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Tag Archives: Gwen Stacy

Microviews: Playing Catch Up

07 Sunday Apr 2013

Posted by ScottNerd in Microviews

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All-New X-Men, Andrew Ritchie, Brian K. Vaughn, Brian Michael Bendis, Chris Mooneyham, Dracula, Fiona Staples, Five Ghosts, Frank Barbiere, Frankenstein, Gwen Stacy, Image, Mary Jane Watson, Miles Morales, My?tery Society, Saga, Sara Pichelli, Steve Niles, Ultimate Spider-Man, Uncanny X-Men

I’m up to date with my reading.  Writing-wise, as you’re about to discover, I’m a bit behind; but I couldn’t let these books slip by without a word or two.

Saga #11: Opened it up and said, “Hello”–not like “Hello, hi, howya doin’?” but more like “Hell-oh!” in response to yet another remarkable salutation–a tantalizing and titillating page one–from Vaughn and Staples, one in which we find Marko and Alana coming together in a coital splash, followed by a delightfully daring debate that glows like an after-sex cigarette.  That scene is cleverly coupled with The Will’s wordless yet startlingly intimate retrieval of Lying Cat, made possible only by the bounty hunter’s discharging of a decidedly phallic device.  That bit of brilliant storytelling from the book’s creators is humbled, however, by the burden taken on by Barr, Marko’s father.  Be honest: have you ever believed a character more than you believed Barr when he tells Alana, “I’ll hold us together”?  You know that rare rush you get from an unexpected brush with beauty?  Yeah, got that–and more: I mean, have you ever hurt as much as when Barr passes on while peering into Hazel’s “peepers”?  Have you ever tasted as bittersweet a morsel as when Marko manages a magical father-son memory, one cleverly conveyed in two languages, including one we all understand: the language of love?  And for good measure, older Hazel’s commentary ties it all together with a gentle tug or two on our heartstrings–with a final line for the ages.  Truly inspiring work.

Saga #11

Saga #11

My?tery Society Special 2013: Frivolous fun!  Steve Niles and Andrew Ritchie bring together mystery and monsters and, in doing so, deliver the goods and the chivalrous evil, particularly in the form of the gentlemanly Dracula, who steals the show even as he not so surprisingly fails to show up in the book’s final gag: a vampire-free group photo.  Niles’ immaculate timing sells the decidedly dessicated humor, which helps to keep the confidently-wielded familiar–which reminds us of our favorite stories, be they bound to page or screen–as fresh as an undead daisy.  I welcomed the whiff of Frankenstein, “however brief it was”; see, I’ve been in a wicked state of withdrawal since the demise of the fantastic Frankenstein: Agent of S.H.A.D.E. and since I dropped the disappointing JLD–so I’ll take what I can get!

My?tery Society

My?tery Society Special 2013

Five Ghosts #1: Overreaching and underwhelming.  Frank Barbiere throws a lot at us in this first issue of a five-issue mini.  He kicks things off well enough by introducing us to Fabian Gray, an Indiana Jones-type–almost necessarily kicking Nazi ass–blessed and cursed with an assortment of skills derived from five literary archetypes, not entirely unlike Captain Marvel, who too derives his powers from a pantheon of legendary figures.  This one-man League of Extraordinary Gentlemen has some “unfinished business” of a personal nature that he harps on, and then he eventually–after some more harping and an evil-spirited interlude or two–hops on a plane to Africa, where things don’t turn out so well for him–or for us, if I’m being honest.  Africa?  Really?  Already?  Sebastian says it best: “I’m guessing that means something bad.”  What’s not so bad about the book?  Chris Mooneyham’s art is, in and of itself, fine; however, he’s hamstrung a bit by Barbiere’s ridiculously fast pace; and, as a result, too often he’s unable to bring the requisite energy to the page.  Overall, looks like Barbiere is shooting for novel-level complexity to suit the allusions at the center of his concept.  Unfortunately, the result is a few frayed narrative threads.  Will I pick up #2?  I’m thinkin’ it’ll be a comicday decision.  At the rate I’m shedding books, odds are good this’ll sneak its way back into my bag.  And then if I’m two-deep into the series, you know I’ll run it out till the end.  (That’s my blessing-slash-curse.)  Here’s to hoping these two fellas find their groove–because at the core of this story is something I might like to get into.

Five Ghosts #1

Five Ghosts #1

Ultimate Spider Man #21: We kept asking for it and darned if we didn’t get it: a costume-free issue!  And a damn good one, too.  Bendis spares the spandex and spoils us with angst and honesty; he–like a genie granting wishes–serves up a teenage boy’s dream team-up: Miles, Ganke, Mary Jane, and Gwen Stacy.  Gotta love it and the possibilities.  Also gotta love the way Sara Pichelli and Justin Ponsor bring the fantasy to life.  The art is terrific throughout and terrifying when it needs to be.  Yeah, at the start of this arc, I thought Venom would be narrative poison; but I put my faith in Bendis, and it turns out that my faith was put well.  This is an intense issue.  It’s an exemplary issue.  It cements this title as one of Marvel’s best, and it’s another reason why I feel comfortable buying All-New X-Men and Uncanny X-Men despite my lingering doubts about those titles.  Bendis can be this good at any time–and I’d hate to miss it when it happens.

Ultimate Spider-Man #21

Ultimate Spider-Man #21

Turning pages,

Scott

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Scottlight on: Spider-Men #4

19 Sunday Aug 2012

Posted by ScottNerd in Scottlight on...

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Aunt May, Bendis, comics, Gwen Stacy, MJ, Peter Parker, Pichelli, review, Spider-Men, ultimate

I’m pretty sure that the Aunt May and the Gwen Stacy of this Ultimate universe never in their wildest dreams expected to see Peter Parker in the flesh again.  And, I’m damn sure that I never in mine expected to enjoy this book as much as I did.  I certainly never expected to love it.  But I did.  Yes, indeed: Spider-Men #4 is a surprise top of the pile for the week of 8/8.

Spider-Men #4 Cover

Early on, Pichelli’s powerfully palpable panels–of May’s slapping and felling a stunned Peter on page 2 and of Peter’s apology, culminating in May’s passing out into Gwen’s arms on page 3–anticipate a magically emotional reunion of sorts, effortlessly conveyed through Bendis’s realistic, and often very funny, dialogue.

Speaking of the dialogue: the playful and heartfelt conversation amongst Peter, Gwen, Miles, and, eventually, May, upstairs at May’s house, reminds me of another terrific turn by Bendis: Miles’ conversation with his dad in Ultimate Spider-Man #2.  Amazing work.  Worthy of a wow.  But, wouldn’t you know, while I was reading, I didn’t think Wow.  Instead, I just fell into it; in fact, I felt like I was in the room with them: I laughed with them; I wondered with them; I even hugged them.

One of my favorite page turns: the transition from the bottom of page 15–where May says, with Peter in her eyes, “Oh my God, it is you.  Look at you.”–to the top of page 16, where Peter and May embrace for the first time.  Beautiful stuff.  The look on May’s face–a marriage of belief and disbelief, punctuated with a tear of joy–is perfect for the moment.  So, too, is Miles’ face, which shows just a smidgen of sadness; which tells a silent truth: that he wishes that he could wear his costume without his mask and hug his father in much the same way.

Another touching–or in this case, not touching–moment is when Peter sees MJ and, on the first panel of page 21, reaches for her in such a manner that he looks like he’s going to shoot a web at her to keep her from getting away.  I was so invested in the moment–in the story as a whole–that I wanted him to go ahead and shoot a web at her; I did not want him to let her go.  Even as he closed his hand into a fist–effectively surrendering to the fact that this was not his world, not his MJ–I was still rooting for him; and just like that, I was hurting for him as he got into the car–and hurt for MJ, perhaps even more,  as Peter headed toward heaven again.  I’d say that, like MJ, I was left speechless; but it doesn’t seem that way, does it?  I promise: I was.

The book pretty much ended for me there; so I’m going to end my review with this:

In an earlier post, I wrote that this series–as fun as it might be–doesn’t really have much of a point.  I was wrong.  With issue #4, it’s undeniable: Spider-Men has an exclamation point.

Turning pages,

Scott

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