever other meaning children take away from it is entirely up to them. And you. Book of the Week.

Turning pages,

Derek & Scott

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