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I&N Scott’s Bag (10/23)

28 Monday Oct 2013

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This is actually, kinda, sorta on time.

  • Mind MGMT #16 (Matt Kindt is the Thomas Edison of comics: he’s invented yet another way to make this book the most involved read on the rack.  As important as this story is to the world Kindt’s been building, it is a stand alone issue.  Do yourself a favor and pick it up, even if you’re not looking to add another title to your monthly haul; it’s a stunning example of what the medium can do.)
Mind MGMT #16

Mind MGMT #16

  • Velvet #1 (I like the bad-ass Miss Moneypenny angle from Ed Brubaker and Steve Epting.  The other angles–all of them right–come together to take the shape of an exceptionally executed exposition.)
  • Pretty Deadly #1 (Pretty underwhelming.  Not entirely Kelly Sue DeConnick’s fault, really.  Sure, I wasn’t particularly taken by the–perhaps purposely–juvenile poetry that frames the issue, and Emma Rios’s art was often tough to translate; but I think the main problem is with me–with my bag.  Not only am I already invested in wonderfully wild westerns–including BOOM!’s Six-Gun Gorilla, Image’s East of West, and Oni’s The Sixth Gun–I’m seeing similarities, which steal a bit from the experience.  Even if they’re complete coincidences, which I assume they are, they’re enough to affect my experience here.  To be fair, I’m going to meet #2 at high noon on or around Wednesday 11/27.  We’ll see who flinches first.)
  • Satellite Sam #4 (Had to spend extra time with it to suss out some of the dialogue.  Time well spent.  Who knew I’d be more interested in the early days of TV than I am in the recent exploits of Captain America and Superman?  It’s not what I came back to comics for, but it’s why I’ll be sticking around: an original voice affected effortlessly by Matt Fraction and ridiculously detailed black & white artwork from Howard Chaykin.)
Satellite Sam #4

Satellite Sam #4

  • Harbinger #17 (Wouldn’t have been so terrible if it were terrible, but it wasn’t.  Peter and friends live to see another What’s I&N Store post.)
  • Kiss Me, Satan #2 (Other things me, too, Satan.  And make it fast because, despite Juan Ferreya’s art, I’m not sticking around for #3.)
  • Rat Queens #2 (The joke ran the risk of getting stale–like a chunk of cheese on a ill-placed trap–but then came the end.  “[Fudge] buckets,” indeed.  At its best, like during the final two-page sequence, Kurtis J. Wiebe’s world spins not unlike something you’d see in Saga.  At its worst, it reads like Fraction’s cutting-room floor.  Here’s hoping for more of the best.)
  • Clone #11 (I wasn’t sure where we were headed after #10.  Now I know–and I’m stoked!  All the way around, a terrific issue.  The twriters [that’s tri-writers, to reflect the combined efforts of David Schulner, Aaron Ginsburg, and Wade McIntyre–did I just coin that?] continue to celebrate the unique experience that is the comic book page turn in this fast-paced effort; and the art from Juan Jose Ryp, with colors from Andy Troy, is at its detailed best.  Really, really good.)
Clone #11

Clone #11

  • Sex Criminals #2 (Even filthier than the first, which makes sense since we get the guy’s side here.  It goes without saying that I found it hard to relate to.  I have a friend, though, who found it remarkably resonant–especially the bit about the–umm–treasure in the woods.)
  • Daredevil #32 (Quite a ride.  Went from hard to diJester to frighteningly flavorful in a single course!  Who would’ve thunk it: Mark Waid twists the political slog from #31 into something fiendishly fun and then, just as quickly, into something D-D-deadly.  Two fantastic splashes from Chris Samnee, the best being the ironic “They’re not monsters!” monsterpiece.  Hard to believe we’re that much closer to the end of this glorious run.)
Daredevil #32

Daredevil #32

  • Ultimate Spider-Man #28 (Sad to say, I’m happy that this one’s done.)

Missed a few–The Massive, Numbercruncher, and Death Sentence–for one reason or another; but I won’t be without them for very long.

What did you think of this bag’s worth?

Turning pages,

Scott

What’s I&N Store (10/23)

22 Tuesday Oct 2013

Posted by in What's I&N Store?

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A list notable for what’s not on it as much as for what is on it.

  • Kiss Me Satan #2 (Dark Horse): Highlight of #1: Juan Ferreyra’s gorgeous art.  Made me not care so much that I was reading a werewolf book.
  • The Massive #16 (Dark Horse): A new arc for Brian Wood’s understated masterpiece.  Now is as good a time as any to jump on board.
  • Mind MGMT #16 (Dark Horse): Met Matt Kindt at NYCC.  I didn’t bring much to my side of the conversation; I was too starstruck.  Acted pretty much the same way I did when I met Bret Easton Ellis.  Stupid me!  Not very different from the poetic voice from Lawrence’s “Snake”: “I missed my chance with one of the lords of [comics].”  I ain’t missing this, though: Mind MGMT is a top-of-the-pile book.  These self-contained issues have been really, really good.
Mind MGMT #16

Mind MGMT #16

  • Clone #11 (Image): All right, let’s get on with it!  A frivolous book, sure, but satisfying on the most basic of levels.
  • Pretty Deadly #1 (Image): Girls!  Girls!  Girls!  Love the punny title; but, come on: another western?  You’re killin’ me, ladies!  The others–including The Sixth Gun, Six-Gun Gorilla, East of West–are darned good; so there’s no reason to think that this one won’t be, as well–is there?
Pretty Deadly #1

Pretty Deadly #1

  • Rat Queens #2 (Image): I was pleasantly surprised by #1.  What does that mean for #2?  Expectations.
  • Satellite Sam #4 (Image): Fraction and Chaykin are hella heavenly over here.  If I’m being nit-picky, in #3, the former climbed the latter a little too high at times.  There’s power in implication, fellas!  Even still, I’m high on this.
  • Sex Criminals #2 (Image): More Fraction!  He promised quite a bit in the first issue, including a certain literary lineage.  Question: How Lo can he go?
  • Velvet #1 (Image): Ed Brubaker and Steve Epting are back in one of the industry’s most highly anticipated new titles.  I know I’m excited about it!  Interesting note: I’m going to have a book in mind before jumping in, but it’s not Brubaker’s own Fatale; it’s not even this team’s work on Captain America; it’s Rucka and Lark’s Lazarus.
Velvet #1

Velvet #1

  • Daredevil #32 (Marvel): #31 was a serious wipeout–especially after a gnarly #30.  Went from ripping in the green room with the Silver Surfer to getting caught in a political rip current.  Gosh, I hope I don’t get accused of a hate crime.
  • Death Sentence #2 (Titan): Montynero’s got a snarky, rock ‘n roll style that reminds of Californication.  Like Mike Dowling’s art a lot, too.
  • Numbercruncher #4 (Titan): Doesn’t matter what kind of math you use: this mini’s been a monster!  Loving every aspect of it.  In fact, we loved #3 so much that it made our Top 5 for September!  Sad to see it go–and not just because the series has been so good.  We’re losing part of our monthly communion with Simon Spurrier.  Oh my!  What are we going to do after Six-Gun Gorilla fires its last shot?
Numbercruncher #4

Numbercruncher #4

  • Harbinger #17 (Valiant): The last one ended well enough.  I suppose I’m looking forward to seeing how things turn out.

What are you looking forward to tomorrow?

Turning pages,

Scott

I&N Scott’s Bag (9/18)

29 Sunday Sep 2013

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  • Mind the Gap #14 (The penultimate issue of Act I follows the same formula as #13: it’s another harmonious dual narrative visualized to perfection by artists Rodin Esquejo and Dan McDaid. The flashback is particularly fantastic: McDaid’s art is beautiful and emotionally effective–especially the wordless nine-panel page, which transitions terrifically on the turn from three cross-marked graves in the past to three cups of coffee in the present. No matter the time period, Jim McCann’s in complete control of the complex storyline; in fact, he’s given birth to the equivalent of a classy lady, this gorgeous Mind the Gap: it’s sexy, sure, enough to lure you in; but it doesn’t give away all its secrets; it knows it’s the mystery that brings ’em back for more.)
Mind the Gap #14

Mind the Gap #14

  • Six-Gun Gorilla #4 (We’re almost to the point where words are no longer enough to describe this soon-to-be classic from Simon Spurrier and Jeff Stokely. These guys are putting on an absolute clinic! Consider: we’ve swung from Thurber’s “The Secret Life of Walter Mitty” in #3 to Quinn’s Ishmael here in #4, all while wearing a classic Western motif with an “unconventional twist”–and it’s all done so damn effortlessly.)
  • Numbercruncher #3 (Suddenly, Simon Spurrier’s vaulted to the top of the Must Read list. As good as Six-Gun Gorilla has been for four issues, this is as good a single issue as you’re gonna find; and Bastard Zane is as unique a voice as you’ll ever hear. Wow. Wow, wow, wow, wow, wow. The artwork, too, is worth celebrating; it’s no accident: P.J. Holden and Jordie Bellaire amplify the conflict between the variables of life and the accounting for them in the after through the perfect balance of black & white and color. If you’ve missed this series, do yourself a favor: plan on picking up the trade.)
Numbercruncher #3

Numbercruncher #3

  • Bloodshot and H.A.R.D. Corps #14 (Better than I expected it to be.)
  • Harbinger #16 (Harbinger meets The Matrix. Dysart’s playing mind games with the Renegades–and with us!)
  • Kiss Me Satan #1 (I’m not a big werewolf guy, but I liked this. It doesn’t take itself too seriously, and Colder‘s Juan Ferreyra elevates Victor Gischler’s story enough to warrant a second issue.)
  • Uncanny X-Men #12 (The best issue of Battle of the Atom thus far. I know: that’s not saying much. A lot of the credit has to go to Chris Bachalo, who’s done his best work on the series here.)
Uncanny X-Men #12

Uncanny X-Men #12

  • Buzzkill #1 (Biggest surprise of the week. The promise of the premise is fulfilled over twenty-two intoxicating pages. Expectations have been raised like an upside-down college kid over a keg.)
  • Justice League: Dial E #23.3 (A brilliant way to say goodbye to a brilliant book: China Mieville dances with the dial and some seriously talented artists–including Mateus Santolouco, Jeff Lemire, Frazer Irving, and Alberto Ponticelli–for the last time? If so, what a dance, indeed.)
Justice League #23.3

Justice League #23.3

  • Zero #1 (This is the Ales Kot who drew me to Change, the one I was counting on to make something of Suicide Squad. Well, that certainly didn’t happen. Here, however, Kot shows some courage while going Gaza over the Israeli/Palestinian conflict, and he makes great use of time and space. All told–or story-wise, some told , anyway–this book is good therapy: took just this one issue of Zero to get me to stop thinking about Suicide.)
  • Daredevil #31 (Ripped straight from the headlines and brought straight down upon our heads. Makes me long for the days of the Omega Drive.)
  • Dream Thief #5 (The series started off really well.  It was innovative in its design and was full of energy.  And then it just got, well, stupid.  Thank goodness it’s over.)
  • The Sixth Gun #34 (To the pile with ye!)
  • X-O Manowar #17 (Solid, as always. Aric, one of my favorite current comic characters, channels his father as he does his all-important king thing. But despite his super-powered armor, which he wears arrogantly and aggressively, he may prove powerless against Volo, the uppity upstart, who wields the power of–get this–a super market.)
X_O Manowar #17

X-O Manowar #17

Turning pages,

Scott