In Scott’s Bag (2/20)

Got a lot, eh wot?

Something to Bag About

  • Mind MGMT #8 (I so love the feel of this book in my hands.  Ain’t nothin’ else like it.  The one book I don’t want to flip through.  It’ll open up to me when it’s time.)
  • Indestructible Hulk #4 (Oh, yes: it’s most assuredly House.  Lovely.)
Indestructible Hulk #4

Indestructible Hulk #4

  • Action Comics #17 (Love the cheesy sci-fi movie title.  High hopes have touched down.  The only way is up, up, and away!)
  • Harbinger #9 (A focus on Zephyr?  I’ve got faith it’ll be fantastic.)
  • X-O Manowar #10 (Looks action packed, which is good–this ain’t a talkie title.)
  • Wonder Woman #17 (Back to Tony Akins.  Too much artist ping-pong!)
  • Saga #10 (Yes, you read that right.  I’ve decided to quit being stupid.  I’ll catch up on Comixology (just a few issues, actually) and keep up with print starting here.)
Saga #10

Saga #10

  • Batwoman #17 (So flippin’ gorgeous, page after page.  I never want to stop staring at these stunning pages!)
  • Daredevil #23 (The set-up is–oh, it’s a set-up, all right.  [Couldn’t help but read it after a flip through.]  Yeah, I’ll be reading this one first.  Thank you, Mr. Waid, you mad genius.)
  • Revival #7 (I hope this issue revives my interest.  If not, could be a casualty of another pull-list purge.)
  • Justice League of America #1 (Finch’s art seems solid throughout.  Too bad I’m left thinking: how’s Johns going to ruin it.)
  • The Shadow: Year One #1 (Gosh.  Haven’t read Matt Wagner in ages–in fact, not since Mage way back in the day.  Hope his take is better than Ennis’s.)
The Shadow: Year One #1

The Shadow: Year One #1

  • Kill Shakespeare: The Tale of Blood #1 (Thumb through at the shop didn’t impress me much; but I picked it up anyway.  Unfortunately, I’ve missed out on some decent reads because I wasn’t so taken by the art at first sight.  So, we’ll see where this one goes.)
  • G.I. Joe #1 (It’s all Van Lente here.  Yo, Fred!)

It appears that I may be out of control.

Sweet.

What did you get in your bag today?

Turning pages,

Scott

What’s Up?

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Looks like a solid week: a bunch of stack stalwarts and four fingers worth of freshness.

  • Mind MGMT #8 (Dark Horse): #7 put Henry and Meru on the road: an excellent transition–but to what?  Can’t wait to find out.
Mind MGMT #8

Mind MGMT #8

  • Action Comics #17 (DC): Here we go again: Morrison’s making his way out–with a bang, I hope.  Expectations, however, have been comic-creator kryptonite of late.  So, who knows, you know?
  • Batwoman #17 (DC): Stunning cover.  The promise of a “[m]assive conclusion.”  J.H. Williams III.  That’s pretty must “all ye need to know.”  Ye also might like to know that Williams III will be handing over the art duties to Trevor McCarthy starting with the next issue.  Might fall from the pull-list as a result.
Batwoman #17

Batwoman #17

  • Wonder Woman #17 (DC): Has been consistently good.  In that, it’s been consistently shy of great.  Therein lies the true wonder.
  • Harbinger #9 (Valiant): Dysart’s been building his corner of the Valiant Universe with a rare verve.  A wonderful place to get lost in for twenty-two pages.
  • X-O Manowar #10 (Valiant): Marching toward Planet Death with renewed energy.
  • Daredevil #23 (Marvel): What will Waid and Samnee do–what can they do?–to follow up the Coyote storyline?  We’ll see.
Daredevil #23

Daredevil #23

  • Indestructible Hulk #4 (Marvel): Have it on good authority that my House connection–see #3–wasn’t too far off.  Looking forward to seeing how it plays out.
  • G.I. Joe #1 (IDW): Banking on Fred Van Lente for this reach buy.  His Archer & Armstrong has been remarkably balanced.  May play well here, too.
  • Justice League of America #1 (DC): For no good reason.  I mean, let’s be honest: Geoff Johns hasn’t had much to offer the New 52–other than reasons not to buy core titles.
  • Kill Shakespeare: Tide of Blood #1 (IDW): I didn’t buy the first Kill Shakespeare series.  Sounds fun, though.  If I find it, I’ll flip through it and go from there.
  • Revival #7 (Image): Losing interest as quickly as it was won.  Not a good sign.  Seems like Seeley has lost focus: the storytelling hasn’t been very good over the last couple of issues.
  • The Sixth Gun: Sons of the Gun #1 (Oni): Just getting into the The Sixth Gun.  Don’t want to let this slip by, especially if it answers some questions–questions I haven’t even asked yet!
The Sixth Gun: Sons of the Gun #1

The Sixth Gun: Sons of the Gun #1

Not too bad, right?

Tell me: what are you looking forward to tomorrow?

Turning pages,

Scott

I&Nterview: Escape Pod Comics

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Escape Pod Comics, in Huntington, NY, provides an interesting take on the traditional comics shop. In fact, it’s owner, Menachem Luchins, proclaims it “the future of comic book stores.” We took some time to ask Menachem about his vision:

Derek Mainhart: So, Menachem, what’s the concept behind Escape Pod Comics?

Menachem Luchins: The concept behind Escape Pod is that there is a comic for everyone. Despite the fact that comics are becoming more and more popular, people still see them as a niche medium. They think all comics are super-heroes, or at least fantastical. While that may be a small majority of the books there really is something for every taste and age group.

More than just believing in this, we want the FEEL of Escape Pod to reflect it. That’s why if you walk in to our shop you’ll see books by genre, a HUGE kid’s section, chairs and table for reading and a whole slew of discounted used books. We want you to browse, to be comfortable. We also want to educate and investigate, which is why we’ll be offering classes and events on how comics work.

DM: Where did the idea for this kind of store come from? Give us some background info.

ML: Well, for a few years I used to travel from upstate NY to Brooklyn just so I could shop at Rocketship Comics on Smith Street. When they closed I actually cried. I also bought out a lot of their stock and fixtures, including a spinner rack of my own. I used to joke about opening my own store with all the stuff I bought from them. A year later, I was re-reading Dave Sim’s Cerebus but this time with all the letters, articles, etc and came across Mark Simpson and Stephen Holland’s manifesto for their store Page 45, which they created after putting together the Aardvarks Over UK tour for Dave and Gerhard and something just clicked… Here I was, commuting to a teaching job that I was just too burnt out to enjoy and these guys were talking about selling comics to EVERYONE. A year later I went for it and here we are.

DM: Ah yes, I know the pain of losing a beloved store. Which brings me to another question: You’re opening up a comics store?! In this economy?! Are you crazy?!!!

ML: Well, the simplistic answer is that I’m not looking to strike it rich or even make “a lot” of money, I’m just planning on making enough to get by (with a wife and three kids…). I’ve never really been a very money-centric guy. If I was, I could tell you how comics are the only print medium that actually had INCREASED sales in the last year, how people buy entertainment and escapist works MORE in a recession. I would point out that thanks to the economy, a 90-minute movie costs about what a 200+ page comic costs and that a paperback novel is closing in on that price-point as well. I could also, getting off the money issue, go on and on about smart buying as a store and how our cultural events, classes and signings are going to make us much more than just a shop, but a community center. All of that is an explanation but none of it is really the answer. The real answer, honestly, is a combination of all those things and many more. But to more directly and succinctly answer your question: Yes, I’m crazy.

DM: Heh. Tell us a little bit about the classes you’re offering.

ML: Funny you should ask… We’ve got the incomparable Derek Mainhart lined up to do some classes.

DM: That guy’s a hack.

ML: My current plan for that is to give Derek the store space every Saturday. Space will be cleared and he will be free to teach however many classes he wants, or bring in other people to teach at the same time or at different times, whichever. We don’t have a firm date on this, but we’re looking at the summer.

Until then I’m going to be calling in some chips: the legendary comic writer J.M. DeMatties has already agreed to give a lecture or class one day.  So has Lucy Knisley. Cynthia von Buhler, who is kind of my patron saint, has agreed to come down for something, and to sell some of her comic’s original art through us.

Just today, a gentleman who wandered in, insisting he didn’t read comic books but was wondering if I sold “illustrated novels, like Maus,” suggested that I teach a literature class for adults once a month. When people wander in off the street I like to give them my full attention; since the store doesn’t really need anything immediately, I’m able to explain my plans and goal better and just chat.

Chatting with this guy and his wife led us all over: from Downton Abbey to Hugo to Dickens to Austen to Sondheim… After which, he made that suggestion. I insisted that it would have to be a comic class, but could easily be a literary one. He was all for it, was ready to sign up then and there. His wife too. Hmmm… Sailor Twain, maybe?

DM: Sounds like an impressive lineup (other than that Mainhart guy). You also mentioned hosting “cultural events.”  What sorts of things do you have in mind? Anything in the works?

ML: Well, I’m currently working with the Huntington Arts Council on their exciting Spark Boom program, which is starting in spring and running until the end of the summer. There are going to be all sorts of events at various locales and stores in the area and we may even be hosting a few in the store.

Aside from that, I’m talking to some artists (none very firm yet) about doing small shows in our space. There are also lectures planned to educate the average person on what exactly comics are. After all, they’re not just for kids anymore…

DM: Amen to that! So, education, lectures, art exhibits: sounds like you really want to be part of the local community. To paraphrase Homer (Simpson): Is there anything Escape Pod Comics can’t do?

ML: Well, we won’t be selling toys or t-shirts… So there’s that. Frankly, a good book store, whether it’s solely devoted to just comics or to the written word or both, SHOULD be all those things. In recent years the Internet and franchises have destroyed the literally thousands of stores that used to exist like this all across the USA. Our goal is to bring the comfort of a joyous shopping experience at a place that knows you, your town and your interests, back. But I guess you’ll have to stop in to the store to see if we’ve been successful.

Escape Pod Comics. Check it out.

Back and Forth: Red, Green & Blue

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Scott Carney: While never done in a ceremonial manner–certainly never hand to heart–I think it’s safe to say, as evidenced by my weekly What’s Up? posts, that I have publicly pledged allegiance–in a case or two, unabashedly blind allegiance–to an exclusive club of comic creators.  Two fellas who fall into that illustrious legion of superscribes are Scott Snyder (Severed, American Vampire) and Jeff Lemire (Essex County, Sweet Tooth).

But I fear–as I do fondly while reading the best of Snyder–that I no longer hear the deliciously shuddersome voice that drew me to him in the first place.  Certainly not in Swamp Thing #17.

Swamp Thing #17

Swamp Thing #17

And, I no longer hear Lemire’s refreshingly veracious voice, either, if I’m being honest–as heartwrenchingly honest as he is when he’s at his best.  Certainly not in Animal Man #17.

Animal Man #17

Animal Man #17

It seems, here, in the two-book Rotworld finale, that each–a true master of his craft–has been thwarted by a wholly unexpected villain: the run-of-the-mill comic book hero.  (Don’t get me wrong: on both fronts, the build up to the finale was just fine.  If I’m being fair, however, Snyder’s work on Swamp Thing was more effective than Lemire’s on Animal Man–most assuredly because Snyder was living closer to home: the terrifying creatures littering the landscape of Rotworld are natural notes for him to play; and he played them well enough–again, until the end of this corrosive crossover.)  What irony, eh?  After laying a foundation–spanning several solid issues– upon which the defenders of fauna and flora fight alongside a surviving set of superbeings, what happens to Snyder’s signature horror?  It’s foiled by the hero.  What happens to Lemire’s signature honesty?  It, too, is foiled by the hero.  Foiled by the heroes’ hailstorm of shockingly silly lines–one more horrifically ridiculous than the next.  Foiled by the heroes’ lack of believable layers, leaving them flat and cold, leaving them decidedly devoid of emotion; leaving them an unbridgeable distance from the ones they supposedly love–and from us.

So, as each creative team shoves its protagonist closer to the end–in this case, toward a portal to the past, which will allow the pair “to stop Arcane” from establishing Rotworld in the first place, kind of like a couple of Terminators after Sarah Connor–the cracks widen, deepen; and the finale collapses under the weight of the concept, resulting not in the presumably successful symphony for which we paid admission, but, instead, in a cacophony of defeat.

Derek Mainhart: I have to agree. What was so interesting about these two titles was  each writer applying their own distinctive voice to the superhero trappings;  Snyder’s almost clinical way with horror and Lemire’s naturalistic rendition of family dynamic amidst trying times. That they were able to do this while simultaneously working different sides of the same story was even more impressive. Now though, both of those strengths have been subsumed by the perceived requirements of epic storytelling: wooden dialogue, numbingly explosive action, and awful sidekicks (in particular, the character of Shepherd suggests Lemire is a part of that small, but distinctive demographic: the Jar Jar Binks fan). Yes, Animal Man has fared worse. As you say, Rotworld is more in Snyder’s wheelhouse; in fact, as I’ve said, the previous issue of Swamp Thing was quite good. And so, despite the unholy mess that was these two issues, I still have (some) faith that Snyder might be able to tie this all up with some sort of fitting coda, in what will be, after all, his last issue. Now that our heroes our back in the present, I hope that Lemire, who is continuing on Animal Man, will return to his strengths as well, tripping the light fantastic between the everyday and the extraordinary. Because the overweening superhero stuff is simply not him.

To wit: Green Arrow #17. This was billed as “jumping on point” due to the new creative team of Lemire and Andrea Sorrentino. And it delivers, in a ‘by the book’ (‘buy the book’?) sort of way: the hero’s status quo is violently dismantled by a new villain who seems to know everything about him. A new mystery is introduced regarding said hero’s past. Confidantes are killed, and cryptic utterances, uttered. All the notes are hit. And yet, to continue your musical metaphor, it doesn’t sing. It’s like a robot playing Beethoven; a rote exercise. Now I’m obviously not a regular reader of Green Arrow. Perhaps to fans of the emerald archer, this issue provided a new direction, a sense of excitement. But I picked it up because it was a Jeff Lemire book. Sadly there is nothing of his voice in this. Anyone could’ve written it.

SC: I hear you, sir! If anything, it’s a three chord ditty: it’s listenable, sure–likeable, even, for what it is; but in the end, what is it, really?  One thing’s for sure, it’s not what we love from Lemire.

DM: What we love, indeed. But what’s all this talk of “voice” and “music”?  In a superhero comic? We’re expecting too much you say? Shame on you, you should know better by now. Any genre can achieve stirring crescendo given the right creator.

I submit: Dial H #9. This issue, indeed the entire series, has served up an aria of imagination by writer China Mieville. His unending cavalcade of absurd, sublime heroes is itself worth the price of admission–not to mention this ridiculous cover by Brian Bolland:

Here, we are treated to the monstrous Minotaura, and her singular method of ensnaring her prey.  (Kudos also to artists Alberto Ponticelli and Dan Green who are quickly finding their feet on this title.)  And then there is The Glimpse, a hero whose inspired power is to stay forever at the periphery of your vision. You see a glove here, a boot there, but the hero himself is just beyond your reach, always teasing you with his promise, but ultimately leaving the panel empty. If there’s a better metaphor for the never-ending, epic-obsessed, hype machine that is the current state of the superhero industry, I’ve yet to find it.  Want to say it together?

SC: Sure! Yeah!  Let’s harmonize. Ready, on three.  One…Two…

SC & DM: Book of the week!

Turning pages,

Scott & Derek

In Scott’s Bag (2/13)

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Big stack, little time.  Here’s the rushed rundown as drawn from the sacred sack:

  • Fury: My War Gone By #9 (Read half of it at the gas station while filling up.  Full service with a smile–on my face, anyway!  Headbutts and boots to the throat’ll do that.)
  • Archer & Armstrong #7 (My sherbet!  My lychee nut!  Bring on Batman!)
  • Bloodshot #8 (Looks like it’s loaded!  And, umm, it is weird that I seem to, umm, like Gamma, umm, well, as more than just a friend?  Sigh.  I wonder if she’ll be my Valentine.)
Bloodshot #8

Bloodshot #8

  • Battlefields: The Fall and Rise of Anna Kharkova #4 (Yes, please!)
  • Fatale #12 (Don’t think it’s a stretch to say that it’s gonna be tough to knock it off its perch.)
  • Uncanny X-Men #1 (How can one go wrong with Bendis and Bachalo?  Yeah, I’m gonna keep telling myself that until I actually crack it open.)
  • Secret Avengers #1 (It’s no secret: my expectations are pretty darned low.  It’s just that I can’t imagine a world–or a non-reboot-reboot–without a monthly Avengers book.  But then there’s reality.  Sad, sad reality.)
Secret Avengers #1

Secret Avengers #1

  • Todd, the Ugliest Kid on Earth #2 (Yeah, I get the irony.  I hope that’s not all I get.  If it is, I probably won‘t get #3.)
  • Change #3 (A quick flip: an acid trip, a peyote paid vacation.  Glorious.  Can’t wait to marry words to the psychedelic imagery.)
  • Batman #17 (Don’t want to open it until I’m good and ready.  I’ve got Archer and Armstrong, just in case.)
  • Bedlam #4 (Last issue pissed me off.  This could be my jumping off point.)
  • Comedian #5 (Nothing to say.  I feel like I should apologize for buying it.)

So, that’s what was in my bag.  What was in yours?

Turning pages,

Scott

What’s Up?

From a monster week of books (a mixed bag, at best) to a monster storm (needed a shovel-toting podiatrist to clear feet of snow from my driveway!) to another–yes, another–monster week of books!  You know what that means: I’ll be digging my way out of a packed paper bag come Wednesday.  Here’s the forecast:

100% Chance of Snow

  • Batman #17 (DC): The finale of Death of the Family.  Snyder’s track record with finales hasn’t been great of late.  (See: The Court of Owls and the still developing finale of Rotworld.)  Last issue was a bit of a bust; so my expectations are pretty low–low enough for me to see this issue as my last.  That would leave me with one Batbook: Batwoman.  And that one is only a must buy as long as J.H. Williams III is doing his magic.  That’s not what I was hoping for when I was drawn back into comics–after a long break–by the New 52.
  • Battlefields: Fall and Rise of Anna Kharkova #4 (Dynamite): Garth Ennis. ‘Nuff said.
  • Bedlam #4 (Image): Last issue ticked me off.  Final Destination: The Comic.  Really?  Short leash.
  • Change #3 (Image): Loved #2–until a questionable ending.  We’ll see.
Change #3

Change #3

  • Clone #4 (Image): Ugh.  I’m not in love with this series.  This might be it.
  • Fatale #12 (Image): The last issue was sooooooo good.  Brubaker and Phillips are killing it here and are setting some serious trends in other books.  Just look around.
Fatale #12

Fatale #12

  • Fury: My War Gone By #9 (Marvel): A double-shot of Ennis?  I’m spinning already!  If you’ve been reading along, you know how I feel about this title.
Fury: My War Gone By #9

Fury: My War Gone By #9

  • Archer & Armstrong #7 (Valiant): Tight story-telling and brash fun.  This book is a reliable palate cleanser.  I’ll probably read it directly after Batman.
  • Bloodshot #8 (Valiant): Back to now after a trip-hop-skip to the past.  While I’ve been enjoying what Swierczynski’s been doing of late, I can’t wait till Harbinger Wars.  Sounds like a crossover that’s actually going to work; one that has value and isn’t just an event for the sake of having an event.
  • Comedian #5 (DC): Yeah, I’m getting it.  Someone somewhere is laughing at me.

Fog.  Just Fog.

  • Todd the Ugliest Kid on Earth #2 (Image): Not as clever as it thought it was, but it had its moments.  Quirky enough to go for two.
  • Uncanny X-Men #1 (Marvel): Bachalo and Bendis: worth a try, no?  but worth an investment?  I don’t know.  I mean, how long with Bachalo be on the book?  Three issues?
  • Secret Avengers #1 (Marvel): Winter Soldier may be enough of a draw.  Plus, I’ve enjoyed Nick Spencer over on Bedlam.

Increasing Temperatures

  • The Initiates: I’ve developed a bit of a crush on this graphic novel by Etienne Davodeau.  May have to Amazon it.
The Initiates

The Initiates

That’s what’s headed my way.  What are you looking forward to tomorrow?

Turning pages,

Scott

In Scott’s Bag (2/6)

These big bags are bullying their collective way into my weekly routine.  Budget-busting bastards.

Straight Outta Bagton

  • Green Arrow #17 (Looks pretty–pretty enough to earn my attention, to be my first.)
Green Arrow #1

Green Arrow #1

  • Winter Soldier #15 (I have no idea what to expect.  I was ready to just give up on it, with Brubaker being gone and all; but I like the character enough–certainly enough to give it another issue, maybe even an entire arc.  That being said, let’s see what Latour has to offer.)
  • All-New X-Men #7 (I must have a thing for David Marquez.  Because if I’m picking this up, it isn’t for the story, that I can promise you.)
  • Shadowman #4 (Patrick Zircher looks like he’s having fun–shadowy, Cajun fun.)
  • Snapshot #1 (A new Image #1 from Andy Diggle and Jock.  Some crackin’ black and white art, which is always a turn on.)
  • Fairy Quest: Outlaws #1 (Looks like Humberto Ramos has outdone himself–to our benefit, of course.  Betcha it’ll read just as well.  Mr. Jenkins is good that way.)
  • Harbinger #0 (Yeah, hi!  The art is gorgeous and–even without an understanding of the story–strikingly intense.)
Harbinger #0

Harbinger #0

  • Red Team #1 (Looks conversation heavy.  Thank God!  That’s exactly what I was hoping for from Mr. Ennis.)
  • Colder #4 (Ferreyra’s still solid, clearly.  Tobin, however, has been thawing out a little too quickly–especially for a mini.  Sorry to say, not expecting much at this point.)
  • Ultimate Spider-Man #20 (Ride ’em, Spider-Boy–er, Man.  For some reason, I’m feeling a bit of anxiety over this one.  I wonder if I’m worried about liking Venom.  Wouldn’t that be a kick in the craggy mouth.)
  • Daredevil: End of Days #5 (Bendis and the crew is building toward something of questionable value, sure, but they’re doing it well; and, with each new issue, I find myself climbing more confidently.)
  • Swamp Thing #17 (Umm…what?  Paquette’s not the artist on the Rotworld finale?  Yeah, I already feel ripped off.  Horrible Wolverine and the X-Men flashbacks.)
  • Dial H #9 (#8 was a bit of a letdown.  Hope China’s got it in him to bring it all back to form–the form that earned his series our highest honor: #1 book of 2012.  A quick, hopeful flip reveals that Alberto Ponticelli’s still trying to find his way.  Yup: we’re all missing Mateus Santoloucco, who, by the way, is rocking it on his own  TMNT book.)
Dial H #9

Dial H #9

  • Animal Man #17 (An odd twist: after a superficial scan, looks like I’m looking forward to this more than I am Swamp Thing.  Even still, I’m not super psyched about it.  Damn.)

So, yeah, I bought a few books today.

What did you get in your bag?  Anything good?

Turning pages,

Scott

Top 5 Comics – Jan 2013

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Preeeesenting the Top Five Comics of the new year! Top Five according to what criteria you may ask? Sales? Nope. Democratic process? Hell no! Blindfolded monkey? Interesting! Maybe in the future.  But for now these are simply the books that tickled our fancy the most in the past 31 days. And while our reading list is impressive, it is by no means exhaustive. in other words, these are the Purely Subjective Favorites of the Books We Happened to Read. But Top 5 sounds better!

In reverse order, ’cause countdowns are fun:

5. Bravest Warriors #4 (kaboom!) – Our heroes get humiliated, decapitated and degraded, as their lifeless skulls are used to put on a puppet show. And that’s just the first five pages! Joey Comeau and Mike Holmes continue to dole out the delightful depravity. And the back up feature by Ryan Pequin: oh, what have you done to our most beloved Founding Father? I’ve said it before and i’ll say it again: despite its trappings, this comic ain’t for kids. But it is most certainly for me. (DM)

4. Fury My War Gone By #8 (Marvel) – Garth Ennis has struck gold with this series–our No. 9 book of 2012; and with #8, he digs even deeper and strikes, well, golder with a violent chorus of well-tuned voices and a series of choices that burns hotter than napalm. (SC)

3. Rachel Rising #13 (Abstract Studio) – Terry Moore’s charnel epic heats up as revenge most heinous is set in motion, even as the narrative takes a time-out for a fairy tale. Suspense, dark humor and semi-dead vixens in beautiful black and white. This comic is so cool it burns. (DM)

2. Mind MGMT #7 (Dark Horse) – Who’s doing more between the covers than Matt Kindt?  He’s a one-man creation crew with clear vision and the enviable ability to convey it–and all its wondrous complexity–with scintillating precision.  And he knows he’s good, too: at the end of this issue, through Henry Lyme, who makes a promise to Meru, Kindt makes a solemn promise to his readers, me and you: “You’re going to get a hell of a good story.”  I’d expect nothing less!  That’s right, folks: our #3 book of 2012 is already staking its claim for the top spot of 2013. (SC)

1. Fatale #11 (Image) – No surprise that our No. 5 book of 2012 leapfrogs to the top spot this month. Ed Brubaker has been putting on a clinic of genre writing with this series, from 50’s noir to 70’s sleaze, and all with an undercurrent of Lovecraftian dread. This issue gives a nod to the pulp origins of our favorite medium, presenting a tale-within-a-tale involving occult shenanigans in the Old West. And what the hell? Frame it in Hitchcockian suspense for good measure. Sean Phillips has proven adept at keeping the tone deadly steady with his art, no matter what Brubaker throws at him. This one’s firing on all cylinders folks. Time to hop on board. (DM)

The Biggest Dis(appointment): Superior Spider-Man #2 (Marvel) – Give up the ghost, already.

So that’s our list folks! What’s yours?

Scott & Derek

What’s Up?

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“What’s up?” you ask?  Yeah.  It’s more like what isn’t up.  Keeeeey-riced!  Check it:

Crisis of Definite Comics

  • Action Comics #17 (DC): Promises to be epic.  Either way, Morrison’s last will be mine as well.
  • Animal Man #17 (DC): Wondering where this is going to go after Rotworld.
  • Dial H #9 (DC): Didn’t kick off 2013 the way it stomped through 2012.  Expectations are still dialed up pretty high–and maybe that’s the problem.
  • Green Arrow #17 (DC): Lemire’s run begins.  Will it be a bull’s eye or another quivering misfire?
  • Swamp Thing #17 (DC): Not caring where this is going to go after Rotworld.  As with Morrison’s Action, Snyder’s last will be mine as well.
  • Daredevil: End of Days #5 (Marvel): #4 was really good.  In fact, halfway through, this mini has been surprisingly effective.
  • Ultimate Spider-Man #20 (Marvel): Venom?  Gag–unless he’s going to be used in an unexpected manner, which is totally possible.  Bendis has earned a long leash– even with a poisonous character like the toxic tongue wagger himself.
  • Harbinger #0 (Valiant): Great stuff.  So great, in fact, that I’m not worried about a zero diversion.  Not in the least.
  • Shadowman #4 (Valiant): Didn’t expect to get this far with it.
  • Snapshot #1 (Image): Looks interesting enough.  Don’t have much experience with Diggle.  I’m jumping on because of Jock, who has been doing some transcendent work on the Batman back-ups, or extensions, or whatever they are.
Snapshot #1

Snapshot #1

  • Garth Ennis’ Red Team #1 (Dynamite): Ennis is so hot right now he’s impossible to pass up.
Garth Ennis Red Team #1

Garth Ennis Red Team #1

  • Colder #4 (Dark Horse): Started off so well.  Unfortunately, has fallen faster than Declan’s body temperature.
  • Fairy Quest #1 (BOOM!): Jenkins and Ramos?  Come on: definitely worth a shot.
Fairy Quest #1

Fairy Quest #1

Is This a Comic Which I See Before Me?

  • All-New X-Men #7 (Marvel): Mainly because of Marquez.  Also because I’m an idiot.
  • Winter Soldier #15 (Marvel): Brubaker’s take is THE take, no doubt.  But why not try someone else’s take for at least an issue or two?  Can’t be worse than Remender’s Captain America for goodness sake.
  • Dia De Los Muertos #1 (Image): I’ll give it a quick flip.  Rossmo’s certainly worth a maybe.

I wonder if I’ll be able to buy some time, too; I’m gonna need it.  Yow-to-the-za!

What are you looking forward to?  Anything else I should keep an eye out for?

Turning pages,

Scott

Back and Forth: Conspiracy Series

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“I’ll take Superheroes for $100 Alex.”

“This 2013 Dark Horse comic by Mike Norton and Dennis Hopeless featured a lead character with an exclamation point on his face.”

“What is The Answer?”

Derek Mainhart: What indeed? This romp of a first issue involves conspiracy theories, pseudo-philosophies, and other trivial pursuits dressed up in whizbang! superhero tropes. The action revolves around everywoman Devin MacKenzie, as she unwittingly gets embroiled in deadly intrigue replete with brain-teasers and begoggled, gun-toting assassins. Well, ‘unwitting is perhaps the wrong word; Devin is a garden-variety genius whose propensity for puzzle-solving is what gets her into this fine mess. Bursting in to save her is the eponymous hero, his earnestly goofy mask the perfect expression of good ol’-fashioned costumed action. And ‘bursting’ is the right word, as Norton’s art evokes the bombast of the Silver Age greats, like the artist whose work partly inspired this book, the legendary Steve Ditko. Indeed it is difficult (damn near impossible for this reader) not to relate this comic to Ditko’s own quirky anti-hero, The Question. That singular man of mystery had an unflinchingly black and white view of morality, and served as a vehicle for its creators idiosyncratic brand of Ayn Rand-inspired philosophy. This book, by contrast, casts the villain as a soul patch-sporting motivational speaker selling ersatz-Randian jargon to the desperate masses. So, though the admiration of Ditko’s work is clearly evident, there also seems to be a touch of gentle parody at play. (There is also something of the anarchic spirit of Madman and The Mask in these pages, though not quite so over the top. But here’s hoping.) A comic book parody of a semi-obscure series from a famous recluse? Sound a little too comic-book in-jokey for you? Well luckily, Norton and Hopeless have crafted a book that can be enjoyed in a straightforward manner as well. The action is propulsive, the mystery, intriguing, the hero, just the right side of preposterous. And in Devin, they’ve created an engaging, brainy, and downright funny lead character (Liz Lemon comes to mind) who is sharp enough to quip at her ever-increasing peril, and sensible enough to be terrified.

Is this comic a conspiracy-driven plot with metaphysical undertones? Or is it a lighthearted satire of one? The Answer: is fun.

TMNT: The Secret History of the Foot Clan #2 (IDW): Now here’s a book that snuck in under the radar. I’ve never been a big fan of the Turtles. I was a tad too old for them when the craze hit in the late ’80s. Honestly, what little I know of them is from their sheer pop cultural ubiquity. The only reason I picked up this book is because of how much I dug Mateus Santolouco’s art on Dial H. I fully expected to be one-and-done on this. Yet here we are, two issues in and I’m fascinated!

TMNT: The Secret History of the Foot Clan #2

TMNT: The Secret History of the Foot Clan #2

Scott Carney: And I’m pretty fascinated, too.  I had no idea that I’d like this as much as I do.  Like you, I don’t have an investment in the Turtles; I mean, I haven’t purchased a TMNT book since #2 way back in the day.  Hmm.  Maybe I should go find where that is.  Memories.  Flooding.  Back.  Mini-regret: I abandoned the Turtles after one book but bought a few of the many rip-offs: silly parodies that featured gerbils and hamsters, if I’m recalling them correctly.  Annnnnd a quick Google search reveals that I am.  Check ’em out:

So, thanks to Santolouco and co-scripter Erik Burnham , I’ve scored more Turtle books in the last month than I have in the past twenty-eight years or so.  What works so well here?  It’s the secret history thats doing the bulk of the work for me; I was drawn into a fresh story that unapologetically pulls, in part, from the spectacular period pieces of the Beijing New Picture Film Co., renowned for their epic stories, lush settings, and unparalleled action sequences.  As it turned, I didn’t have to worry about the Turtles and their cartoonish rep too much: they’re used more so to keep Dr. Miller’s compelling history lesson in some sort of context–not that it needed it to be effective, mind you.  Heck: toss out the Testudines–leave ’em spinning on their shells!–and you’ve got something more effective than most of what I’ve read from Marvel of late.

DM: I agree. What’s most intriguing about this book is the way Sanatlouco and Burnham are presenting the history as being discovered in an almost archeological sense. Combined with the interweaving elements of folklore, this gives the story a real sense of breadth.

SC: As is, that first issue was certainly good enough to warrant my picking up number two; and wouldn’t you know, the  second issue does a fine job tying together the Turtles and their conflict with the modern-day Foot Clan–established energetically in the initial knock-around–with the still-unfolding background of Shredder’s band of bad guys.  In the final panel, Saki, with book in hand, turns pages intently to learn of his mysterious legacy.  That’s how I’m gonna look when #3 comes out: I can’t wait to see where Sanotloucco goes with this!  And, having said that, I still can’t believe I’m buying a TMNT book!

One book I believe in more than any other being published right now is Dark Horse’s Mind MGMT.  After a bit of a break, it’s back with issue #7; and Matt Kindt clearly hasn’t skipped a beat.  In fact, he’s added an extra beat just to jazz things up a bit: Meru resignedly compares herself to Kerouac and Lyme to Dean Moriarty as the two hit the road, as she tries to make sense of what she’s heard and seen–what’s she’s learned about Mind Management. 

Mind MGMT #7 Cover

The artwork is just as terrific as ever, with Kindt’s trademark watercolors splashed across every page, amplifying and tempering tones enough to stir up an undertow that sucks the reader in and refuses to let go.  And while Meru’s interrogation of Brinks–during which he spills his brains–is gripping enough on its own, Kindt doesn’t stop there: he once again plays up the extras–including, quite literally, a side story served up with Verve; an illustrated and informative footer, which tracks the evolution of a killer tool: the assassination letter; and an incredibly smashing case file–to add even more value to the already complex narrative, which insists upon the reader’s complete attention.  It also demands to be named Book of the Week.  To be honest, I can’t think of another book that deserves it more.  Wait.  I, umm–I can’t even think of another book.  Geez, I could’ve sworn I read something else this week.  Hmm.  Guess not.  So, yeah: Mind MGMT #7 is our Book of the Week.  If you haven’t jumped on board yet, what are you waiting for?  A letter?  Gosh, I hope not.

Turning pages,

Derek & Scott