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Tag Archives: Dan Green

I&N Scott’s Bag (8/7)

11 Sunday Aug 2013

Posted by ScottNerd in I&N Scott's Bag

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Alberto Ponticelli, All-New X-Men, Ben Templesmith, Brian Bolland, Brian Michael Bendis, Buck Rogers, China Mieville, Cullen Bunn, Dan Green, Daredevil: Dark Nights, David Lafuente, David Lapham, DC Comics, Dial H, Ed Brisson, Ed Brubaker, Fatale, Helheim, HiFi, Howard Chaykin, Image, J. Michael Straczynski, James Asmus, Jeff Lemire, Joelle Jones, Johnnie Christmas, Jonathan Hickman, Jordie Bellaire, Justin Jordan, Lee Loughridge, Lee Weeks, Marvel, Mateus Santoluoco, Matt Fraction, Neil Edwards, Nick Filardi, Nick Pitarra, Oni Press, Quantum and Woody, Roberto De La Torre, Satellite Sam, Sean Phillips, Sergio Cariello, Shadowman, Shari Chankhamma, Sheltered, Ten Grand, The Manhattan Projects, Tom Mandrake, Tome Fowler, Trillium, Valiant, Vertigo

Another Wednesday in NYC meant another trip to Midtown Comics–and another week of plucking top-shelf books from the middle of the Great Wall O’Comics.

  • Fatale #16 (Read it!  Solid, sure, but not as transcendent as it’s been.  No real missteps, just didn’t get the feeling I typically get during and after reading.  Hey: it’s bound to happen–especially with the titles that kill it from issue to issue.)
Fatale #16

Fatale #16

  • Dial H #15 (Read it!  A crazy, convoluted concoction–everything we’ve come to love about this misfit book!  Too bad it couldn’t really find its place in the DCU–or an audience.  We sure as heck did our best to promote it; but, alas, it wasn’t enough.  From the get-go, however, it was clear: Dial H wasn’t a terribly accessible title.  Thank you China Mieville, Alberto Ponticelli, Dan Green, Mateus Santolouco, Dave Lapham, and Brian Bolland for dialing me dizzy for fifteen fantastic issues.)
  • Buck Rogers #1 (Read it!  Howard Chaykin’s always worth a shot.  Here, though, probably just this one.  While it read well enough, it didn’t quite clear the bar, which is set pretty darned high–especially for outliers like this.  Hey: as much as I’d like to, I can’t read everything!)
  • Sheltered #2 (Read it!  A very strong follow up to a superb opening act.  Looks like Brisson might really have something here.)
Sheltered #2

Sheltered #2

  • Daredevil: Dark Nights #3 (Read it!  Some impressive twists weighed down just a bit by some inevitable schmaltz, especially related to what’s been driving DD to complete his mission of mercy.)
  • Ten Grand #4 (Read it!  Glad I’ve stuck around.  I’ve found myself drawn to Joe and to how Joe’s been drawn–and colored–by the terrific Ben Templesmith.)
Ten Grand #4

Ten Grand #4

  • All-New X-Men #15 (Read it!  Once again, an issue that accomplishes very little.  Feels like we’re just killing time leading up to the big crossover event.  Has felt that way for a while, actually.)
  • Sidekick #1 (Read it!  I liked it more than I didn’t.  What kept me from loving it?  It’s the battle that rages amongst the pages: a battle for the ages between clever and cliche.  Kudos to DerekNerd for noticing that this reads like a Mark Millar book.  If you didn’t think of it before, I bet you’re noticing it now.)
  • The Manhattan Projects #13 (Read it!  Same old, same old.  And by that, I mean super good.  Hickman, Pitarra, and Bellaire never take a month off.  Oh, and how about that JFK?)
  • Helheim #6 (Read it!  Everything you’d expect from a Cullen Bunn book.  Pretty terrific final page, no?)
  • Shadowman #9 (Read it!  Another solid issue.)
Shadowman #9

Shadowman #9

  • Quantum and Woody #2 (Read it!  Really liked the beginning.  Asmus kicks off the second installment with a clever conversation–between Woody and me!–and some intelligent humor.  In fact, I was thinking top of the pile for the week.  However, it got a bit sophomoric–and jokingly homophobic–as the issue progressed.  I get it: it’s meant to amplify Woody’s immaturity; but I think, in the end, it detracted from the development of the story.)
  • Trillium #1 (Read it!  One word–for now anyway: finally.)
Trillium #1

Trillium #1

  • Satellite Sam #2 (Read it!  Issue #1 was one of my favorites for July, and there’s no let up here.  Fantastic follow up from Fraction and Chaykin.  So fabulously different from everything else.)

What a way to kick off the month!

What did you get in your bag?  Anything worth checking out?

Turning pages,

Scott

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In Scott’s Bag (7/3)

05 Friday Jul 2013

Posted by ScottNerd in I&N Scott's Bag

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Alberto Ponticelli, Avatar, Batman Incorporated, Ben Templesmith, BOOM!, Canaan White, Carlos Magno, China Mieville, Chris Burnham, Dan Green, Daredevil: Dark Nights, Dark Horse, DC, Dean Motter, Deathmatch, Dial H, Emily and the Strangers, Grant Morrison, Howard Chaykin, Image, J. Michael Straczynski, Justin Jordan, Kieron Gillen, Lee Loughridge, Lee Weeks, Marvel, Matt Fraction, Mister X: Eviction, Neil Edwards, Paul Jenkins, Roberto De La Torre, Satellite Sam, Shadowman, Ten Grand, Uber, Valiant

Stuck to the script: showed love to the list and said ciao to Green Arrow and Suicide Risk.

I’m getting better at good buys.

  • Deathmatch #7 (Read it!  As I mentioned: it’s no longer a guilty pleasure: it’s a solid book that borrows often–and well–to its own end.  Without being obnoxious about it, Jenkins reveals what he needs to and teases what he wants to.  Sounds easy, but it’s not.)
  • Dial H #14 (The end is closer and, as a result, much more real–especially now that we’re an issue away from hanging up on Mieville, Ponicelli, and Green for good.)
Dial H #14

Dial H #14

  • Shadowman#8 (Read it!  Pretty much an issue’s worth of set up.  Roberto De La Torre’s work–his deathly dark Deadside–is the highlight here.)
  • Ten Grand #3 (Hoping that this one’ll win me over.)
  • Satellite Sam #1 (Looks like a book that I should like, mostly because of Howard Chaykin’s terrific black and white work.  We’ll see.)
  • Emily and the Strangers #3 (Striking the final chord.)
Emily and the Strangers #3

Emily and the Strangers #3

  • Mister X: Eviction #3 (Quick flip: yeah, I think we have our book of the year.)
  • Batman Incorporated #12 (Read it!  No one can rush his way to the end like Grant Morrison.  He’s so damn good.)
  • Daredevil: Dark Nights #2 (Read it!  Much better than I expected it to be.  Lee Weeks and Lee Loughridge push Daredevil to his limits and bring an certain elegance to his exertion–even on page 6, a snow-blind splash where DD is but a red speck on a bluish-white background.)
Daredevil: Dark Nights #2

Daredevil: Dark Nights #2

  • Uber #3 (Read it!  Glad I gave Gillen another chance.  For one, his Hitler is effing crazy!  I’m definitely sticking around for more.)

What did you get in your bag?

Turning pages,

Scott

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In Scott’s Bag (5/1)

04 Saturday May 2013

Posted by ScottNerd in I&N Scott's Bag

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Alberto Ponticelli, All-New X-Men, Andrea Sorrentino, Animal Man, Ape Entertainment, Ben Templesmith, BOOM!, Brian Bolland, Brian Michael Bendis, Buddy Baker, Bush administration, China Mieville, Clayton Henry, Cyborg 009, Dan Green, Dark Horse, DC Comics, Dean Motter, Dial H, Duane Swierczynski, Elena Casagrande, Freddie Williams II, Gail Simone, Green Arrow, Harbinger Wars, Image, Indestructible Hulk, J. Michael Strczynski, Jason Latour, Jeff Lemire, Joe's Comics, John Paul Leon, Joshua Dysart, Justin Jordan, Mark Waid, Marvel, Mico Suayan, Mister X: Eviction, Nic Klein, Roberto De La Torre, Sesame Street, Shadowman, Stuart Immonen, Suicide Risk, Ten Grand, The Movement, Wade Von Grawbadger, Walter Simonson, Winter Soldier

Ended up with 15 books.  Go figure.

  • The Movement #1 (Can’t imagine I’m going to like this.  Yet here it is.  In my bag.)
  • Winter Soldier #18 (That’s right: it survived the purge–at least for another month.  Thumb through cinched it.  Nic Klein’s artwork–especially his colors–was the draw here.)
Winter Soldier #17

Winter Soldier #18

  • Dial H #12 (Hope it comes back down to earth–not that the cover suggests it will.)
    Dial H #12

    Dial H #12

    • Snapshot #4 (Had forgotten all about this one.  Good thing I remembered while I was in the shop!  Best thing about it: it’s #4 of 4–which means it’s done and, going forward, I’m left with a lighter list.  Whoot!)
    • Cyborg 009 Preview (For a buck, why not?)
    • Mister X: Eviction #1 (Gorgeous cover.  Inside’s pretty damn gorgeous, too.)
    Mister X: Eviction #1

    Mister X: Eviction #1

    • Shadowman #0 (Quick flip: lots of chefs, but the broth is still refreshingly aromatic.  Can’t wait to taste it.)
    • Harbinger Wars #2 (Headed into it with realistic expectations.)
    • Indestructible Hulk #7 (Read it.  Better than #6, sure; but I’m still left thinking, “What difference does any of this make?” and “Why do I care?”)
    • Sesame Street #1 (No way I could pass this up.  My daughter loves Cookie Monster and Elmo.  Can’t wait to read it to her.  Really can’t wait until she’s able to read it on her own!)
    • All-New X-Men #11 (Read it.  A bit stuck in the mud–in more ways than one.  Overall, however, not bad.)
    • Ten Grand #1 (Read it.  Have you heard the one about the hitman with a heart who sells his soul to the devil in order to be with his lost love just one more time?  Of course you have.  Will probably give it another issue.)
    • Green Arrow #20 (Read it.  Perhaps one of the worst books I’ve read since I’ve been back in the game.  I just don’t get it.  Why can’t this character catch a friggin’ break?  I’ll tell you what this is further proof of: looks like Lemire is not suited for superhero books.  [See our recent reviews of Rotworld-related Animal Man to see what I’m talking about.])
    • Animal Man #20 (Read it.  Finally free of the Rot and the Red; finally we’re back in Buddy’s head.  That’s the Lemire we know and love!  A bit nervous about the promise for the next issue: the Red and Totems, too?  Just what am I going to do?)
    Animal Man #20

    Animal Man #20

    • Suicide Risk #1 (Read it.  Not terribly exciting.  Not terrible, either.  A little too familiar throughout.)

What did you end up with in your bag?

Turning pages,

Scott

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Top 5 Comics of Feb 2013 – Wtf Certifiable!

11 Monday Mar 2013

Posted by ScottNerd in 5 Comics You Should Be Reading

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Alberto Ponticelli, Batman, Batman Incorporated, Brian K. Vaughan, China Mieville, Chris Burnham, Chris Samnee, Dan Green, Daredevil, DC Comics, Death of the Family, Dial H, Ed Brubaker, Fatale, Fiona Staples, Grant Morrison, Image, Jason Masters, MacGuffin, Mark Waid, Marvel, Mateus Santoluoco, New 52, Pop Art, Requiem, Saga, Sean Phillips, Wtf Certified

So DC Comics has reconsidered its rather, um, innovative marketing strategy of appealing to the youth demographic by adorning the covers of its iconic heroes with a texting-based expletive acronym. Well BS I say! Stick to your ill-conceived guns! However, despite backing away from the edgy, DC did provide us with a true Wtf moment this month (here meaning “Why the fuss,” of course). To wit:

5. Batman Incorporated #8 (DC): In one brilliant stroke, Grant Morrison delivers on the promise that was left utterly unfulfilled by the much ballyhooed Death of the Family event (see below). With little fanfare (initially), Morrsion provides a satisfying climax to his long run on Batman. The death of a major character like Robin (um, spoiler alert?) is usually an overblown, portentous affair (as the follow-up story, Requiem, promises to be). But the irrepressible Mr. Morrison refuses to be such a downer (he may, to his credit, be genetically incapable of it). This issue is nearly non-stop, thrillingly orchestrated action. (Artist Chris Burnham – with an assist by Jason Masters – really outdoes himself here.) And yet, in typical Morrsion fashion, despite the breakneck speed, the story is packed, packed, with references, riffs and homages to Batman’s illustrious history. From the title (“The Boy Wonder Returns”), to the not-so-throwaway background details, even down to the goofy Pop Art sound effects, we are treated to an expansive embrace of the Batman mythos that has been the hallmark of Morrison’s run (one that, by its very nature, was undercut by the ill-timed exigencies of the New 52 relaunch). His approach is perfectly encapsulated on page 19, the climax of the issue, and perhaps, the series – the battle between Robin and his Adversary (in the truest sense of the word). A sequence that could have taken up the entire book is instead presented in a stunning, 20-panel kaleidoscope (again kudos to Mr. Burnham) of action, tribute and, finally, pathos. When the moment of truth does arrive, Morrison and Co. don’t skimp on the emotion of the event as the book closes with a poignant image that recalls the birth of Batman himself. (DM)

Batman Incorporated #8

Batman Incorporated #8

4. Daredevil #23 (Marvel): An opening sequence for the ages–one that twists the title character’s origin story (often a cliche issue-starter) into something radioactively sinister–would’ve been enough on its own to land this book in our esteemed Top Five for the month.  This comic is so much more, however: Mark Waid–with stunning assistance from Chris Samnee–brings a certain clarity to Matt and Foggy’s relationship that becomes even more profound and pitiable with the painful revelation at issue’s end.  Remarkable work from Marvel’s best. (SC)

Daredevil #23

Daredevil #23

3. Dial H #9 (DC): After a down month, our #1 book of 2012 is back with a glimpse of what makes this book great: China Mieville’s seemingly boundless imagination–especially as it relates to his effortlessly sussing out superhero after glorious superhero.  Also worth celebrating is the fact that Alberto Ponticelli (with inks by Dan Green) has without a doubt found his groove; he’s taken ownership of Nelson and Roxie and the rest with his signature style–one reminiscent enough of Mateus Santolouco to make the series feel whole again. (SC)

Dial H #9

Dial H #9

2. Fatale #12 (Image): Our only carryover from last month, January’s best book takes a tiny step back on the list despite taking a giant step forward while taking its own giant leap back in time.  This second Fatale one-shot is yet another taut tale, one  that plays with our expectations–expectations expertly manufactured for us by a clever Ed Brubaker (with evocative art by Sean Phillips) during our torrid affair with Josephine Baker.  As consistent as this book is, it never fails to surprise–and that is the mark of a creative team at the very top of its game. (SC)

Fatale #12

Fatale #12

1. Saga #10 (Image): Claiming the top spot for the month is our #2 book of 2012.  Brian K. Vaughn and Fiona Staples continue to intoxicate with their heady brew of space opera, screwball comedy and  familial intrigue. The sheer verve of the storytelling, filled to the brim with imagination and heart, makes this issue such a joy to read that (as with the aforementioned Batman Inc.) when tragedy does occur (and it does), the effect is not depressing. No, the effect of reading this wonder of a book is exultant. (DM)


The Biggest Dis(appointment): Batman #17 (DC) – We’ve already expressed our dismay of the story itself – this Joker tale to end all Joker tales was instead all sound and fury, signifying nothing. But given the events and the excellence of the aforementioned Batman Inc. #8, the existence of the whole “Death of the Family” story line is even more baffling.  Someone up the chain of command at DC must have known that this “epic” would conclude just before the publication of Morrison’s completely unrelated masterstroke (y’know, the one where someone actually dies.) Was “Death of the Family” then, spanning as many titles as it did, one giant MacGuffin (and a rather expensive one at that)? Was the relevance of Batman Inc. #8 toned down so as not to overshadow the Big Event (and possibly hurt sales)? Then, when Batman Inc. did come out, accompanied by a flurry of news coverage (‘natch!) who got left holding the bag? Sorry retailers who didn’t order nearly enough copies to satisfy the sudden demand! Sorry regular readers who couldn’t get their hands on the immediately-sold-out issue (unless they wanted to pony up $20 for a brand new comic). This whole farce had the neat effect of rendering Batman #17 even more irrelevant than it already was. It seems that, in the end (as Scott so eloquently put it in his initial review), the joke of “Death of the Family” was not on Batman, but on us. (DM)

Turning pages,

Scott & Derek

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Back and Forth: Red, Green & Blue

16 Saturday Feb 2013

Posted by dmainhart in Back and Forth

≈ 1 Comment

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Alberto Ponticelli, American Vampire, Andrea Sorrentino, Animal Man, Brian Bolland, China Mieville, Dan Green, DC Comics, Dial H, Essex County, Green Arrow, Jar Jar Binks, Jeff Lemire, New 52, Rotworld, Sarah Connor, Scott Snyder, Severed, Swamp Thing, Sweet Tooth, Terminator

Scott Carney: While never done in a ceremonial manner–certainly never hand to heart–I think it’s safe to say, as evidenced by my weekly What’s Up? posts, that I have publicly pledged allegiance–in a case or two, unabashedly blind allegiance–to an exclusive club of comic creators.  Two fellas who fall into that illustrious legion of superscribes are Scott Snyder (Severed, American Vampire) and Jeff Lemire (Essex County, Sweet Tooth).

But I fear–as I do fondly while reading the best of Snyder–that I no longer hear the deliciously shuddersome voice that drew me to him in the first place.  Certainly not in Swamp Thing #17.

Swamp Thing #17

Swamp Thing #17

And, I no longer hear Lemire’s refreshingly veracious voice, either, if I’m being honest–as heartwrenchingly honest as he is when he’s at his best.  Certainly not in Animal Man #17.

Animal Man #17

Animal Man #17

It seems, here, in the two-book Rotworld finale, that each–a true master of his craft–has been thwarted by a wholly unexpected villain: the run-of-the-mill comic book hero.  (Don’t get me wrong: on both fronts, the build up to the finale was just fine.  If I’m being fair, however, Snyder’s work on Swamp Thing was more effective than Lemire’s on Animal Man–most assuredly because Snyder was living closer to home: the terrifying creatures littering the landscape of Rotworld are natural notes for him to play; and he played them well enough–again, until the end of this corrosive crossover.)  What irony, eh?  After laying a foundation–spanning several solid issues– upon which the defenders of fauna and flora fight alongside a surviving set of superbeings, what happens to Snyder’s signature horror?  It’s foiled by the hero.  What happens to Lemire’s signature honesty?  It, too, is foiled by the hero.  Foiled by the heroes’ hailstorm of shockingly silly lines–one more horrifically ridiculous than the next.  Foiled by the heroes’ lack of believable layers, leaving them flat and cold, leaving them decidedly devoid of emotion; leaving them an unbridgeable distance from the ones they supposedly love–and from us.

So, as each creative team shoves its protagonist closer to the end–in this case, toward a portal to the past, which will allow the pair “to stop Arcane” from establishing Rotworld in the first place, kind of like a couple of Terminators after Sarah Connor–the cracks widen, deepen; and the finale collapses under the weight of the concept, resulting not in the presumably successful symphony for which we paid admission, but, instead, in a cacophony of defeat.

Derek Mainhart: I have to agree. What was so interesting about these two titles was  each writer applying their own distinctive voice to the superhero trappings;  Snyder’s almost clinical way with horror and Lemire’s naturalistic rendition of family dynamic amidst trying times. That they were able to do this while simultaneously working different sides of the same story was even more impressive. Now though, both of those strengths have been subsumed by the perceived requirements of epic storytelling: wooden dialogue, numbingly explosive action, and awful sidekicks (in particular, the character of Shepherd suggests Lemire is a part of that small, but distinctive demographic: the Jar Jar Binks fan). Yes, Animal Man has fared worse. As you say, Rotworld is more in Snyder’s wheelhouse; in fact, as I’ve said, the previous issue of Swamp Thing was quite good. And so, despite the unholy mess that was these two issues, I still have (some) faith that Snyder might be able to tie this all up with some sort of fitting coda, in what will be, after all, his last issue. Now that our heroes our back in the present, I hope that Lemire, who is continuing on Animal Man, will return to his strengths as well, tripping the light fantastic between the everyday and the extraordinary. Because the overweening superhero stuff is simply not him.

To wit: Green Arrow #17. This was billed as “jumping on point” due to the new creative team of Lemire and Andrea Sorrentino. And it delivers, in a ‘by the book’ (‘buy the book’?) sort of way: the hero’s status quo is violently dismantled by a new villain who seems to know everything about him. A new mystery is introduced regarding said hero’s past. Confidantes are killed, and cryptic utterances, uttered. All the notes are hit. And yet, to continue your musical metaphor, it doesn’t sing. It’s like a robot playing Beethoven; a rote exercise. Now I’m obviously not a regular reader of Green Arrow. Perhaps to fans of the emerald archer, this issue provided a new direction, a sense of excitement. But I picked it up because it was a Jeff Lemire book. Sadly there is nothing of his voice in this. Anyone could’ve written it.

SC: I hear you, sir! If anything, it’s a three chord ditty: it’s listenable, sure–likeable, even, for what it is; but in the end, what is it, really?  One thing’s for sure, it’s not what we love from Lemire.

DM: What we love, indeed. But what’s all this talk of “voice” and “music”?  In a superhero comic? We’re expecting too much you say? Shame on you, you should know better by now. Any genre can achieve stirring crescendo given the right creator.

I submit: Dial H #9. This issue, indeed the entire series, has served up an aria of imagination by writer China Mieville. His unending cavalcade of absurd, sublime heroes is itself worth the price of admission–not to mention this ridiculous cover by Brian Bolland:

Here, we are treated to the monstrous Minotaura, and her singular method of ensnaring her prey.  (Kudos also to artists Alberto Ponticelli and Dan Green who are quickly finding their feet on this title.)  And then there is The Glimpse, a hero whose inspired power is to stay forever at the periphery of your vision. You see a glove here, a boot there, but the hero himself is just beyond your reach, always teasing you with his promise, but ultimately leaving the panel empty. If there’s a better metaphor for the never-ending, epic-obsessed, hype machine that is the current state of the superhero industry, I’ve yet to find it.  Want to say it together?

SC: Sure! Yeah!  Let’s harmonize. Ready, on three.  One…Two…

SC & DM: Book of the week!

Turning pages,

Scott & Derek

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