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Tag Archives: The Rocketeer

I&N Review: WILD BLUE YONDER #5

20 Sunday Jul 2014

Posted by ScottNerd in I&N Review

≈ 1 Comment

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Austin Harrison, Firefly, IDW, Mike Raicht, Nelson Daniel, The Road Warrior, The Rocketeer, Wild Blue Yonder, Zach Howard

From the beginning, Wild Blue Yonder (published by IDW) has been the comic book equivalent of a Summer Blockbuster: non-stop, high-octane (literally!) action, larger than life characters and, thanks to the stunning visuals of Zach Howard and Nelson Daniel, special effects like you wouldn’t believe. The story involves the ragtag crew of The Dawn, a giant airship permanently flying over the earth, which (for reasons barely touched upon) is a scorched ruin. On their heels is the relentless Judge, who is after both their ship and their seemingly endless fuel supply. It’s like Firefly meets The Rocketeer meets The Road Warrior.

Previous issues, have–in between all the dogfights–explored life on The Dawn, and the interpersonal relationships of the cast including: Cola (the headstrong, daredevil pilot), Tug (the newbie and love interest of Cola), The Commander (tough, seemingly unfeeling and, oh yeah, Cola’s mom) and sure-to-be-fan-favorite Scram (a combustible, gregarious combination of Woody Harrelson and Hulk Hogan; easily the stand-out). The writers–Mike Raicht, Austin Harrison, and the aforementioned Mr. Howard–have done a nice job sketching in just enough telling dialogue and spare, quiet moments to make these characters compelling. Particularly well-handled is the mother/daughter dynamic between The Commander and Cola, as the former has to balance the needs of The Dawn with her daughter’s struggle to become her own woman. It’s great to see women take a primary role in a story like this, while leaving plenty of butt-kicking for the men, as well.

Speaking of butt-kicking: issue 5. It’s pretty much cover-to-cover action, as the Judge’s forces engage the woefully outnumbered inhabitants of The Dawn. Extended battle sequences like this can be difficult to orchestrate in a comprehensible manner (just ask Michael Bay). This can be even more challenging in comics, where the images are necessarily static; but Howard and Daniel handle it with aplomb. Through clean layout and bold composition, they expertly control the pacing so that the fast moments whizz by, while the big moments are allowed to be, well, big (though the biggest, involving a fateful decision by Tug, you could see a mile coming). In the midst of all of this they still manage some human moments, most affectingly with the Judge himself, transforming what had been a heavy, Darth Vader-type into a relatable, almost sympathetic human being.

In fact, my biggest complaint is that I’d like to spend more time with these characters, exploring their backgrounds, motivations and interactions in this harrowing, fantastic world. Ah well, if this is a Summer Blockbuster, I can only hope for the Inevitable Sequel.

Wild Blue Yonder #5 hits the shelves on 7/23.

Turning pages,

Derek Mainhart

–Wild Blue Yonder #5

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Back & Forth: Hail the Future Heroes of Yesteryear!

26 Tuesday Mar 2013

Posted by dmainhart in Back and Forth

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2001: A Space Odyssey, 48 Hours, Adventure Time, Archer & Armstrong, Betty Page, Bravest Warriors, Buddy Cops, Chris Samnee, Cliff Secord, Dark Horse Comics, Darwyn Cooke, Dave Stevens, Dirty Money, Emanuela Lupacchino, Eric Stephenson, Evan Shaner, Fab Four, Fantastic Four, Fonografiks, Fred the Clown, Fred Van Lente, Guillermo Ortego, IDW, Indiana Jones, J. Bone, Jack Kirby, Jeff Smith, Joey Comeau, Jonathan Hickman, Jordie Bellaire, kaboom!, Lethal Weapon, Lisa Moore, Mark Waid, Michael Caine, Mike Holmes, Nate Bellegarde, Nate Crosby, Nick & Nora, Nowhere Men, Robert Osborne, Roger Langridge, Rush Hour, Ryan Pequin, Snarked, Stan Lee, Stanley Kubrick, Starsky and Hutch, TCM, Terry Pratchett, The Beatles, The British Invasion, The Da Vinci Code, The Rocketeer, The Rocketeer: Hollywood Horror, The Rocketeer: The Cargo of Doom, The Thin Man, The Thing, Uranus, Valiant, Wu-Tang Clan

Derek Mainhart: Friends, mutants and aliens, lend me your ears! Join us as we travel back to the future, to a time when heroes roamed the sky and science paved the way for a better tomorrow! A time of ancient robots and futuristic gladiators! Atomic monkeys and electric guitars! Beckoned by the spark of a holographic welder’s torch, we hurtle forward into history to meet our retro-destiny! Like sands through the hourglass, so are the Days of Our Future Past…

A 1930s pulp hero created in the 1980s and revived in the 2000s? Who better to exemplify nostalgia for an innocent era that never was than The Rocketeer? Like his contemporary Depression-era adventurer, Indiana Jones, Dave Stevens’ legendary creation peddled in, and paid homage to, the wanton exuberance of classic B-movie serials. Stevens’ buoyant, uncynical cliffhangers (hell, the lead character’s name is Cliff) combined with his lush illustration (its classic draftsmenship itself like a relic from a bygone era) to inspire a devoted cult following. And let’s not forget his masterstroke; making pin-up queen, Betty Page, Cliff’s girlfriend. Stevens’ work was so accomplished, it seemed superfluous for anyone else to try their hand at the character, even after his untimely death in 2008.

Some characters however, are simply too good to fade away. Happily IDW has relaunched The Rocketeer, giving the hero his due: first in an anthology series featuring top-flight creators, then in a four-issue mini by creative team par excellence, Mark Waid and Chris Samnee. Now we have Roger Langridge and J Bone on The Rocketeer: Hollywood Horror. Folks, this may be the best new Rocketeer yarn yet. The previous stories tried (and succeeded to various degrees) to recapture the inherent nostalgia of the character via an innocent, never-say-die tone indicative of 1930s and ’40s Americana, perhaps casting it against a major historical backdrop like, say, WWII. Well Langridge goes five steps further and fully immerses him in the era. This should perhaps come as no surprise from a writer whose past work has encompassed everything from the slapstick of early cinema (Fred the Clown, hysterical) to Carrollian nonsense (Snarked!, inspired) to his current work, the vaudevillian, high-seas adventures of Popeye (a gift to anyone with an appreciation for the history of the medium). For The Rocketeer, he’s not satisfied to present his tale in a typical one-size-fits-all B-movie slang; rather he seems conversant in a variety of era-specific patois and idiom. Further, he entangles our hero with fictional characters specific to that time: first, the minions of Doc Savage (that greatest of pulp heroes), and then, seemingly apropos of nothing, Nick and Nora (and Asta!) from the venerated Thin Man film series. Between this and the multitude of references to old movies and forgotten actors (the narrator himself seems to be one), this book is a dream for lovers of pulp and classic Hollywood. It would be right at home being introduced by Robert Osborne on TCM. And let’s not forget J Bone’s pitch-perfect art. His bold, cartoony rendering immediately cues dirigibles, De Soto’s and dames. His work stands well with Darwyn Cooke and Jeff Smith (one wishes he was handling the covers as well; nothing against the legendary Walt Simonson, but his style, all harsh angles and frenetic line, is simply a poor fit – my one quibble). All in all Langridge and Bone are crafting a Rocketeer comic that is not only worthy of its legacy, but builds on it. Somewhere, I daresay, Dave Stevens is smiling.

Scott Carney: Geez, yeah, all that and–  OK, who am I kidding?  I’m not as tuned  into the history of The Rocketeer as you are.  (Is anyone?)  In fact, my first experience with the character was The Cargo of Doom.

DM: Oh, trust me; there are people who know way more about The Rocketeer than I do. What about the movie? Ring a bell?

SC: There was a movie?

DM: I can’t even.

SC: No, really, I liked what Waid and Samnee did in their mini.  If I’m being honest, I bought the series for them; and for the most part, I wasn’t disappointed; but I wasn’t all of a sudden a Rocketeer fan.  As far as I was concerned, it was an act of loyalty–to the creators; and if they were to take on the character again, I’d be there.  Wasn’t planning on ever following the further adventures of Cliff Secord.  In fact, I passed on this one–initially, anyway.  You recommended it–emphatically, if I’m remembering correctly–so I picked it up.  Dude, you were so right.  What a good time!  Through two, I’m thinking, like you, that Hollywood Horror is at a whole other level, thanks to Langridge’s vision and Bone’s fleshing it all out.

DM: Next up in our Canyon of Heroes is Archer and Armstrong #8 (Valiant). Their centuries-spanning pseudo-epic is rich in taste but refreshingly light in calories. Part buddy-story, part sibling-rivalry, part worldwide-conspiracy, this frothy fable features improbable adventure and high satire. It’s like The Da Vicni Code as written by Terry Pratchett. Writer Fred Van Lente (with solid art by Emanuela Lupacchino and Guillermo Ortego) garnishes the high-octane action with Big Ideas and comedic flourish, never failing to entertain. His one misstep here though; in an attempt to counter the usual lighthearted tone with some emotional heft, he has the villain speak of his role in an event that is very like a recent national tragedy. My immediate reaction, for what it’s worth, was a discomfiting “too soon.”  Again, this is a quibble, lasting as it does for all of one panel. Month in, month out, we write about the pleasures delivered by Van Lente & Co.’s work on this book. So pick the damn thing up, if you haven’t already.

Scott Carney: I know you’re glad I picked up Buddy Cops (Dark Horse) for you after your initial pass.

Buddy Cops #1

Buddy Cops #1

DM: Yeah it was all right I guess…

SC: “All right”?  That’s quite an understatement, my friend!  Sure, Buddy Cops–an hilarious one-shot from a publisher that has been making its name seem more and more ironic with each passing week–seemed to come out of nowhere.  In fact, it was an “Oh, and by the way” recommendation from one of my shop guys.  (That’s right: I have more than one.)  There was room enough in my bag and a few bucks still smoldering in my pocket, so I went for it; and I was not disappointed.  As promised, Nate Crosby and Evan Shaner deliver “da muthaf***in’ ruckus” in this crack-a-panel homage-slash-send up of the buddy cop genre.  The ready-to-rumble, Wu-Tang spoutin’ Uranus and the electrode-in-the-mud T.A.Z.E.R. are on the case–three of ’em, in fact–and take on outrageous creatures (including, a ninety-foot-tall orangutan in a monk’s robe, who professes precariously, “da lord iss my sligshot,” while sitting atop a church) and social issues (Gay marriage!  Arbortion!) in one giant “monsterswat!”  They are Riggs and Murtaugh from Lethal Weapon; they are Carter and Lee from Rush Hour; they are Hammond and Cates from 48 Hours; they are Starsky and Hutch from, well, Starsky & Hutch–the T.V. show, dammit!  But despite their being so obviously and so proudly derivative, they’re the freshest pair to hit the funny pages in recent memory.  I laughed out loud and profess my love for this book even louder!  And, borrowing from George Costanza, I say this with an unblemished record of staunch heterosexuality: I hope this isn’t the last I’ll get to see of Uranus.

DM: Ok, ok, it was funny. Yeesh!  Even so, it wasn’t even the funniest book this week, at least for my money.

SC: Keep your dirty money!

DM: Would that I could. But the biggest barrel o’ laffs this week was Bravest Warriors #6 (kaboom!). This time out, our future science heroes are knee-deep in bazookas, beauty pageants and brain transplants; and that doesn’t even scratch the surface. Joey Comeau’s story takes beloved sci-fi tropes and makes mincemeat out of them. And having his hysterically depraved scenarios drawn by Mike Holmes in the faux-naive, child-friendly style of Adventure Time (saturated in pretty, pretty colors by Lisa Moore)  just makes the whole thing seem so, so wrong. (Ditto Ryan Pequin’s giggle-inducing back-up story). The absurdity in this book is so ridiculous, it’s almost profound.

Of course the book that did more than any to bring science adventurers to the modern era was Jack Kirby and Stan Lee’s Fantastic Four. Emphasis on mod. After fifty-plus years of history, it’s easy to forget that these staples of the spinner rack were once downright cutting edge. As Pop Art was breaking the boundaries between ‘fine’ and ‘low’ art, Kirby was exploding the restrictive design of the comics page. In the midst of the Space Race, the costumed quartet were frequent fliers. And at the height of the British Invasion, Lee and Kirby gave comics its own Fab Four. Those early issues still crackle with energy and freshness. As the years wore on however, FF inevitably transitioned from zeitgeist to nostalgia, revolutionary to venerable.

Now Eric Stephenson and Nate Bellegarde have dusted off the elements that made FF great and reconfigured them (along with a whole bunch of other stuff) to create Nowhere Men (Image), a decidedly 21st century comic. The story (with the tagline ‘Science is the New Rock-N-Roll’) concerns four celebrity scientists (bearing more than a passing resemblance to The Beatles) who banded together in the ’60s, forming a mega-conglomerate called World Corp dedicated to the betterment of mankind. In the present however, they’ve long since gone their separate ways, due to ego clashes, differing visions, (sound familiar?) as well as mysterious circumstances that haven’t been fully revealed yet. One or all of them are also somehow involved in the fate of a space crew whose mission has somehow gone seriously awry.

Here the comparison to FF is particularly instructive: where Kirby and Lee, reflective of their age, presented a utopian faith in scientific progress, Stephenson and Bellegarde present a view that is, not cynical exactly, but knowing, tempered by an awareness of human weakness and fallibility. The innocence of scientific discovery for its own sake has been replaced by the reality of serving corporate profit. Technological advancement is understood as at least as destructive as it is creative. For example, in FF the group is testing an experimental rocket when they are struck by ‘cosmic rays’ endowing them with superpowers, which they promptly use to protect humanity (with the monstrous Thing serving as tragic, though still noble, counterpoint). In Nowhere Men, we have a group of scientists quarantined in a space station due to a ‘sickness’ they’ve contracted under mysterious circumstances. The effects of the sickness affect each individual randomly, even capriciously, as some are granted ‘abilities’ (as opposed to ‘superpowers’) while others undergo grotesque transformations that make the Thing look like Michael Caine in comparison. And some are in between (one of the more appealing characters seems to combine the brute strength and appearance of the Thing with the intellectual remove of Mr. Fantastic). Where one offered limitless promise, the other deals in disillusionment; even the title seems to suggest it.

This is far from a hopeless affair however. For one, the sheer inventiveness of the storytelling will not allow it. In addition to alternating between the past and present, Stephenson’s elliptical narrative is fragmented amongst various viewpoints. Only now, in this fourth issue, are its non-linear elements beginning to coalesce (I didn’t even feel comfortable reviewing the thing ’til now). But that’s not all. The very presentation of information is unorthodox. In the current issue for example, Stephenson thinks nothing of inserting three pages of prose – an excerpted ‘chapter’ from a tell-all history of World Corp – right in the middle of the action. This not only serves as a clever transition, but adds visual depth to the story, as the chapter is presented in a specific graphic style that convincingly suggests the late ’70s / early ’80s. Where FF‘s brash, boundary-breaking style was in keeping with the modern sensibilities of its era, Nowhere Men‘s approach is distinctly postmodern, befitting our own fractured time.

Which brings us to perhaps the most notable aspect of the book: its design. FF had the kinetic genius of Kirby’s art. Nowhere Men instead employs the principles of sophisticated modern graphic presentation. The clean, cold concision of Bellegarde’s art is impressive enough. But it is packaged, along with the aforementioned textual pieces, faux ads and information graphics, in a carefully considered manner that takes into account the comic book as an object. The refined aesthetic has been compared, aptly, to Stanley Kubrick’s 1968 masterpiece, 2001: A Space Odessey.  Fonografiks, the company responsible for the look of the book, is really to be commended; I only wish the name of the specific designer was credited. The inside covers, the selection of fonts, the credits; all act in concert to create a visually immersive experience that reinforces the incidents of the story. When was the last time the design of a comic played such a concerted, integral role in the narrative?

FF has had any number of interesting runs over the years (Jonathan Hickman just finished up a pretty good one at that). But the true successor to Kirby and Lee’s vision, innovation and cultural relevance is Nowhere Men.  Book of the Week.

 Turning pages,

Derek & Scott

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What’s Up?

31 Wednesday Oct 2012

Posted by ScottNerd in What's I&N Store?

≈ 2 Comments

Tags

Action Comics, Becky Cloonan, Brian Michael Bendis, Chris Samnee, comics, Darick Robertson, DC Comics, Ed Brubaker, Fatale, Grant Morrison, Happy, Image, Jason Aaron, Jeff Lemire, Justice League Dark, Marco Rudy, Mark Waid, Mikel Janin, Nick Bradshaw, Scott Snyder, Sean Phillips, Swamp Thing, The Rocketeer, Ultimate Spider-Man, Winter Soldier, Wolverine and the X-Men

Plenty of tricks so far this week.  Here’s hoping for at least a few treats out of this bunch.

Once a Year

  • Action Comics Annual #1: No Grant Morrison???  I’m scared!
  • Justice League Dark Annual #1: Now here’s a book in the spirit of Halloween!
  • Swamp Thing Annual #1: I hope someone gets his or her head chomped off.  I like when that happens–in comics, anyway.  You know you do to.

Consolation Prize

  • Happy #2: Phew.  Making up for missing Morrison on Action.

The Horror!  The Horror!

  • Fatale #9: Killer series from Ed Brubaker and Sean Phillips.

Something to Marvel At

  • Ultimate Spider-Man #16.1: There’s literally nothing scarier than a Marvel .1 book.  Geez.
  • Winter Soldier #12: This is the winter of Brubaker’s Marvel content.
  • Wolverine and the X-Men #19: It’s nineteen issues in and I’m still surprised by how good it is month to month.  Now that AvX is over, this book should really shine–especially with the NOW! nonsense popping up around it.

Wolverine and the X-Men #19 Cover

Great Expectations

  • The Rocketeer: Cargo of Doom #3: Expected to see this a couple of weeks ago.  Here’s to hoping it hits the rack this week.  With their work on this series and on Daredevil, Mark Waid and Chris Samnee have established themselves as the team to beat.

What are you looking forward to this week?

Turning pages,

Scott

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In Scott’s Bag (9/26)

26 Wednesday Sep 2012

Posted by ScottNerd in I&N Scott's Bag

≈ 3 Comments

Tags

Art Baltazar, bag, Batman Incorporated, Butch Guice, Chris Samnee, comics, Ed Brubaker, Franco, Fury Max, Garth Ennis, Grant Morrison, Jason Aaron, Jeff Lemire, Justice League Dark, Lee Garbett, Mark Waid, Mike Allred, Superman Family Adventures, The Rocketeer, The Ultimates, Wednesday, Winter Soldier, Wolverine and the X-Men

Seems like a fun bunch.  Impatient, too.  They’re desperate–just dying!–to be read.  And I’m desperate–still denying!—because I have dictatorial duties demanding my time.

Baggy Pants

  • Winter Soldier #11 (We’re in the winter of Brubaker’s run, apparently.  That makes me terribly sad; but I’ll have to buck up and soldier on.)
  • Wolverine and the X-Men #17 (Hmm.  A fill-in book, sure; but it’s Allred doin’ Doop.  I’m down.)
  • Fury Max #6 (Thumbed through.  Saw a guy with his head in a vise.  Max, indeed.)
  • Justice League Dark #0 (Constantine’s such a smug bastard.  Love it.)
  • The Rocketeer: Cargo of Doom #2 (I missed it when it came out.  Thanks to my guy, I didn’t have to miss it very long.  Plus: I get an unexpected Chris Samnee fix!)

Skinny Jeans

  • Batman Incorporated #0 (Why haven’t I put this on my pull list?)
  • The Ultimates #16 (I’m such a chump.  I didn’t have to pick it up.  But I saw it there; and the little demon said, “Well, you got the last one, so you might as well.”  I was like, “Angel?  Little angel?”  Ended up finding the little angel when I got back to the car: it was bound and gagged behind the driver’s seat; and it looked at me with eyes filled with sorry tears as I placed my bag–with this book in it–on the backseat.)

The Ultimates #16 Cover

Baby Girl’s Pick of the Week

  • Superman Family Adventures #5 (She’s got good taste.)

Can’t wait to get busy with these.

What did you get in your bag today?

Turning pages,

Scott

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In Scott’s Bag (9/12)

13 Thursday Sep 2012

Posted by ScottNerd in I&N Scott's Bag

≈ 6 Comments

Tags

bag, Batman, Comedian, comics, Frankenstein, Harbinger, Suicide Squad, The Rocketeer, The Shade, Wednesday, Winter Soldier, Wolverine and the X-Men, X-O Manowar

Another big week.  Can’t wait to crack ’em open.

Yes, Know:

  • X-O Manowar #5
  • Harbinger #4
  • Winter Soldier #10
  • Wolverine and the X-Men #16
  • Batman #0
  • Frankenstein: Agent of S.H.A.D.E. #0
  • Suicide Squad #0
  • The Shade #12
  • Comedian #3

Self vs. Shelf

  • AvX #11 (The collector in me won this out-of-the-blue battle.  Bastard.)

AvX #11 Cover

Oh, and umm, some sad news: I missed The Rocketeer; and from what I hear, I really missed it.  Oh, me!  I need my fix of Samnee!  Here’s hoping my guy’s distributor has one sitting around somewhere.

And no Fatale either.  I’m dying over here!

What did you get in your bag?

Turning pages,

Scott

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What’s Up?

12 Wednesday Sep 2012

Posted by ScottNerd in What's I&N Store?

≈ Leave a comment

Tags

AvX, bag, Batman, Brubaker, Comedian, comics, DC Comics, Fatale, Frankenstein, Image, James Robinson, Marvel, Samnee, Suicide Squad, The Rocketeer, The Shade, Valiant, Waid, Wednesday, Winter Soldier, Wolverine and the X-Men, X-O Manowar

I may need some help carrying my bag out of the shop this week.

More Than Zero

  • Batman #0
  • Frankenstein: Agent of S.H.A.D.E. #0
  • Suicide Squad #0: Not too sure how much longer I’m sticking with this.

Coo coo ca-choo, Mr. Robinson

  • The Shade #12: You will be missed.  A lot.

The Shade #12 Cover

Funny Business

  • Comedian #3: Dipped a bit after a stellar #1.  Hope it bounces back with a killer punchline.

Marvel Shrinky-Dinks

  • Winter Soldier #10: I’m still all twisted up after the last one.  Unwind me, dammit!  No!  What am I talking about?  Twist me some more!
  • Wolverine and the X-Men #16: Last one was a decent comeback after some terrible AvX tie-ins.

Fat Chance

  • Fatale #8: Brubaker’s baby, baby!  This cradle is most assuredly rockin’.

Soaring with Samnee

  • The Rocketeer: Cargo of Doom #2: The art was the highlight here–a very highlight.  In the stratosphere, even!

X-Oh Yeah!

  • X-O Manowar #5: Suits me just fine.
  • Harbinger #4: Quality, quality, quality.  Valiant’s got it in pspades.

Gee.  Is that it?  I’m gonna need a friggin’ hand truck.

How about you?  What’s gonna be in your bag tomorrow?

Turning pages,

Scott

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