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Tag Archives: Downton Abbey

Best Books of the Spring

05 Wednesday Aug 2015

Posted by ScottNerd in Top 5 Books of the Month

≈ 1 Comment

Tags

A Christmas Carol, Alan Moore, Ales Kot, Allen Ginsberg, Ant-Man, Archie, Autumnlands: Tooth & Claw, Avatar, Benjamin Dewey, Black Mask, BOOM!, Chilling Adventures of Sabrina, Chris Peterson, Crash, Curt Pires, Dan Slott, Downton Abbey, Eddie Campbell, Erica Henderson, From Hell, Garth, Giant Days, God Hates Astronauts, H.P. Lovecraft, Howard Chaykin, Ian Betram, Image, Jacen Burrows, Jeff Lemire, John Allison, Jordie Bellaire, Juan Rodriguex, Kaptara, Kurt Busiek, Lissa Treiman, Marvel, Material, Matt Fraction, Mayday, Mike Allred, Nick Spencer, Ommegang Abbey Ale, Penn State, Pete Toms, Providence, Robert Hack, Ryan North, Satellite Sam, Silver Surfer, Stathis Tsemberlidis, The Crucible, The Shining, the unbeatable Squirrel Girl, Tomas Aira, War Stories, Watchmen, Will Tempest, William S. Burroughs, zero

Summer is in full swing! As you lather up the sunscreen, fill the cooler with your beverage of choice (Ommegang Abbey Ale for me, thanks) and break out your thongs (sandals or otherwise, hey, we don’t judge) we present a list of recent comics that are well worth tracking down for your seaside, margarita-sipping, swimsuit-watching summer reading. Enjoy!

Top 5 Books of March

5. Giant Days #1 (BOOM!): OK, so, about 25 years or so ago, I made my way to The Pennsylvania State University, University Park campus; got settled in on the 4th floor of Pinchot Hall, a 10-storey sausage factory; cycled through a few roommates–smokers, snorers, and  psychopaths–during my two years on campus; fell in with a group of dorks who’d be my best buds for four blurry years; and all together, as fun as I think it was–as I remember it was–it was nothing like John Allison and Lissa Treiman’s irrepressibly jocular Giant Days #1.  Maybe that’s why I loved it so much.  Co-ed Musketeers–Daisy, Esther, and Susan–are the hyperbolically dramatic center of this university; and hilarity revolves around them in effortless ellipses, much to our benefit.  So good that I can confidently quote McGraw, the mustachioed hate interest, as I consider what the future holds for Giant Days and, fearing a sophomore slump, threaten the creators of this tasty treat: “Nothing you can do can spoil gravy for me.” (SC)

Giant Days #1

Giant Days #1

4. Autumnlands #5 (Image): Fantasy books are all about world-building. No comic in recent memory has presented a realm so fully realized as Autumnlands. Credit goes equally to writer Kurt Busiek (no stranger to this kind of thing – see Astro City) and artist Benjamin Dewey, whose lush style seems to belong to another era (it doesn’t hurt, of course, that it’s being colored by the omnipresent Jordie Bellaire, who I’m convinced at this point must be some sort of collective of robot artists). Floating cities, magical lore, calcified social strata, layer upon layer intertwine into a cohesive whole. Impressively, one doesn’t hear the awkard, behind-the-scenes clanging of this universe’s construction; rather, it’s as if it has always been there. It is merely our happy fortune to discover it, and get lost in it. Higher praise for a fantasy tale I can scarcely think of. (DM)

The Autumnlands: Tooth & Claw #5

The Autumnlands: Tooth & Claw #5

3. Ant-Man #3 (Marvel): I can’t even with this book. It is just too funny. I literally (and I mean that in the literal sense) have to keep putting it down because I’m laughing so hard. Literally! Nick Spencer is a comic (and I mean that in the comic sense) genius. Here’s your blurb: “The hero may be small, but the laughs are BIG!” (DM)

Ant-Man #3

Ant-Man #3

2. Silver Surfer #10 (Marvel): Dan Slott and Mike Allred are producing the definitive run of this classic character. They spent most of the first year bringing the fun, with story after story teeming with imagination and wit. But with the Silver Surfer, the piper must always be payed. They tackle the central pathos of the character head on: how can a being who played a role in the deaths of untold millions ever be redeemed? The story they come up with is so simple, so perfectly elegant, that I almost can’t believe no one’s thought of it before. Everyone knows that superhero stories from the Big Two are ‘never-ending’. That’s a shame, because this issue would serve as the perfect coda not just for this series, but for the journey that Norrin Radd has been on since Fantastic Four #48, all those decades ago. Beautiful. (DM)

Silver Surfer #10

Silver Surfer #10

1. Zero #15 (Image): The Jeff Lemire variant queries innocently enough, “What is Zero?” Answers inspired by fourteen issues of Ales Kot’s crazy, crazy calculus: Soldier.  Spy.  Hero.  Killer.  Storyteller.  Everything.  Nothing.  Open up the book, open mind, as always, as necessary with this schizophrenic series, ask again: Who is Zero?  Answer inspired by page one, panel one: I have no effing idea! <–I borrowed an exclamation point; don’t think it’ll be missed.  Kot unexpectedly offers up a figure who’s furiously fingering a typewriter and, in doing so, adds a literary layer, making the book more than Zero.  He’s gone meta, forging unforeseen relationships, crafting, out of the story thus far, a psych-session confession and a catharsis-in-progress.  This stunning thing with its wild spirit sees Kot exploiting his poetic proclivities: his words build images that build upon artist Ian Bertram’s images and affecting layouts: it’s a conscious stream of Ginsberg and guns, fathers and sons, drugs and drugs–all of it burrowing into the brain like a drunk bullet.  Stories don’t get more tragic than William S. Burroughs’, and Kot’s made magic by borrowing it–as if you couldn’t tell.

Zero #15

Zero #15

The Biggest Dis(appointment): Descender  #1 (Image)

Descender is the perfect title for this highly anticipated offering from the frustratingly inconsistent Jeff Lemire: the book, which starts off well enough, descends quickly–and dizzyingly so–to robotic schmaltz, lowlighted by the insultingly saccharine introduction of Tim-21, which bored a hole nerve-deep in my otherwise pretty resilient sweet tooth.  Anyone know a good dentist?  (SC)

Descender #1

Descender #1

 

Top 5 Books of April

5. the unbeatable Squirrel Girl #4 (Marvel): There’s a long-overdue resurgence taking place in monthly comics that are putting the ‘funny’ back in ‘funny books’. We’ve been trumpeting the aforementioned Ant-Man for a while now; add to that the likes of God Hates Astronauts, Kaptara, and East of West (ok, maybe not that last one). Enter: Squirrel Girl. Ryan North (fresh of his excellent, award-winning run on Adventure Time) and artist Erica Henderson have already established a quirky charmer through three issues. Well the fourth installment is, simply put, the funniest single comic I’ve read all year. Most books are lucky to get a chuckle; this one had me laughing out loud five times before I was even that many number of pages in (I’m laughing now, just remembering them). Or maybe I should just put it this way: Squirrel Girl Vs. Galactus. Nuts Said. (DM)

the unbeatable Squirrel Girl #4

the unbeatable Squirrel Girl #4

4. Mayday #1 (Black Mask): Curt Pires pops for real with this frenetic filet o’ film–one that drops some noms de cinéma (Kaufman, Lynch, and Bay) and goes to effing guerre with them.  Oh, yeah, man: it’s a wild ride that reads like a regiment of lines on a mirror meant to be snorted with the eyes and sorted out with a muddied mind.  Re: minds: Pires, paired with the more than competent Chris Peterson, sells a story that, in terms of comics, is “sort of like” Matt Fraction channeled through Ales Kot with Tyler Jenkins and Michael Walsh trying to one-up one another from one panel to the next.  Mayday #1 will leave you questioning your life choices–especially if most of them have sucked.  But you will not question your choice to pick it up–even if it is “just one big blur”; nor will you question whether or not you should pick up #2.  I mean, Kleio and Terrence have “just murdered two dudes.”  You totally don’t want them to come after you. (SC)

Mayday #1

Mayday #1

3. War Stories #8 (Avatar): Sounds like a given: Part 2 of “The Last German Winter” hits the mark with this icy mid-arc march through moral relativism; but let’s be honest: there’s nothing easy–nothing safe–about it.  I mean, who can take a Nazi, humanize his ass, then make you wonder all along when hell will come to pass?  Only Garth Ennis can.  Only Garth Ennis can.  (No, you’re not imagining things: go back and hum the tune as you read–heck, sing it out loud, you Sammy wannabe!)  He crafts a German hero–Gerhard the Gallant–who, considering the situation, is easy to root for; but we know better, don’t we?  Don’t we?  Just in case, Ennis reminds us, elbows us to make sure we’re paying attention; oh, but then he nudges us–so vulnerable to his charms–right back to where he wants us–seeing the man, not seeing the monster–thanks mostly to his narrative voice, the vulnerable Rachel Kohler, and to the portrayal of the even more monstrous Russians, their evil punctuated by an horrific splash from Tomas Aira.  The execution is near Nabokovian!  (No, you’re not imagining things: go back and Hum.)  Now that, dear reader, is a war story! (SC)

War Stories #8

War Stories #8

2. Chilling Adventures of Sabrina #2 (Archie Horror): Was a long time coming–so long that Roberto Aguirre-Sacasa offered up an apology to kick off the letter page!–but this second issue of Sabrina, which introduces with verve the vengeful and irredeemably evil Madam Satan, was well worth the wait.  The aforementioned writer–who not only sets a scene, he sets it on fire with his precise imagery–and artist Robert Hack, whose retro style is equal parts pillowy soft and boldly bloody, own the tone of this witches’ brew, which is bubbling over with literary allusions.  It’s campy; it’s creepy; it’s killer, kids! (SC)

 

Sabrina #2

Sabrina #2

1. Silver Surfer #11 (Marvel): Dan Slott and Mike Allred follow up the powerhouse of issue 10 with a comic that is as formalistically daring as it is emotionally satisfying. Surfer and Co. are trapped in a time loop and the question becomes not only whether they’ll escape, but whether they’ll even realize it at all. A graphic illustration of Free Will versus Determinism, a metaphor for the repetitive cycle of our everyday experience, a tale of love, forgiveness and redemption; this issue delivers all three in a thrilling marriage of form and content. I maintain that issue 10 would have provided an excellent ending to this wonderful series. But I’m glad it didn’t. (DM)

Silver Surfer #11

Silver Surfer #11

 

Top 5 Books of May

5. Zero #16 (Image): Collective unconscious, the inevitability of change, the destiny of DNA, the life sentence that is guilt–Zero‘s certainly much more than its title insists.  It’s a proving ground, of sorts; it’s Ales Kot’s firing range of ideas: it’s rhyme-free reason; it’s a game of William Tell: Kot himself is the tortured William S. Burroughs, and we’re the trusting Joan Burroughs, with an apple of expectations balanced precariously on our head.  Too.  Tempting.  BANG!  Somehow this experimental spy story became an experiment in layers deep meta-fiction; and, despite the jarring shift, the result is nothing short of spore-born brilliance.  Wherever this crazy thing ends up, rest assured, Ales Kot will not fail us–but he’ll sure as hell phallus, as evidenced by Tom Muller and Stathis Tsemberlidis’s cocky cover, which, in turn, is further proof of an air of youthful arrogance in Kot’s work, especially here in Zero.  I’m more than happy to breathe it in for as long as it lasts.  (SC)

Zero #16

Zero #16

4. Afterlife with Archie #8 (Archie Horror): Roberto Aguirre-Sacasa and Francesco Francavilla continue to add to their modern horror mash-up by seamlessly incorporating elements that you didn’t even know you wanted; everything from The Shining to The Crucible, even A Christmas Carol. The result is rich tapestry that continues to add texture to the story, a mix that acknowledges the high-points in the history of horror through the unlikeliest of lenses. (DM)

Afterlife With Archie #8

Afterlife With Archie #8

3. Mind MGMT #33 (Image): The ultimate showdown’s coming, but there’s no sign of a slowdown–even as Matt Kindt slows things down to foster a touching family reunion, one that frames Team Meru’s Soldiers of Fortune Cookies and their receiving and executing–with stunning efficiency–their munching–er, marching orders.  The decidedly deliberate issue ends with a Dalicious splash that promises a wild time.  With the end of the series so near, I’m excited, I’m anxious; but, no, Pipe Kid, I’m not ready–and I’m as not ready as I’m ever going to be.  (SC)

Mind MGMT #33

Mind MGMT #33

2. Providence #1 (Avatar): Avatar’s publicity department has been describing this new series by Alan Moore as “The Watchmen of horror”. But the story from Moore’s oeuvre that it more readily calls to mind is From Hell (an even more impressive achievement to this reviewer’s mind). FH brilliantly examined the underlying brutality of patriarchal hegemony through the lens of Victorian England, using the Whitechapel murders as a vehicle. Providence promises to delve into the repressed corners of American society of the past century using the fiction of H.P. Lovecraft (a passion of Moore’s for some time now) as a framework. Moore explores the Jungian implications of Lovecraft’s mythos (underlying realities masked by our limited human perception) by using them as a metaphor for aspects of the American experience that needed to remain hidden, given the times (in this case, “the love that dare not speak its name”). Yes, there is much to unpack here. Yet for all that,  this first issue is a master’s class in restrained, subtle storytelling. The deliberate pacing, the seemingly minor details that gain importance as the issue progresses, the symmetry of the opening and closing segments; Moore’s assured control of the material, when he’s on, has never been matched by another comic book writer. To say nothing of the insane amount of research that is woven throughout. Which brings us to the art. Here another comparison to FH is apt: Eddie Campbell’s nonpareil art in that tome had a scratchy looseness, a sketchy immediacy that pulled the modern reader with its irrepressible energy, despite the period setting. Here, Jacen Burrows takes the opposite approach: meticulously rendered, exhaustive research evident in every carefully placed line. The effect is polished, subdued and certainly visually impressive, but with a formal stiffness akin to watching an episode of Downton Abbey. And yet this is reflective of Moore’s otherworldly precision. Ultimately, the hyperbole of comparing this new series to the well-known Watchmen is needless. This first issue promises an epic Alan Moore tale to match or exceed, in scope, ambition and execution, anything he’s previously produced. That alone should suffice. (DM)

Providence #1

Providence #1

1. Material #1 (Image): With Material, Ales Kot’s has found his forum, the perfect space for him to keep pace with the injustices of the world.  No matter how desperate or disparate, they have a home here; and God knows he’ll never want for material as long as he never casts off the lenses–the perspective-altering critical approaches to analyzing, well, everything so relied upon by campus comrades, the arrogant academicians and their lecture-hall spawn–that help him to see the Ugly Spirit* in, well, everything.  Despite the pessimism that pervades the four narratives, which may or may not Crash into each other at some point, what Kot’s come up with–in tandem with the ironically-named Will Tempest–is beautiful.  He asserts that there’s hope in moments, in connections, and what better way to convey that point than with a comic book!  Holding its pages open is like holding hands with Kot himself as he leads the march toward enlightenment–toward Utopia.  And even if that march is born of naÏveté, it’s fueled by honesty, by brashness; and in the context of this comic, it’s something I want to follow.

*See Zero to see Burroughs to see that Kot’s got the Spirit–yes he does! (SC)

 

Material #1

Material #1

Biggest Dis(appointment)(April/May): Convergence/Secret Wars (DC/Marvel) – A bunch of heroes and villains from various alternate universes battle it out on a patchwork planet in a Secret Crisis of Ultimate Infinite blahblahblah. Yes, I’ve just described the plot of both summer blockbuster crossovers from the Big Two. In the cynical cycle of endless Events, this has to be a new low. I don’t know who’s guiltier: the company that seemingly pilfered the other’s concept, or the company that came up with such an awful idea to begin with. (DM)

Convergeance #1

Convergeance #1

Secret Wars #1

Secret Wars #1

Turning pages,

Derek & Scott

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I&Nterview: Escape Pod Comics

18 Monday Feb 2013

Posted by dmainhart in I&Nterview

≈ 1 Comment

Tags

Aardvarks Over UK, art, Austen, Cerebus, Comic shops, comics, Cynthia von Buhler, Dave Sims, Dickens, Downton Abbey, Escape Pod Comics, Hugo, Huntington, Huntington Arts Council, J.M. DeMatties, Lucy Knisley, Maus, Menachem Luchins, Page 45, Rocketship Comics, Sailor Twain, Sondheim

Escape Pod Comics, in Huntington, NY, provides an interesting take on the traditional comics shop. In fact, it’s owner, Menachem Luchins, proclaims it “the future of comic book stores.” We took some time to ask Menachem about his vision:

Derek Mainhart: So, Menachem, what’s the concept behind Escape Pod Comics?

Menachem Luchins: The concept behind Escape Pod is that there is a comic for everyone. Despite the fact that comics are becoming more and more popular, people still see them as a niche medium. They think all comics are super-heroes, or at least fantastical. While that may be a small majority of the books there really is something for every taste and age group.

More than just believing in this, we want the FEEL of Escape Pod to reflect it. That’s why if you walk in to our shop you’ll see books by genre, a HUGE kid’s section, chairs and table for reading and a whole slew of discounted used books. We want you to browse, to be comfortable. We also want to educate and investigate, which is why we’ll be offering classes and events on how comics work.

DM: Where did the idea for this kind of store come from? Give us some background info.

ML: Well, for a few years I used to travel from upstate NY to Brooklyn just so I could shop at Rocketship Comics on Smith Street. When they closed I actually cried. I also bought out a lot of their stock and fixtures, including a spinner rack of my own. I used to joke about opening my own store with all the stuff I bought from them. A year later, I was re-reading Dave Sim’s Cerebus but this time with all the letters, articles, etc and came across Mark Simpson and Stephen Holland’s manifesto for their store Page 45, which they created after putting together the Aardvarks Over UK tour for Dave and Gerhard and something just clicked… Here I was, commuting to a teaching job that I was just too burnt out to enjoy and these guys were talking about selling comics to EVERYONE. A year later I went for it and here we are.

DM: Ah yes, I know the pain of losing a beloved store. Which brings me to another question: You’re opening up a comics store?! In this economy?! Are you crazy?!!!

ML: Well, the simplistic answer is that I’m not looking to strike it rich or even make “a lot” of money, I’m just planning on making enough to get by (with a wife and three kids…). I’ve never really been a very money-centric guy. If I was, I could tell you how comics are the only print medium that actually had INCREASED sales in the last year, how people buy entertainment and escapist works MORE in a recession. I would point out that thanks to the economy, a 90-minute movie costs about what a 200+ page comic costs and that a paperback novel is closing in on that price-point as well. I could also, getting off the money issue, go on and on about smart buying as a store and how our cultural events, classes and signings are going to make us much more than just a shop, but a community center. All of that is an explanation but none of it is really the answer. The real answer, honestly, is a combination of all those things and many more. But to more directly and succinctly answer your question: Yes, I’m crazy.

DM: Heh. Tell us a little bit about the classes you’re offering.

ML: Funny you should ask… We’ve got the incomparable Derek Mainhart lined up to do some classes.

DM: That guy’s a hack.

ML: My current plan for that is to give Derek the store space every Saturday. Space will be cleared and he will be free to teach however many classes he wants, or bring in other people to teach at the same time or at different times, whichever. We don’t have a firm date on this, but we’re looking at the summer.

Until then I’m going to be calling in some chips: the legendary comic writer J.M. DeMatties has already agreed to give a lecture or class one day.  So has Lucy Knisley. Cynthia von Buhler, who is kind of my patron saint, has agreed to come down for something, and to sell some of her comic’s original art through us.

Just today, a gentleman who wandered in, insisting he didn’t read comic books but was wondering if I sold “illustrated novels, like Maus,” suggested that I teach a literature class for adults once a month. When people wander in off the street I like to give them my full attention; since the store doesn’t really need anything immediately, I’m able to explain my plans and goal better and just chat.

Chatting with this guy and his wife led us all over: from Downton Abbey to Hugo to Dickens to Austen to Sondheim… After which, he made that suggestion. I insisted that it would have to be a comic class, but could easily be a literary one. He was all for it, was ready to sign up then and there. His wife too. Hmmm… Sailor Twain, maybe?

DM: Sounds like an impressive lineup (other than that Mainhart guy). You also mentioned hosting “cultural events.”  What sorts of things do you have in mind? Anything in the works?

ML: Well, I’m currently working with the Huntington Arts Council on their exciting Spark Boom program, which is starting in spring and running until the end of the summer. There are going to be all sorts of events at various locales and stores in the area and we may even be hosting a few in the store.

Aside from that, I’m talking to some artists (none very firm yet) about doing small shows in our space. There are also lectures planned to educate the average person on what exactly comics are. After all, they’re not just for kids anymore…

DM: Amen to that! So, education, lectures, art exhibits: sounds like you really want to be part of the local community. To paraphrase Homer (Simpson): Is there anything Escape Pod Comics can’t do?

ML: Well, we won’t be selling toys or t-shirts… So there’s that. Frankly, a good book store, whether it’s solely devoted to just comics or to the written word or both, SHOULD be all those things. In recent years the Internet and franchises have destroyed the literally thousands of stores that used to exist like this all across the USA. Our goal is to bring the comfort of a joyous shopping experience at a place that knows you, your town and your interests, back. But I guess you’ll have to stop in to the store to see if we’ve been successful.

Escape Pod Comics. Check it out.

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An Amazing Comic Shop

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