• The Big Picture
  • Here’s ScottNerd…
  • Here’s DerekNerd…

Images and Nerds

~ We're turning pages–and writing about them!

Images and Nerds

Tag Archives: Terry Pratchett

Top 5 Books of April

29 Thursday May 2014

Posted by ScottNerd in Top 5 Books of the Month, Uncategorized

≈ 8 Comments

Tags

Astro City, Brent Eric Anderson, Brian Wood, Dan Slott, Daniel Zezelj, Dark Horse, DC, Douglas Adams, Dr. Strange, Elmore Leonard, Garth Ennis, Goran Parlov, Greg Rucka, Image, Innie Awards, Jack Kirby, Jason Aaron, Jason Latour, Jordie Bellaire, Justified, Kurt Busiek, Laura Allred, Lazarus, Mark Millar, Marvel, Michael Lark, Mike Allred, Moby Dick, Roy Thomas, Silver Age, Silver Surfer, Southern Bastards, Stan Lee, Steve Ditko, T.H. White, Terry Pratchett, The Massive, The Once and Future King, Vertigo, Watchmen

#5. Astro City #11 (DC/Vertigo): A quick perusal of our past Top 5 lists will tell you that we’re generally not the biggest fans of superhero fare. Oh sure, we have a soft spot in our hearts for the cape and costume set; they were after all our gateway drug into the wider world of comics. But with such a bevy of quality non-superhero books inhabiting the current comics landscape (it really is a golden age folks), why waste our time on the cynical merry-go-round of movie tie-ins, Big Events and the never-ending, never-changing battle? Even worse are those titles which claim to be edgy by adding some nominally ‘mature’ wrinkle to the works: ‘superheroes who swear!’ ‘superheroes who have sex! (full frontal!)’ or some other such trope that was well-worn by Watchmen nearly thirty years ago. It takes something far less gimmicky to add something new to the genre (and that’s what superheroes are, fanboys; not mainstream but a genre).

Luckily, in Astro City, Kurt Busiek and Brent Eric Anderson have managed just that. Nearly a year into the title’s return after an extended hiatus, Busiek and Co. remind us of their mastery of the eye-level approach to the fantastic. This time out centers around a personal assistant, the type of capable multi-tasker who’s invisible to the public and indispensable to her boss. But of course in this case, her boss is a superhero. Like many in her profession, her duties include, but are not limited to: answering mail, keeping track of finances, scheduling appointments, etc. But because her boss is a mystical Dr. Strange type, a missed appointment can mean placating interdimensional gods who threaten our world with annihilation for their inconvenience. The story is an ode to all of the unsung, behind-the-scenes supporting players who, through sheer competence, organization and the ability to keep a cool head, keep the world running, day in, day out. The pleasure comes from watching our harried-but-never-overwhelmed protagonist put out fires, ranging from the mundane to the apocalyptic, with nothing more than a well-placed phone call or a sift through her files. That, and the loving, sideways homage Busiek and Anderson have crafted to some of the stranger Silver Age forays of Kirby, Ditko, Lee, Thomas, et al. To paraphrase, there are a million stories in Astro City. This is one of the best. (DM)

Astro City #11

Astro City #11

#4. Silver Surfer #2 (Marvel): What goes on here? Two superhero books from the Big Two crack our Top 5? Well yes, when one of them is drawn by the inimitable Mike Allred. His wild, Pop Art aesthetic (enhanced by the bold hues of wife Laura Allred) immediately brings the fun to any book it graces. And Dan Slott scripts a tale to match involving intergalactic hucksters (‘the Incredulous Zed’) extra-dimensional god-constructs (‘The Queen of Nevers’) and sensitive Plorpian digestive systems. Not to mention the true protagonist of the story, one ‘Dawn Greenwood’ of Anchor Bay, Massachusetts. Appropriately titled “Everything And All At Once”, the story owes less to typically constrictive superhero dynamics, and more to the expansive exuberance of the likes of Douglas Adams and Terry Pratchett (despite our American creators, there is  something distinctly British about the proceedings; a compliment, naturally.) In other words, if you’re looking for a rollicking good sci-fi bender of a time (and why wouldn’t you be?), you could do a lot worse than Silver Surfer. (DM)

Silver Surfer #2

Silver Surfer #2

#3. Lazarus #8 (Image): Greg Rucka and Michael Lark are on quite a run: this is the third month in a row that we’re celebrating Lazarus as a top book.  (It’s true: check out what we had to say about the patient perfection of #6 and #7!)  What’s keeping the book pegged to the big board issue after issue?  It’s the storytelling.  The fellas have forged themselves a winning formula–one that’s made all the more impressive by the fact that in no way does it feel like they’re going through the motions; no, they’re keeping it fresh as can be, once again to purpose employing parallelism to amplify further the conflict, which has been an eager flame burning its way through a long fuse to an explosive effect without any bombs going off–at least not quite yet, anyway.  This installment of the 2014 Innie nominee for Best Ongoing Series is once again built upon a foundation of the early days of Forever.  In this case, Forever fails to live up to expectations and misses out on a meeting–on her birthday, no less!–with her frustrated father, who leaves a very significant gift behind: White’s The Once and Future King, an insinuation that speaks to Forever’s growth and purpose–and, in that, to Rucka’s inspiration for the series.  This significant sequence comes back around when present Forever finds herself in an ethical bind, knot courtesy of a catty Daddy Carlyle, over the impending terrorist attack in Denver.  Oh, the road to Denver is paved with good intentions, innit?   Doing most of the paving: Michael Barret and Casey, who, while on their way to the Lift Selection, are willing to offer up a hand to their fellow travelers, including, at the very end, an Angel of Death.  It’s all coming to a head, folks; and the book–and we–couldn’t be in better hands. (SC)

Lazarus #8

Lazarus #8

#2. Southern Bastards #1 (Image): Oh.  Shit.  Jason Aaron and Jason Latour have made quite a splash with their merciless ode to good ol’ boys.  Now, I’m predisposed to liking it because of its being not unlike Justified, with its Southern-fried setting and tone, and even its well-defined yet ambiguous cast of characters, smacking of the late, great Elmore Leonard, and, in that, the often late, great Garth Ennis–which makes even more sense considering that it also reads a hell of a lot like Fury: My War Gone By and Mark Millar’s Starlight because of the big notes of nostalgia and, tying it all together, because Latour’s Earl is plenty Parlovian.  The story’s solid from the get-go: Jason Squared pitches the prodigal son’s return and expertly upsells pathos as the conflict grows–just as a tree grows from Earl’s father’s grave–into the final sequence, itself a grueling duel of duels–a one-two combination (punishing blows received and delivered) of violent events enlivened by the lyrical layouts–that cements this debut as a top book of the month; it’s the love shown by the creators for the South and the story inspired by it that makes it even more than that.  (SC)

Southern Bastards #1

Southern Bastards #1

#1. The Massive #22 (Dark Horse): Thus far, Brian Wood’s apocalyptic take on Moby Dick has focused on one Callum Israel, whose Ahab-like obsession with finding his eponymous ship has led him to the far corners of a world that is slowly falling apart due to a mysterious event known as The Crash. The search has allowed Wood to explore in convincing detail (with the help of an impressive cadre of artists; here Danijel Zezelj does the honors, with Jordie Bellaire on colors) the effects of environmental devastation, economic collapse, and political disintegration in such disparate locales as Iceland, Hong Kong and Mogadishu. The sheer breadth of Wood’s geopolitical knowledge and inquiry is impressive. It also pulls off the neat trick of serving as both the series’ raison d’etre and narrative backdrop to its central mysteries: Where is the Massive? What caused The Crash?

Just as the answers have eluded the increasingly obsessive Callum (did I mention he was dying of cancer?), Wood’s writing has sometimes been frustratingly vague. Many of the arcs (all consisting of three issues) have run like this: fascinating set-up, high stakes climax, baffling denouement. While there’s something to be said for not giving the reader what they want, the considerable tension inherent in the story has sometimes been undercut by endings that seem deliberately anticlimactic, and even obtuse. Well the first issue of the latest arc, “Sahara”, finally promises some resolution, beginning with the one to the other great mystery: Where the hell has Mary been?

Mary, Callum’s lover, shipmate, and conscience of his crew, seemingly abandoned him in his time of greatest need. This issue finds her, in typical Wood fashion, smack dab in the middle of a geopolitical intrigue with real-world resonance. She’s guarding a convoy of the world’s most precious post-Crash resource: water. As the spotlight shifts to her, we begin to realize what Wood has been hinting at all along: the search for the Massive is a MacGuffin. All mysteries lead to Mary. By turns the most compassionate and the most remote, she has quietly taken on an otherworldly dimension. As we watch Mary cross the desert, now with child, one cannot help but think that as the series builds to its conclusion, Wood is countering the obsession and despair of the white whale with an almost biblical hope for salvation. (DM)

The Massive #22

The Biggest Dis(appointment): Mind MGMT #21 (Dark Horse): To truly understand this choice, you have to understand that disappointment comes from expectations not being met–and in some cases, from expectations being bitch slapped by promises unfulfilled.  In this case, we were led to believe that master storyteller Matt Kindt was going to deliver a “silent issue”; and if you we’re like me, you thought immediately to the silent issue of all silent issues: G.I. Joe #21 from Larry Hama and Steve Leialoha, which blew our minds thirty years ago–yikes!  With the poison–the potent neurotoxin nostalgia–already in the wound, what chance did this stab at a silent issue have–especially after our being rudely welcomed by word one!  Wouldn’t you know: Kindt–ever the clever creator–was playing us from the promise!  His interpretation of silent: no dialogue–which means that thoughts are fair game; and to make the game more fun, those thoughts were insightful, sure, but sometimes ironic, considering the situations in which the thoughts were, umm, thought.  So, fine, it’s “silent,” I’ll buy it–and I did buy it, blissfully ignorant and high on hope; however, while the story works well within the world of Mind MGMT, Kindt has managed to both exploit and execute my innocent expectations.  The former finds me somewhat satisfied, but it’s the latter than leaves me mostly nonplussed–and this issue as our Biggest Dis(appointment) of the month.  (SC)

Mind MGMT #21

Mind MGMT #21

Turning pages,

Scott & Derek

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

Back & Forth: Hail the Future Heroes of Yesteryear!

26 Tuesday Mar 2013

Posted by dmainhart in Back and Forth

≈ Leave a comment

Tags

2001: A Space Odyssey, 48 Hours, Adventure Time, Archer & Armstrong, Betty Page, Bravest Warriors, Buddy Cops, Chris Samnee, Cliff Secord, Dark Horse Comics, Darwyn Cooke, Dave Stevens, Dirty Money, Emanuela Lupacchino, Eric Stephenson, Evan Shaner, Fab Four, Fantastic Four, Fonografiks, Fred the Clown, Fred Van Lente, Guillermo Ortego, IDW, Indiana Jones, J. Bone, Jack Kirby, Jeff Smith, Joey Comeau, Jonathan Hickman, Jordie Bellaire, kaboom!, Lethal Weapon, Lisa Moore, Mark Waid, Michael Caine, Mike Holmes, Nate Bellegarde, Nate Crosby, Nick & Nora, Nowhere Men, Robert Osborne, Roger Langridge, Rush Hour, Ryan Pequin, Snarked, Stan Lee, Stanley Kubrick, Starsky and Hutch, TCM, Terry Pratchett, The Beatles, The British Invasion, The Da Vinci Code, The Rocketeer, The Rocketeer: Hollywood Horror, The Rocketeer: The Cargo of Doom, The Thin Man, The Thing, Uranus, Valiant, Wu-Tang Clan

Derek Mainhart: Friends, mutants and aliens, lend me your ears! Join us as we travel back to the future, to a time when heroes roamed the sky and science paved the way for a better tomorrow! A time of ancient robots and futuristic gladiators! Atomic monkeys and electric guitars! Beckoned by the spark of a holographic welder’s torch, we hurtle forward into history to meet our retro-destiny! Like sands through the hourglass, so are the Days of Our Future Past…

A 1930s pulp hero created in the 1980s and revived in the 2000s? Who better to exemplify nostalgia for an innocent era that never was than The Rocketeer? Like his contemporary Depression-era adventurer, Indiana Jones, Dave Stevens’ legendary creation peddled in, and paid homage to, the wanton exuberance of classic B-movie serials. Stevens’ buoyant, uncynical cliffhangers (hell, the lead character’s name is Cliff) combined with his lush illustration (its classic draftsmenship itself like a relic from a bygone era) to inspire a devoted cult following. And let’s not forget his masterstroke; making pin-up queen, Betty Page, Cliff’s girlfriend. Stevens’ work was so accomplished, it seemed superfluous for anyone else to try their hand at the character, even after his untimely death in 2008.

Some characters however, are simply too good to fade away. Happily IDW has relaunched The Rocketeer, giving the hero his due: first in an anthology series featuring top-flight creators, then in a four-issue mini by creative team par excellence, Mark Waid and Chris Samnee. Now we have Roger Langridge and J Bone on The Rocketeer: Hollywood Horror. Folks, this may be the best new Rocketeer yarn yet. The previous stories tried (and succeeded to various degrees) to recapture the inherent nostalgia of the character via an innocent, never-say-die tone indicative of 1930s and ’40s Americana, perhaps casting it against a major historical backdrop like, say, WWII. Well Langridge goes five steps further and fully immerses him in the era. This should perhaps come as no surprise from a writer whose past work has encompassed everything from the slapstick of early cinema (Fred the Clown, hysterical) to Carrollian nonsense (Snarked!, inspired) to his current work, the vaudevillian, high-seas adventures of Popeye (a gift to anyone with an appreciation for the history of the medium). For The Rocketeer, he’s not satisfied to present his tale in a typical one-size-fits-all B-movie slang; rather he seems conversant in a variety of era-specific patois and idiom. Further, he entangles our hero with fictional characters specific to that time: first, the minions of Doc Savage (that greatest of pulp heroes), and then, seemingly apropos of nothing, Nick and Nora (and Asta!) from the venerated Thin Man film series. Between this and the multitude of references to old movies and forgotten actors (the narrator himself seems to be one), this book is a dream for lovers of pulp and classic Hollywood. It would be right at home being introduced by Robert Osborne on TCM. And let’s not forget J Bone’s pitch-perfect art. His bold, cartoony rendering immediately cues dirigibles, De Soto’s and dames. His work stands well with Darwyn Cooke and Jeff Smith (one wishes he was handling the covers as well; nothing against the legendary Walt Simonson, but his style, all harsh angles and frenetic line, is simply a poor fit – my one quibble). All in all Langridge and Bone are crafting a Rocketeer comic that is not only worthy of its legacy, but builds on it. Somewhere, I daresay, Dave Stevens is smiling.

Scott Carney: Geez, yeah, all that and–  OK, who am I kidding?  I’m not as tuned  into the history of The Rocketeer as you are.  (Is anyone?)  In fact, my first experience with the character was The Cargo of Doom.

DM: Oh, trust me; there are people who know way more about The Rocketeer than I do. What about the movie? Ring a bell?

SC: There was a movie?

DM: I can’t even.

SC: No, really, I liked what Waid and Samnee did in their mini.  If I’m being honest, I bought the series for them; and for the most part, I wasn’t disappointed; but I wasn’t all of a sudden a Rocketeer fan.  As far as I was concerned, it was an act of loyalty–to the creators; and if they were to take on the character again, I’d be there.  Wasn’t planning on ever following the further adventures of Cliff Secord.  In fact, I passed on this one–initially, anyway.  You recommended it–emphatically, if I’m remembering correctly–so I picked it up.  Dude, you were so right.  What a good time!  Through two, I’m thinking, like you, that Hollywood Horror is at a whole other level, thanks to Langridge’s vision and Bone’s fleshing it all out.

DM: Next up in our Canyon of Heroes is Archer and Armstrong #8 (Valiant). Their centuries-spanning pseudo-epic is rich in taste but refreshingly light in calories. Part buddy-story, part sibling-rivalry, part worldwide-conspiracy, this frothy fable features improbable adventure and high satire. It’s like The Da Vicni Code as written by Terry Pratchett. Writer Fred Van Lente (with solid art by Emanuela Lupacchino and Guillermo Ortego) garnishes the high-octane action with Big Ideas and comedic flourish, never failing to entertain. His one misstep here though; in an attempt to counter the usual lighthearted tone with some emotional heft, he has the villain speak of his role in an event that is very like a recent national tragedy. My immediate reaction, for what it’s worth, was a discomfiting “too soon.”  Again, this is a quibble, lasting as it does for all of one panel. Month in, month out, we write about the pleasures delivered by Van Lente & Co.’s work on this book. So pick the damn thing up, if you haven’t already.

Scott Carney: I know you’re glad I picked up Buddy Cops (Dark Horse) for you after your initial pass.

Buddy Cops #1

Buddy Cops #1

DM: Yeah it was all right I guess…

SC: “All right”?  That’s quite an understatement, my friend!  Sure, Buddy Cops–an hilarious one-shot from a publisher that has been making its name seem more and more ironic with each passing week–seemed to come out of nowhere.  In fact, it was an “Oh, and by the way” recommendation from one of my shop guys.  (That’s right: I have more than one.)  There was room enough in my bag and a few bucks still smoldering in my pocket, so I went for it; and I was not disappointed.  As promised, Nate Crosby and Evan Shaner deliver “da muthaf***in’ ruckus” in this crack-a-panel homage-slash-send up of the buddy cop genre.  The ready-to-rumble, Wu-Tang spoutin’ Uranus and the electrode-in-the-mud T.A.Z.E.R. are on the case–three of ’em, in fact–and take on outrageous creatures (including, a ninety-foot-tall orangutan in a monk’s robe, who professes precariously, “da lord iss my sligshot,” while sitting atop a church) and social issues (Gay marriage!  Arbortion!) in one giant “monsterswat!”  They are Riggs and Murtaugh from Lethal Weapon; they are Carter and Lee from Rush Hour; they are Hammond and Cates from 48 Hours; they are Starsky and Hutch from, well, Starsky & Hutch–the T.V. show, dammit!  But despite their being so obviously and so proudly derivative, they’re the freshest pair to hit the funny pages in recent memory.  I laughed out loud and profess my love for this book even louder!  And, borrowing from George Costanza, I say this with an unblemished record of staunch heterosexuality: I hope this isn’t the last I’ll get to see of Uranus.

DM: Ok, ok, it was funny. Yeesh!  Even so, it wasn’t even the funniest book this week, at least for my money.

SC: Keep your dirty money!

DM: Would that I could. But the biggest barrel o’ laffs this week was Bravest Warriors #6 (kaboom!). This time out, our future science heroes are knee-deep in bazookas, beauty pageants and brain transplants; and that doesn’t even scratch the surface. Joey Comeau’s story takes beloved sci-fi tropes and makes mincemeat out of them. And having his hysterically depraved scenarios drawn by Mike Holmes in the faux-naive, child-friendly style of Adventure Time (saturated in pretty, pretty colors by Lisa Moore)  just makes the whole thing seem so, so wrong. (Ditto Ryan Pequin’s giggle-inducing back-up story). The absurdity in this book is so ridiculous, it’s almost profound.

Of course the book that did more than any to bring science adventurers to the modern era was Jack Kirby and Stan Lee’s Fantastic Four. Emphasis on mod. After fifty-plus years of history, it’s easy to forget that these staples of the spinner rack were once downright cutting edge. As Pop Art was breaking the boundaries between ‘fine’ and ‘low’ art, Kirby was exploding the restrictive design of the comics page. In the midst of the Space Race, the costumed quartet were frequent fliers. And at the height of the British Invasion, Lee and Kirby gave comics its own Fab Four. Those early issues still crackle with energy and freshness. As the years wore on however, FF inevitably transitioned from zeitgeist to nostalgia, revolutionary to venerable.

Now Eric Stephenson and Nate Bellegarde have dusted off the elements that made FF great and reconfigured them (along with a whole bunch of other stuff) to create Nowhere Men (Image), a decidedly 21st century comic. The story (with the tagline ‘Science is the New Rock-N-Roll’) concerns four celebrity scientists (bearing more than a passing resemblance to The Beatles) who banded together in the ’60s, forming a mega-conglomerate called World Corp dedicated to the betterment of mankind. In the present however, they’ve long since gone their separate ways, due to ego clashes, differing visions, (sound familiar?) as well as mysterious circumstances that haven’t been fully revealed yet. One or all of them are also somehow involved in the fate of a space crew whose mission has somehow gone seriously awry.

Here the comparison to FF is particularly instructive: where Kirby and Lee, reflective of their age, presented a utopian faith in scientific progress, Stephenson and Bellegarde present a view that is, not cynical exactly, but knowing, tempered by an awareness of human weakness and fallibility. The innocence of scientific discovery for its own sake has been replaced by the reality of serving corporate profit. Technological advancement is understood as at least as destructive as it is creative. For example, in FF the group is testing an experimental rocket when they are struck by ‘cosmic rays’ endowing them with superpowers, which they promptly use to protect humanity (with the monstrous Thing serving as tragic, though still noble, counterpoint). In Nowhere Men, we have a group of scientists quarantined in a space station due to a ‘sickness’ they’ve contracted under mysterious circumstances. The effects of the sickness affect each individual randomly, even capriciously, as some are granted ‘abilities’ (as opposed to ‘superpowers’) while others undergo grotesque transformations that make the Thing look like Michael Caine in comparison. And some are in between (one of the more appealing characters seems to combine the brute strength and appearance of the Thing with the intellectual remove of Mr. Fantastic). Where one offered limitless promise, the other deals in disillusionment; even the title seems to suggest it.

This is far from a hopeless affair however. For one, the sheer inventiveness of the storytelling will not allow it. In addition to alternating between the past and present, Stephenson’s elliptical narrative is fragmented amongst various viewpoints. Only now, in this fourth issue, are its non-linear elements beginning to coalesce (I didn’t even feel comfortable reviewing the thing ’til now). But that’s not all. The very presentation of information is unorthodox. In the current issue for example, Stephenson thinks nothing of inserting three pages of prose – an excerpted ‘chapter’ from a tell-all history of World Corp – right in the middle of the action. This not only serves as a clever transition, but adds visual depth to the story, as the chapter is presented in a specific graphic style that convincingly suggests the late ’70s / early ’80s. Where FF‘s brash, boundary-breaking style was in keeping with the modern sensibilities of its era, Nowhere Men‘s approach is distinctly postmodern, befitting our own fractured time.

Which brings us to perhaps the most notable aspect of the book: its design. FF had the kinetic genius of Kirby’s art. Nowhere Men instead employs the principles of sophisticated modern graphic presentation. The clean, cold concision of Bellegarde’s art is impressive enough. But it is packaged, along with the aforementioned textual pieces, faux ads and information graphics, in a carefully considered manner that takes into account the comic book as an object. The refined aesthetic has been compared, aptly, to Stanley Kubrick’s 1968 masterpiece, 2001: A Space Odessey.  Fonografiks, the company responsible for the look of the book, is really to be commended; I only wish the name of the specific designer was credited. The inside covers, the selection of fonts, the credits; all act in concert to create a visually immersive experience that reinforces the incidents of the story. When was the last time the design of a comic played such a concerted, integral role in the narrative?

FF has had any number of interesting runs over the years (Jonathan Hickman just finished up a pretty good one at that). But the true successor to Kirby and Lee’s vision, innovation and cultural relevance is Nowhere Men.  Book of the Week.

 Turning pages,

Derek & Scott

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

The Nerds

  • dmainhart
  • ScottNerd

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,151 other followers

An Amazing Comic Shop

Wiggle Room

It's just the beginning...

Tag Salad!

Ales Kot All-New X-Men Animal Man Archer & Armstrong Avatar Batman Batwoman Bloodshot BOOM! Brian Azzarello Brian K. Vaughan Brian Michael Bendis Brian Wood China Mieville Chris Bachalo Chris Samnee Clone comics Cullen Bunn Daredevil Dark Horse DC DC Comics Dial H Dynamite Dynamite Entertainment Ed Brubaker Fatale Fiona Staples Fred Van Lente Garth Ennis Goran Parlov Grant Morrison Greg Rucka Harbinger IDW Image Image Comics J.H. Williams III J. Michael Straczynski Jason Aaron Jeff Lemire Jonathan Hickman Jordie Bellaire Joshua Dysart Kevin Eastman Kieron Gillen Kurt Busiek Lazarus Mark Waid Marvel Matt Fraction Matt Kindt Mike Allred Mind MGMT Nick Spencer Oni Press Rachel Rising Robert Venditti Saga Scott Snyder Sean Phillips Swamp Thing Teenage Mutant Ninja Turtles Terry Moore The Massive Titan Uber Ultimate Spider-Man Uncanny X-Men Valiant Vertigo Wonder Woman X-O Manowar zero

Archives

  • August 2020
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • August 2017
  • September 2016
  • August 2016
  • July 2016
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012

Features

  • 22 I&N 22
  • 5 Comics You Should Be Reading
  • Back and Forth
  • Derekommendations
  • I&N Print
  • I&N Review
  • I&N Scott's Bag
  • I&N Store
  • I&N the Gutter…
  • I&N's Top Ten
  • I&Nsight
  • I&Nterview
  • Innie Awards
  • Microviews
  • Scottlight on…
  • Superhero Friday!
  • Top 5 Books of the Month
  • Uncategorized
  • What's I&N Store?

Recent Posts

  • Worth Your Time
  • I&N Store 11/7
  • I&N Store 10/31
  • I&N Store 10/24
  • I&N Store 10/17

Real Nerdy Stuff

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Twitter Updates

Error: Please make sure the Twitter account is public.

Top 3 Posts & Pages

  • Worth Your Time
  • I&N Store 11/7
  • I&N Store 10/31

Finders Keepers

Blog at WordPress.com.

Cancel
loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
%d bloggers like this: