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Tag Archives: Green Arrow

In Scott’s Bag (5/1)

04 Saturday May 2013

Posted by ScottNerd in I&N Scott's Bag

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Alberto Ponticelli, All-New X-Men, Andrea Sorrentino, Animal Man, Ape Entertainment, Ben Templesmith, BOOM!, Brian Bolland, Brian Michael Bendis, Buddy Baker, Bush administration, China Mieville, Clayton Henry, Cyborg 009, Dan Green, Dark Horse, DC Comics, Dean Motter, Dial H, Duane Swierczynski, Elena Casagrande, Freddie Williams II, Gail Simone, Green Arrow, Harbinger Wars, Image, Indestructible Hulk, J. Michael Strczynski, Jason Latour, Jeff Lemire, Joe's Comics, John Paul Leon, Joshua Dysart, Justin Jordan, Mark Waid, Marvel, Mico Suayan, Mister X: Eviction, Nic Klein, Roberto De La Torre, Sesame Street, Shadowman, Stuart Immonen, Suicide Risk, Ten Grand, The Movement, Wade Von Grawbadger, Walter Simonson, Winter Soldier

Ended up with 15 books.  Go figure.

  • The Movement #1 (Can’t imagine I’m going to like this.  Yet here it is.  In my bag.)
  • Winter Soldier #18 (That’s right: it survived the purge–at least for another month.  Thumb through cinched it.  Nic Klein’s artwork–especially his colors–was the draw here.)
Winter Soldier #17

Winter Soldier #18

  • Dial H #12 (Hope it comes back down to earth–not that the cover suggests it will.)
    Dial H #12

    Dial H #12

    • Snapshot #4 (Had forgotten all about this one.  Good thing I remembered while I was in the shop!  Best thing about it: it’s #4 of 4–which means it’s done and, going forward, I’m left with a lighter list.  Whoot!)
    • Cyborg 009 Preview (For a buck, why not?)
    • Mister X: Eviction #1 (Gorgeous cover.  Inside’s pretty damn gorgeous, too.)
    Mister X: Eviction #1

    Mister X: Eviction #1

    • Shadowman #0 (Quick flip: lots of chefs, but the broth is still refreshingly aromatic.  Can’t wait to taste it.)
    • Harbinger Wars #2 (Headed into it with realistic expectations.)
    • Indestructible Hulk #7 (Read it.  Better than #6, sure; but I’m still left thinking, “What difference does any of this make?” and “Why do I care?”)
    • Sesame Street #1 (No way I could pass this up.  My daughter loves Cookie Monster and Elmo.  Can’t wait to read it to her.  Really can’t wait until she’s able to read it on her own!)
    • All-New X-Men #11 (Read it.  A bit stuck in the mud–in more ways than one.  Overall, however, not bad.)
    • Ten Grand #1 (Read it.  Have you heard the one about the hitman with a heart who sells his soul to the devil in order to be with his lost love just one more time?  Of course you have.  Will probably give it another issue.)
    • Green Arrow #20 (Read it.  Perhaps one of the worst books I’ve read since I’ve been back in the game.  I just don’t get it.  Why can’t this character catch a friggin’ break?  I’ll tell you what this is further proof of: looks like Lemire is not suited for superhero books.  [See our recent reviews of Rotworld-related Animal Man to see what I’m talking about.])
    • Animal Man #20 (Read it.  Finally free of the Rot and the Red; finally we’re back in Buddy’s head.  That’s the Lemire we know and love!  A bit nervous about the promise for the next issue: the Red and Totems, too?  Just what am I going to do?)
    Animal Man #20

    Animal Man #20

    • Suicide Risk #1 (Read it.  Not terribly exciting.  Not terrible, either.  A little too familiar throughout.)

What did you end up with in your bag?

Turning pages,

Scott

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Back and Forth: Sex & Children’s Books

17 Sunday Mar 2013

Posted by dmainhart in Back and Forth

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Adventure Time, Adventure Time with Fionna & Cake, Animal Man, Aubrey Beardsley, Barnabas Collins, Batman, Batwoman, Bravest Warriors, Catwoman, Dark Shadows, DC Comics, Dynamite Entertainment, Ex Machina, Green Arrow, Hayao Miyazaki, Image, Jae Lee, Janet Lee, Jeff Lemire, Jim McCann, Joe Casey, kaboom!, Lost Vegas, Mike Raight, Nacho Tenorio, Natasha Allegri, New 52, Ocean's Eleven, Pendleton Ward, Piotr Kowalski, Return of the Dapper Men, Richard Corben, Rotworld, Scott Snyder, Sex, Swamp Thing, Watchmen, Winsor McCay, Yanick Paquette

Derek Mainhart: Provocative title, eh? Well, we’ll get to that in a minute. First to some (finally) finished business.

Scott Carney: Finished, indeed–at least as far as Animal Man #18 (DC) finishes anything.  And thank the good Lord, too.  The Rot was wearing on me, man.  It’s no secret: we didn’t care for the big two-part Rotworld finale for an unholy host of reasons.  Lucky for us, the finale was only the finale of the storyline as it takes place in the actual Rotworld; and by actual, I mean possible because, in the end, Baker and Holland were presented with the opportunity to keep it all from happening in the first place–and, boy, did they take it!  I can’t get into the nitty-gritty of the real finale, however, without first commenting on the ill-conceived cover.  Jae Lee’s anguished Animal Man is stunning; and the cover would’ve been, too, had it not been sullied by a tragically-placed assertion that spits vomits in the eye of subtlety:

I mean, come on!  Check out this art-only cover; it’s so much more effective:

Animal Man #18--Right?

Animal Man #18–Right?

Add the requisite logo and bar code and we’re still talking about an absolutely killer cover.

DM: Have to agree about the cover. Without the text, completely effective. With the text, it’s like that oft-parodied film cliche of the tragic hero falling to is knees while yelling “NNOOOOOOO!!!!” up at the sky. In other words: laughable. The early front-runner for worst cover of the year.

SC: Once inside, we’re treated to a quick little recap of the end of Swamp Thing #17 and then sucked into what Buddy refers to as “the most unsettling sensation,” while describing his return to the pre-Rotworld present.  I found the narration unsettling, as well; it seems to creep toward the edge of profundity, never quite making it there, and, as a result, festers in ineffectuality and leaves behind unintentionally laughable lines–and a hero for whom I had trouble hoping the very best.

(I don’t do this very often: spoiler alert!!!)

I did find a truly touching moment in Buddy’s remembering Cliff’s finger painting different animals when the latter was “a little boy.”  I’d have trouble, though, if you were to ask me to “flip the pages and point to another” such moment.  Couldn’t do it.  See: after that singular scene–in retrospect, the necessary father-and-son set-up for the end–the story dies as quickly and as unceremoniously as Cliff–who passes proudly as a “hero–just like [his father],” which, on a side note, is an interesting counterpoint to something Jeff Lemire’s developing in another one of his books, Green Arrow #18: Komodo, the Bullseye to Green Arrow’s Daredevil, has a daughter who–speaking of unsettling–plays the role of an evil apprentice, who also has a connection, story-wise to fingers, oddly enough; in this case, the little girl is used as a pointed threat against one of her father’s prisoners: “[…], or my daughter starts cutting off your fingers.”  (By the way, I’m still not too sure how I feel about it.  Kudos to Lemire for that!)

Back to Animal Man and the devolution of the story: with my own fingers dutifully turning pages, I found the dialogue disappointingly reminiscent of #17 (“So just die already!”).  And how strange was the splash on page 18, with the guys in the yellow suits shedding their rot?  At last!  Something interesting!  But, despite their presence on the page, neither Buddy nor Maxine react to the seemingly important revelation; and when Buddy finally does seem to notice them–several panels later–he doesn’t seem all that concerned!  It was all so very awkward and forced–well, Lemire did have to live up to the promise of the textually explicit cover, after all; couldn’t bring myself to care, though, even with the final splash–and just not what I’ve come to expect from the aforementioned esteemed writer, who is an absolute master at developing sympathetic characters and complex yet relatable relationships.  My expectations are still high for him and Animal Man, so I’ll be sticking around for more–especially since we’re headed in a new direction.

DM: Scott Snyder, on the other hand, in Swamp Thing #18 (DC), ties a bow on this story, and his run, in a manner that is satisfying and organic (pun intended–every time!). Amidst Yanick Paquette’s gorgeous leafmotif visuals is a story where the damsel becomes the hero, the demon is rent asunder, and our lovers have their stars well and truly crossed. But not before the creators generously allow them one last (first?) kiss, in which their passion literally burns. A fitting finale to a mostly excellent run.

But Swamp Thing and Animal Man aren’t the only hero-inhabiting-a-new-body-travels-to-a-dystopian-future-to-defeat-unearthly-evil-then-returns-to-the-present-in-order-to-prevent-it-in-the-first-place stories this week. That’s right! The same exact plot is featured in Dynamite’s Dark Shadows #14!

Dark Shadows #14

Dark Shadows #14

Ah well, no new ideas and all that; it’s how well you handle them. Writer Mike Raight’s vampiric version involves Gothic plot twists, backstabbing (with wooden stakes, natch!) and enough Grand Guignol action to satiate any horror fan. Artist Nacho Tenorio does a nice job orchestrating the gore, alternating between excess and restraint, the way any 1960’s-influenced horror should. This isn’t all superficial bloodletting however. (SPOILERS!) Raight infuses some depth and existential quandary as the evil that the hero, Barnabas Collins, must destroy in order to save his family, is himself. There’s also a well-wrought, even delicate twist, as Barnabas’ mysterious ally reveals that aiding him and taking revenge upon him are, in this case, one and the same. Solid and compelling, this book is one of the most reliable sources of monthly macabre that you’re likely to find.

So, having been hooked by our attention-grabbing title, you’ve made it this far through our post, and yet you find yourself disappointed by the lack of any content that could be considered truly eye-opening.

SC: Hey!  What about my–

DM: Well then, you’ve got an idea of the experience of reading Sex #1 by Joe Casey and Piotr Kowalski (Image).

SC: Oh, I see.  Clever.

DM: Mr. Casey means well. In a heartfelt (and rather breathless) afterword, he holds forth on the state of today’s comics; mainly the continued dominance of the Big Two despite the wild variety and quality of other work out there. Well hear, hear! And yet, what does he offer us? A wealthy scion reluctantly returns to run his vaguely defined corporate empire. A seedy underworld controlled by a grotesque mob boss. Words of wisdom from a trusted Man (or in this case, Gal) Friday. And, oh yeah, said wealthy scion is a former superhero. This set up bears any number of resemblances to Batman, the newfangled Green Arrow, Ex Machina (a much better melange of superhero/real world tropes from eight years ago), etc. But wait, this has superheroes and sex. Well Watchmen broke that seal long ago. It’s simply no longer a shocking conceit (I mean even Catwoman’s done it for chrissakes). Now, to Casey’s credit, when the naughty section does occur, despite its fairly graphic nature, it’s contrasted in such a way that it is robbed of nearly all prurient titillation. The participants even call out the reader’s presumed lasciviousness, in a clever use of breaking the fourth wall. Kudos to Casey for subverting the expectations set up by his conspicuous title.  But in the end, this is just another superhero comic. And what’s so sexy about that?

SC: I hear ya.  Image did have another release this week that I enjoyed more than Sex—

DM: (tee-hee!)

SC: Uh-huh. Anyway, it’s Jim McCann and Janet Lee’s Lost Vegas #1.  It came with a little less hype than Casey’s book did, but it was loads better.  Though engaging from the get-go, McCann’s writing does prove a bit hard to swallow at times, especially as the Ocean’s Eleven-esque scheme is laid out; but Lee’s artwork is enviably voluptuous, a stunning exercise in sensuality.

DM: Yes, Lee’s work is certainly the star for me thus far. She blew me away on Return of the Dapper Men a few years ago (also written by McCann). There she dazzled with an unorthodox process that combined vibrant expressionistic backgrounds with the sublime precision of Winsor McCay (if you don’t know who that is, look him up. Look him up now.) Here the chameleon-like Ms. Lee seems to be offering something of the sensual loucheness of Aubrey Beardsley, combined with the sci-fi sensibilities of Richard Corben, and even a dash of Hayao Miyazaki for fun.

SC: That’s some company she’s keeping.

DM: Indeed. Like Batwoman, this could become a book that I buy for the art alone.

SC: Well worth the price of admission.  I’m certainly up for round two.

DM: Now, returning to our theme, for a nuanced, astute, refreshing exploration of sex, one need look no further than Adventure Time with Fionna & Cake #3 (kaboom!):

Adventure Time: Fiona and Cake #3

Adventure Time with Fiona & Cake #3

Sex, in this case, denoting gender. ‘A childrens’ book?’ you say, eyebrow ever so arched? Well in its brief existence, Pendleton Ward’s magical juggernaut has tackled such concepts as abandonment, existential loneliness, first loves, the bonds of honor and friendship, pride, sacrifice, betrayal, the origins of myth, the nature of evil, the afterlife, determinism, fate, and nuclear annihilation to name a few. It never addresses these issues head-on however (it’s much too smart for that), but from rather more of a sideways angle, (and perhaps, blindfolded). Y’know, Stuff Happens. Each candy-colored episode is wide open to (and the subject of) much interpretation. It’s the type of show that dissertations will be written about someday(if that hasn’t already happened). I ask you, what better place to consider gender and identity issues than the sociological phenomenon that is Adventure Time?

For those who don’t follow the show (losers!) Fionna and Cake was a fan-favorite episode which featured alternate, gender-swapped versions of series’ stars, Finn and Jake. Now Natasha Allegri, who had a hand in that episode, gives the ladies a chance to shine in their own title. Issue 3 is the best one yet. The first two issues established the characters as well the epic, yet tongue-in-cheek tone that AT does so well. The third issue really delves into the gender stuff and shows why this is not your father’s (um, older brother’s?) AT. The story begins with Marshall Lee (the male version of the vampire Marceline from AT) suddenly appearing in the lead characters’ home in a state of distress. But unlike his female counterpart, who is decidedly bad-ass, this vampire is positively sparkly. Needless to say, Fionna has a crush (-and Cake does not approve!) It seems they need to rescue Prince Gumball, who is caught in a ridiculous trap, which I won’t ruin for you. Nor shall I spoil all the loaded symbols, pregnant pauses and hysterical double entendres peppered throughout the tale. These never come across as forced or excessive; they are, indeed the story’s raison d’etre. I will say that they culminate in a visual gag so audacious that I couldn’t believe it was in a children’s comic, even as I barked with laughter. And yet it perfectly encapsulates the major theme of this series. Sound dirty? Well, again, it’s not because all of the above is not so much dealing with sex, as it is gender and identity. I am not suggesting (as I have with AT’s sister book Bravest Warriors) that this title is inappropriate for children. Part of Allegri’s brilliance (in addition to the beautiful art) is that this book is, on the literal level that children tend to read, an exuberant, imaginative adventure/fantasy. It certainly can (and should, to some degree) be enjoyed that way. The storytelling is deft enough that whatever other meaning children take away from it is entirely up to them. And you. Book of the Week.

Turning pages,

Derek & Scott

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In Scott’s Bag (3/6)

07 Thursday Mar 2013

Posted by ScottNerd in I&N Scott's Bag

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Alberto Ponticelli, Alex Maleev, All-New X-Men, Andrea Sorrentino, Andy Diggle, Animal Man, Bedlam, Bill Sienkiewicz, BOOM!, Brian Michael Bendis, China Mieville, Colder, Daredevil: End of Days, Dark Horse, David Mack, David Marquez, DC Comics, Dial H, Fairy Quest, Green Arrow, Humberto Ramos, Image, Janet Lee, Jason Latour, Jeff Lemire, Jim McCann, Jock, Joe Casey, Juan Ferreyra, Justin Jordan, Klaus Janson, Lost Vegas, Nic Klein, Nick Spencer, Patrick Zircher, Paul Jenkins, Paul Tobin, Piotr Kowalski, Riley Rossmo, Scott Snyder, Sex, Shadowman, Snapshot, Steve Pugh, Swamp Thing, Winter Soldier, Yanick Paquette

A formidable fascicle, indeed.  As yanked:

  • Fairy Quest #2 (I want Humberto Ramos tested for PEDs.  A simple flip through is all the evidence I need: this dude’s on fairy dust!  Pretty, pretty.)
  • Snapshot #2 (Cool cover and sweet b/w interior work by Jock.)
  • Lost Vegas #1 (Recommended by the shop guy.  Pass up an Image #1?  Never!)
Lost Vegas #1

Lost Vegas #1

  • All-New X-Men #8 (Ugh.  This may be the last nail I was hoping for.)
  • Green Arrow #18 (I see what’s happening here: Daredevil and Bullseye.  Works for me.)
  • Sex #1 (If you were expecting something else, you didn’t get it.  A more honest title you’re not likely to find.)
  • Swamp Thing #18 (Going in with an open mind–opened further by Paquette’s capable hands.)
  • Winter Soldier #16 (Love the cover.  That aside: this is the make-or-break issue.  Actually hoping for make.)
  • Daredevil: End of Days #6 (Will be one of the best books of the week.  At this point, it can’t help it.)
  • Shadowman #5 (It’s not every day that a comic makes the mainstream news.  No, wait.)
  • Bedlam #5 (I described it to my wife as “an ultra-violent book about the psychology of a serial killer.”  She seemed OK with it.  Full disclosure: she was pretty well locked into the final Wheel puzzle, so…)
  • Animal Man #18 (Well, speaking of expectations: this one comes with–right on the cover!  That, or a tragic how-to: how to effectively undermine a an otherwise suburb Jae Lee cover.)
Animal Man #18--Before

Animal Man #18 (Expectation-Free Edition!)

  • Colder #5 (This is it!)
  • Dial H #10 (I’m totally ready.)

Does my list look like your list?

Turning pages,

Scott

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What’s Up?

06 Wednesday Mar 2013

Posted by ScottNerd in What's I&N Store?

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Alberto Ponticelli, All-New X-Men, Andrea Sorrentino, Andy Diggle, Animal Man, Bedlam, BOOM!, Brian Michael Bendis, Brian Wood, China Mieville, Colder, Cullen Bunn, Daredevil: End of Days, Dark Horse, David Mack, David Marquez, DC Comics, Dial H, Fairy Quest, Green Arrow, Helheim, Humberto Ramos, Image, Jason Latour, Jeff Lemire, Jock, Joe Casey, Juan Ferreyra, Justin Jordan, Mara, Marvel, Ming Doyle, Nick Spencer, Oni Press, Patrick Zircher, Paul Jenkins, Paul Tobin, Riley Rossmo, Scott Snyder, Sex, Shadowman, Snapshot, Steve Pugh, Swamp Thing, Winter Soldier, Yanick Paquette

I like big bags and I cannot lie.

Feeling Pullish

  • Colder #5 (Dark Horse): Glad this little Ice Age is over.
  • Animal Man #18 (DC): Almost there.  Almost over the Rot.  Looks like with #19, Lemire’s headed back to what made the book a must-read in the first place.  Just have to survive this one.
  • Dial H #10 (DC): #9 was a return to form.  Looks like a ruff ride this time around.  See for yourself.
    Dial H #10

    Dial H #10

    • Swamp Thing #18 (DC): Another Snyder superhero finale.  Expectations set to nada.
    • Bedlam #5 (Image): Last issue yanked me from the brink.
    Bedlam #5

    Bedlam #5

    • Daredevil: End of Days #6 (Marvel): This has been really good.  Probably the best Bendis going right now–and there’s a lot of Bendis going right now.
    • Shadowman #5 (Valiant): Another comic in the news?  Wouldn’t have expected Shadowman.  Lot of things I didn’t expect from Shadowman–including that I’d still be reading it through #5.

     

Feeling Plucky

  • Mara #3 (Image): Not my favorite, but I’m sticking with it–especially since it’s a mini.
  • Sex #1 (Image): Joe Casey’s new one’s had its share of hype–so much, in fact,  it’s practically been buzzed bald.  Considering, that might not be such a bad thing.
  • Snapshot #2 (Image): Might as well.
  • Green Arrow #18 (DC): Can’t bow out after one issue.  Lemire deserves at least two, maybe even a few.
  • Winter Soldier #16 (Marvel): Jason LaTour’s first issue certainly didn’t make me forget Ed Brubaker.  Surprisingly, it didn’t make me want to forget Winter Soldier.  Not yet, anyway.
Winter Soldier #16

Winter Soldier #16

  • Helheim #1 (Oni): I’m a little late to the Sixth Gun party.  Not gonna let this one slip by without a shot.
Helheim #1

Helheim #1

  • Fairy Quest #2 (BOOM!): There was something about #1 that I kinda dug.
  • All-New X-Men #8 (Marvel): Ugh.

This one’s got Bunns, hun.  So, I guess I want some.

What are you looking forward to tomorrow?

Turning pages,

Scott

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Back and Forth: Red, Green & Blue

16 Saturday Feb 2013

Posted by dmainhart in Back and Forth

≈ 1 Comment

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Alberto Ponticelli, American Vampire, Andrea Sorrentino, Animal Man, Brian Bolland, China Mieville, Dan Green, DC Comics, Dial H, Essex County, Green Arrow, Jar Jar Binks, Jeff Lemire, New 52, Rotworld, Sarah Connor, Scott Snyder, Severed, Swamp Thing, Sweet Tooth, Terminator

Scott Carney: While never done in a ceremonial manner–certainly never hand to heart–I think it’s safe to say, as evidenced by my weekly What’s Up? posts, that I have publicly pledged allegiance–in a case or two, unabashedly blind allegiance–to an exclusive club of comic creators.  Two fellas who fall into that illustrious legion of superscribes are Scott Snyder (Severed, American Vampire) and Jeff Lemire (Essex County, Sweet Tooth).

But I fear–as I do fondly while reading the best of Snyder–that I no longer hear the deliciously shuddersome voice that drew me to him in the first place.  Certainly not in Swamp Thing #17.

Swamp Thing #17

Swamp Thing #17

And, I no longer hear Lemire’s refreshingly veracious voice, either, if I’m being honest–as heartwrenchingly honest as he is when he’s at his best.  Certainly not in Animal Man #17.

Animal Man #17

Animal Man #17

It seems, here, in the two-book Rotworld finale, that each–a true master of his craft–has been thwarted by a wholly unexpected villain: the run-of-the-mill comic book hero.  (Don’t get me wrong: on both fronts, the build up to the finale was just fine.  If I’m being fair, however, Snyder’s work on Swamp Thing was more effective than Lemire’s on Animal Man–most assuredly because Snyder was living closer to home: the terrifying creatures littering the landscape of Rotworld are natural notes for him to play; and he played them well enough–again, until the end of this corrosive crossover.)  What irony, eh?  After laying a foundation–spanning several solid issues– upon which the defenders of fauna and flora fight alongside a surviving set of superbeings, what happens to Snyder’s signature horror?  It’s foiled by the hero.  What happens to Lemire’s signature honesty?  It, too, is foiled by the hero.  Foiled by the heroes’ hailstorm of shockingly silly lines–one more horrifically ridiculous than the next.  Foiled by the heroes’ lack of believable layers, leaving them flat and cold, leaving them decidedly devoid of emotion; leaving them an unbridgeable distance from the ones they supposedly love–and from us.

So, as each creative team shoves its protagonist closer to the end–in this case, toward a portal to the past, which will allow the pair “to stop Arcane” from establishing Rotworld in the first place, kind of like a couple of Terminators after Sarah Connor–the cracks widen, deepen; and the finale collapses under the weight of the concept, resulting not in the presumably successful symphony for which we paid admission, but, instead, in a cacophony of defeat.

Derek Mainhart: I have to agree. What was so interesting about these two titles was  each writer applying their own distinctive voice to the superhero trappings;  Snyder’s almost clinical way with horror and Lemire’s naturalistic rendition of family dynamic amidst trying times. That they were able to do this while simultaneously working different sides of the same story was even more impressive. Now though, both of those strengths have been subsumed by the perceived requirements of epic storytelling: wooden dialogue, numbingly explosive action, and awful sidekicks (in particular, the character of Shepherd suggests Lemire is a part of that small, but distinctive demographic: the Jar Jar Binks fan). Yes, Animal Man has fared worse. As you say, Rotworld is more in Snyder’s wheelhouse; in fact, as I’ve said, the previous issue of Swamp Thing was quite good. And so, despite the unholy mess that was these two issues, I still have (some) faith that Snyder might be able to tie this all up with some sort of fitting coda, in what will be, after all, his last issue. Now that our heroes our back in the present, I hope that Lemire, who is continuing on Animal Man, will return to his strengths as well, tripping the light fantastic between the everyday and the extraordinary. Because the overweening superhero stuff is simply not him.

To wit: Green Arrow #17. This was billed as “jumping on point” due to the new creative team of Lemire and Andrea Sorrentino. And it delivers, in a ‘by the book’ (‘buy the book’?) sort of way: the hero’s status quo is violently dismantled by a new villain who seems to know everything about him. A new mystery is introduced regarding said hero’s past. Confidantes are killed, and cryptic utterances, uttered. All the notes are hit. And yet, to continue your musical metaphor, it doesn’t sing. It’s like a robot playing Beethoven; a rote exercise. Now I’m obviously not a regular reader of Green Arrow. Perhaps to fans of the emerald archer, this issue provided a new direction, a sense of excitement. But I picked it up because it was a Jeff Lemire book. Sadly there is nothing of his voice in this. Anyone could’ve written it.

SC: I hear you, sir! If anything, it’s a three chord ditty: it’s listenable, sure–likeable, even, for what it is; but in the end, what is it, really?  One thing’s for sure, it’s not what we love from Lemire.

DM: What we love, indeed. But what’s all this talk of “voice” and “music”?  In a superhero comic? We’re expecting too much you say? Shame on you, you should know better by now. Any genre can achieve stirring crescendo given the right creator.

I submit: Dial H #9. This issue, indeed the entire series, has served up an aria of imagination by writer China Mieville. His unending cavalcade of absurd, sublime heroes is itself worth the price of admission–not to mention this ridiculous cover by Brian Bolland:

Here, we are treated to the monstrous Minotaura, and her singular method of ensnaring her prey.  (Kudos also to artists Alberto Ponticelli and Dan Green who are quickly finding their feet on this title.)  And then there is The Glimpse, a hero whose inspired power is to stay forever at the periphery of your vision. You see a glove here, a boot there, but the hero himself is just beyond your reach, always teasing you with his promise, but ultimately leaving the panel empty. If there’s a better metaphor for the never-ending, epic-obsessed, hype machine that is the current state of the superhero industry, I’ve yet to find it.  Want to say it together?

SC: Sure! Yeah!  Let’s harmonize. Ready, on three.  One…Two…

SC & DM: Book of the week!

Turning pages,

Scott & Derek

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What’s Up?

05 Tuesday Feb 2013

Posted by ScottNerd in What's I&N Store?

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Tags

Action Comics, Alberto Ponticelli, All-New X-Men, Andy Diggle, Animal Man, Bill Sienkiewicz, BOOM!, Brian Michael Bendis, China Mieville, Colder, Craig Cermak, Daredevil: End of Days, Dark Horse, David Mack, David Marquez, DC Comics, Dia De Los Muertos, Dial H, Dynamite, Fairy Quest, Garth Ennis, Grant Morrison, Green Arrow, Harbinger, Humberto Ramos, Image, Jason Latour, Jeff Lemire, Jock, Joshua Dysart, Juan Ferreyra, Justin Jordan, Klaus Janson, Marvel, Mico Suayan, Nic Klein, Patrick Zircher, Paul Jenkins, Paul Tobin, Rags Morales, Red Team, Riley Rossmo, Sara Pichelli, Scott Snyder, Shadowman, Snapshot, Steve Pugh, Swamp Thing, Ultimate Spider-Man, Valiant, Winter Soldier, Yanick Paquette

“What’s up?” you ask?  Yeah.  It’s more like what isn’t up.  Keeeeey-riced!  Check it:

Crisis of Definite Comics

  • Action Comics #17 (DC): Promises to be epic.  Either way, Morrison’s last will be mine as well.
  • Animal Man #17 (DC): Wondering where this is going to go after Rotworld.
  • Dial H #9 (DC): Didn’t kick off 2013 the way it stomped through 2012.  Expectations are still dialed up pretty high–and maybe that’s the problem.
  • Green Arrow #17 (DC): Lemire’s run begins.  Will it be a bull’s eye or another quivering misfire?
  • Swamp Thing #17 (DC): Not caring where this is going to go after Rotworld.  As with Morrison’s Action, Snyder’s last will be mine as well.
  • Daredevil: End of Days #5 (Marvel): #4 was really good.  In fact, halfway through, this mini has been surprisingly effective.
  • Ultimate Spider-Man #20 (Marvel): Venom?  Gag–unless he’s going to be used in an unexpected manner, which is totally possible.  Bendis has earned a long leash– even with a poisonous character like the toxic tongue wagger himself.
  • Harbinger #0 (Valiant): Great stuff.  So great, in fact, that I’m not worried about a zero diversion.  Not in the least.
  • Shadowman #4 (Valiant): Didn’t expect to get this far with it.
  • Snapshot #1 (Image): Looks interesting enough.  Don’t have much experience with Diggle.  I’m jumping on because of Jock, who has been doing some transcendent work on the Batman back-ups, or extensions, or whatever they are.
Snapshot #1

Snapshot #1

  • Garth Ennis’ Red Team #1 (Dynamite): Ennis is so hot right now he’s impossible to pass up.
Garth Ennis Red Team #1

Garth Ennis Red Team #1

  • Colder #4 (Dark Horse): Started off so well.  Unfortunately, has fallen faster than Declan’s body temperature.
  • Fairy Quest #1 (BOOM!): Jenkins and Ramos?  Come on: definitely worth a shot.
Fairy Quest #1

Fairy Quest #1

Is This a Comic Which I See Before Me?

  • All-New X-Men #7 (Marvel): Mainly because of Marquez.  Also because I’m an idiot.
  • Winter Soldier #15 (Marvel): Brubaker’s take is THE take, no doubt.  But why not try someone else’s take for at least an issue or two?  Can’t be worse than Remender’s Captain America for goodness sake.
  • Dia De Los Muertos #1 (Image): I’ll give it a quick flip.  Rossmo’s certainly worth a maybe.

I wonder if I’ll be able to buy some time, too; I’m gonna need it.  Yow-to-the-za!

What are you looking forward to?  Anything else I should keep an eye out for?

Turning pages,

Scott

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